SEXUAL KEY NOTES

These notes must be accepted, ingrained in your mind fully, unconditionally and as a pure truth and fact which is universal
truth and cannot be escaped from laws of nature.

• Women and Men are different. We are humans but we are a whole different species.
• Women and Men experience emotions differently
• LANGUAGE is also experience differently and registered differently in women and men
• They also experience Sexual Arousal differently
• You can learn to arouse a woman’s emotions and sexuality with words alone
• No. 1 – Women feel what they hear – Monkey hear, Monkey Feel
• No. 2 – Men and Women are different
o Men and Women get turned on by different things. Both have different approach and that different
approaches engage their engine
• Men think why women seem so hesitant and indirect towards their sexuality. BUT TRUTH IS, they are not really
hesitant.
• They are just waiting to respond to different signals than the one they get usually and normally from men.
Because women respond so easily to language, and because men don’t usually bother learning how to use
language in the very particular (and to men, very bizarre) way that women need and use it, most women are left
unsatisfied. They have a built-in, automatic, enormously responsive sexual system of which men rarely avail
themselves.
• THIS SEXUAL SYSTEM HAS A KEY
• For the purpose of seduction, the most important and immediately accessible female sexual organ is the EAR
• You must learn the language of a women. Accept that she has a different language than you. It is a whole new
world of language that only she understands and wants to be communicated to.
• Women don’t only interpret words logically, they experience it emotionally
• Women are turned on by language, which allows them to experience the feels of arousal and comfort, through
thinking or seeing a naked man. Which means that a naked man alone isn’t enough to arouse them. It is the
emotions and sensations attached to the sight of that naked man that makes it possible for her to experience
arousal and comfort through language.
• Women have feelings about feelings, and more feelings about those feelings and further up the hierarchy are the
complex feelings about the simple feelings that matter the most
• Women tend to experience long chains of emotional responses to a given physical event; the emotions at the far
end of the chain, the most abstract emotions, tend to be much more important for her than the physical event at
the beginning of the chain
• PUMPING FEELINGS INTO OTHER PEOPLE:
o Communicating powerfully is about inducing emotional states in other people
o Not any emotional state, but the states that produce the results you want and give you real satisfaction
o PRINCIPLES OF POWERFUL COMMUNICATION:
▪ Verbal Stimulation: What you describe, the listener will experience. Pink elephant principal.
The more vivid your description that more your listener will respond as if he or she is directly
experiencing what you describe, will all the emotions that follow from the experience.
▪ Don’t Equals Do: This is the corollary of the Pink Elephant Principle. There is no such thing as
Don’t or Not as subconscious doesn’t register it. “There is no way you can speak to the
deepest part of a women and she won’t experience the relaxation and arousal just listening to
you”
▪ Imagery: Make your descriptions vivid using specific sensory details – colours, sound,
textures. Words exist to create experiences in those who hear or read them, the listener
converts what he or she hears into visual images, tactile feelings, sounds, smells and tastes.
Let them respond with their IMAGINATION and not their INTELLECT. And therefore, her body
and emotions
• ALWAYS REMEMBER, WOMEN LIVE IN FANTASY AND MEN LIVE IN REALITY.
▪ Similarity: Similarity creates emotional connection. The higher comfort and rapport. The
more easily and readily will she supply relevant meanings for whatever vague, abstract
language you employ.
• MATCH YOUR LISTENERS OUTWARD EXPRESSIONS
 • MATCH THEIR INNER WORLD – Expressing their values and shared values in your
language
▪ Vagueness: Vagueness is necessary. Because sometimes you don’t know their inner world.
That’s why, keeping things vague allows them to fill in the gaps and agree with you.
▪ Stories: Stories makes the listener go in the trance state and feel the emotions that the
character feels.
▪ Stimulus Response: Emotions are associative. Once anchored, you can use them. You can
use certain vocal, gestures, body language that might create a certain response. The more
usual the anchor the faster the response.
• Use imagery and sensory detail in your descriptions—specify what your listener should see
and feel and hear and smell and taste. This intensifies the emotional power of what you are
saying. It also engages the imagination and tends to induce a trance state, such that the
listener stops analysing and naturally responds powerfully. You create rapport and emotional
comfort and connection through
• You create rapport and emotional comfort and connection through similarity. You create
similarity through mirroring someone’s bodily movements and rhythms and/or by saying
things which match someone’s beliefs and perceptions. When you say many things in a row
which match a listener’s beliefs, you tend to induce a trance.

• A TASE OF BAIT:
o Words are experiences to a woman
o You can keep repeating words while speaking
o Remember when you use sexual metaphors and seems like you don’t realize you’re being sexual
women will get turned on very fast by what you’re saying and rationalize your words by you’re being
poetic and sexual

• HOW TO EVOKE EMOTIONS IN SOMEONE:

o Specify experience in terms of senses. That is describe which can be seen, heard, , , VAKSOG.
o Be very expressive in describing your experience. Show yourself really feeling as well what you are
describing
o Women really like when you keep rambling and rambling even on things that you may not seem like
they needed to be said
o Women are quite comfortable with repetitious language
o Bad Poetry = Deep Arousal
o Make a EMOTIONS transform – paint picture with words and create atleast three transformations and
evolutions of that emotion. Every transformation must have emotional shift
▪ Talking about a single thing evolving through physical and emotional states tends to have a
stronger effect than talking about a sequence of unconnected things, each of which happens
to occupy different physical and emotional states. Evolution creates a narrative; presenting
description in the form of a narrative makes emotional identification easier. The thing which
undergoes changes becomes a character, and therefore “someone” with whom your listener
can emotionally identify. To evoke a state, talk about it at length and “paint a picture” of the
state with words, while acting as if you are feeling it yourself.
▪ Talking about a single thing evolving through physical and emotional states tends to have a
stronger effect than talking about a sequence of unconnected things, each of which happens
to occupy different physical and emotional states. Evolution creates a narrative; presenting
description in the form of a narrative makes emotional identification easier. The thing which
undergoes changes becomes a character, and therefore “someone” with whom your listener
can emotionally identify. To evoke a state, talk about it at length and “paint a picture” of the
state with words, while acting as if you are feeling it yourself.
• FEMALE EMOTION:
o Women experience emotions like an ocean where you’re drowning and there’s no escape
o Men experience emotions just like a flashlight and it’s localized and temporary
o To convey an emotion to a woman, you should describe it as a place, a space, or an object with
qualities you can see and feel and touch and hear. (“The feeling is so powerful that it’s like a red laser
which just pierces your rationalizations, you know?”)
o Emotions = Places. Spaces, Objects
o Objects, Spaces, Places = Emotions
o Outside World < Emotional Response = Perceptions
o Everything in outside world connects to an emotion in a women
o Women feel emotions are huge physical places, which they are inside or solid, tangible things whose
impact they can physically feel.
o Women’s emotions determine their perceptions and sensations – if they are not prepared for
something emotionally, they will still react badly to it, even if it feels good physically.
o For a woman, then, emotions determine perceptions.

• FEMALE LANGUAGE AND EMOTION:

o Women get their emotions out and find it out by talking. And same way vice versa, by listening they get
their emotions inside and feel them.
o When you speak to a woman, you have the opportunity to create a rich, colourful, intense experience
which transports her into the world of her own fantasies. When you give her what she dreams about,
she finds it easy and natural to give you access to her body.
o What do women dream about? – ROMANCE NOVELS. Yes this appeals mostly, but even more powerful
is the particular way it uses language
▪ Crucial driving element of romance novel – is use of words to describe subtle, complex
emotions
▪ These above subtle, complex emotions are emotions about emotions, and further emotions
about those emotions
▪ Complex feelings
▪ Physical Events = Abstract Ideas (verbalize extract ideas so she will value them and see the
world through those eyes)
o There don’t need to be any logical reasoning for any feeling or realization, BUT just a Chain of
Experience. You can talk about the warmth of sunlight and lead it to how two people are destined to be
with each other
o Men don’t feel this intensely like women. They pass quickly. For them it is more a physical feeling and
their immediate thought and response to this physical feeling BUT FOR WOMEN, META FEELINGS IS
WHAT LIFE IS ABOUT.
o Objects and Actions men care about, for women are just convenience which gives them opportunity to
experience metal feelings.
o Meta Feeling for women, are very meaningful and powerful, basically, meaning of incident and action is
the meta feeling, the EMOTION it produces. The more abstract the metafeeling, the higher in the
hierarch the more influential it is
o Meta-feelings – modify the perceptions of “Real world” experience

• The female reliance on this very complicated process is a good thing. BECAUSE, YOU CAN EMULATE THE
STRUCTURE OF THESE META FEELINGS IN YOUR SPEECH. YOU CAN TALK THE WAY WOMEN THINK AND FEEL.
• By just talking the way they speak and understand, you can excite them. The pattern is very simple.
PATTERN TO TALK IN:

X ------------------→ Leads to
Physical Feeling OR Real-World Stimulus OR Emotions

EMOTION Y ----------------→ Which leads to EMOTION Z

Z is more meaningful, powerful and persuasive then Y and then X.

Z modifies and determines Y and X: Y, to a lesser degree, modifies and determines X.

The further you go up the hierarchy, from X to Y to Z to AA to BB to CC, etc., the more abstract and intangible the concept
will become, and the closer it will be to her sense of “identity”—that is, who she “is”, what she deserves, what she’s
destined to experience, how she relates to God or Allah or The Force or The Universe, etc. And the further you go up the
hierarchy, the more the abstraction you’re dealing with will modify and determine—will frame—the things that lead up to
it.

• THINGS / PHYSICAL or SENSORY STIMULUS / BASIC EMOTION or FEELING =

EMOTIONS FOR WOMEN

• EMOTION FOR WOMEN = Can be described as PLACE / METAPHOR / LOCATION /

EVENT
• METAFEELINGS = Emotions about events, but more importantly emotions about
other emotions
• The more abstract a metafeeling – the more influential it is
• Saying several emotional words in a paragraph, will put her in light trance as she will
feel it

Pg. 30

• A woman values – her values and emotions more than physical sensations
• A woman makes connections with real work and physical thing to her emotions and
abstractions. Her emotions and abstractions are more important than they reality
• Emotions no need to be connected to each other or don’t need to make sense
• Only presenting one state leading to another and then other is enough.
• You can connect the two emotions with metaphors

• EVENT X = METAPHOR Y = FEELING Z

work and physical thing to her emotions and abstractions. Her emotions and
abstractions are more important than the facts.
A woman concludes her reality from the emotions she feels.
An abstract emotion is the one that doesn’t include description of things you can see
with eyes, feel, taste, abstract is without sensory details. The deeper the emotion the
more abstract it is.
How is any of this relevant to getting laid?
You can make a woman feel emotionally connected and sexually attracted to you by
saying things that match her thought pattern. Why will matching her thought pattern
arouse her? Matching her thought pattern will arouse her because sex, for women, is
above all a form of communication, and communicating really well generates rapport;
communicating really really well creates strong rapport and also sexual excitement.
This is not the same thing as matching her thoughts.
Matching her thoughts, too, can be potent, but doing this well requires that you know
her thoughts.
You can use sexual key language by matching her thought patterns The only one way
to match her is whatever he particular thoughts in a particular moment are, you must
know them. For example: getting late to work and rushing = stress / tension

How do you emulate a woman’s thought patterns? You emulate a woman’s thought
patterns by verbally suggesting that every physical event and every emotion leads to
another, “deeper,” more abstract, more powerful emotion.

It’s the way women experience things. And if you describe experiences in this way,
you make women feel good and make it easy for them to feel the emotions you
describe.
To describe things in a way that’s compelling for women, end every description with
“…and this gave me a feeling of X,” where X is whatever emotion you wish to induce:
serenity, self-discovery, passion, a feeling of destiny, or what have you.
EXTERNAL STIMULUS / BASIC EMOTIONS OR FEELINGS -----→ PLEASURE / PAIN -----➔
EMOTION X + 1 more --→ EMOTION Y + 1 more ----→ EMOTION Z + 1 more ---→ EMOTION
N + 1 more ---→ ACTION
(Everything above to be presented in form of female realization cycle – Realization ->
Acceptance -> Opening -> Connecting -> Incorporating)
Where in, an EMOTION = PLACE / METAPHOR / LOCATION / EVENT and SIMULUS =
EMOTION and FEELINGS
The whole cycle above is going deeper and deeper inside herself and learning something
new and discovering something new inside. Something even greater than current. More
and better than right now.. Success comes from progressively deeper understanding of,
and connecting to, infinitely deep “SELF”. It’s an internal journey. Which is infinite

Pg. 48 – Proof of Enjoyable Analogy

With Proof of Enjoyable Analogy – you can connect an emotions to any event. Frame any
event emotional.

Conversation formula is “When you X, it’s like Y, that leads to a feeling of Z”

TECHNIQUES TO SPEAK OF SEXUAL KEY UNTIL NOW:

• Pattern to Speak In: EXTERNAL STIMULUS / BASIC EMOTIONS OR FEELINGS -----→

PLEASURE / PAIN -----➔ EMOTION X + 1 more --→ EMOTION Y + 1 more ----→
EMOTION Z + 1 more ---→ EMOTION N + 1 more ---→ ACTION
Where in ,

THINGS / PHYSICAL or SENSORY STIMULUS / BASIC EMOTION or FEELING = EMOTIONS

FOR WOMEN

EMOTION FOR WOMEN = Can be described as PLACE / METAPHOR / LOCATION / EVENT

• Expand Current Emotions MORE: Emotion X + X1
• Female Realization Cycle: Realization -> Acceptance -> Opening -> Connecting ->
Incorporating)
• Proof of Enjoyable Analogy: When you X, it’s like Y, that leads to a feeling
of Z
VERY IMPORTANT: YOU CREATE RAPPORT WITH WOMEM BY INTERPRETING EVENTS
THROUGH THE LENS OF EMOTIONAL ABSTRACTION. TALK AS IF YOUR EMOTIONS ARE THE
REAL WORLD, AND THE PHYSICAL WORLD IS SOMETHING FAR AWAY AND NOT VERY
IMPORTANT
To Open Up a Women: You can describe her current emotions as places like a physical
environment surrounding her. Describe the details of this place as thorough as possible
and then open it up to some other place.
Women have places inside her which are hidden from everyone. Their innermost feelings
are like genitalia. Speaking to these places can induce trance.

HOW TO MAKE HER THINK ABOUT SEX?

Use Sexual Metaphors with Sexual Innuendos (Trance Words of PHYSICAL OPERATIONS OF
SEX) , Point to your crotch but keep a straight face. YOU MUST PRETEND THAT YOU’RE NOT
BEING SUGGESTIVE. ONLY THEN IT WORLS WELL. Keep a straight face. There is no erotic
implication.
FORMULA: Metaphors with Trance Words of Physical Actions of Sex (like Sucking /
Penetrating)

HOW TO CONNECT AL THE POSITIVE FEELINGS WITH YOU?

1) Associate the emotions you produce by using the phrases like “with me….now” ;
“connect them … to me… now” ; “Do you .. like me also like to do?”
2) Anchor emotions “Point towards yourself when you elicit good emotions”
3) Talk in second person perspective. Instead of “I feel x and y” , you can say “YOU feel
x and y”

TALK IN VALUES, KNOW HER VALUES

Find out her values and you can use it as leverage to talk with her

PG. 64 – FEMALE SEXUAL RAMP

Focus
1) Intrigue
2) Connection
3) Sexual Desire
4) Trust of the Guy / Comfort of Acting on the Desire
Once you get through Step 4, you should just keep cycling through Steps 2, 3 and 4 i.e.
Intrigue, Connection and Sexual Desire while spending most energy on STEP-3. – Sexual
Desire.
ALL THESE ABOVE STATES ARE ABSTRACTIONS WHICH CAN BE DESCRIBE BY THE WORDS
AND BY DESCRIBING THEM.
The above sequence isn’t applicable for all women. As some women turn off when you talk
more about connection.

HOLDING OUT FOR A HERO:

Women find you more attractive when you display the following attributes:
1. Independence. You don’t need her; she needs you.
2. Focus. Your goals are more important than anything else, including her.
3. Determination. You persist in the face of obstacles.
4. Superiority (to her and others). You’re the elusive prize; she should feel
that not losing you is a challenge in itself.
5. Alternating Intensity and Coolness. On occasion, be rude, challenging,
provocative, and/or frustrating—it’s much better to piss her off than to
bore her How to challenge her? “Too bad you aren’t/don’t X” OR “If only you were/could X”

FOUR MODELS OF FEMALE RESPONSE:

o Revealers (Value: Listening and Understanding): She loves to talk and wants
to reveal things about her.
▪ So, you must ask her questions -> Dig Deep and Listen to Her -> Elicit
Her Values -> Describe it Back
o Concealers (Value: Trust): She doesn’t reveal about her. She doesn’t talk. You
need to warm them up by hearing things from you first. She will avoid
answering questions. ->
▪ Just tell her a lot about your experience and don’t pry until she opens
up
o Contrarian (Value: Challenge and Dominance): They will challenge you,
disagree with you, poke holes in you, be hostile. ->
 ▪ Command them in negations, challenge them even higher and
forcefulness
o Sensualist (Value: Excitement & Variety): She gives you short amount of
attention and quickly gets bored unless
▪ -> USE Sensual talks, sexual talks with combined smooth transition to
physical touch and action

PG. 76 – to be continued
THE RHYTHM METHOD – OR USING HYPNOTIC VOCAL TEMPO
WHEN Offering description, trying to induce an EMOTION, you should speak… REALLY…..
REALLY…. SLOWLY.
IT HAS STRONG IMPACT.
As you move from talking about the environment or the physical world, to the deepest parts
about her – YOUR PAUSES SHOULD BECOME LONGER.
THE LONGER THE PAUSE, THE MORE EFFECT IT HAS.
REMEMBER THE HYPNOTIC TEMPO.

EMBEDDED MESSAGES
NEST MESSAGES WITHIN THE LARGER MESSAGE.

THOUGHT INJECTION
PRESENT A COMMAND – WHILE SEEMING TO TELL HER A THOUGHT.

TECHNIQUE NO. 1: THE HYPNOTIC TEMPO

TECHNIQUE NO. 2: EMBEDDED COMMANDS
TECHNIQUE NO. 3: THOUGHT INJECTION: ITS SAME AS EMBEDDED COMMANDS, BUT
PRESENT IT AS A THOUGHT
HYPNOTIC PERSUASIVE LEADERSHIP
Taking hypnotic leadership means feeling actually what you are speaking. Take the lead by
feeling, and exhibiting the state you wish to induce, is the best way to induce the state.

To induce the emotional state in other person, describe the state while you look and sound
as if you’re also really feeling it.
To inspire an emotion, you must first exhibit that emotion.

TECHNIQUE: FEEL WHAT YOU ARE TALKING ABOUT

Inner Wealth, or Giving Her All You’ve Got, Without Having to Buy Her
Anything
Get a piece of paper and a pen. This is one of the most important parts of this book. In this section,
you’ll learn how to turn the raw material of your life into ammunition. You’ll learn how to transform
the details of your life and your dreams into the inner wealth a woman craves.

Jot down the following things:

1_ Your job
2_ Something you do for fun
3_ Something you really want to do but haven’t done yet
4_ Something you’ve done and really loved
5_ Some experience you had that is at least somewhat, mildly unusual
6_ Some places you’ve been
7_ Something you do for fun which would probably bore most people
8_ Particulars about a time you fell in love, or a friend of yours fell in love, or movies you’ve seen or
stories you’ve read about falling in love

Now go through each of the things you’ve written down, and think of how the various parts of each
item—and every item can be broken down into many, many parts--can be related to one of the
following positive emotions:
1)intrigue/curiosity
2) absorption/fascination/dreaminess/childlike perceptions/surrender to
something greater
3) emotional connection to other people
4) intensity/excitement
5) daring/bravery
6) power/success/competence
7) doing things unconsciously, automatically, instinctively
8) sexual arousal
To break each item down, consider the following questions: What, specifically, was I seeing at the
time, and what would she see if she were in my position? What was I imagining? What was I hearing
or telling myself? What was I feeling emotionally or physically? When assembling these descriptions,
concentrate on linking the experiences to the emotional states. Fudge all you need to. Even if you
hate your job, for example, or that trip to Yellowstone was the most boring three days of your life,
imagine what, in the best of all possible worlds, could be or could have been worthwhile about those
experiences. Milk them, and take all the time you need.

THE MAP OF THE WORLD – TWO STRATEGIES OF SEDUCTION

EVERY TECHNIQUE AND DISTINCTION OF SEXUAL KEY IS FOR A SINGLE GOAL.

LEADING YOUR FEMALE LISTENER TO EXPERIENCE MORE PLEASURE THAN SHE WAS EXPERIENCING A
MOMENT BEFORE:

There are two strategies to employ further this goal:

1- GET HER THINKING ABOUT A PLEASURABLE EXPERIENCE, ONE THAT SHE HADN’T REALLY
CONSIDERED BEFORE
a. APPROACH ONE IS THE BEST AND EASIEST ONE TO START. TELL HER ABOUT YOUR
EXPERIENCE, FFRIENDS EXPERIENCE OR SOME EXPERIENCE WITHOUT ASKING
QUESTIONS.
b. IT’S ABOUT FEEDING HER PLEASURABLE EXPERIENCE ONE BY ONE, CONTINUOUSLY.
c. LOOP ONCE EXPERIENCE 7-8 TIMES IN A STORY, THEN TO ANOTHER EXPERIENCE 7=8
TIMES REPEAT ------ LOOPING EMOTIONS 7-8 TIMES

2- GET HER TO THINK ABOUT SOME PLEASURABLE FANTASY OR MEMORY THAT’S LATENT
WITHIN HER
a. KNOW HER VALUES BY ASKING HER QUESTIONS
b. FEED IT BACK TO HER WITH RICH PLEASANTRIES OF SK

XXVII. Pickup Outline

Note: “Describe” implies describing with all the hypnotic tools and language patterns you’ve
learned so far.

1. Ignition: Focus
a. Mirror her
b. Make attention-getting introductory comment

2. First Gear: Comfort

a. Describe experience of comfort
b. Ask about her experience of comfort
c. Repeat a. and b., until she’s thoroughly comfortable

3. Second Gear: Excitement

a. Describe experience of excitement-cascade descriptions into states of increasing intensity
and emotional intimacy
b. Ask about her experience of excitement
c. Repeat a. and b., until she’s thoroughly excited

4. Third Gear: Sexuality

a. Use sexual metaphors, sexual stories, quoted sexual propositions, sexual jokes.

5. Fourth Gear: Physical Contact

a. Get her someplace private.
b. Use physical demonstrations and physical metaphors as a
pretext for physical contact. -nonverbally transition into sexual activity
c. Use Verbal Pacing, Hypnotic Tempo to build impact for direct sexual proposition
ALL THE TECHNIQUES FROM SK:

PATTERN TO TALK IN:

X ------------------→ Leads to
Physical Feeling OR Real-World Stimulus OR Emotions

EMOTION Y ----------------→ Which leads to EMOTION Z

Z is more meaningful, powerful and persuasive then Y and then X.

Z modifies and determines Y and X: Y, to a lesser degree, modifies and determines X.

• THINGS / PHYSICAL or SENSORY STIMULUS / BASIC EMOTION or FEELING =

EMOTIONS FOR WOMEN

• EMOTION FOR WOMEN = Can be described as PLACE / METAPHOR / LOCATION /

EVENT
• METAFEELINGS = Emotions about events, but more importantly emotions about
other emotions
• The more abstract a metafeeling – the more influential it is
• Saying several emotional words in a paragraph, will put her in light trance as she will
feel it

• EVENT X = METAPHOR Y = FEELING Z

EXTERNAL STIMULUS / BASIC EMOTIONS OR FEELINGS -----→ PLEASURE / PAIN -----➔

EMOTION X + 1 more --→ EMOTION Y + 1 more ----→ EMOTION Z + 1 more ---→ EMOTION
N + 1 more ---→ ACTION
(Everything above to be presented in form of female realization cycle – Realization ->
Acceptance -> Opening -> Connecting -> Incorporating)
Where in, an EMOTION = PLACE / METAPHOR / LOCATION / EVENT and SIMULUS =
EMOTION and FEELINGS

“When you X, it’s like Y, that leads to a feeling of Z”

• Expand Current Emotions MORE: Emotion X + X1

• Female Realization Cycle: Realization -> Acceptance -> Opening -> Connecting ->
Incorporating)
• Proof of Enjoyable Analogy: When you X, it’s like Y, that leads to a feeling
of Z

FORMULA: Metaphors with Trance Words of Physical Actions of Sex (like Sucking /
Penetrating)

FORMULA: Metaphors with Trance Words of Physical Actions of Sex (like Sucking /
Penetrating)
PG. 64 – FEMALE SEXUAL RAMP
Focus
5) Intrigue
6) Connection
7) Sexual Desire
8) Trust of the Guy / Comfort of Acting on the Desire
Once you get through Step 4, you should just keep cycling through Steps 2, 3 and 4 i.e.
Intrigue, Connection and Sexual Desire while spending most energy on STEP-3. – Sexual
Desire.
ALL THESE ABOVE STATES ARE ABSTRACTIONS WHICH CAN BE DESCRIBE BY THE WORDS
AND BY DESCRIBING THEM.
THE RHYTHM METHOD – OR USING HYPNOTIC VOCAL TEMPO
WHEN Offering description, trying to induce an EMOTION, you should speak… REALLY…..
REALLY…. SLOWLY.
IT HAS STRONG IMPACT.
As you move from talking about the environment or the physical world, to the deepest parts
about her – YOUR PAUSES SHOULD BECOME LONGER.
THE LONGER THE PAUSE, THE MORE EFFECT IT HAS.
REMEMBER THE HYPNOTIC TEMPO.
EMBEDDED MESSAGES
NEST MESSAGES WITHIN THE LARGER MESSAGE.

THOUGHT INJECTION
PRESENT A COMMAND – WHILE SEEMING TO TELL HER A THOUGHT.

TECHNIQUE NO. 1: THE HYPNOTIC TEMPO

TECHNIQUE NO. 2: EMBEDDED COMMANDS
TECHNIQUE NO. 3: THOUGHT INJECTION: ITS SAME AS EMBEDDED COMMANDS, BUT
PRESENT IT AS A THOUGHT
TECHNIQUE: FEEL WHAT YOU ARE TALKING ABOUT

1- GET HER THINKING ABOUT A PLEASURABLE EXPERIENCE, ONE THAT SHE HADN’T REALLY
CONSIDERED BEFORE
a. APPROACH ONE IS THE BEST AND EASIEST ONE TO START. TELL HER ABOUT YOUR
EXPERIENCE, FFRIENDS EXPERIENCE OR SOME EXPERIENCE WITHOUT ASKING
QUESTIONS.
b. IT’S ABOUT FEEDING HER PLEASURABLE EXPERIENCE ONE BY ONE, CONTINUOUSLY.
c. LOOP ONCE EXPERIENCE 7-8 TIMES IN A STORY, THEN TO ANOTHER EXPERIENCE 7=8
TIMES REPEAT ------ LOOPING EMOTIONS 7-8 TIMES

2- GET HER TO THINK ABOUT SOME PLEASURABLE FANTASY OR MEMORY THAT’S LATENT
WITHIN HER
a. KNOW HER VALUES BY ASKING HER QUESTIONS
b. FEED IT BACK TO HER WITH RICH PLEASANTRIES OF SK
TECHNIQUES OF SK:

1) Just say as many Bubble Words and Sense Words in your speech with No Connections
Whatsoever to each other

2) Write Sexual Key Description to your most common questions you get asked. But don’t
actually reveal the answers.

3) When you’re somewhere, describe the surroundings as Sexual Key. Connect it with an
event and use double lollipop

4) Cat Whistle – Talk in public in phone using SK to see the reactions around

5) Sentence Generator & the Frames book

6) Physical Feeling / Real World / Stimulus OR Emotions Leads to Emotion X

Leads to Emotion Z Leads to Emotion Y

Z is more meaningful, powerful and persuasive then Y and then X.
Z modifies and determines Y and X: Y, to a lesser degree, modifies and determines X.
- THINGS / PHYSICAL or SENSORY STIMULUS / BASIC EMOTION or FEELING = EMOTIONS FOR
WOMEN
- EMOTION FOR WOMEN = Can be described as PLACE / METAPHOR / LOCATION / EVENT
- METAFEELINGS = Emotions about events, but more importantly emotions about other
emotions
- The more abstract a metafeeling – the more influential it is
- Saying several emotional words in a paragraph, will put her in light trance as she will feel it

7) Practice the same above but Use atleast 3 Bubble Words & Sense Words in your sentence

8) Event Metaphor Y Feeling Z

9) Physical Feeling / Real World / Stimulus OR Emotions Leads to Emotion X + 1

Leads to Emotion Z + 1 Leads to Emotion Y + 1

10) P.E.A Method of Reframing: “When you X, it’s like Y, that leads to a feeling of Z”

11) Female Realization Cycle: Realization -> Acceptance -> Opening -> Connecting ->
Incorporating)

12) Sexual Metaphors: Metaphors with Trance Words of Physical Actions of Sex (like
Sucking / Penetrating)

13) Hypnotic Tempo: Speak really slow with pauses

14) Embedded Commands: Present a COMMAND / FEELING / MESSAGE in a larger

message / thought / story

15) Reverse Elicitation (By Sam): “What do you like about it?” + “How it makes you
feel?” – HIT SK in both questions