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Alejandro Roces: Literary Legacy

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40 views2 pages

Alejandro Roces: Literary Legacy

LIFE

Uploaded by

ivy1228uv
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Alejandro Reyes Roces (13 July 1924 – 23 May 2011) was a Filipino author, essayist, dramatist and

a National Artist of the Philippines for literature. He served as Secretary of Education from 1962 to 1965,
during the term of Philippine President Diosdado Macapagal.

Noted for his short stories,[1] the Manila-born Roces was married to Irene Yorston Viola (granddaughter
of Maximo Viola), with whom he had a daughter, Elizabeth Roces-Pedrosa.

He attended elementary and high school at the Ateneo de Manila University, before moving to the
University of Arizona and then Arizona State University for his tertiary education. He graduated with a
B.A. in Fine Arts and, not long after, attained his M.A. from the Far Eastern University back in the
Philippines.[2] He has since received honorary doctorates from Toyo University,[3] Baguio's St. Louis
University, Polytechnic University of the Philippines, and the Ateneo de Manila University. Roces was a
captain in the Marking's Guerilla during World War II and a columnist in Philippine dailies such as
the Manila Chronicle and the Manila Times. He was previously President of the Manila Bulletin and of
the CAP College Foundation.

In 2001, Roces was appointed as Chairman of the Movie and Television Review and Classification Board
(MTRCB). Roces also became a member of the Board of Trustees of GSIS (Government Service Insurance
System) and maintained a column in the Philippine Star called Roses and Thorns.

Don Alejandro Roces Sr. Science-Technology High School

Career

[edit]

During his freshman year in the University of Arizona, Roces won Best Short Story for We Filipinos are
Mild Drinkers. Another of his stories, My Brother's Peculiar Chicken, was listed as Martha Foley's Best
American Stories among the most distinctive for years 1958 and 1951. Roces did not only focus on short
stories alone, as he also published books such as Of Cocks and Kites (1959), Fiesta (1980), and Something
to Crow About (2005). Of Cocks and Kites earned him the reputation as the country's best writer of
humorous stories. It also contained the widely anthologized piece "My Brother's Peculiar Chicken".
Fiesta, is a book of essays, featuring folk festivals such as Ermita's Bota Flores, Aklan's Ati-atihan, and
Naga's Peñafrancia.

Something to Crow About, on the other hand, is a collection of Roces' short stories. The book has been
recently brought to life by a critically acclaimed play of the same title; the staged version of Something
to Crow About is the first Filipino zarzuela in English. This modern zarzuela tells the story of a poor
cockfighter named Kiko who, to his wife's chagrin, pays more attention to the roosters than to her. Later
in the story, a conflict ensues between Kiko's brother Leandro and Golem, the son of a wealthy and
powerful man, over the affections of a beautiful woman named Luningning. The resolution? A cockfight,
of course. Something to Crow About won the Aliw Award for Best Musical and Best Director for a Musical
Production. It also had a run off-Broadway at the La Mama Theater in New York.

Through the years, Roces has won numerous awards, including the Patnubay ng Sining at Kalinangan
Award, the Diwa ng Lahi Award, the Tanging Parangal of the Gawad CCP Para sa Sining, and the Rizal Pro
Patria Award. He was finally bestowed the honor as National Artist of Literature on 25 June 2003.

When once asked for a piece of advice on becoming a famous literary figure Roces said, "You cannot be a
great writer; first, you have to be a good person".[4]

In 1994, Roces was the chairman of the Board of Jurors for the 1994 Metro Manila Film Festival, in which
he and the board made the unprecedented decision not to award any film entry that year six of the
major awards, including Best Picture, Best Screenplay and Best Director.[5]

Common questions

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'Something to Crow About' reflects Filipino cultural and societal aspects through its portrayal of cockfighting, a popular pastime in the Philippines, symbolizing resilience and competitive spirit. The zarzuela format, the first in English, bridges traditional Filipino storytelling with contemporary themes, depicting familial and societal relationships. The conflict and resolution through a cockfight also illustrate unique Filipino traits, such as loyalty and the pursuit of respect and love, mirroring real societal dynamics .

Alejandro Roces received numerous prestigious awards, including the Patnubay ng Sining at Kalinangan Award, the Diwa ng Lahi Award, the Tanging Parangal of the Gawad CCP Para sa Sining, and the Rizal Pro Patria Award. Ultimately, he was named National Artist of Literature in 2003. These awards reflect his profound impact on Philippine literature, recognizing his contribution to elevating Filipino narratives and themes in both national and international literary circles .

Alejandro Roces served as a captain in Marking's Guerilla during World War II. This experience is significant as it likely influenced his understanding of Filipino resilience and the complexities of human nature, which are often reflected in his character-driven stories. The camaraderie and conflicts inherent in guerrilla warfare might have informed his exploration of themes like societal struggles, personal identity, and moral dilemmas, imbuing his narratives with authenticity and depth .

Alejandro Roces attained a B.A. in Fine Arts from the University of Arizona, an M.A. from Far Eastern University, and received honorary doctorates from Toyo University, St. Louis University, Polytechnic University of the Philippines, and Ateneo de Manila University. These degrees and honors reflect his significant influence in both Filipino and international academic arenas, acknowledging his contributions to literature, education, and cultural discourse through his writings and public service .

Alejandro Roces believed that to be a great writer, one must first be a good person. This personal philosophy is evident in the ethical and moral underpinnings of his stories, often highlighting themes of honesty, justice, and compassion. His advice suggests that personal integrity and character greatly influence one's ability to produce sincere and impactful literature. This philosophy likely shaped his narratives, instilling them with depth and relatability grounded in authentic human experiences .

As a columnist for dailies like the Manila Chronicle, the Manila Times, and the Philippine Star with his column 'Roses and Thorns', Alejandro Roces wielded significant influence, shaping public discourse in the Philippines. His writings provided discerning commentary on cultural and national issues, fostering public debate and reflection. His critical insights and humor engaged readers, encouraging them to consider different perspectives and contributing to an informed citizenry, thus affecting societal attitudes and awareness .

Alejandro Roces attended the Ateneo de Manila University for elementary and high school, which likely provided a strong foundation in liberal arts and literature. His further education at the University of Arizona and Arizona State University, where he obtained a B.A. in Fine Arts, equipped him with an understanding of artistic expression and narrative techniques. The diverse cultural exposure abroad and his M.A. from Far Eastern University in the Philippines enriched his literary perspective, allowing him to infuse Filipino themes with global literary standards. These educational experiences underpin the depth and humor in his short stories and other literary works .

As the chairman of the 1994 Metro Manila Film Festival Board of Jurors, Alejandro Roces and the board made an unprecedented decision to withhold six major awards, including Best Picture, Best Screenplay, and Best Director. This decision highlights Roces' commitment to artistic integrity, suggesting high standards for creativity and excellence. By not awarding these categories, he emphasized the importance of genuine craftsmanship over commercial success, advocating for quality that meets his artistic standards .

Apart from his literary contributions, Alejandro Roces made significant impacts through his roles in education and cultural institutions. As Secretary of Education under President Diosdado Macapagal, he had a direct influence on the Philippine educational system. Moreover, as Chairman of the Movie and Television Review and Classification Board (MTRCB) and President of the Manila Bulletin, Roces promoted Filipino culture and arts. He also participated as a columnist in major Philippine newspapers, offering insights and fostering public discourse on cultural and social issues .

Alejandro Roces' thematic progression is notable in his works like 'Of Cocks and Kites', 'Fiesta', and 'Something to Crow About'. Initially focusing on humorous and culturally rich stories about Filipino life and customs, Roces expanded to thematic essays in 'Fiesta', which celebrated traditional festivals, highlighting community and cultural identity. 'Something to Crow About' marks a thematic maturity, incorporating humor and social critique in a broader narrative context, exploring familial and societal conflicts through the lens of Philippine culture, thereby reflecting a deepening engagement with social issues .

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