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Magnetic Notation Guide

The document appears to be a musical score or notation, possibly for a piece involving magnetic themes. It includes various symbols and notations that suggest a structured composition. The document is organized into sections, likely indicating different parts or movements of the music.

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Nguyên Trần Tiến Huy
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© All Rights Reserved
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9 views3 pages

Magnetic Notation Guide

The document appears to be a musical score or notation, possibly for a piece involving magnetic themes. It includes various symbols and notations that suggest a structured composition. The document is organized into sections, likely indicating different parts or movements of the music.

Uploaded by

Nguyên Trần Tiến Huy
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

MAGNETIC
                     
 
 
     
   


                              
   
5

  
    



                
     
9

  
    


      

       
13

   
   



                 

 
     
17

   
   


                           
        
21

  
    

                            
2

        
25

 
    


   
                            

29

  
    


                       

33 Fine

   
   


               
  
      

   
37

  
    


      
           
  
  

  
41

   
    


            

    
45

  
    

   
              

3

 

 
49

  
   


                            
        
53

  
    


                            
         
57

 
    


                                
   
61

    
   


                      
    
65 D.S. al Fine

   
    

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