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John Keats: Life and Poetry Overview

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0% found this document useful (0 votes)
205 views23 pages

John Keats: Life and Poetry Overview

Uploaded by

ABHISHEK MAURYA
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

E@6 VIDEOPEDIA PDF

Episode - 42

Dr. Kalyani Vallath


John Keats
1795-1821
Watch the video on Keats
[Link]
Biography
• A poet from the lower class
• Born into an ordinary family
• Eldest of all children, 2 brothers and 1 sister.
• He was attached to his siblings; their parents died in
a very early stage of their childhood.
• Keats went to Clark’s School at Enfield and one of
his friends always motivated him to read more.
• He read Faerie Queene at a young age and wrote
“Lines in Imitation of Spenser”.
• Soon he was apprenticed to Dr. Hammond, A local
surgeon.
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Early Poems
• In Leigh Hunt’s circle, Keats met the poet and
playwright John Reynolds, painter Benjamin
Haydon and P B Shelley.
• In the “Young Poets” issue of The Examiner Hunt
hails Keats , Shelley and Reynolds as the most
promising writers of their generation.
• His early sonnets were,
❖ “On First Looking Into Chapman’s Homer”
❖ “I Stood Upon a Little Hill”
❖ “Sleep and Poetry”
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❖ Poems: his first volume of poetry dedicated to
Leigh Hunt. Keats was ridiculed as the
“Cockney School” in the Blackwood’s
Magazine.
❖ Letters : Heats traveled from London to the
seaside during this time he wrote letters to his
siblings and friends. These letters were sources
of his thoughts on poetry, philosophy and love.

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Endymion 1818
• Subtitled: “A Poetic Romance”
• First long narrative by Keats
• Dedicated to Thomas Chatterton
• Opening line, “A thing of beauty is a joy forever”
• A flowery, elaborate allegory of the myth of
Endymion kissed by the Moon Goddess Cynthia on
Mount Latmos.
• Met with scathing criticism because of the use of
ordinary language.

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Negative Capability
• Keats used to attend Hazlitt’s lectures on
poetry which helped him shape his ideas on
poetry.
• This developed the idea of negative capability;
“when a man is capable of being in
uncertainties, mysteries, doubts without any
irritable reaching after fact and reason”.
• A time of intense introspection and transition
marking Keats’s emergence as a poet.
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Isabella 1818
• Subtitles “The Pot of Basil”
• a narrative poem adapted from a story
in Boccaccio's Decameron.
• It tells the tale of Isabella ,falls in love with Lorenzo,
one of her brothers' employees.
• When the brothers learn of this, they murder Lorenzo
and bury his body.
• She exhumes the body and buries the head in a pot
of basil.
• Her brothers steal the pot and buries Lorenzo’s head.
• Isabella loses her reason and dies.
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The year 1818
• 1818 was a painful year.
• Tom, Keats’s brother was ill with tuberculosis
and the poet spent much time nursing his
brother.
• Another brother George Keats’s closest
confidante married and departed to America.
• Endymion met with severe attacks in
Blackwood’s Magazine and The Quarterly
Magazine.
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Keats’s Annus Mirabilis
• Keats was attracted to Isabella Jones an by
1819 he had fallen for Fanny Brawne whom he
couldn’t marry due to financial issues.
• This year he showed astonishing poetic
development and productivity.
• He worked on Hyperion, but gave it up for
having too many Miltonic overtones, so it
remains incomplete.

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“The Eve of St Agnes”
• Narrative poem in Spenserian stanza.
• Based on the superstition that a girl could see her
future husband in a dream if she performed certain
rites on the eve of St Agnes.
• Borrows plot elements and conceits from Romeo
and Juliet.
• Story of Madeline and Porphyro, star-crossed lovers
meet in the eve of St Agnes.
• But their families do not approve of their love affair.

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Hyperion
• Based on mythical Titanomachia.
• Modeled on Paradise Lost.
• Bears revolutionary implications.
• A poem that greatly impressed Shelley.
❖ The Fall of Hyperion: A Dream
• “A Vision” is the alternate subtitle
• Unfinished epic
• Influence of Virgil, Dante, Milton

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Great Odes
• All written in 1819.
❖ “Ode to Psyche”
❖ “Ode on a Grecian Urn”
❖ “ Ode on Indolence”
❖ “ Ode to Melancholy”
❖ “Ode to Nightingale”
❖ “To Autumn”

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“Ode to Nightingale”
• Considered Keats’s greatest ode.
• Opening lines
“My heart aches and a drowsy numbness pains”
• The poet envies the happiness of the nightingale.
• Profound meditation on the theme of creativity and
mortality.
• The song of the bird turns his mind to death and
transitoriness of human life.

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“ Ode on Indolence”
• Describes a morning spent in idleness.
• The poet has a vision of 3 priestesses in white
robes walk with joined hands.
• As he describes his lazy morning, the figures
pass by a third time, he recognizes them as
Love, Ambition and Poesy.
• In the final part of the poem he realizes that he
cannot have all the three in his life.

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“Ode on a Grecian Urn”
• The poet contemplates on an imaginary antique
visualized in his mind.
• Speculates on the abstract relations of art to life.
• The poem is an example of ekphrasis or a work of art
about another work of art.
• Last lines,
“ Beauty is truth, truth beauty,
that is all/Ye know on earth,
and all ye need to know”.
• The closing lines mean that art can reflect the truth of
human experiences.
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“ Ode to Melancholy”
• How to cope with melancholy.
• He invokes the mythical river of forgetfulness,
Lethe.
• The poet forbids forgetfulness, suicide and
obsession with death and misery.
• Melancholy is inextricably coupled with joy.
• A rich and complex poem that offers a way of
responding to deep despair.
• It encourages people to embrace sadness by living
within it or by actively acknowledging its presence.

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“Ode to Psyche”
• The poem does not describe the plot of the
original Cupid and Psyche.
• The poet dreamt Cupid and Psyche asleep in a
bed of grass in the forest.
• He realizes that Psyche has no worshippers or
shrine.
• It is an allegorical meditation on the nature of
love.

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“To Autumn”
• Theme of transience
• Poet pays homage to a particular Goddess.
• Autumn as a female Goddess often seen sitting
carelessly on the granary floor or watching the
juice from apples oozing from cider-press.
• Three different aspects of the season: its
fruitfulness, its labour and its ultimate decline.

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La Belle Dame Sans Merci
• Derived from a medieval French poem by
Alain Chartier called La Belle Dame sans
Mercy.
• The knight is enamored by a beautiful lady
who appears as a fairy.
• The fairy condemns a knight to an unpleasant
fate after she seduces him with her eyes and
singing.
• The poem inspired the Pre-Raphaelites.
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Keats’s Sonnets
❖ “On First Looking into Chapman’s Homer”

❖ “Bright star, would I were stedfast as thou art”

❖ “When I Have Fears that I May Cease to Be”

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Keats: Influence
• Hellenic elements like paganism, love of life,
love of joy etc.
• This contrasted with Hebraism
• Influenced the Pre-Raphaelites, Tennyson and
Arnold.
• Arnold said “He is, he is with Shakespeare”.
• His contemporary writers were Leigh Hunt and
John Clare.
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Common questions

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Keats's odes from 1819, such as 'Ode to Psyche,' 'Ode on a Grecian Urn,' and 'Ode to Melancholy,' are characterized by their intricate structure, rich imagery, and deep philosophical inquiry. These odes reflect Keats's engagement with concepts of beauty, truth, and the duality of human emotions. For instance, 'Ode on a Grecian Urn' explores the eternal nature of art compared to human mortality, while 'Ode to Melancholy' delves into the coexistence of joy and sorrow . The philosophical depth and emotional resonance of these works highlight Keats's introspective nature and his contemplation on the ephemeral versus the eternal, central philosophical inquiries of his literary pursuit .

'Endymion' faced severe criticism for its use of "ordinary language" and was heavily attacked in Blackwood’s Magazine and The Quarterly Magazine . This reflects on Keats's writing style, which was often very elaborate and florid, something that might not have sat well with critics looking for more refined or conventional literary aesthetics. Despite this, Keats's style remained expressive and dedicated to exploring beauty and imagination through accessible language, a hallmark that eventually earned him acclaim .

John Keats's concept of 'Negative Capability' was shaped by his own life experiences, including his apprenticeship to Dr. Hammond and his education at Clark’s School, where he was encouraged to read widely. His exposure to literature, especially Edmund Spenser's 'Faerie Queene,' along with his discussions with colleagues like P.B. Shelley and insights from attending William Hazlitt's lectures, contributed to his understanding of maintaining mystery and uncertainty in creativity without the "irritable reaching after fact and reason" . This idea was formed during a time of intense introspection as Keats matured as a poet .

The year 1819, often referred to as Keats's 'annus mirabilis,' was significant for its intense poetic activity and the production of some of his greatest works, including the 'Great Odes' like 'Ode to Nightingale' and 'Ode on a Grecian Urn' . This year marked a period of profound creative output and thematic exploration, although it was also a time of personal turmoil with unrequited love and financial distress affecting his ability to marry Fanny Brawne . Despite his challenges, the works from 1819 reflect Keats’s maturation as a poet and his exploration of beauty, love, and mortality, cementing his legacy in English literature .

'Isabella, or the Pot of Basil' is deeply rooted in mythological and literary traditions, specifically drawing from a story in Boccaccio's 'Decameron.' Keats utilizes these mythological narratives to craft a dramatic and tragic love story that combines elements of romance with themes of familial treachery and loss . By embedding this tale within a mythological framework, Keats not only enriches its narrative depth but also evokes the timeless nature of love and tragedy, creating a powerful allegory of passion and despair that resonates beyond the immediate story .

'Ode on a Grecian Urn' explores the relationship between art and life through its contemplation of an imaginary antique urn that represents eternal beauty and truth. By depicting scenes of life frozen in time on the urn, Keats meditates on the permanence of art versus the transience of human experience, encapsulated in the concluding lines, "Beauty is truth, truth beauty, that is all/Ye know on earth, and all ye need to know" . This idea suggests that while human life is ephemeral, art captures and preserves the essence of human truth and beauty, offering a means of immortality through its unchanging nature .

The myth of Titanomachy, describing the clash of Titans and Olympians, provided a rich narrative framework for 'Hyperion.' Keats used this mythological context to address themes of change, loss, and the struggle for power, mirroring his own contemplations of revolution and societal shifts . Modeled after 'Paradise Lost,' the poem's revolutionary implications and its unfinished state reflect Keats's ambitious but incomplete attempt to capture this grand cosmic struggle in poetic form, which deeply impressed his contemporary, P.B. Shelley .

In 'Ode to Nightingale,' Keats explores themes of creativity, mortality, and the transitory nature of life through the song of the nightingale. The poem begins with an expression of the poet's pain and envy towards the perceived immortal happiness of the bird, juxtaposing the eternal, unchanging beauty of its song with the fleeting, sorrowful human experience . Keats uses rich imagery and symbolism to express a profound meditation on these themes, capturing the tension between the desire for escapism through beauty and the inevitable awareness of human mortality .

'La Belle Dame Sans Merci' connects with the themes of the Pre-Raphaelite movement through its medieval inspiration, emotional depth, and focus on the complex nature of beauty and its seductive, dangerous allure. The poem's narrative of a knight bewitched by a beautiful lady epitomizes the Pre-Raphaelite fascination with femme fatales and explores themes of love, enchantment, and decay, which were central to the movement . The vivid imagery and symbolism used by Keats influenced the visual and thematic elements of Pre-Raphaelite art, reflecting their interest in medievalism and romanticism .

In 'When I Have Fears that I May Cease to Be,' Keats captures his existential concerns by expressing a profound anxiety about mortality and the potential unfulfillment of his creative and personal ambitions. The sonnet reflects on his fear of dying before realizing his literary potential and experiencing romantic love, using vivid imagery to convey his internal turmoil and the transience of life . This piece poignantly encapsulates Keats's fixation on death and his longing for legacy, key elements of his broader existential reflections on the brevity of human existence and the enduring impact of art .

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