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Lily's Transformation into Lilith

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0% found this document useful (0 votes)
3 views8 pages

Lily's Transformation into Lilith

Uploaded by

jayshan2903
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Summary

 Lily Silverstein has broken a hand mirror at work,


Silverstein and Cohen, Limited.
 On her way to clean herself up in the bathroom, she
reflects on what has brought her to this point.
 Mr Silverstein has a relationship with her mother.
 She resents her mother for treating her with no
respect. She often gives a speech about being a
woman on her own.
 She recently read about a woman demon with the
body of a snake, a lion’s face, and the claw’s of a
bird. It said, “Lilith: Possessor, devourer, avenger. A
woman on her own.”
 She thinks about how the company was started.
 She then thinks about how the mirror got broken. She
was getting it for a customer, so that the other workers
could continue eating their lunch, when she
accidentally dropped it.
 She rinses the mirror and puts the pieces together. When
she looks in the mirror, she sees that her skin looks perfect
instead of full of pimples (or “soenpuisies”, as her only
friend, Fatima, calls them).
 Herarmpits prickle and eyes burn, and she drops the
mirror.
 Shelooks in the main bathroom mirror and her skin is
perfect.
 She is no longer Lily, but now Lilith.
 She picks up a shard of the mirror.
 She plans on first killing Mr Silverstein and then her
mother.
The ending

 We assume that the demon, Lilith, has possessed Lily.


(“possessor”)
 She is now getting revenge for everything that everyone
did wrong to her. (“avenger”)
 We assume that Lilith came through the mirror. (“The
hand mirror, its work done…”)
Features of a horror
 Dark forces
 An unnamed force changes Lily into Lilith.
 Characters we can identify with
 Lily is unpopular and has bad skin. She feels like she has no
friends.
 Main character is isolated
 Literally: She is alone in the bathroom.
 Figuratively: She has only one friend and nobody
understands her.
 Dark side of humanity
 Anger and the desire for revenge
 Improbable events
 The mirror has some sort of magical power and makes her
skin flawless. It makes her suddenly become murderous.
 Dark, foreboding and menacing mood
 The last four paragraphs are each one short sentence. This
gives it a tone that makes us feel a sense of dread and
unease. We feel like something really bad is going to
happen.
 Third person narrator is used
The possession

Lily Lilith
 Pimples all over her face  Flawless skin
 Nervous  Vengeful
 Can’t stand up to her  “Possessor, devourer,
mother avenger. A woman on
 Knowledgeable her own.”

Common questions

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Lilith symbolizes the unleashing of repressed feelings and the embodiment of revenge and empowerment. Initially mentioned as a demonic figure representing a 'possessor, devourer, avenger' , Lilith becomes the catalyst for Lily to break free from her subdued identity and embrace her inner fury. Her transformation with flawless skin and vengeful intentions marks the irreversibility and intensity of such a symbolic change .

Fatima, characterized as Lily's only friend who refers to her acne in a colloquial manner with the term 'soenpuisies', represents a rare source of social connection and normalcy in Lily's life . Despite Fatima’s potential absence during the transformative events, Lily’s awareness of having only one friend underscores her profound loneliness and her quest for acceptance. This isolation significantly shapes her identity, influencing her vulnerability to the transformative forces of the mirror and her ultimate radical change into Lilith .

The interaction with the mirror thematically explores self-perception by highlighting how Lily views her imperfections and desires transformation . The mirror's power to change her appearance and instigate her metamorphosis into Lilith reflects the theme of empowerment. It signifies the potential release of internalized oppression and unfulfilled desires, linking appearance with self-worth and the externalization of one's internal strength and vengeance .

Lily's character transitions from a passive, insecure individual to a proactive entity seeking revenge as Lilith. Initially characterized by her pimples and nervousness, Lily struggles with self-image and familial issues, particularly her inability to confront her mother . The onset of possession flips her personal narrative as she embodies confidence and vengeance, characterized by flawless skin and the intent to punish those who wronged her . This evolution underscores her quest for autonomy and repressed animosity, driven by supernatural empowerment, creating a stark contrast between her initial vulnerability and subsequent assertiveness.

This statement exemplifies magical realism by merging mundane reality with supernatural elements, giving the narrative layers of depth. The magical ability of the mirror to alter appearance and catalyze transformation introduces supernatural powers into an otherwise ordinary setting, which serves as a metaphor for internal change and psychological liberation . This intersection of reality and magic challenges the reader's perception of normalcy, presenting the magical as an intrinsic part of the characters’ reality and enhancing the thematic exploration of identity and transformative power .

Lily's transformation into Lilith embodies isolation and resentment through both literal and figurative elements. Literally, Lily is often physically alone, as seen when she is in the bathroom alone while others continue their activities . Figuratively, her isolation stems from having only one friend and feeling misunderstood, which is compounded by resentment towards her mother and Mr. Silverstein for their behaviors . This resentment fuels her transformation, where Lilith allows Lily to act on her feelings of revenge and anger, as evident when she plans retribution .

The story employs the demon Lilith as an avatar for vengeance, activating Lily’s latent desires for retribution against those who have wronged her. The narrative describes Lilith as a 'possessor, devourer, avenger' who enables Lily to transcend her passive nature and become active in seeking revenge . This supernatural embodiment allows for a comprehensive exploration of vengeance, portraying it as an overpowering force that overcomes moral boundaries and personal limits, spurred into action by external supernatural influence .

The mirror serves as the portal and catalyst for Lily's transformation, embodying the threshold between her normal reality and the supernatural influence of Lilith . Symbolically, the mirror reflects not just an altered appearance but the internal change — Lily's suppressed desires, resentment, and insecurities manifested in her transformation into Lilith with flawless skin and vengeful tendencies . The breaking of the mirror and her subsequent interaction with its shards symbolize a fracture in her reality, leading to an irreversible change .

The third-person narrator allows for an objective overview of Lily's transformation, providing insights into her mental state and external circumstances without bias . This perspective enhances the horror elements by enabling the narration to delve into her isolation, resentment, and the occurrence of supernatural events, creating a reliable account rather than a subjective one . It allows readers to understand the changes in Lily impartially, which contrasts with her subjective potential unreliability if told in first person.

The author crafts suspense and a menacing mood through structural and narrative choices. The use of short, abrupt sentences in the last paragraphs intensifies the sense of unease and immediacy . This, combined with the mysterious powers of the mirror and the sudden, improbable transformation of Lily into Lilith, enhances the foreboding atmosphere . The isolation of the main character and the enigmatic, unseen forces play into classic horror conventions that maintain a suspenseful tone throughout .

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