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Character Development in Literature

The document discusses various methods of character development in literature, including direct and indirect characterization, as well as the classifications of flat, round, static, and dynamic characters. It emphasizes the importance of character traits and changes throughout the story, providing examples from well-known works. Additionally, it outlines a six-step process for creating effective character maps to aid in writing and maintaining continuity.
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0% found this document useful (0 votes)
27 views6 pages

Character Development in Literature

The document discusses various methods of character development in literature, including direct and indirect characterization, as well as the classifications of flat, round, static, and dynamic characters. It emphasizes the importance of character traits and changes throughout the story, providing examples from well-known works. Additionally, it outlines a six-step process for creating effective character maps to aid in writing and maintaining continuity.
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Types of Character Development in Literature

Character Development in Literature

Without characters there would be no plot and no conflicts. Readers should take
note of the author’s methods of character development, the characters’ traits and
actions, and how the characters change (or don’t change) over the course of the
story.

Direct and Indirect Characterization

Character development is a matter of show and tell. Writers can tell the audience
directly about a character’s traits by using direct characterization or show the
audience what the character is like by using indirect characterization.

Direct Characterization

Direct characterization occurs when the narrator of a novel or story directly


describes a character’s traits or personality. For instance, in the famous short story
“The Open Window,” Saki describes one of the main characters, Vera, as “a very
self-possessed young lady of fifteen.” With direct characterization, the audience
is told about the character in a straight-forward way that requires no guesswork
from the audience.

Indirect Characterization

Indirect characterization requires the readers to make inferences about a


character based on his or her behavior as well as his or her interactions with
other characters. When analyzing indirect characterization, the reader should
especially pay attention to:
● what the character does
● what the character says and/or thinks
● how other characters treat the character you’re analyzing
● what other characters say or think about the character you’re analyzing

For example, in To Kill a Mockingbird, Harper Lee uses indirect characterization


to emphasize Mrs. Dubose’s grumpiness toward the Finch children. According to
the child narrator, Scout, “We could do nothing to please her. If I said as sunnily
as I could, ‘Hey, Mrs. Dubose,’ I would receive for an answer: ‘Don’t you say
hey to me, you ugly girl! You say good afternoon, Mrs. Dubose!’ ” The audience
can interpret this exchange to determine that Mrs. Dubose is a cantankerous
woman who doesn’t seem to like children.

Flat and Round Characters


Another way to classify characters has to do with the depth of their
characterization.

Flat Characters

Flat characters are fairly predictable and lack complexity. Most flat characters
exhibit only one or two main personality traits and often serve the purpose of
moving the plot along.

For instance, in F. Scott Fitzgerald’s The Great Gatsby, Daisy Buchanan’s


character could be labeled as flat. The novel emphasizes that her main motivation
in life is the pursuit of material wealth. When Daisy is questioning whether she
should marry Tom, she receives an extravagant pearl necklace from him. The
expensive gift sways her decision, and she decides to go through with the
marriage because of the luxurious lifestyle that Tom can provide for her.

Round Characters

Round characters, on the other hand, are nuanced and complex, more like real
people. Their depth and authenticity contribute to the plot and add to the sense of
engagement the audience feels.

Atticus Finch, Scout’s father in To Kill a Mockingbird, is a good example of a


round character. Over the course of the novel, the reader learns that Atticus is a
loving and gentle father and a social justice warrior who isn’t afraid to stand up
for a Black man in a racist society. Atticus is a multifaceted character who chose
to diverge from the family tradition of growing cotton in favor of a law career. In
Chapter 11, when a rabid dog is on the loose, Atticus surprises his children by
demonstrating his skills as an excellent marksman and taking down the dog in
one shot. Atticus is a round character because his character is complex and well-
defined.

Static and Dynamic Characters

Yet another method to classify characters involves examining how the character
changes (or doesn’t change) as the story unfolds.

Static Characters

Static characters don’t change much over the course of the story or novel. Their
characteristics remain mostly the same from the beginning to the end of the work
of literature. Atticus Finch, though he is a round character with many well-
developed traits, is also a static character. His strong sense of morality and love
for his children and community are unchanged despite the tribulations he and his
family encounter over the course of To Kill a Mockingbird.
Dynamic Characters

Dynamic characters are defined by the change or evolution they undergo during
the story. These changes are usually sparked by the dynamic character’s
experiences as he or she responds to conflicts. Though Atticus remains basically
unchanged by the events that unfold in Maycomb, his daughter, Scout, grows and
changes as she learns more about human nature and the injustice faced by Black
people in her community. In the final scene, as she walks her mysterious neighbor
home, the audience realizes that Scout’s capacity for empathy has expanded
immensely since the beginning of the book. She has grown into a mature young
lady with a much greater understanding of the world and the people around her.
6 Easy Steps to Great Character Mapping

1. Establish what type of map you need. Each project requires it’s own criteria. A
mystery project might need a map to track the clues each character reveals. If your
protagonist is constantly meeting new characters, you might need to keep track of
where, when and how they met each character. That way you don’t accidentally
included a character in an earlier scene than you should have. If you’re writing
family saga or a series with lots of romantic entanglements, you might want to track
which characters like, hate, date or have sex with other characters.

2. Using your character sheets (or whatever method you favor for fleshing out your
characters), make out a 3X5 card with the name of every character. If they don’t
have a name yet, use the character’s title. Include one or two sentences of
information about each of the characters on the back as needed. Don’t get crazy, you
just want to jog your memory. If you have an image for character reference, feel free
to stick a small photo on the card as a visual cue.

3. Alphabetize the cards. It’s an extra step, but it helps you find mistakes, like
including too many similar sounding names. Also, it’s better to key each card with
having a positive, neutral or negative stance in the protagonist’s life by indicating if
the relationship changes over time.
(Negative > Neutral, or Positive > Negative, etc)
You can code for male or female, old or young, alive or undead. Whatever traits you
need to keep track of for your story.

4. With a huge open space in front of you, place the cards for the main protagonist
and main antagonist in the middle. Slowly start to fan the other cards around the first
two cards. Here is a basic structure: the parents or mentors at the top. Siblings, love
interest or partners in crime at the sides. Children, BFFs, frenemies, evil minions
and other secondary characters go below. The minor characters go to the outer edges
wherever they fit.

5. Here is where the dry erase board comes in handy. Carefully create the web of
connections around the characters. Use different colors to signify each relationship
status, like the first example was done. If you are not using a board, you will need
to do this with more cards. Since you have already established the kind of board you
need, make sure your web reflects your needs. For example, in a romance novel the
web might reflect the role each character plays in thwarting or promoting the
protagonist’s HEA.

6. Evaluate your pattern. This is when you start to notice mistakes in the big picture.
Everyone shouldn’t love the protagonist, it’s not realistic. You need to give the
protagonist some detractors. Also you may notice a deficit in your antagonist’s
network. Evil seldom works alone. Adjust your characters and their relationships if
you find any defects. Once you have the web the way you want it, transfer the
information to a permanent source. You can transfer everything to a flowchart
program, or just attach the cards to a cork board for your wall.

Once you have a perfect character map in place, you can refer back to it as you write.
A good map minimized continuity mistakes, and makes the final editing process go
faster. Don’t forget to update your chart as your charters evolve and change.

Common questions

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Flat characters are generally simple and exhibit limited personality traits, often serving to advance the plot without much depth. For instance, Daisy Buchanan in "The Great Gatsby" is a flat character as her motivations are consistently tied to material wealth . Round characters, however, are complex and multi-dimensional, much like real people. They enhance the story by adding depth and fostering audience engagement. Atticus Finch in "To Kill a Mockingbird" is a round character, known for his nuanced personality and moral fortitude, contributing significantly to the narrative's impact . Flat characters can create a stable backdrop and support the central plot, while round characters enrich the narrative by offering layered interactions and driving thematic exploration.

Static characters maintain their traits and perspectives throughout the story, such as Atticus Finch in "To Kill a Mockingbird," whose morality and love for his community remain constant . These characters often provide stability and a dependable frame of reference for readers. In contrast, dynamic characters undergo significant changes in response to the plot's events. Scout Finch is a dynamic character who matures and evolves in her understanding of human nature and social injustice . The transformation of dynamic characters can drive the narrative forward, creating a sense of progression and development, while static characters often ground the story, providing contrast and highlighting the changes in other characters.

Neglecting indirect characterization can result in characters that seem one-dimensional and fail to engage readers authentically. Direct characterization alone might provide only superficial insights, leading to a lack of depth and complexity. Without indirect characterization, a reader might struggle to connect with the characters on a deeper level, as they miss the subtlety and richness that comes from interpreting behavior, dialogue, and interactions. This oversight can diminish the immersive quality of a narrative and reduce emotional investment in the story's outcomes. Indirect characterization encourages readers to engage more actively with the text, piecing together character profiles through inference and observation, thus enriching the reading experience .

A character map aids in balancing intricate character interactions by providing a clear visual representation of each character's place and role within the narrative network. It allows authors to manage and visualize the connections between numerous characters efficiently, preventing any single character from becoming overshadowed or neglected . The map ensures diverse interactions and consistent character development by highlighting relationship statuses and evolution, facilitating a comprehensive approach to plot and character dynamics. This overview helps in plotting scenes where characters interact meaningfully, crafting balanced plot segments that engage the full ensemble cast, optimizing narrative pace, and maintaining reader interest.

Character mapping assists writers in maintaining continuity by providing a visual and organizational tool that outlines character relationships, development, and interactions across the narrative. It enables writers to track character arcs, ensuring consistent traits and motivations, and helps prevent potential discrepancies, such as introducing a character out of sequence or conflicting actions and traits . By maintaining an updated map, writers can see the "big picture," allowing them to cross-reference events and relationships quickly, thereby maintaining consistency and coherence. The mapping process also highlights imbalances or gaps in character development, prompting timely amendments that sustain narrative flow and depth.

Static characters provide vital stability and continuity in a narrative, serving as reliable touchstones for readers. Their consistency can highlight the transformation and development of dynamic characters by comparison, emphasizing the latter's growth or regression. In "To Kill a Mockingbird," Atticus Finch remains a moral constant, allowing Scout's dynamic development to appear more pronounced against his unchanging integrity . Static characters also reinforce thematic elements, providing balance and contrast that can enrich the narrative. By serving as unwavering elements in changing environments, they contribute to a sense of constancy that juxtaposes the arcs of dynamic figures, enhancing thematic depth and character differentiation.

Direct characterization allows authors to convey specific traits and attributes about a character explicitly, which helps readers form a clear initial impression. For example, in "The Open Window," Saki directly describes Vera as "a very self-possessed young lady of fifteen," which gives readers immediate insight into her confident nature . Indirect characterization, on the other hand, involves showing a character's personality through their actions, dialogue, and interactions with others, requiring readers to infer deeper meanings. In "To Kill a Mockingbird," Harper Lee uses indirect characterization to reveal Mrs. Dubose's grumpy disposition through her interactions with the Finch children, allowing readers to deduce her character intricacies through inference . Together, these methods enable authors to develop nuanced characters who feel authentic and contribute to the story's depth and engagement.

Authors leverage character relationships to explore and underscore narrative themes, as these interactions can highlight moral dilemmas, social dynamics, and personal growth. By examining how characters clash or collaborate, authors can reinforce thematic elements such as love, betrayal, or justice. Character mapping aids in this process by allowing authors to plot out these interactions and the evolution of relationships over time. It ensures continuity and symmetry within the narrative, helping to maintain thematic focus. For instance, by visually representing relationships such as friendships or rivalries, a character map can clarify how these dynamics propel the plot and reinforce thematic messages . It allows for systematic monitoring and crafting of interactions that resonate with overarching narrative goals.

A character map is vital in complex storytelling as it helps writers to track interactions and relationships, ensuring coherence and continuity in plots with multiple characters. By visually mapping characters and their connections, authors can avoid inconsistencies and repetitive naming, streamline complex relationships, and manage character development arcs effectively . For instance, in a narrative with multiple romantic entanglements or family dynamics, a character map can clarify relationships and their evolution, thereby enhancing narrative clarity and writer efficiency. It also allows a strategic overview to evaluate and balance character dynamics, ensuring that the protagonist faces realistic challenges and the antagonist's network is sufficiently developed .

Dynamic characters are pivotal in exploring societal issues as their development often mirrors challenges and shifts within a society. By undergoing personal transformation, these characters can reflect broader changes or tensions in their societal context. For example, Scout Finch in "To Kill a Mockingbird" evolves significantly as she witnesses racial injustice and learns from her father's moral teachings, symbolizing a burgeoning awareness of and critique against entrenched racism . Dynamic characters facilitate an intimate exploration of societal themes by personalizing broader issues, allowing readers to witness the impact of societal dynamics on individual lives. Their growth often imparts critical commentary on the need for societal change or resilience in the face of adversity.

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