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Writing Types: Fiction vs Non-Fiction

Use these posters WITHOUT headings, where student read what each TEXT TYPE is, then they match the decriptions with the heading they thing is the most probable. Then display them in the clasroom. Each student also gets a summary for their journal or workbook.

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Billie Hopkins
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© All Rights Reserved
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0% found this document useful (0 votes)
7 views10 pages

Writing Types: Fiction vs Non-Fiction

Use these posters WITHOUT headings, where student read what each TEXT TYPE is, then they match the decriptions with the heading they thing is the most probable. Then display them in the clasroom. Each student also gets a summary for their journal or workbook.

Uploaded by

Billie Hopkins
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Narrative To entertain, •Orientation Narrative To entertain, •Orientation

amuse or instruct •Complication amuse or instruct •Complication


FICTION
OR
P– persuade •Evaluation FICTION
OR
P– persuade •Evaluation
I- inform I- inform
NON- D– describe •Resolution NON- D– describe •Resolution
FICTION FICTION
E– entertain •Coda (optional) E– entertain
•Coda (optional)

Report To classify and/or • General statement or classification


Report To classify and/or • General statement or classification
• Description • Description
FICTION P– persuade describe FICTION P– persuade describe
OR I- inform OR I- inform
NON- D– describe NON- D– describe
FICTION FICTION
E– entertain E– entertain

Recount To retell a series of •Orientation


Recount To retell a series of •Orientation
•Series of events sequenced in time •Series of events sequenced in time
FICTION
OR
P– persuade events FICTION
OR
P– persuade events
I- inform I- inform
NON- D– describe NON- D– describe
FICTION FICTION
E– entertain E– entertain

Procedure To instruct •Goal


Procedure To instruct •Goal
· Materials · Materials
FICTION
OR
P– persuade someone on how to · Steps
FICTION P– persuade someone on how to · Steps
I- inform OR I- inform
NON-
FICTION
D– describe do something NON-
FICTION
D– describe do something
E– entertain E– entertain

Exposition To persuade by • Thesis


Exposition To persuade by • Thesis
• Arguments • Arguments
FICTION P– persuade arguing one side of • Reinforcement of Thesis FICTION P– persuade arguing one side of • Reinforcement of Thesis
OR I- inform OR I- inform
NON-
FICTION
D– describe an issue NON- D– describe an issue
E– entertain FICTION
E– entertain

Explanation To explain how or •Phenomenon identification


•Explanation sequence
Explanation To explain how or •Phenomenon identification
•Explanation sequence
FICTION P– persuade why something occurs FICTION P– persuade why something occurs
OR I- inform OR I- inform
NON- D– describe NON- D– describe
FICTION FICTION
E– entertain E– entertain

Description To describe the • Introduction to the subject of the de-


Description To describe the • Introduction to the subject of the de-
scription scription
FICTION P– persuade characteristics or • Characteristic features of FICTION P– persuade characteristics or • Characteristic features of
OR
NON-
I- inform
D– describe
features of a thing or the subject, e.g. physical appearance,
OR
NON-
I- inform
D– describe
features of a thing or the subject, e.g. physical appearance,
FICTION
E– entertain a phenomenon qualities, behaviour, significant attrib- FICTION
E– entertain a phenomenon qualities, behaviour, significant attrib-
utes utes

Response To respond to a visu- • Context of artistic work


Response To respond to a visu- • Context of artistic work
• Description of artistic work • Description of artistic work
FICTION P– persuade al, written or per- • Judgement FICTION P– persuade al, written or per- • Judgement
OR I- inform OR I- inform
NON-
FICTION
D– describe formed work NON- D– describe formed work
E– entertain FICTION
E– entertain

Discussion To examine issues • Statement outlining the issue


Discussion To examine issues • Statement outlining the issue
• Arguments for and against • Arguments for and against
FICTION P– persuade from more than one • A conclusion FICTION P– persuade from more than one • A conclusion
OR I- inform OR I- inform
NON-
FICTION
D– describe perspective NON-
FICTION
D– describe perspective
E– entertain E– entertain
P– persuade
I- inform
D– describe
PAST TENSE–
E– entertain
yesterday language-
(Yesterday we went...)
To retell ADJECTIVES–
what Title
descriptive words-
(It was a hot, windy day)
happened
·

VERBS–
· Orientation- action words
(the ball was spinning and
bouncing)
· Sequence of Events
NOUNS-
·
People, places or things
NON–FICTION · Evaluation
TIME CONNECTIVES-
Facts When words-
(Suddenly there was a storm)
P– persuade
I- inform
D– describe
PAST TENSE–
E– entertain
yesterday language-
(A long time ago there lived)

To ADJECTIVES–
descriptive words-
entertain (It was a small, winding pathway)
· Title
VERBS–
· Orientation- action words
·
(the chalice was glowing and
pulsing)
· Complication
NOUNS-
FICTION ·

People, places or things


Sequence of Events
Make ·

TIME CONNECTIVES-
believe
·

When words-
· Resolution (All of a sudden the troll exploded)
P– persuade
I- inform
D– describe
E– entertain
VERBS–
To instruct action words
(mix the glue, turn the sausages)
about how
NOUNS-
to do Title
People, places or things
(bowl, knife, hammer)
something
·

ADJECTIVES-
Goal- When words-
· What is going to be · (take three, ripe tomatoes)
made or done
Materials- · Images
NON-FICTION May have di-
What is needed
·
·

agrams or
Real Steps- pictures of
How to..
· stages
P– persuade
I- inform
D– describe
E– entertain
PRESENT TENSE VERBS–
To explain action words which happen now
how or why (leaves turn red, froglets grow
legs)
something · Title
NOUNS-
works or Identifying People, places or things
(wildlife, environment, lungs)
·

happens statement-
TIME CONNECTIVES-
· Sequence- When words-
(Next the air is exhaled out)
· How does it happen
· Why does it happen · Images
NON-FICTION May have di-
Summary Statement- agrams or pic-
Real ·

· What the text explained tures of the


sequence
P– persuade
I- inform
D– describe
E– entertain NOUNS-
To describe People, places or things
(habitat, garage, Tasmania)
information
about a topic ADJECTIVES-
Describing words
and · Title (New Zealand is a long set of
Classifying islands, with two main islands,
sub-topics ·

one north and one south.)


statement-
· What is going to be PRESENT TENSE VERBS–
described action words which happen now
(tourists visit, snakes eat mice)
· Descriptions
NON-FICTION (sub-headings) · Images
What it is or does May have diagrams
Real
·

· Summary Statement- or pictures


· What you thought
P– persuade
I- inform
D– describe
E– entertain NOUNS-
To describe People, places or things
(Griselda, forest, cheese)
a person,
ADJECTIVES-
place or Describing words
thing · Title (Barry is a tall, muscular man
with a long, grey beard)

PRESENT TENSE VERBS–


· Introduction- action words which happen now
(the cheese smells rotten, the
forest is humming with sounds)
FICTION OR · Characteristics
FEATURES OR FACTS
NON-FICTION Images
·
·

Real or Make May have diagrams


· Summary Statement-
or pictures
Believe ·
P– persuade
I- inform
D– describe
E– entertain GENERAL NOUNS-
To describe People, places or things
(children, environment, some
more than may argue)
one side of TIME CONNECTIVES-
an issue
· Title Sequencing words
(firstly, in conclusion, finally)

· Introduction- HIGH MODAL VERBS–


action words which CONVINCE
· Arguments (must, should, can’t, believe, feel
· Argument 1 VS Argument 2 need, never, argue that, debate)
Argument 3 VS Argument 4
NON-FICTION ·

Argument 5 VS Argument 6
HIGH MODAL ADVERBS
(importantly, strongly believe,
·

Real environmentally friendly)


· Conclusion
P– persuade
I- inform
D– describe
E– entertain GENERAL NOUNS-
To persuade People, places or things
(children, environment)
by arguing TIME CONNECTIVES-
one side
· Title Sequencing words
(firstly, in conclusion, finally)

· Introduction- HIGH MODAL VERBS–


action words which CONVINCE
(must, should, can’t, believe, feel
need, never, argue that, debate)
· Arguments
· Argument 1 HIGH MODAL ADVERBS-
· Argument 2 (importantly, strongly believe,
NON-FICTION · Argument 3 environmentally friendly)
Real · Images
· Conclusion May have diagrams or
pictures to convince

Common questions

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Discussion texts differ from exposition texts primarily in their approach to issue examination. A discussion text outlines an issue and presents arguments for and against various perspectives before reaching a conclusion . This balanced approach allows for a comprehensive exploration of multiple viewpoints, encouraging the audience to consider all sides of the argument . In contrast, an exposition text argues one side of an issue, constructing a focused argument supported by evidence, with the intent to persuade the reader of a single perspective . The exposition is more directive, using high modal verbs and adverbs to assert a particular stance strongly . Meanwhile, discussion texts are more exploratory and objective, seeking to present a nuanced view before suggesting a conclusion .

Description texts and report texts differ primarily in their structure and purpose. A description text aims to detail the characteristics or features of a specific subject, often using vivid imagery and sensory details to create a rich picture for the reader . It includes an Introduction to the subject along with Characteristic Features, focusing on adjectives and present tense verbs . On the other hand, a report text serves to classify and describe a subject within a broader context, often beginning with a General Statement or Classification followed by a more structured Description of various aspects or categories . Reports are factual and informative, often using present tense verbs and sub-headings to organize information clearly .

Report texts ensure clarity and coherence through specific structural elements such as a General Statement or Classification followed by a Description . The General Statement introduces the subject or category being addressed, setting up the context for the detailed description that follows . This structure organizes information logically, allowing the reader to easily understand and follow the text . The use of sub-headings helps to divide the report into identifiable sections, making the information more accessible and manageable . Present tense verbs maintain a descriptive, ongoing tone that suits the factual and informative nature of reports . Together, these elements are crucial for effectively communicating complex or detailed information in an orderly manner, enhancing the reader’s comprehension and retention of the material .

The structure of an exposition text directly supports its persuasive intent through the strategic use of elements such as Thesis, Arguments, and Reinforcement of Thesis . A clear thesis statement establishes the writer's position, providing a foundation for subsequent arguments . Each argument is typically backed by evidence or examples, methodically presented to build a convincing case . High modal verbs and adverbs (e.g., must, should, strongly, importantly) are employed to assert certainty and urgency, thereby enhancing the persuasive impact . These linguistic tools increase the text's assertiveness and help sway the audience by emphasizing the importance and necessity of the author's stance . The structured reinforcement of the thesis ensures that the conclusion leaves a lasting persuasive impression .

A recount text's primary purpose is to retell a series of events in chronological order, making it distinct by its structural elements such as Orientation, Series of Events, and Evaluation . The Orientation sets the context by introducing the who, what, when, and where of the events . The series of events are presented sequentially, often employing past tense verbs to indicate actions that have already occurred . Time connectives such as 'first,' 'then,' 'afterwards,' and 'finally' are crucial, as they guide the reader through the timeline of events in a coherent manner, clarifying the order and flow . Evaluation may be used to provide concluding thoughts or a personal perspective on the events recounted . This structure and language use effectively support the recount's goal of informing or describing past occurrences clearly and logically.

The purpose of a procedural text is to instruct how to perform a specific task, while an explanation text aims to clarify how or why a phenomenon occurs . Structurally, a procedural text includes elements such as a Goal, Materials, and Steps, focusing on providing clear and concise instructions to achieve a desired outcome . In contrast, an explanation text is structured around Phenomenon Identification followed by an Explanation Sequence, detailing the causal or logical steps that explain the subject matter . Procedural texts often utilize imperative verbs and bullet points for clarity, whereas explanation texts rely on detailed descriptions and connections, such as causal conjunctions, to logically unfold the process being explained .

In a narrative, the Evaluation component provides insight or commentary on events, enhancing the thematic depth and emotional impact of the story. It allows the author to share perspectives, adding layers of meaning to the plot, which enriches the reader's experience . By contrast, the Judgement aspect in a response text involves critically assessing artistic work, weighing its context, execution, and effectiveness against certain criteria. It is more analytical and aims to provide an informed opinion or critique rather than adding narrative depth or emotional resonance . While both elements involve subjective insights, evaluation in narratives primarily serves the storytelling aspect, whereas judgement in response texts focuses on critiquing a work's merit or success .

The presence of a conclusion in discussion texts is pivotal for influencing the reader's understanding of the debated issue. After presenting various arguments for and against the topic, the conclusion serves to summarize key points and provide clarity on the issue . It often synthesizes the separate parts of the discussion into a cohesive interpretation or resolution, guiding the reader to a considered judgment or renewed perspective . The conclusion may not advocate strongly for one side, as often seen in exposition texts, but rather integrates insights from the dialogue to offer a balanced view . This helps readers appreciate the complexity of the issue, enhancing their comprehension and allowing them to form more informed opinions .

A narrative typically includes several key structural components: Orientation, Complication, Evaluation, Resolution, and an optional Coda. The Orientation sets the scene and introduces the main characters, providing context for the story . The Complication introduces a problem or conflict that creates interest and drives the plot forward, engaging readers' emotions . Evaluation may offer insight or commentary on the events, adding depth and reflective meaning . The Resolution provides a solution to the problem, creating a sense of closure and satisfaction . The optional Coda reflects on the theme or moral of the story, often leaving the audience with a final thought or lesson . Each component plays a critical role in engaging the audience and fulfilling the narrative's purpose of entertaining, amusing, or instructing.

Adjectives and present tense verbs are critical in enhancing the effectiveness of description texts. Adjectives provide vivid details and evoke sensory responses by describing characteristics such as size, shape, color, and emotion, which help the reader create a mental image of the subject . They enrich the text by adding layers of detail that make the description more engaging and realistic . Present tense verbs, on the other hand, bring immediacy and a sense of ongoing presence to the text. Their use indicates ongoing or habitual actions, creating a more dynamic and relatable depiction that feels current to the reader . Together, these elements make the description more vivid and accessible, facilitating a deeper understanding and connection with the subject .

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