0% found this document useful (0 votes)
150 views3 pages

Types of Linguistic Deviation in Poetry

Uploaded by

Aoyon Fahad
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
150 views3 pages

Types of Linguistic Deviation in Poetry

Uploaded by

Aoyon Fahad
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd

As a general term, deviation means the act of moving away from what is normal or acceptable, i.e.

, a
difference from what is expected or acceptable. In this sense, any departure from the usual and acceptable
norms of language is considered as a deviation
Deviation from the general rules of English (syntactic, phonological, graphological, morphological,
semantic, etc.) is a common phenomenon in literary language, especially in poetry. Any departure from
the general rules of language, lexical or syntactic, is generally described as a deviation. The term
linguistic deviation was coined by Geoffrey Leech in 1969 while studying a number of poems. He
discovered nine types of linguistic deviation in poetry; lexical, semantic, syntactic, phonological,
morphological, graphological, historical, dialectal, and register.
A. Lexical Deviation
Lexical deviation in literature occurs when words depart from their normal standard, or when words are
invented in a process called neologism or nonce-formation, to create deeper meaning and esthetic value,
to achieve a certain (stylistic) effect or to meet a lexical need for a single occasion.
A typical example of neologism is found in the underlined word in the following line:
And I Tiresias have fore suffered all
(Waste Land: T.S Eliot)
T.S. Eliot, by analogy, invented a new lexical item; a verb which has never been used before in English.
B. Semantic Deviation
In accordance with this type of deviation, an ordinary word can have an extraordinary meaning depending
on the poet’s, novelist’s or writer’s life, and cultural background (Leech, 1976). It is an irrational element
that forces the reader to search the meaning beyond the dictionary meaning. The semantic deviation can
be meant as non-sense or absurdity when we consider the literal (denotative) meaning, but it bears non-
literal (connotative) meaning:
The child is father of the man.
(My Heart Leaps Up: Wordsworth)

C. Syntactic Deviation
It is a kind of deviation in which poets do not follow the rules of grammar and sentence formation
According to Seturaman and Peck (1995. p. 236), “Poets tend to have their own grammar and resort to
deviation whenever they have to express a meaning which the normal language cannot.” This leads to
ambiguity or a lack of understanding on the part of the reader.
In his long poem Locksley Hall, Alfred Tennyson used many deviant forms, such as many a night, many a
morning, and many an evening in which the singular form is used with many. This represents a violation
of the rules of English grammar in which many are used with countable plural nouns, for example, many
nights/mornings/evenings.
Many a night I saw the Pleiads rising thro’ the…..
…………………………………………..
Many a morning on the moorland did we hear the…
………………………………………………………
Many an evening by the waters did we watch th

D. Phonological Deviation
Phonological deviation is characterized by inadequate use of phonological rules of language, due to a
linguistic disorganization, while phonetic deviation is a mechanical change in articulatory production
arising from a motor disability involved in sound production. Examples of this kind of deviation are
found in prose (novel); in Oliver Twist where the character Barney has a difficulty with the nasal
consonants/n/and/m/which he pronounces as/d/and/b/(respectively) (Sadoun, 2014. p. 21):
1. I’b dot certaid you cad, said Barney, who was
The attendant sprite; “but I’ll idquire.”
(Oliver Twist: Charles Dickens)
In (1) the italicized letters in I’d, dot, certaid, cad, and idquire are mispronunciations for: I’m, not,
certain, can, inquire (respectively).
E. Morphological Deviation
This deviation, which is quite common in literary texts, is related to the way words are formed.
Morphological deviations involve many things, such as addition of affixes to words which they usually do
not take or removal of their usual affixes. A typical example of this type is indicated by the use of the er,
est suffixes (for the comparative and superlative), but with adjectives such as (grateful, ungrateful, and
thankful) that require the use of more and most in example (1) or the use of double superlative as in
example (2) below (Brook and Ichikawa, 1954. p. 239):
1. “Well! Of all the ungratefullest, and worst-disposed
Boys as I ever see, Oliver, you are…”
2. “Oliver, you are one of the most bare-facedest.”
(Oliver Twist: Charles Dickens)
F. Graphological Deviation
It is a kind of deviation where rules of legible writing are ignored or neglected. This happens when words
are written without any boundaries in lines, space, or punctuation marks. Occasionally, poets and
novelists write without putting full stops at the end of sentences. Notice the following three lines from
Eliot’s Ash-Wednesday in which the full stop is missing at the end of lines. Eliot has intentionally done
this to provoke some intended esthetic effects (Saleem, 2012):
The right time and the right place are not here
No place of grace for those who avoid the face
No time to rejoice for those who walk among
Noise and deny the voice
G. Historical Deviation
The historical deviation is well represented when the poet uses archaic (old-fashioned) words which are
not found in daily use of language but refer to the language of the past. Poets do this to add an esthetic
and emotive effect to the literary text.
A good example, in this respect, is found in the inaugural speech of President Kennedy, 1961, in which he
uses the archaic words forth (forward) and foe (enemy). He also begins his speech with the elevated let-
construction (Leech and Svartvik, 1985. p. 26):
“Let the word go forth from this time and place,
To friend and foe alike, that the torch has passed to
A new generation of Americans…”

The deviation is a “term used to describe any pronunciation, word, or sentence structure which does not
conform to a norm” (Richards et al., 1993. p. 105). From a linguistic perspective, norm means “a standard
practice in speech and writing” (Crystal, 2003. p. 319). the deviation is considered as a license or
permission for poets and writers to say or write what people in normal situations of language use cannot.
Writers, and poets in particular, exploit deviation at various linguistic levels to bring about specific artistic
aims and effects by doing with words what normal use of language cannot do to convey the message they
have in mind. According to Leech (1969), linguistic deviation is a necessity to produce an artistic work.

Common questions

Powered by AI

Deviation serves as a creative tool for poets and writers by allowing them linguistic license to transcend standard norms and conventional language use. Unlike standard language, which follows prescriptive grammatical and lexical rules, deviation permits authors to manipulate language to achieve specific artistic effects and express ideas or emotions more vividly. By using deviations across various linguistic levels—such as lexical, syntactic, and semantic—writers can create unique stylistic impressions, and provoke deeper reader engagement and interpretation. As Leech argued, such deviations are necessary for producing rich, artistic expressions that communicate complex messages or evoke profound emotional responses unattainable through ordinary language .

Historical deviation involves the use of archaic or old-fashioned language to evoke a sense of tradition, authority, or elevated emotion. This type of deviation adds emotional or aesthetic depth by connecting the audience to historical contexts or elevating the speech's tone. An example is President Kennedy's inaugural address, which utilizes archaic words like "forth" and "foe" to convey a sense of gravitas and timelessness. Such usage enhances the speech's rhetorical power and situates it within a broader historical narrative, resonating with the audience on a culturally significant level .

Dialectal deviation enriches characterization by embedding regional or social speech variations into a character's dialogue, reflecting their background, identity, and social context. In Charles Dickens' "Oliver Twist," dialectal deviations often reveal characters' social standing and align them with particular cultural or geographic contexts. For instance, the character of Barney demonstrates a distinct speech pattern that indicates his social milieu and offers insights into his personality. By incorporating such deviations, Dickens crafts more nuanced and authentic characters, providing readers with a more immersive and culturally textured narrative experience .

Phonological deviation in literature is exemplified by the character Barney in Charles Dickens' "Oliver Twist," who mispronounces nasal consonants as stops, saying "I’b dot certaid you cad" instead of "I'm not certain you can." This deviation impacts character depiction by highlighting Barney's speech patterns, which contribute to his unique identity and social background. Such deviations can illustrate particular personality traits, emphasize themes, or add humorous or sympathetic dimensions to characters, reflecting their socio-economic status or regional dialect .

Morphological deviation in literary works involves the unconventional formation of words, such as adding or removing affixes in non-standard ways to convey particular stylistic effects or character traits. In Charles Dickens' "Oliver Twist," this is exemplified by the use of suffixes in phrases like "ungratefullest" and "bare-facedest," which deliberately break grammatical norms to emphasize character traits or highlight certain narrative elements. These deviations contribute to the characterization and thematic depth by crafting a distinct linguistic style that aligns with the characters' traits or the tone of the narrative .

A poet might use graphological deviation to break the conventional rules of written language, such as punctuation, spacing, and line boundaries, to create a distinctive visual and emotional impact. This technique can disrupt the reader's usual reading habits, provoke thought, or enhance the aesthetic experience of the poem. T.S. Eliot's intentional omission of full stops in "Ash-Wednesday" removes traditional sentence boundaries, creating a continuous flow that emphasizes the thematic aspects of wandering thoughts or the relentless passage of time. This deviation helps emphasize emotional intensity or thematic continuity within the poem .

Semantic deviation challenges the reader's understanding by assigning extraordinary meanings to ordinary words, often involving irrational or non-sense elements when viewed literally. This approach forces readers to search for meanings beyond conventional dictionary definitions, fostering deeper engagement with the text. Its purpose is to evoke connotative meanings that resonate uniquely with the reader's own experiences and cultural background. For example, Wordsworth's phrase "The child is father of the man" conveys a profound, non-literal meaning beyond its surface absurdity, provoking thoughtful reflection on the development of identity and maturity .

Syntactic deviation contributes to ambiguity by altering the standard rules of grammar and sentence structure, which can obscure straightforward comprehension and prompt multiple interpretations. Poets employ this device to stretch the expressive capabilities of language beyond its conventional limits, allowing them to convey complex emotions or ideas that resist clear articulation through standard syntax. This ambiguity encourages readers to engage actively with the text, drawing on personal insights and interpretations to unpack the poet's intended meanings. For example, Alfred Tennyson's use of singular forms with "many," such as "Many a morning," subverts expected grammatical rules to create a particular rhythmic and stylistic effect .

Lexical deviation enhances the aesthetic value of poetry by enabling poets to invent new words, or neologisms, that add depth and unique stylistic effects to their work. This creative use of language can evoke emotions and imagery that conventional vocabulary may not adequately describe. An example from T.S. Eliot's "The Waste Land" is the invented verb "foresuffered," which by analogy adds new depth to the poem's imagery and emotion. Such deviations invite readers to explore beyond conventional meanings and engage more deeply with the text .

Geoffrey Leech identified nine types of linguistic deviation in poetry, which include lexical, semantic, syntactic, phonological, morphological, graphological, historical, dialectal, and register deviations. These deviations allow poets to break the norms of standard language to create deeper meaning, aesthetic value, and specific artistic effects. Lexical deviation involves the creation of new words or neologisms to meet a lexical need or achieve stylistic effects. Semantic deviation involves using words with extraordinary meanings derived from the poet's cultural or personal context. Syntactic deviation involves altering grammatical rules to express meanings beyond normal language constraints. Each type enables poets to convey complex emotions or ideas that the regular use of language might not allow .

You might also like