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History and Types of Radio Broadcasting

The document provides a comprehensive overview of the history and development of radio, including key milestones in both global and Indian contexts, such as the invention of the radio by Guglielmo Marconi and the establishment of All India Radio. It also discusses various broadcasting technologies, types of radio broadcasting, and the structure and production of radio programs. Additionally, it highlights the significance of different radio formats, including public service, commercial, community, and internet radio.

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0% found this document useful (0 votes)
8 views14 pages

History and Types of Radio Broadcasting

The document provides a comprehensive overview of the history and development of radio, including key milestones in both global and Indian contexts, such as the invention of the radio by Guglielmo Marconi and the establishment of All India Radio. It also discusses various broadcasting technologies, types of radio broadcasting, and the structure and production of radio programs. Additionally, it highlights the significance of different radio formats, including public service, commercial, community, and internet radio.

Uploaded by

poornimamp83
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© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd

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in ®

Chapter-3
WRITING AND PRODUCTION FOR RADIO
1. History of Radio
 1864- James Clark Maxwell discovered that when electricity passes through certain
conditions, invisible waves occur.
 1886-Heinrich Hetz showcased projection of swift variation of the electric current
into space in the form of radio waves and proved the Maxwell theory.
 1893- The development of radio began.
 1893 - Nikolai Tesla’s demonstration of wireless radio communication in U.S.
 1901- December 12- The three dots of the Morse letter “s” transmitted.
 !906- One of the first signals that carried voice and music was accomplished by
Reginald Fessenden.
 1906- Lee Deforest produced the “ Audion” a Triode vacuum tube that allowed
for amplification of radio signals,
 1896- Guglielmo Marconi was awarded the official patent for the radio by the
British government.
 1909 - Amateur radio operators started radio stations in the United States.
 1920-KDKA in Pennsylvania is considered the first and oldest radio station in US.
 1920-KDKA- went on air to broadcast the results of the presidential election
 .
 Who prodused Triode vacuum tube “ Audion- Lee Deforest
 Who invented Radio- Gugliemo Marconi
 What is meant by Chain Broadcasting/networking - During the initial days of
radio broadcasting many stations were interconnected for simultaneous broadcast
of programmes

2. History of Radio of India


 1920’s-In India also radio broadcasting was started.
 1923- The Radio club of Bombay broadcast its first programme
 1923- The Calcutta radio club started its broadcast.
 1924- The Madras Presidency club with a 40 W alt transmitter began transmission
 1927- Started the Indian Broadcasting company (IBC)
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 1930- March I st - IBC accumulated huge lose and closed down its operations

 1930- April I st -The Government took over the Broadcasting facilities and began
the Indian State Broadcasting Service ( ISBS)
 1935- August 30- Lionel Fielden was appointed the first controller of
broadcasting in India
 1936-June 8- ISBS was renamed All India Radio
 1941 Placed under, the Ministry of information.
 1947-June 3rd- Viceroy Lord Louis Mount Batton, Jawaharlal Nehru, Muhammad
Ali Jinnah made their historic broadcast on the partition of India.

 !947-August 14 th - Broadcast live with Jawaharlal Nehru’s famous “Trust with


Destiny’ speech,
 1977- The first FM channel was launched by AIR on an experimental basis in
Chennai.
 1984- The local radio stations on AIR which had the beginning were all based on
FM technology.

 2014- December 31 st - All India Radio operates 414 Broadcasting stations, 196
relay centers and 5 community radio stations.
 AIR is switching from analog to digital
 The technology adopted in the Digital Radio Mondiale ( DRM )
3. Radio Broadcasting In kerala
 1943- March 12- Travancore station came

 1950, April I st - The station merged with AIR network


 AIRs station is the first FM station in kerala
 1989, Novemebr 1- First FM station in Cochin
 2007,Nov 29- Ist Malayalam private FM station, Radio Mango started from
Kozhikode by Malayala Manorama

4. Describe Broadcast Technologies


1, Amplitude Modulation
 Shortly called AM
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 It is a mode of broadcasting radio waves by varying the amplitude of the


carrier signal in response to the amplitude of the signal to be transmitted
 AM signals can be detected with simple equipments
 It uses a narrows bandwidth
 Occur in the Medium wave frequency range
 The standard broadcast brand of 530 to 1700 KHZ

2. Frequency Modulation (FM)


 1930 - Edwin Armstrong invented the FM radio
 It won a patent for FM radio in 1933
 Sound level of broadcasting in FM radio is 3 times better than AM

3. Digital Radio Mondiale


 It shortly called DRM
 It is a set of digital audio broadcasting technologies designed to work over the
bands currently used for AM broadcasting
 It can deliver FM comparable sound quality on frequencies below 30 MHz which
allow for long distance signal propagation

5. Types of Radio Broadcasting


a. Public service Broadcasting
 It shortly called PSB
 It is financed and controlled by the public and for the public
 It is neither commercial nor state owned free from political interference
 eg. AIR and BBC

b. Commercial Radio
 Owned and managed by private enterprises
 Survival is based on airing advertisements
 Gives importance to entertainment programmes like comedy talks, music
programmes and celebrity chats.
 eg. Red FM, Radio Mango, club FM
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c. Community Radio
 It is geographic specific and audience specific radio broadcast in FM mode
 It serves populations in far flung areas, coastal areas or in some areas where
people live together as a community
 It facilitates individuals, groups and communities to share their experiences
 Preserve local language and culture, traditions and social norms
 The first community radio in Kerala Radio DC [Link]
 It was inaugurated on 6th January 2005
 Administered by the DC school of Management and technology (DCSMAT)
 Located in KINFRA firm and video park, Kazhakuttam, Trivandrum
 It is the first internet radio to be started in an Indian business school.
 eg. Radio Macfast, Thiruvalla, Radio Mattoli, W ayanadu, Radio
Benziger, Kollam, Radio Media village, Changanacherry,
 Jan vaani FM, Kannur

d. Ham Radio
 It is otherwise called Amateur Radio
 It is a popular hobby with no monitory benefits
 Licensed by Amateur Radio operators
 Provide essential communication services when regular channels are unavailable
due to natural disaster
e. Internet Radio
 Also known as W eb-Radio, Net Radio, Streaming Radio, e-radio, Online radio
etc.
 An audio service transmitted via internet
 It is assessable from anywhere in the world if internet connections is available
 India’s first live internet radio station is Radio mask a
 It provides Bollywood music 24X7
 2014 Nov 30- All India Radio is live streaming its 4 channels on the internet
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7. Radio Programmes
News Programmes
Non- news programs
11 News Programmes
 News bulletin
 Radio News reel
 Radio documentaries/ Features
 Current affairs programmes
 Talks
 Discussions
ii. Non- news programs
 Musical programmes
 Radio Dramma
 Docu- dramma
 Skit
 Phone in programmes
 Radio bridge
 Jingle
 News Programmes

a. News Bulletin
 It has great importance in radio broadcasting
 Stations have several long bulletins interspersed with hourly or even half
hourly news summaries
 The most important story first, and the least important story last
 Consider overall order or balance of the bulletin and the pace is important
 News editors have the freedom to reorder stories
Structure of News bulletin
 News reader introduces himself
 Reading of the headlines of important stories
Story run down
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 In a 10 minutes bulletin the stories are arranged in 2 equal duration bunches


 The arrangement of stories in a bulletin is called Story Run down
 There will be a commercial break when the reader finishes reading the first
touch of stories
 Before the break, the reader remains the listener about the main stories
coming up in the bulletin in the next 5 minutes.
 As the end of bulletin, the headlines are repeated
 The reader signs off.
Radio News writing
 The language should be simple
 Sentence should be short, avoid complex sentences
 Use common words
 Written with an informal tone
 Use the conversational style
 Avoid long words
 Avoid parenthetical statements, which are not easy to announce
Structure of a Radio News story
 News bulleting contains 15-20 stories
 Lead story may take almost half the time of the news bulletin
 Single story normally takes maximum 90 seconds
 It the story is a bigger one, it may be divided into 2 or 3 stories
 Headlines of the important stories are read in the beginning and it at the end
of the bulletin
 Each story will not have a headline
 The place of origin of the story and the time of occurrence of the incident will
be included in the second or third sentence of the story

b. Radio Newsreel
 It is a news magazine programme covering major current news issues
 It broadcasted once or twice a week
 it is combination of relevant sound cuts on current affairs
 It consists of a brief introduction and conclusion by the narrator
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 Recorded actuality and interviews with people.

c. Radio Documentaries /features


 Based on real people and issues
 Have only sound- the human voice, music and sound effects.
 It is devoted to covering particular copies in depth.
 Based on real sounds and real people.
 Their views of experience based on facts.
 Presented in an attractive and dramatic manner.

d. Current Affairs Programme


 Matters of day-to-day life.
 Featuring people in all walks of life.
 Current affairs programmes are listed below.

[Link]
 Radio talk is neither a lecture nor a public address.
 An expert is invited to speak 7-8 minutes on a subject of current interest
 Followed by a talk between him and an anchor person.
 Programmes lasts for 25-30 minutes
 Gives a detailed view on an important issue.
f. Discussions
 Provides a platform for the exchange of ideas
 More than one person is invited to take part in a discussion
 Every participant shares his views.
 Based on social or economic issues, which may be controversial.
 The presenter plays the role of the moderator.
2, Non -news and other entertainment programmes
a. Musical Programmes
 It includes signature tunes, musical sound effects, musical introduces and
theme music
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 Radio has an important role in the propagation and preservation of all genre
of music
 [Link] songs, light music, classical music, folk music
b. Radio Drama
 Presented through dialogues
 It includes 3 components human voice, music and sound effects
 AIR organizes drama festival every year
C. Docudrama
 That is, documentary drama
 Features dramatized re-enactment of actual events
 It is based on known- facts
 Dialogues may include the actual words of real life persons
 [Link]
[Link]
 Shorter than plays
 One or more scenes from a play
 Constructed around fun in occasions of important social events
 [Link], Kandathum kettathum, kalikalam, Vazhivilakku
[Link] in-programmes
 It is a live interactive programme
 The listener and the presenter to each other
 These programmes need advance publicity
 e.g. ’Public speak’ every Monday at 9.30 pm
f Radio Bridge
 Connecting different stations throughout the country or even foreign country
 An expert sitting at a Chennai studio can interact with the man in the Delhi
studio
g. Jingle
 It is a musical message
 Small song or music piece used for advertising promotion
h. Radio Programme Production
 It consists of 5 stages
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 Preproduction
2 . Production
3. Post production
[Link]
5. Feedback

i. Preproduction
 First stage of production
 Identify story topics, characters, sounds and scenes
 There are two steps at this stage
 The research for collecting background information is called formative
research
 It helps to form the idea and format of the programme
 Identify the people participating in the programmes sound to be used and the
properties and the logistics required
 Outline script which details the programme is prepared at this stage
 A run down sheet which gives a day by day and hour by hour information of
recording schedules
2. Production
 Recording the sound
 It may occur indoor /outdoor
 Indoor are called studio production
 Outdoor are called field production
 Ensure the quality of sound
 Ensure perfection of recording
 Ensure reduction of noise or interruptions
 Recording equipments are microphones, recorder unit, headphone socket,
standard batteries, recording media, power supply, headphones etc.
Studio Operations
 Room that houses the equipment for radio production
 Broadcasters finished product is assembled here Is known as production
studio
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 It is a work station set up in the corner of a room with a mix of computer and
audio equipment
 Types of studios in a radio station
[Link] on- air studio-used for live, day-to-day broadcasting
 Production studio- Used for putting together programming material
recorded for playback.
 Performance studio/ announcer booth- it is smaller than other studios
Nothing more than microphones, a table and chairs.
 Recording equipment
 Sound recording protect recorded sounds- both musical and non- musical
 They produce high quality recordings
 The recording devices used in an audio studio include microphones
 Microphones
 It convert a sound wave into an electrical signal
 It uses diaphragm ( a then membrane) which mimics the function of the
human ear.
 Types of Microphones
Classified on the basis of sound pick up pattern
 3 type of microphones
a. Uni-directional microphones
 It picks up sound from one direction
 If you speak in front of it, your voice is picked up.
 If you speak from other side of it, your sound will not be picked up property
 It is used by announcers, presenters & news readers

b. Bi-directional Microphone
 The sound is picked up from two directions
 Used for recording an interview in a radio station
 C. Omni-directional microphone
 It picks up sound from all directions
 It is used when a number of voices are used in a single programme
 eg. Used for radio discussion, radio drama
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Common types of Microphones used for Audio Recording


[Link] Microphones :
 In dynamic microphones, a physical cone acts like a lens to concentrate the incoming
sound waves.
2. Ribbon Microphones
There microphones consists of a then strip of metallic foil suspended in front of a
magnetic plate.
3. Condenser Microphones:
Rather than a vibrating wire coil, it has a thin diaphragm and solid back plate which
make up a capacitor ( an electronic component)
4. Hands free Wireless Microphones:
They come in 3 popular configurations
 Lapel (lavaliere) wireless microphones
 Collar wireless Microphones
 Hand free wireless microphones
5. Digital Recording Equipment
It is used for digitalized sound production
6. Digital Audio player (DAP)- an electronic device that performs storing,
organizing and playing audio files
7. Software includes
 Apple logic Pro
 Digidesign’s Pro Tools
 Cubase and Nuendo by steinberg
 Sony’s Sound Froge
 Adobe’s Cool Edit Pro
 MOTUDigital Performer- popular for MIDI
8. Other audio editing software includes
 Ableton Live
 Cakewalk Sonar
 ACID Pro
 FL Studio
 Adobe Audition
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12

 Auto Tune
 Audacity and Ardour
9. Recording
10. Recording
 It is an electrical or mechanical inscription and re-creation of sound waves
 It records spoken voice, song, instrumental music or sound effects
 Sound could be recorded, erased and re-recorded on the same tape many times.
11. Sound recording technology is classified into two
Analogue Recording
Digital Recording
Analogue Recording
 It is a technique used for recording of analogue signals.
 It converts an audio input into an analogous electrical waveform
Reasons for rejection of analogue machine
Space and cost considerations
Scarcity of tape
Lack of machine parts
12. Digital Recording
It explores the tools and techniques of digitized sound production
It is stored and transmitted by a wider variety of media.
Hg7nujv,lpl gth.;,kmnjbhszhjxnjhgxyuidckjihuytrcVHYzjThe digital format overcome all drawbacks of
analogue recording
13. Advantages of digital editing
14. [Link] recording can be cleaned up easily and precisely
15. [Link] can be charted and detected.

16. [Link] can be automated


17. [Link] and mixing are more precise

18. [Link] can be prolonged

19. [Link] editing process is visual centric . It is performed on a screen

20. [Link] is encouraged by ‘Undo’ command


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3. Post Production
This is the last stage of production
There are 2 activities involved in it
Mixing
21. Editing
22. It is to prepare a programme by starting with some raw sound elements and
making a finished product to be broadcast.
23. First step involves the selection of the required voice elements.
24. Decide and select the background sounds.
25. Identify the portion where it is to be included
26. Second phase is the preparation of cue sheet
27. In cue sheet, we note down the chronological list of voice.
28. Start time
29. End time
30. Name or identifier of sounds
31. Duration
32. Fade information (in or out)
33. Comments
ii. Mixing
 It is the combination of the balance and control of amplitude of sound elements
 The mixing process is done in real times
 It involves raising and lowering the volume of the various tracks
 The producer sets level individually for each track.
4. Transmission
 A radio wave acts as a carrier of information bearing signals
 The digital radio uses a transmission system
 A digital radio broadcast offers compact disk quality reception and reproduction on the FM band
34. 5. Feedback
 The best way to get connected with the listeners
 Can judge the result of the presented programmes
Quality of a good radio presenter
 Be prepared and avoid rambling
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 Read thoroughly any text that you are going to present on air
 Try to inject some humor and lightness
 Make an effort to lighten serious topics
 Listen and learn :
 Listen different styles of radio presenters
 Compare the quality of presenting styles
 Record every bit of your output and listen back to it and analyse it
 Ask some others to listen to your presentation and collect their opinions
 Good radio voice
 Voice must have strength and clarity
 Should have rhythm, pronunciation, emotion, fluctuation

Radio News Reader


Tips that increase the efficiency of a radio newsreader
 Before you go on air, do some exercises
 Practice aloud until you feel confident
 Pay special attention to difficult words
 Practice your pace and rhythm
 Underline key words, mark pauses and write phonetic pronunciations for foreign words
 If you make a mistake don’t panic but apologize and correct it.

Qualities of a Radio jockey (RJ)


 Pleasing voice and aptitude to speak sensibility
 Good command over spoken language
 Knowledge of local dialects
 The ability to befriend the listeners
 Solid knowledge of technology and familiarity with the equipment for radio transmission

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