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Understanding Representation in Art

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Understanding Representation in Art

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© All Rights Reserved
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ART 110 Art Appreciation

Module 1: Elements and Principles of Design

Module 1D: Types of Representation

Representational, Abstract, and Non-representational:


[Link]

1. What does the term figurative art refer to?


a. Figurative art refers to artworks, primarily paintings and sculptures, that are
clearly based on real objects and are, therefore, representational. Essentially,
figurative art portrays recognizable and tangible subjects and objects in its
representations. This term gained significance in the early twentieth century with
the emergence of abstract art and has since been used to describe any modern
art that shows clear connections to the real world.

2. What does the term "abstraction" refer to when referencing art?


a. The term "abstraction" in art refers to a different representation of reality in the
depiction of imagery. In essence, abstraction in art involves a shift away from
literal representation towards a more conceptual or non-representational
approach.

3. What elements in Johann Anton Eismann's Meerhaven display "verisimilitude?"

a. In this artwork, the ambience feels dreamlike, almost resembling a fairytale


setting, yet the elements within are extremely realistic. The old sailing vessels,
the bay and the village visible in the back are all tangible elements from the real
world.

4. Speaking of “verisimilitude,” what does verisimilitude mean?


a. "Verisimilitude" refers to the quality of appearing realistic or having a similarity to
reality.

5. Use verisimilitude in a sentence:


a. The author's descriptions and vivid storytelling added a sense of verisimilitude to
the fantasy world depicted, making readers feel like they were truly a part of the
story.
ART 110 Art Appreciation
Module 1: Elements and Principles of Design
6. How is Robert Delaunay's Le Premier Disque an example of non-representational
artwork?
a. Le Premier Disque is an example of non-representational artwork because it
does not replicate any real-world idea or object. It stands alone and uses color,
line, and shape to act as its own unique form.

Putting it together:
[Link]
7. One last time, in your own words explain how using a “formalistic” approach will help you
better understand a work of art?
a. Using a formalistic approach to viewing art allows for all assumptions and
emotions to be removed from the viewing. It would help me to examine the
workmanship, technique, and forms present for what they are instead of what
they represent.

8. Look at the very large painting Guernica by Pablo Picasso. Use a “formalistic” approach
to explain what you see. What elements feel like they are strongly represented? Which
principles of design feel strongly engaged in this composition?

a. Clearly, lights and shadow tones are a vital part of this work. Geometric and
abstract shapes make up all the forms present. Contrast and variety are most
represented in Guernica.
ART 110 Art Appreciation
Module 1: Elements and Principles of Design

9. After reading about Guernica, explain how Pablo Picasso “abstracted” reality to make
real events into a work of art. (In other words, this painting is not “realistic,” but it is
“representational” of something based on reality. How did Picasso use real events to
create and influence his art? This process is what we refer to as “abstraction” in art.)

a. Guernica was painted to represent the bombing of its namesake in 1937. It is


intended to convey the horrors and tragedy of the day by showing confusing,
intense expressions and harsh images.

Common questions

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Abstraction in art, as seen in Picasso's "Guernica" and Delaunay's "Le Premier Disque," alters the viewer's understanding of reality by moving beyond literal representation to convey deeper, often emotional realities. In "Guernica," abstraction expresses the horror and disarray of war, making the viewer confront the emotional truths rather than rely on a straightforward narrative. Delaunay's work, on the other hand, celebrates pure aesthetic form, enabling viewers to engage with art as an experience independent of reality. Both artists use abstraction to deepen the conceptual impact of their work .

Non-representational art, as exemplified by "Le Premier Disque," does not attempt to represent or replicate real-world objects or ideas. Instead, it uses elements like color, line, and shape to create a form that exists independently. This style allows for subjective interpretation and engagement with the pure elements of design, encouraging viewers to appreciate art for its aesthetic qualities rather than its referential nature .

Eismann achieves verisimilitude through meticulous detail and texture that capture the essence of real-world sailing vessels and villages. These elements are rendered with realistic proportions and recognizable characteristics, contributing to the artwork's convincing portrayal of a fantastical yet conceivable world. His technique bridges the gap between reality and imagination, engaging viewers in its credible scene .

In "Guernica," the use of lights and shadow tones is critical as it creates dramatic contrasts, enhancing the emotional intensity and chaos depicted in the scene. This stark use of light and dark makes the abstract shapes more expressive, emphasizing key elements in the composition and drawing attention to the conveyed message of destruction and despair .

Verisimilitude enhances the viewer's experience by creating a sense of realism or similarity to reality, allowing the viewer to relate more closely to the depicted subjects or scenes and to immerse themselves in the narrative or context of the artwork .

In Eismann's Meerhaven, the dreamy ambience is created through a combination of tangible elements from the real world, such as old sailing vessels and a visible village, contrasted against a setting that resembles a fairytale. This juxtaposition between realistic and fantastical creates an atmosphere that appears both vivid and ethereal .

Figurative art refers to artworks that are clearly based on real objects and are therefore representational, portraying recognizable and tangible subjects. In contrast, abstract art involves a shift away from literal representation towards a more conceptual or non-representational approach, not necessarily depicting real-world objects .

A formalistic approach to art analysis focuses solely on the visual elements of a work—such as color, shape, line, and texture—without regard to external context, meaning, or symbolism. This method contrasts with others that might consider historical background, artist intention, or emotional impact, as it aims to appreciate the intrinsic qualities of the artwork itself .

Picasso's "Guernica" uses abstraction to represent the bombing of Guernica in 1937. By employing distorted, intense expressions and chaotic, harsh imagery, Picasso conveys the tragedy and confusion of the event. The painting is not a literal representation but rather an emotional and psychological depiction of the horrors of war .

In "Guernica," contrast and variety play significant roles in engaging viewers by highlighting differences in form and content, which generate visual interest and draw the viewer's eye across the composition. The varied use of shapes and tones in the artwork creates a dynamic and disorienting effect, reflecting the chaos and tragedy of its theme. These principles help convey the emotional and thematic depth of the painting .

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