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Macbeth Act 3 Scene 2 Analysis

In Act III, Scene II of Macbeth, Lady Macbeth expresses her disillusionment with their power, feeling that their victory is hollow and filled with anxiety. Macbeth reveals his torment and fear regarding Banquo, contemplating drastic actions to secure their position, while Lady Macbeth attempts to console him and maintain appearances. The scene highlights their descent into darkness, as Macbeth plots Banquo's murder, symbolizing the increasing moral corruption and psychological turmoil they face.

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0% found this document useful (0 votes)
167 views7 pages

Macbeth Act 3 Scene 2 Analysis

In Act III, Scene II of Macbeth, Lady Macbeth expresses her disillusionment with their power, feeling that their victory is hollow and filled with anxiety. Macbeth reveals his torment and fear regarding Banquo, contemplating drastic actions to secure their position, while Lady Macbeth attempts to console him and maintain appearances. The scene highlights their descent into darkness, as Macbeth plots Banquo's murder, symbolizing the increasing moral corruption and psychological turmoil they face.

Uploaded by

m.farznan
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

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Act III, Scene II: Macbeth's Palace

Lady Macbeth's Soliloquy


Lady Macbeth enters with a servant.
She inquires about Banquo's departure from court.
She instructs the servant to inform Macbeth that she wishes to speak with him
at his convenience.

Reflections on Unsatisfying Victory


Lady Macbeth reflects on the emptiness of their achievement:

Not has had, all is spent,

Where our desire is got without content.

Not has had: Nothing has been gained.


All is spent: All resources have been exhausted.

She expresses the idea that gaining power without inner peace is a hollow victory.

Preference for Death Over Anxiety


It is safer to be that which we destroy

Than by destruction dwell in doubtful joy.

She contemplates that it is better to be Duncan, the one who was murdered,
than to be the murderer living with constant doubt and anxiety.
Doubtful joy: Happiness tainted with uncertainty, anxiety, and doubt.

These lines reveal a shift in Lady Macbeth's temperament, indicating disillusionment.


The crown has not brought them peace or security.

Macbeth's Entrance and Dialogue

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Macbeth enters, and Lady Macbeth questions his solitary behavior: "How now,
my lord? Why do you keep alone?"
She asks why he keeps "sorest fancies" for company, referring to sad and
gloomy thoughts.
She urges him to move on, stating, "What's done is done."

"What's done is done"


There is really no point in thinking of about things which you cannot do
anything about

Lady Macbeth's Weakening Resolve


The phrase "sorest fancies" suggests a weakening of Lady Macbeth's resolve
compared to Act II.
She is experiencing the beginnings of fear, remorse, and guilt.

Reptile Imagery: The Unkilled Snake


Macbeth uses reptile imagery, referring to Banquo and Fleance:

We have scotch'd the snake, not kill'd it.

Scotch'd: Slashed or wounded.


They have wounded the snake (Banquo), but not eliminated the threat entirely,
as Fleance still lives.

He fears that the snake will heal and threaten them again.

The Torment of Macbeth

The Suffering of Two Worlds


Macbeth reflects on the dire consequences of their actions, stating that both Heaven
and Earth will suffer before they can eat meals without fear or sleep without
nightmares. He laments that it is better to be dead, like Duncan, than to be tormented
by anxiety and restless nights.

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Mind as a Torture Rack


Macbeth compares his mind to a rack, a device used to torture prisoners, revealing his
fear and desperation. This metaphor emphasizes the psychological torment he is
enduring as a result of his actions.

Banquo as a Threat
Macbeth compares Banquo to a snake, representing a danger to his and Lady
Macbeth's position. His fear stems from Banquo's knowledge of Macbeth's meeting
with the three weird sisters, and his anxiety that Banquo will expose him.

The Futility of Fear


Macbeth expresses a desire to take drastic steps to eliminate the threat posed by
Banquo, as the alternative of living in constant fear and enduring nightmares is
unbearable.

Duncan's Eternal Rest


Macbeth reflects on Duncan's state in the grave, where he is no longer troubled by
life's struggles, comparing these struggles to a fitful fever. He acknowledges that
they have already committed the worst act of betrayal (treason), and now nothing
can harm Duncan further – neither weapons, poison, rebellion, nor foreign invasion.

The Ironic Peace of Death


Macbeth finds it strange that, like Lady Macbeth, he now believes the dead are better
off, as he lives in torment, while Duncan is beyond all earthly troubles. This contrast
highlights Macbeth's deteriorating state of mind, as ambition has given way to
anxiety and fear.

Lady Macbeth's Attempt to Console 🫂

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Seeing Macbeth's distress, Lady Macbeth attempts to cheer him up, urging him to put
on a happy face and be jovial among their guests. She instructs him to pay special
attention to Banquo, concealing his true intentions.

Masks of Deceit
Macbeth instructs his wife to look at Banquo and speak to him in a way that makes
him feel important, all while hiding their true feelings. He uses the metaphor of
visards (masks) to describe their need to disguise their hearts, concealing their guilt,
ambition, anxiety, and fear.

Flattering Streams
Macbeth uses the metaphor of washing away their reputation with flattering
streams, referring to the false compliments and insincere behavior they must display,
especially toward Banquo at the feast. This outward wizard (mask) will cover up their
true feelings.

A Mind Full of Scorpions


Macbeth declares that his mind is full of scorpions, revealing his inner turmoil. He
acknowledges that Banquo and his son, Fleance, are still alive, but Lady Macbeth
assures him that they will not live forever.

Nature's copy: Refers to humans as creations of nature.

Eternal: Everlasting.

Reptile Imagery
The reptile imagery (snakes and scorpions) is significant because both creatures are
known for being poisonous. The irony is that while Macbeth refers to Banquo as a
snake and a scorpion, it is his own mind that is full of poison, as he plots to eliminate
Banquo.

Comfort in Action

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Macbeth finds comfort in the thought that Banquo and Fleance are assailable,
implying that he plans to have them killed before nightfall. This thought brings him a
sense of relief, knowing that action can be taken to secure his position.

Macbeth Study Guide

Act III, Scene II Analysis

Macbeth's State of Mind


Macbeth acknowledges that being "killed assailable" offers peace of mind, indicating
they are vulnerable to attack. This stems from Lady Macbeth's suggestion,
highlighting the irony in Macbeth's pursuit of security through violence.

Ironic Joy
The term "jocund" is used ironically.

In Wordsworth's "Daffodils," "jocund" describes the joyful company of


flowers. Here, it's used in the context of murder, creating a stark contrast.

Nightfall Imagery
Macbeth reveals his plot to Lady Macbeth, using the imagery of nightfall:

Bats: "Before the bat has flown his cloistered flight"


The bats' secretive flight foreshadows the murders.
Beetles: "Before the shard-borne beetle with his drowsy hum"
The beetle's hum announces the arrival of night.

Macbeth refers to the planned killing as a "dreadful deed," a crucial phrase for
understanding his guilt.

Symbolism

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Hecate: Goddess of witchcraft, associated with evil and darkness.


Shard-borne Beetle: Refers to the beetle's hard wing cases.
Drowsy Hum: The sound creates a sense of approaching night.

Declaration of Intent
The phrase "deed of dreadful note" is a chilling declaration of intent, revealing
Macbeth's awareness of the evil he is planning.

Lady Macbeth's Role


Lady Macbeth is told to "be innocent of the knowledge" until the deed is done, after
which she can celebrate. Macbeth personifies the night, urging it to:

Blindfold the day: "Come, sealing night, scarf up the tender eye of pitiful day"
Destroy Banquo's life: "Cancel and tear to pieces that great bond"

Macbeth's urgency is evident in his command "Come," showing his anxiety for the
night to arrive quickly.

Symbolism of Night and Day


Sealing: Suggests the night will hide their evil deeds.
Day: Personified as tender but an obstacle to Macbeth's plans.

Bonds
"Great bond" refers to:

Banquo's lease on life.


The prophecy that Banquo's descendants will inherit the throne.

Descent into Darkness


Macbeth observes:

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"Light thickens" - The sky is getting dark.


"Crow makes wing to the rooky wood" - The crow returns to the woods.
"Gentle creatures...droop and drowse" - Good things of day are falling asleep.
"Night's black agents to their praise do rouse" - Predators are waking up to
hunt.

The murderers are portrayed as "creatures of the night," hunting Banquo and
Fleance.

Macbeth's Closing Remarks ‍


Macbeth tells Lady Macbeth to "hold thee still," advising her to control herself and
not ask questions. He notes that "things bad begun make strong themselves by ill,"
suggesting that evil deeds can only be reinforced through more evil.

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Common questions

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Macbeth uses reptile imagery to express his perception of threats and highlight his anxious psychological state. By referring to Banquo and Fleance as a "snake" that has been "scotch'd, not kill'd," Macbeth highlights his awareness of the lingering threat they pose. This imagery denotes his paranoia and fear that unfinished business will come back to haunt him. Furthermore, his mind as "full of scorpions" metaphorically illustrates his mental anguish and paranoia, showing how deeply the fear of exposure and insecurity has penetrated his psyche .

Macbeth perceives the relationship between security and violence as paradoxical. He acknowledges that only through escalating violence, such as killing Banquo, can he secure his position. Yet, this pursuit of security through violence leads to further insecurity, as he cannot escape the "mind full of scorpions." The irony is that Macbeth seeks control over his fate through murder, but this only deepens his paranoia and moral corruption, proving the futility of such actions for peace and security .

Night imagery in Macbeth signifies secrecy and evil intentions. Macbeth uses images of nightfall, like "Before the bat has flown" and the "drowsy hum" of the beetle, to evoke the impending darkness necessary for his "dreadful deed." Darkness is associated with concealment and moral blindness, allowing Macbeth to hide his murder plots. By urging the night to "scarf up the tender eye of pitiful day," Macbeth desires to cloak his actions from scrutiny, symbolizing his descent into further immorality .

The metaphor of Macbeth's mind as a "torture rack" intensifies the understanding of his psychological burden, illustrating the relentless torment and guilt he experiences. The rack, a tool for physical torture, emphasizes the excruciating mental anguish and the constant strain on his conscience. This metaphor reveals how deeply his heinous acts have impacted his sanity, with his mind being subjected to continuous conflict and fear, showcasing the profound psychological cost of his unchecked ambition and moral downfall .

Lady Macbeth's directive to "be innocent of the knowledge" signifies a shift in their relationship dynamic. Initially, Lady Macbeth was the driving force behind the murder plans. However, as Macbeth becomes more entrenched in his ambition, he begins to act independently, keeping her in the dark to protect her from the details. This suggests increasing isolation in their relationship, as his descent into further violence creates a distance between them, highlighting his growing autonomy and her diminished influence .

The metaphor of "a mind full of scorpions" reflects Macbeth's inner turmoil by illustrating his acute sense of anxiety and guilt. This vivid imagery suggests that his thoughts are constantly stinging him like scorpions, representing the emotional and psychological pain caused by his deeds. It signifies his evolving moral descent as he becomes increasingly consumed by fear and paranoia, leading to his willingness to commit further atrocities to secure his power .

The ironic contrast lies in Macbeth's reflection that Duncan, in death, is now beyond all troubles, whereas Macbeth, who sought security through murder, is tormented by fear and insecurity. Macbeth envies Duncan's "eternal rest" and "fitful fever" being over, yet he is unable to feel secure despite having eliminated a perceived threat. This irony underscores the futility and moral cost of Macbeth's ambition, as his search for peace through violent means only results in deeper psychological torment .

Lady Macbeth's soliloquy reveals her disillusionment with their rise to power, as she reflects that their achievement feels empty and unsatisfying: "Not has had, all is spent, / Where our desire is got without content." This indicates that gaining power without inner peace has brought her no joy. She also considers death preferable over the anxiety they endure, expressing a sense of regret and introspection about the cost of their ambition .

Macbeth's desire to "scarf up the tender eye of pitiful day" epitomizes the theme of moral blindness. He seeks the cover of darkness to hide his gruesome deeds, representing his denial of moral consequences. This imagery of cloaking the day highlights his refusal to face the ethical reality of his actions, suggesting that his ambition has overridden his moral judgment. By personifying the day as "pitiful," Macbeth acknowledges the inherent goodness he is attempting to obscure, underscoring his willful embrace of moral ignorance and decay .

In Act III, Scene II, Lady Macbeth's role evolves from the instigator of ambition to a figure attempting to manage Macbeth's paranoia. She tries to console and calm him, urging him to "put on a happy face" and act jovial. She advises him to interact with Banquo with deceitful friendliness, highlighting her continued involvement in the moral decay through deceit. However, her attempt to control Macbeth's spiraling state indicates her decreasing influence and growing apprehension over their actions .

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