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W. Somerset Maugham: Life and Legacy

W. Somerset Maugham, a prolific writer known for his plays, novels, and short stories, has had a significant impact on literature and film, despite facing challenges such as a severe stutter and a mixed literary reputation. Born in Paris in 1874, Maugham initially studied medicine before dedicating himself to writing, achieving fame with works like 'Liza of Lambeth' and 'The Razor's Edge.' His short story 'The Verger' illustrates his talent for character studies, showcasing the success of a man who thrives despite his illiteracy.
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0% found this document useful (0 votes)
11 views4 pages

W. Somerset Maugham: Life and Legacy

W. Somerset Maugham, a prolific writer known for his plays, novels, and short stories, has had a significant impact on literature and film, despite facing challenges such as a severe stutter and a mixed literary reputation. Born in Paris in 1874, Maugham initially studied medicine before dedicating himself to writing, achieving fame with works like 'Liza of Lambeth' and 'The Razor's Edge.' His short story 'The Verger' illustrates his talent for character studies, showcasing the success of a man who thrives despite his illiteracy.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd

Hollywood loves W. Somerset Maugham.

More than the works of most other


twentieth-century writers, Maugham’s
plays, novels, and short stories have been
adapted into films. In part, this was
attributable to his enormous output, but it is
even more closely tied to his enduring
popularity. That popularity and the lucrative
financial benefits that it brought had a
negative impact on Maugham’s literary
reputation. A writer who was too often
written off as well liked rather than well respected, Maugham frequent
joked about his own apparent inferiority. Yet, despite his modesty,
Maugham created a body of work characterized by incredible range.
While he was known for fluffy tales like Theatre (which was adapted into
the 2004 film Being Julia), his dark, late-career novel The Razor’s
Edge proved Maugham was an author of substance.

 Although of British descent, Maugham was born in Paris. To prevent


Maugham from being drafted into the military under French law,
Maugham’s father arranged for his son to be born on British Embassy
grounds.

 Despite his gift with language on the page, Maugham suffered from a
severe stutter throughout his life.

 Maugham was one of the “Literary Ambulance Drivers” of World War I.


The moniker was a slang term for the unusually high number of literary
greats (such as Ernest Hemingway and E. E. Cummings) who served as
ambulance drivers during the war.

 Maugham briefly did intelligence work at the end of the First World War.
The written account of his experiences was highly influential on Ian
Fleming, creator of James Bond.
 For half a decade, Maugham studied medicine. Though the experience
would continue to influence his writing for the rest of his life, it was
particularly crucial to his first and highly successful novel, Liza of
Lambeth.

William Somerset Maugham, the fourth son of an English solicitor, was


born in the British Embassy in Paris on January 25, 1874. He spent his
early childhood in France, but following the deaths of his parents he went
to England to live with an uncle, the Reverend Henry Maugham, vicar of
Whitstable. In a nearby boarding school, King’s School, Canterbury,
Maugham found that the bitterness of his childhood only increased. A
permanent stammer that developed at the time prevented his becoming a
lawyer like his father and two brothers. Instead of entering an English
university after his schooling, he traveled to Heidelberg, where he learned
German, attended lectures by Kuno Fischer on the philosophy of Arthur
Schopenhauer, and saw the dramas of Henrik Ibsen. On his return to
England, he enrolled in the medical school at St. Thomas Hospital in
London.

Although Maugham received his doctor of medicine degree in 1897, he


found that his interest in writing overshadowed his desire to become a
practicing physician. With the publication of Liza of Lambeth (1897), a
naturalistic novel, he resolved to devote his career to writing. Although
none of the numerous novels he wrote during the next decade
approached the success of Liza of Lambeth, Maugham was to become
one of the most prolific and successful English authors. He achieved
sudden and unexpected fame with drama, producing numerous comedies
of manners for the London stage.

In 1915, he married Syrie Bernardo Wellcome, a marriage that ended in


divorce in 1927. Following World War I, Maugham traveled to more
remote areas of the world: the South Seas, Southeast Asia, and America,
accompanied by his secretary, a gregarious American named Gerald
Haxton, who aided the author in finding material for his fiction. Maugham
acquired the Villa Mauresque on the French Riviera in 1928, an estate
that became his home for the remainder of his life, though he continued
his frequent travels and spent several years during World War II living in
the United States. Creative work during his later years centered
principally on short stories, novels, and autobiography.

Maugham's "The Verger" is a simple tale about a simple man who does
his duties with great joy and dedication. Foreman has been the verger of
his church for sixteen years, doing all the menial and manual duties of the
vicarage. He loved his job and there were no complaints about him until a
new pastor arrived and made a startling discovery--Foreman cannot read.
While that fact has never interfered with his duties, the new preacher is
appalled and immediately fires the verger.

Foreman goes on to start a very practical business, opening a tobacco


store where he sees a need, and is amazingly successful. Years later,
when Foreman was asked to sign some papers at the bank but could not
read them, the banker was astonished at what this man had
accomplished without the ability to read. When he asked Foreman what
he would have done if he could read, Foreman gave a quick and simple
answer: he would have been a verger.

The plot of "The Verger" is simple, like those of many of Somerset


Maugham's short stories. A man loses his low-paying job as a verger
because it is discovered that he is illiterate, but he adapts to his problem
by becoming a successful shopkeeper. He finds he is better off being
illiterate. Maugham likes to write about the odd diversity of human
characters. In fact, he traveled the world in search of unique characters
who would provide inspiration for his stories and novels. "The Verger" is
more of a character study than anything else. What is true for the hero of
"The Verger" is not necessarily true for everyone; however, there are a lot
of men like Maugham's Albert Edward Foreman who have little book-
learning but plenty of worldly wisdom obtained through intelligent
observation of the real world. Albert Foreman was happy because he did
not aspire to social success even after he made a lot of money. He and
his wife were both content to lead simple lives.

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Maugham's service as a 'Literary Ambulance Driver' and his intelligence work during World War I exposed him to varied human conditions, which enriched his storytelling with authenticity and depth (). His post-war travels to the South Seas and other remote areas expanded the geographical and cultural horizons in his work, bringing in diverse settings and perspectives. These experiences allowed Maugham to infuse his stories with a rich tapestry of human experiences collected from various parts of the world ().

Maugham's modesty and self-deprecating humor often echoed through his narratives, focusing on characters who, like himself, did not perceive themselves as extraordinary despite their achievements. His works often featured 'everyman' characters who faced life's challenges with simplicity and resilience, such as Albert Edward Foreman in 'The Verger' (). This thematic choice reflected his belief in the universality of human experiences and the subtle heroism in ordinary lives ().

Albert Edward Foreman represents Maugham's fascination with human diversity and the complexity of seemingly simple lives. Although Foreman is illiterate, he exhibits great practical wisdom and adaptability, which are traits Maugham valued and often explored in his work (). Foreman's journey from a verger to a successful businessman without the ability to read highlights Maugham's interest in the nuanced and varied forms of intelligence beyond academic knowledge ().

Maugham's financial success and broad popularity led to a certain devaluation of his literary reputation, as society often equated literary merit with exclusivity rather than widespread appeal (). Despite his significant contributions to literature and his exploration of complex themes, his work was often labeled as being more accessible than prestigious. This reveals a bias within literary circles that tended to prioritize less successful or more 'difficult' work as being inherently superior, thereby underrating Maugham's achievements ().

Maugham's shift from medicine to writing underscored his belief in following one's passion over societal or familial expectations. His medical training provided him with insights into human suffering and psychology, which became prominent themes in his novels and stories (). This transition also marked a departure from a structured career path to a pursuit of personal fulfillment through literature, indicating his philosophy that genuine success is derived from aligning one's work with their intrinsic passions ().

Gerald Haxton played a significant role in Maugham's later writing years, acting not only as a secretary but also as a source of inspiration and material for his stories. Haxton's companionship during travels allowed Maugham to explore and gather a diverse range of experiences and encounters, which enriched the settings and characters in his later works (). Their partnership facilitated Maugham's close observation of human nature across different cultures, directly influencing the authenticity and depth of his narrative worlds ().

Maugham's early life was marked by the death of his parents and a challenging upbringing, which contributed to a sense of melancholy in his literary themes. Educated in France and deeply influenced by Schopenhauer's philosophy and Ibsen's dramas in Heidelberg, Maugham developed a unique style characterized by a keen observation of human nature and societal norms (). The combination of a harsh childhood, his stammer, and his diverse educational background fed into his writing, leading to works that explored the depth of human emotions and societal structures ().

Maugham's struggle with a stutter possibly enhanced his writing career by directing him towards written expression, where he could communicate without the impediment of speech. This personal challenge likely deepened his empathetic understanding of human fragility and vulnerability, contributing to his nuanced character development across his works (). His ability to portray complex human emotions and insecurities suggests an intimate empathy, possibly informed by his own experiences with communication barriers ().

Maugham's medical education provided him with a deep understanding of human physiology and psychology, which he applied to the realistic portrayal of life in 'Liza of Lambeth'. His training allowed him to depict the gritty and challenging aspects of working-class life with authenticity and empathy, crafting a naturalistic novel that drew heavily on his observations as a medical student (). This novel laid the groundwork for his thematic focus on human suffering and societal issues in his broader body of work ().

Maugham's experience as a successful playwright informed his narrative style with a strong sense of dialogue and character dynamics. His plays' emphasis on realistic interactions and societal commentaries carried over to his novels and short stories, creating engaging and accessible narratives with concise dialogue and vivid character portrayals (). This background helped him craft stories that resonated with audiences both on stage and in written form ().

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