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Fashion Collection Development Guide

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Alana Cook
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0% found this document useful (0 votes)
8 views5 pages

Fashion Collection Development Guide

Uploaded by

Alana Cook
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd

Task:

A small collection with a focus on blazers, jackets and coats is to be created.

At least 1 - 2 outfits (at least 3 pieces) should be created from the collection (a jacket
or blazer or coat with lapels and/or collar and pockets must be included).

Based on the given semester theme, the process of creating a collection concept and
an own collection is taught and applied.

The students learn practical, theoretical, and creative methods that lead to the
design of a collection (creative process) and the production of an outfit.

The focus is also on research work and in-depth examination of contemporary fashion
themes, as well as specified basic ranges of clothing.

Partners who do not come directly from fashion are integrated in order to stimulate
interdisciplinary discourse.

In addition to the acquisition of professional skills, the event also focuses on the
critical examination of industry mechanisms. The aim is to recognize larger contexts,
to work out the broad effectiveness of one's own actions for society and the industry
and, in this context, to make one's own responsibility recognizable.

0I_Research theory

Topic research/text: Deal with a contemporary topic within fashion that scientifically
underpins your collection topic. Write a text. Justify the relevance of the topic within
fashion.

02_Collection development

Collection of ideas in the research book:

Topic exploration: mind map and synonymous images/ materials/ music/ text
fragments on the topic (do not search here in fashion, but in other fields such as art,
photography, design, architecture, music, film, theatre, society, literature...).

Volume board: Collect examples from fashion on silhouettes and volumes or lines you
are aiming for in your collection.

Material pages: collect examples of materials, colour tones, shapes, silhouettes,


structures, textures, details, prints, processing variations -> all collection specifics.

Design:

- Collages: translate interesting volumes from your collection into garment


silhouettes in a collage-like manner (min. 10 variations)

- Drawings: Design for your collection (min. 12 complete outfits)


- Material discussion: Discuss the materials you want to use.

Edit the materials, if necessary, carry out experiments on surface manipulations.


Look for adequate production solutions.

03_ Collection portfolio

Curate the elements collected in the research book and select, edit and modify them
for the final board.

Cover sheet: Semester topic, collection topic, student name, matriculation, module
name.

Mood board: From the collections in the research book, compile a mood board on the
collection theme. (A mood board contains convincing pictorial elements that are
concretely related to the theme and that reflect the mood of the collection in an
exciting and conceptually coherent way; synonymous pictorial elements/images on
the theme).

Collages: to find silhouettes, volumes and lines.

Line up of the collection: 8 selected outfits in front and back view

Material experiments: Summarize important elements from the material research


and layout them here.

04_ Realization

Artefacts: Create 1-2 outfits (at least 3 pieces) from your collection.

Photo shoot: Stage your realized outfits in a photo shoot.

Evaluation and assessment criteria

0I_Research/ Theory: (8 points)

Topic Research/Text: Address a contemporary topic within fashion that scientifically


underpins your collection topic. Write a text. Justify the relevance of the topic within
the fashion world but also within society.

Presentation: Give a presentation on a given topic or a topic agreed with the teacher.

Assessment criteria: Professionally adequate research in specialist


literature/specialist books, conclusive proof of the topic's relevance for fashion and
society, substantiation with sources (stated according to APA), convincing
presentation, factual and scientific, language.

02_Collection development (12 points)

Collection in the research book:

Topic exploration: synonymous images/ materials/ music/ text fragments on the topic
(do not search here in fashion but in other fields such as art, photography, design,
architecture, music, film, theatre, society, literature...).

Volume board: collect examples from fashion on silhouettes and volumes or lines you
are aiming for

Material pages: collect examples of materials, colour tones, shapes, silhouettes,


structures, textures, details, prints, processing variations -> all collection specifics.

Design:

Collages: translate interesting volumes from your collection into garment silhouettes
in a collage-like manner (min. 10 variations)

Drawings: Design for your collection (min. 12 complete outfits)

Material discussion: Discuss the materials you want to use.

Edit the materials if necessary, carry out experiments on surface manipulations. Look
for adequate manufacturing solutions.

Assessment criteria: Accuracy of fit and shapes, volumes, materials and colours to
the theme, intensity of engagement, quality of collections and representations,
intensity of trying out different representation techniques, quality of representations
and experiments, degree of immersion.

03_ Collection portfolio (20 points)

The elements collected in the research book are curated and selected for the final
board, further edited and modified.

Cover sheet: semester topic, collection topic, student name, matriculation, module
name.

Mood board: From the collections in the research book, compile a mood board on the
collection theme. (A mood board contains convincing pictorial elements that are
concretely related to the theme and that reflect the mood of the collection in a
creatively exciting and conceptually coherent way; synonymous pictorial
elements/images related to the theme).

Collages: to find silhouettes, volumes and lines.

Line up of the collection: 8 selected outfits in front and back view/ 3 outfits as
technical drawing (the realized parts should be included in the technical illustrations)

Material experiments: Summarize important elements from the material research


and layout them here.

Photo series: Select a maximum of 5- 8 photos and insert them here in the portfolio
(full body, group shots, detail shots...).

Assessment criteria: Cleanliness of the preparation of the portfolio, quality of the


selection. Composition and layout, density of content and visuals, quality of collection
and representations.

04_Realization (60 points)

Artefacts: Realize 1-2 outfits (min. 3 pieces) from your collection.

Photo shoot: Stage your implemented outfits in a photo shoot.

Assessment criteria: Thematic accuracy of fit, cutting technique, degree of


differentiation of the design, sensible use of materials, quality of production, staging
appropriate to the theme at the photo shoot, selection of accessories and models,
completion, cleanliness.

Form of delivery:

Deliveries are made digitally.

Analogue exercise parts must be digitized, and the artefacts must be accurately
documented photographically from inside and outside.

All files are to be named and uploaded collectively in a zip folder in the examination
room provided for this purpose.

The specified folder structure must be strictly adhered to.

The maximum file size of the zip folder is 2.5 GB.

In general, make-up examinations are to be prepared as individual work. Please


make sure to coordinate your topic with the examiner.
The guidelines for project papers will apply.

Common questions

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The curriculum combines theoretical and practical learning by teaching students various methods for creating a collection concept and designing a collection through both practical and theoretical approaches. Theoretical learning involves research work, topic exploration, and critical analysis, while practical learning is achieved through hands-on creation of outfits, material experiments, and staging photo shoots, ensuring a well-rounded educational experience .

The research book is crucial in collection development as it allows students to explore their topics through a rich collection of synonymous images, materials, text fragments, and diverse media not necessarily related to fashion. This facilitates an in-depth exploration of the collection theme and helps in compiling a mood board, which is essential to reflect the mood and conceptual coherence of the collection .

The evaluation criteria for the creative process include the thematic accuracy of fit, cutting technique, design differentiation, use of materials, quality of production, and appropriateness of photo shoot staging. Additionally, the criteria assess the intensity of engagement with materials and themes, the quality of representation and experimentation, and the thoroughness of sourcing and presenting influential factors from other creative fields .

Material experiments are essential as they summarize crucial elements of material research and aid in the creative manipulation and evaluation of fabrics to be used in the final outfits. These experiments assist designers in understanding the textures, structures, and processing variations which directly influence the quality of production and thematic accuracy when realizing the outfits. This contributes to a refined and innovative final product, aligning with the collection's theme .

Mood boards play an integral role in the collection development process as they are compiled from collections in the research book to visually represent the theme and mood of the collection. They include convincing pictorial elements that are specifically related to the theme, reflecting it in a conceptually coherent and creatively exciting manner, hence guiding the design process .

Students are advised to deal with contemporary topics by scientifically underpinning their collection topics and writing a text to justify their relevance within fashion and society. This involves professionally adequate research in specialist literature and books, and substantiating their findings with sourced citations, ideally formatted according to APA style .

The curriculum addresses professional responsibility by encouraging students to critically examine industry mechanisms, understand the broader social and industrial effectiveness of their actions, and recognize their responsibility within these larger contexts. This is achieved by integrating interdisciplinary discourse and focusing on the ethical implications of their creative work .

Sourcing inspiration from fields outside of fashion is important as it encourages creativity and innovation, broadening designers' perspectives and enhancing their ability to create unique and original collections. This approach leverages diverse influences from fields such as art, architecture, music, and literature, which can lead to the discovery of new techniques, materials, and design philosophies, ultimately enriching the creative process and outcomes .

The document emphasizes the importance of staging and photography as it involves capturing the realized outfits through photo shoots, and these images are crucial for the assessment of thematic accuracy, the selection of accessories and models, and the quality of staging congruent with theme. This contributes to a comprehensive understanding of how the collection is visualized and presented, significantly affecting the final evaluation of the collection .

Interdisciplinary discourse is integrated in the fashion collection process to stimulate a broader understanding and influence beyond the direct input from fashion-related fields. It is intended to recognize larger contexts and work out the broad effectiveness of actions for society and the industry. This approach encourages students to draw inspiration from diverse fields such as art, design, architecture, and literature, thereby enriching the creative process and fostering a critical examination of industry mechanisms .

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