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Sashiko Embroidery for Daifuki Craft

The document discusses the significance of boro and sashiko embroidery in Japanese textile history, highlighting their origins in the Tōhoku region and contemporary applications in fashion. It provides a step-by-step guide on creating a daifuki, a tabletop wipe, using sashiko embroidery techniques. Essential materials and tips for stitching are included to assist beginners in the crafting process.

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Khairin Nisa
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0% found this document useful (0 votes)
81 views1 page

Sashiko Embroidery for Daifuki Craft

The document discusses the significance of boro and sashiko embroidery in Japanese textile history, highlighting their origins in the Tōhoku region and contemporary applications in fashion. It provides a step-by-step guide on creating a daifuki, a tabletop wipe, using sashiko embroidery techniques. Essential materials and tips for stitching are included to assist beginners in the crafting process.

Uploaded by

Khairin Nisa
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

LEARNING DAIFUKI/SASHIKO EMBROIDERY WITH THE JICC

Nowadays, the Japanese word boro is as common as wabi-sabi among the textile and fashion cognoscenti.
Textile museums around the world have highlighted this unique Japanese patchwork technique originating
from the Tōhoku region, establishing it as part of world textile history. Now, contemporary designers like
Nakazato Yuima are drawing inspiration from boro in how they approach the construction of their
cutting-edge garments.

In her book, Boro: Rags and Tatters from the Far North of Japan, Koide Yukiko explains that originally,
boro was born out of necessity in the extreme north of Japan, where cotton cannot grow. Cotton fabric
was such a precious commodity that every piece of it was saved for repurposing. It was even passed down
through generations, as a full garment or even as remnants.

Sashiko is an embroidery technique used on boro items to simultaneously decorate and reinforce the
fabric. The story of the Tōhoku region’s former hardship can be found in the beautiful boro patchworks of
treasured fabric pieces and their multi-purpose sashiko designs.

Recently, sashiko has gained popularity alongside boro, and it is enjoyed all over the world as a stylish and
sustainable approach to fashion and repurposing household items. Check out #sashiko on Instagram and
find more exciting examples for yourself!

How to make a daifuki* (tabletop wipe) with sashiko embroidery


*Not to be confused with edible daifuku

WHAT YOU WILL NEED:


• Soft fabric that would otherwise be discarded
(Pictured: an old pillow case)
• Ironing board and iron
• Embroidery needle and loop of floss
• Regular needle and thread for temporary tacking
• Ruler (1.5” wide

LET’S BEGIN!
1. Iron the fabric 2. Cut the fabric to 37” x 10” (This will make a roughly 12” x 9” daifuki)

3. Fold 1/2 inch of fabric in along both long sides and one short side, and iron the folds

4. On a flat surface, fold into thirds, starting with the un-folded end toward the center, adjusting until each
section is even. Then fold the remaining third over that, making a 3-layered cloth about 12” x 9” in size

5. Using regular needle and thread, tack open sides 6. Mark 1/4 inch in from each side and connect
together, placing stitches approx 1” apart to draw that perimeter with the marking pencil

7. Mark the center of each side and draw bisecting 8. Using the ruler, make a grid on the fabric
lines to find the center point the width of the ruler

9. Mark every other 10. Connect the dots 11. Prepare embroidery needle and floss
intersecting point with diagonal lines (See Tip 1)

TIP 1: Embroidery floss comes in a big loop. If, like us, you are a novice at embroidery, you can just snip
the loop at one point to make many threads of a convenient length.

12. Using a running stitch, start stitching along the marked line of the perimeter from step six, creating 3
stitches per inch. (See Tip 2) The knot at the end of thread is not used with sashiko

TIP 2: A regular stitch usually has a knot at the end of the thread to hold the thread in place. For
sashiko, the knot is omitted to keep the fabric flat. To begin the stitches, make a few stitches running in
the opposite direction. Return the stitches by passing the thread in between layers of fabric under the
last stitch (not visible) and then go over from the second-to-last stitch and on (makes stitching visible and
thicker). **note the red and blue colors are only to indicate direction of one continuous used thread.

blue line is going in the direction you want to run the stitches

pink line is going in the opposite direction

13. After stitching all around the perimeter, start stitching the design while keeping in mind:

• Keep 3 stitches per inch, 4 stitches per inch for a diagonal line
• There is no particular order to stitching all the design
• Keep the shortest connection to the next line
• You can stitch over lines you have already stitched in order to transition to another line
• In some cases, in order to avoid making the stitch lines too thick or to transition to a different line,
hide the thread in between layers of fabric (See Tip 3)

TIP 3: When the distance between two lines is far apart, and you still don’t want to cut the thread and
you don’t want to make stitches too thick, pass the thread in between layers of fabric so that the thread
is invisible.

TIP 4: Ending the stitching at the end of a thread is the reverse of the process of starting the stitching

14. Wash the daifuki and take out the temporary stitching

Common questions

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A beginner might face challenges in sashiko embroidery, such as mastering the omission of knots, maintaining consistent stitch patterns, and ensuring neat stitch transitioning without visible knots. These challenges can be mitigated by practicing on smaller projects to develop control, following detailed guides to understand stitch techniques, such as running stitches, and using tips like hiding thread within fabric layers to achieve clean transitions. Patience and practice are essential, as is observing detailed guides that explain the step-by-step processes, as exemplified in making a daifuki .

Contemporary designers have been influenced by the traditional boro technique by incorporating its principles into the construction of modern garments. Designers like Nakazato Yuima draw inspiration from boro to create cutting-edge fashion that respects the aesthetic and utilitarian origins of the technique. This results in garments that not only echo the visual patchwork styles of boro but also embrace sustainable practices by valuing fabric waste and promoting the reuse of materials, aligning with the environmental consciousness of contemporary fashion .

Social media can enhance the understanding and dissemination of traditional textile techniques like boro and sashiko by providing a platform for sharing detailed visual tutorials and personal creations, thereby increasing global accessibility and engagement. Through hashtags like #sashiko, users can connect with communities passionate about textile crafts, facilitating cross-cultural exchange and learning. Social media also allows for dynamic storytelling around these practices, spreading awareness and appreciation of their history and contemporary relevance, leading to more workshops and community events worldwide that celebrate and preserve these art forms .

The technique of boro aligns with current global trends towards ethical and sustainable consumerism by advocating for the reuse and longevity of textiles, countering the fast fashion model. Its emphasis on patchwork and the repurposing of fabric scraps into new, functional garments advocates a circular economy, where waste is minimized, and resources are valued. This mirrors the principles of sustainable fashion that seek to reduce environmental impact and promote responsible consumption patterns, thus positioning boro as a technique that supports a more conscientious and sustainable approach to fashion .

Sashiko and boro play significant roles in promoting sustainable fashion practices today by encouraging the reuse and repurposing of fabric rather than discarding it. Sashiko adds a decorative and reinforcing element to clothes that increases their durability, aligning with the growing emphasis on sustainable consumption by prolonging garment life. Similarly, boro's patchwork technique champions the creative reclamation of wasted textiles into new designs. Together, these methods foster a culture of sustainability in fashion by reducing waste and valuing preservation and craftsmanship .

Boro, a traditional Japanese patchwork technique, illustrates the historical socioeconomic conditions in the Tōhoku region through its origin out of necessity. The extreme north of Japan was unable to grow cotton, making cotton fabric a valuable commodity that people salvaged and repurposed. Boro emerged as a way to conserve these precious fabric scraps, highlighting the frugality and resourcefulness required by the region's former hardships. This is evidenced by the repurposing of fabric scraps and the use of sashiko embroidery to both reinforce and decorate garments, reflecting an adaptation to limited resources while also preserving cultural heritage .

Passing down boro garments through generations in Japan holds cultural and historical importance as it reflects a tradition of resourcefulness and respect for materials. This practice symbolizes the preservation of family history and sustains cultural identity by maintaining ancestral connections through textiles. Boro pieces carry stories and bear marks of wearer history, embedding them with personal and communal narratives. The patina developed over years of use illustrates the intersection of utility and heritage, making boro a living testament to historical and familial continuity in Japanese culture .

The global resurgence of interest in Japanese techniques like boro and sashiko is driven by multiple factors, including the broader movement towards sustainable fashion and the appreciation for craftsmanship. As the fashion industry increasingly prioritizes environmental responsibility, these techniques offer timeless methods for fabric recycling and durability. The aesthetic appeal of these crafts, embodying the Japanese philosophy of wabi-sabi or beauty in imperfection, captivates global audiences. Additionally, the rise of social media platforms like Instagram facilitates the visibility and sharing of these practices, sparking widespread interest and appreciation .

Sashiko embroidery differs from conventional methods primarily in how it handles the finishing of stitches. Traditionally, embroidery finishes involve tying knots to secure threads, but sashiko omits knots to maintain flatness in the fabric. This requires starting and ending stitches by tacking the thread invisibly within the layers of fabric to prevent bulky seams, ensuring a smooth finish that is both functional and visually pleasing. By doing so, sashiko maintains an unobtrusive reinforcement while allowing for decorative expression .

The boro technique is significant in preserving cultural narratives as it embodies the history of Japanese rural communities, particularly those in the Tōhoku region, through its practice of fabric repurposing. It reflects the socioeconomic conditions of scarcity and the necessity of resourcefulness, capturing stories of past hardships and resilience. By being revived in modern arts and crafts, boro symbolizes heritage preservation while adapting to contemporary aesthetics. It is celebrated in textile museums globally and influences modern artists and designers who value its authenticity and narrative depth, merging tradition with innovative design .

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