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The Chapri Dilemma: A Dark Encounter

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0% found this document useful (0 votes)
11 views4 pages

The Chapri Dilemma: A Dark Encounter

Uploaded by

movies.uploadxz
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

CHHAPRI |1

Fade in.
Int. Room. Anand Mishra. Day
We see Anand Mishra, early 50s, stylish, flamboyant, advocate, writer, sitting across in a chair,
holding cigar in his mouth and a cup of coffee in his hand.
Anand – Main is tarah ka aadmi Nahin hoon, jo ye sab kare. Mere paas in sab ke baare mein sochne
ke liye bhee time Nahin hai.
Anand takes a drag.
Cut to:
Int/Ext. unknown place. Man. Day
We see a man crawling. We hear cries in pain and heavy panting. – off focus – POV shots
Cut to:
Int. Room. Anand Mishra. Day
Anand – Lekin ye baat toh hai ki, I don’t feel any regret. Achcha hua ghalati se hua, deliberately karne
mein, mera conscious allow Nahin karta. Agar mujhe goli chalaani hai toh main sher pe chalaana
prefer karoonga, kutton pe goli waste Nahin karna chahta main.
Anand Sips coffee.
Cut to:
Int/Ext. Man. Water. Day
We see the man, washing off his wounds with some water and we see blood flowing. – Off focus –
POV shots
Cut to:
Int. Room. Anand [Link]. Day
We see Ravi’s, mid 30s watch dials. We see Ravi looking at his watch.
Anand – Tum ye soch rahe honge ki, main ek established advocate ho kar tum small time advocate se
ye sab kyun share kar raha hoon?
Anand sees that Ravi is looking at his watch.
Anand – tum kaheen aur busy ho toh, bata do. I don’t like to play violin in a hall of deafs!
Ravi – Actually Mera beta abhee ghar Nahin aaya! Teenage you see. But I am all ears. Main sab sun
raha thaa..
Anand – Right.. Bike ka number kya bataya maine?
Ravi – Kaunsi bike? Bike ke baare mein abhee kuch bola Nahin aapne!
Anand smiles.
Anand – Meri kitab padhi tumne?
Ravi – Oh I am so sorry! Congratulations! Aapko aaj award bhee mila na? and that too booker!
CHHAPRI |2
Anand – frankly, mujhe kuch khaas farak Nahin padta in awards se! kisiko achcha laga toh award
Nahin toh Nahin. And jo log judge kar rahe hain, unki itni aukaad hogi bhee ki Nahin, ki kisi ka kaam
samajh sakey!
Ravi is surprised!
Ravi – Toh aapko Nahin lena thaa award!
Anand – But then, that award would go to someone less deserving, setting a bad example ki, aap ka
creativity aur art ka standard agar kachra bhee ho, toh bhee koi na koi award de hee deta hai.
Ravi – aapki isse farak padta hai.
Anand – Ofcourse! You see, the problem with the world is, the talented ones are full of doubts and
the chapri ones are full of confidence.
Ravi – ye toh aapki kitab ka naam hai na? Chapri! Lekin chapri kyun?
Anand – Kitaab padho, samajh mein aajayega!
Both smirk.
Cut to:
Int/Ext. Man. Water. Day
We see the man, finding a hammer and trying to lift it.
Cut to:
Int. Room. Anand [Link]. Day
Anand – I hate these teenage chapris, ajeeb color ke baal, phate kapde, chaddi dikhaate low waist
jeans, the nastiest and irritable of all, reckless driving and wheeling on the roads. Mann karta hai ki,
apni gaadi chadhaa doon saalon par.
Anand sees ravi looking at the door.
Anand – Kuch hua hota toh ab tak police ka call aagaya hota, kidnap hua hota toh, kidnappers ka call.
Must be on his way.
Ravi – phone bhee switch off..
Anand smirks.
Anand – in that case, I should leave now.
Ravi – I am so sorry! I was just. Aap please batayiye, what made you visit a junior advocate like me.
Anand smiles.
Anand – kyun ki apne advocates, doctors aur maa se kuch Nahin Chupaana chahiye.
Ravi seems interested. Anand sips coffee.
Anand – I drive safely by the way in the limits. Aur aaj award function ke baad, jab apne ghar ke liye
nikla toh, I thought of taking an alternate route. Din bhar ke cases, aur award ke shor ke baad, I
wanted some “Me Time”. So I took the road less travelled.
Cut to:
CHHAPRI |3
Ext/Int. Car. Anand. Day
We see Anand driving his car and enjoying the country side.
V.o - Rasta thoda sakhra thaa, but no traffic. Main gaana sunte, chalaate jaa raha thaa. Again, I wasn’t
drunk and I was in full consciousness. Enjoying the fresh air, bina irritate hue gaadi drive kiye kaafi
time hogaya thaa. Bas ghalati hogayi ki, gaana change karne ke chakkar mein…
After a while, we see, Anand trying to change the song and takes eyes off the road, and hits a guy! The
car stops. Anand gets down from the car. Checks his car and sees if someone saw.
Cut to:
Int. Room. Anand [Link]. Day
Ravi – Shit! Kaun thaa? I mean. Aapne dekha? What did you do?
Anand takes a sip drags the cigar.
Cut to:
Ext/Int. Car. Anand. Man. Day
V.o – Maine dekha ki kisine dekha Nahin.
Anand checks his clothes for some identity, he finds a wallet, doesn’t bother opening and throws it
away. Anand then drags the body, puts it in a sack, dumps it in his boot and drives away.
Cut to:
Int. Room. Anand [Link]. Day
There is some tension and silence in the room.
Ravi – aapko toh phir police ke paas jaana chahiye!
Anand – Relax. Na kisine dekha, na kisine kuch suna. Koi gaadi udhar se guzari Nahin. No evidence,
then nothing happened! But honestly I am glad I could get rid off one of those chapris! Dekh ke hee
lag raha thaa.. saale ko…
Ravi – toh ab?
Anand – Ek ek Drink lete hain and then you drop me home. Tumhare.. bete ke aane ke baad.
Door opens and Ravi seems stunned. Anand looks at Ravi’s strange expression. Anand’s son enters.
Son – Sorry woh! Chess match, kaafi der chala. I lost. Mobile ka charge khatam ho gaya thaa.. And
since it’s a weekend, cab waale sab cancel kar rahe they! Auto I tried and kaafi der baad, koi aaya!
Ravi – Freshen up! Khaana khaalo. Main sir ko drop karke aata hoon.
Son leaves. Ravi seems relaxed, Anand smiles.
Ravi – Kya wo zinda thaa?
Anand – I don’t think so. He wasn’t moving. Toh usko car ki dikki mein aise hee..
Ravi’s expression changes again.
Ravi – aapne car theek se lock toh kee thee na?
CHHAPRI |4
Anand gives a strange expression. We see the man, with the hammer running towards Anand…
Blackout!
End credits!

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The narrative uses a non-linear structure, with frequent cuts between Anand's reflections and the external actions occurring simultaneously . This structure intensifies suspense by revealing details of the incident gradually and through Anand's subjective viewpoint, leading the audience to question the reliability of his narrative. The back-and-forth between Anand's conversation with Ravi and the flashbacks to the incident creates an atmosphere of moral ambiguity, as the viewer is left piecing together the reality from Anand's self-serving interpretation. This fragmented storytelling enhances the complexity of Anand's character, driving suspense and deepening the narrative's engagement with themes of guilt and self-deception .

The narrative contrasts Anand Mishra, a flamboyant and confident advocate, with Ravi, a junior advocate with personal concerns such as his son's whereabouts . Anand's character embodies self-confidence, even to the point of arrogance, as he speaks candidly about incidents and his views on society's 'chapris,' while his indifference to awards suggests a strong belief in his own merit . Meanwhile, Ravi's attentive listening and concern about his son highlight a more cautious and reflective demeanor. These contrasts emphasize themes of confidence paired with a satirical critique of self-assuredness among the less talented, a theme Anand himself identifies as reflective of societal dynamics .

The narrative portrays Anand's conflicting emotions through his actions and remarks. While he is initially glad to have rid himself of a 'chapri,' which suggests a lack of empathy toward the victim , he also chooses to share this incident with Ravi, indicating an underlying need to confess or unburden his conscience . Despite the absence of witnesses or evidence, Anand's detailed recounting of the incident denotes an internal moral struggle, suggesting a moral compass compromised by his contempt for certain societal behaviors but still touched by the weight of his actions .

Anand Mishra expresses a dismissive attitude towards awards, suggesting they don't affect him much because sometimes the awards are given by judges who might not have the stature to understand the work effectively . Anand believes in merit and creativity, implying that awards can be misleading, as they might go to less deserving individuals, which sets a bad example by rewarding low standards of creativity and art . This reflects his philosophy that true talent often comes with self-doubt, while mediocrity is paired with undue confidence .

The ending, with Anand seemingly confronting the man he hit running back towards him with a hammer , signifies a symbolic manifestation of guilt catching up with him. Throughout the narrative, Anand exhibits signs of denial, rationalizing and minimizing the hit-and-run incident by claiming no one's eyewitness presence absolves him of guilt . However, the abrupt ending, culminating in an impending confrontation, underscores his unresolved guilt and the inevitability of facing consequences. It suggests that despite any external denial, internally, Anand cannot entirely escape the moral repercussions of his actions, creating a suspenseful and ambiguous closure to his journey .

Anand's reaction to winning a prestigious award is indifferent; he states that such recognition does not significantly affect him, as people's approval or disapproval holds little importance for him . This suggests that he derives his self-worth from intrinsic factors rather than societal validation. Anand implies that the standards of those who judge creative work may not align with his own, revealing a critical view of societal mechanisms of validation and perhaps a belief that true talent and creativity cannot be accurately measured by these awards .

Anand's disparaging views on youths, whom he labels as 'chapris,' reflect generational tensions and biases prevalent in the narrative . His disdain for their appearance, behavior, and driving reflects a broader skepticism towards younger generations, often seeing them as irresponsible and superficial. This perspective reveals a generational bias rooted in traditional and perhaps rigid values, suggesting an inability or unwillingness to relate to or understand the evolving norms and cultural practices of the youth. These views further accentuate Anand's internal conflicts and add layers to his moral complexity and detachment from contemporary changes .

The interaction between Anand and Ravi reflects the theme of perceived versus actual competence by showcasing Anand's dominance in the conversation, presenting himself as a seasoned professional imparting wisdom, often overshadowing Ravi . Anand’s self-assurance contrasts with Ravi’s seemingly deferential and passive role, highlighting a perceived hierarchy of competence between them. However, the narrative reveals Ravi's attentiveness and critical thinking, particularly concerning the consequences of Anand’s actions, suggesting actual competence and ethical understanding beyond initial appearances of deference . These interactions illustrate the potential discrepancy between perceived expertise based on confidence and actual professional acumen grounded in ethical considerations.

Anand explains that nothing should be hidden from advocates, doctors, and mothers, which implies a certain level of trust and openness in his interactions with professionals he respects . This rationale for sharing personal thoughts with Ravi, a junior advocate, suggests that Anand values sincerity and transparency in interpersonal relationships. It reveals a pragmatic side to his character, where he acknowledges the importance of sharing personal insights with those involved in legal matters, despite their professional standing .

Anand's choice to take an alternate route after the award function reflects his desire for 'Me Time' amidst the chaos and demands of his professional life . Symbolically, this decision to venture onto a less traveled path highlights his tendency to seek solitude and personal reflection away from conventional routes or expectations. This choice signifies a deliberate move towards finding peace and simplicity in his life, even if it comes with unpredictability, mirroring his broader decision-making approach characterized by independence and self-directed thought, but not without unforeseen consequences, as evidenced by the incident that follows .

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