Click the module icon below to go to the corresponding page.

PRE DST AMP NR CAB EQ MOD DLY RVB

PRE
FX Title Description Parameters & Ranges Good For

Based on the legendary Ross™

Compressor. This is the originator of
the guitar compression e ect.
It brings the guitar compression e ect Sustain (0~99) Controls the compression amount
COMP Vintage
to the public and becomes an Output (0~99) Controls the e ect output volume
important element in the future.
It has a very natural and mellow
compression e ect.

Based on the Keeley ® C4 4-knob

Sustain (0~99) Controls the compression amount
compressor*. A recording studio - level
Attack (0~99) Controls how soon the compressor
compression e ect. Clear sense of
COMP4 starts to process the signal Modern
hierarchy, the right amount of high
Output (0~99) Controls the e ect output volume
frequency makes your guitar sound
Clip (0~99) Controls the input sensivity
brighter.

Based on famous Xotic ® EP Booster*

pedal. Provides +20DB of pure
Gain(0~99) Controls the e ect gain
Boost stimulation lift, strong low frequency, Modern
Bright(O /On) Switches extra brightness on/o
bright high frequency, making clear
sound more pleasant.

Body(0~99) Controls the body resonance

Top(0~99) Controls the upper harmonics
Acoustic guitar simulator designed for VOL(0~99) Controls the e ect output
guitars. Its prototype comes from a Mode(STD, Jumbo, ENH, Piezo) Switches from 4 modes:
AC Sim Modern
classic acoustic guitar analog STD: Simulates a standard acoustic guitar
stompbox. Jumbo: Simulates a jumbo acoustic guitar
ENH: Simulates an acoustic guitar with enhanced attack
Piezo: Simulates the sound of a piezo pickup

Control the wah sound by playing Sense (0~99) Controls the sensitivity
intensity. A wide range d envelope Range (0~99) Contols the filter center frequency range
Funk
T-WAH filter (a.k.a. touch wah) designed for Q (0~99) Controls the filter Q
Rock
guitarists and bassists that is touch- Mix (0~99) Controls the wet/dry signal ratio
sensitive and flexible. Mode (Guitar/Bass) Switches from guitar/bass modes

Depth (0~99) Controls the e ect depth

Rate (0.1~10Hz) Controls the e ect speed
Set the rate to make the wah pedal
VOL(0~99) Controls the e ect output
work regularly. Providing a variable Funk
A-WAH Low(0~99) Controls the filter low frequency range
auto wah e ect for both guitars and Rock
Q (0~99) Controls the filter Q
basses.
High (0~99) Controls the filter high frequency range
Sync (O /On) Switches Tap Tempo sync on/o

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
 Click the module icon below to go to the corresponding page.

PRE DST AMP NR CAB EQ MOD DLY RVB

PRE
FX Title Description Parameters & Ranges Good For

Based on legendary VOX ® V846*

wah pedal. The earliest wa-wah
pedal was originally designed to
allow the wind instrument passing
V-Wah through it to produce a more
emotionally expressive “wa-wah” Range(0~99) Controls the filter frequency range
sound. The amplitude is small and Q (0~99) Controls the filter Q
acts between medium and high VOL(0~99) Controls the e ect output
Vintage
frequency. To use expression pedal as a wah pedal, assign Range as
control target; you’ll hear the di erence by switching the
Based on legendary Dunlop ® pedal on and moving back and forth
CryBaby ® * wah pedal. The classic
C-Wah 60's traditional wha pedal, acting
between low and medium frequency,
moderate amplitude, neutral timbre.

Low Oct (0~99) Controls the lower octave volume

OCTA Provides polyphonic octave e ect. High Oct (0~99) Controls the higher octave volume Vintage
Dry (0~99) Contols the dry signal level

H-Pitch(0~+24) Controls the lower pitch by half notes

L-Pitch(0~-24) Controls the higher pitch by half notes
Pitch Polyphonic pitch shifter/harmonizer. Dry(0~99) Controls the dry singal level Vintage
H-Vol(0~99) Controls the high pitch volume
L-Vol(0~99) Controls the low pitch volume

H-Pitch(0~+12) Controls the lower pitch by one notes

L-Pitch(0~-12) Controls the higher pitch by one notes
P-Bend Polyphonic pitch shifter/harmonizer. Wet(0~99) Controls the wet singal ratio Vintage
Dry(0~99) Controls the dry sing al ratio
Range(0~99) Controls the harmony e ect pitch range

Gain(0~00) Controls the gain amount

Vintage tape saturation simulater
Mix(0~99) Controls the wet/dry signal ratio
Saturate providing analog warmth and natural Vintage
Output (0~99) Controls the e ect output volume
distortion.
H-Cut(0~99) Controls the e ect high cut amount

Step 1/Step 2/Step 3/Step 4 (0~99)

Step A 4-step auto filter machine for Controls filter center frequency of 4 filters (steps)
Modern
Filter creating synth-like sounds. Rate(0.10~10.00Hz) Controls the e ect speed
Sync(On/O ) Switches Tap Tempo sync on/o

Mix(0~99) Contols the wet/dry signal ratio

A ring modulator for creating Freq(0~99) Controls the modulation frequency
Ring
intresting inharmonic frequency Fine(-50~0~+50) Fine tune the modulation frequency by Modern
Mod
spectra (like bells and chimes). 1Hz
Tone(0~99) Controls the tone brightness

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
 Click the module icon below to go to the corresponding page.

PRE DST AMP NR CAB EQ MOD DLY RVB

DST
FX Title Description Parameters & Ranges Good For

Gain(0~99) Controls the gain amount

Tone(0~99) Controls the tone brigntness Blues
Based on Tube Screamer® Style overdrive
Scream OD VOL(0~99) Controls the e ect output volume Rock
pedal, with unique timbre characteristics.
Fat(O /On) Switches extra resonance on/o Metal
Air(O /On) Switches extra presence on/o

Gain(0~99) Controls the gain amount

VOL(0~99) Controls the e ect output volume
Based on a overdrive pedal using 12AX7 tube,
Tube Bass(0~99) Controls the low frequency
providing a very smooth overdrive and violin Rock
Clipper amount
like sustain, full of rich and sweet overtones.
Treble(0~99) Controls the high frequency
amount

Hermida® Zendrive® rose to fame because of

its tube-like tone. To get the perfect balance of Gain(0~99) Controls the gain amount
saturation and harmonics required to result in Tone(0~99) Controls the tone brigntness
TaiChi OD all of the 'in-tangibles' that make a pedal VOL(0~99) Controls the e ect output volume Rock
overdrive sound like a real amp overdrive. Voice(0~99) Controls the upper harmonics
Things like touch sensitivity and response to character
guitar tone and volume control changes.

This little yellow box has produced lots of great

soundings in countless classic studio albums.
Yeah, we’re talking the legendary MXR® M104
Gain(0~99) Controls the gain amount Rock
Plustortion Distortion +*, and this M104-based Plustortion.
VOL(0~99) Controls the e ect output volume Metal
The Plustortion recreated the Germanium-
powered soft clipping distortion, like what
Randy Rhoads and other hard rockers do!

Gain(0~99) Controls the gain amount

The Marshall® Guv'nor* was released in 1988
VOL(0~99) Controls the e ect output volume
and in production during 4 years. This
Bass(0~99) Controls the low frequency
overdrive/distortion Made in England e ect
amount
Chief replicates the classic tube Marshall® Amp Rock
Middle(0~99) Controls the mid frequency
sound into compact and solid state box
amount
featuring a sustainable gain with a touch of
Treble(0~99) Controls the high frequency
compression.
amount
Based on legenary Ibanez ® TS-808 Tube
Screamer ® * overdrive pedal. Since it was first
shown to the world in 1979, TS808 has opened
up a new world. There are countless guitarists
who love it. It is a warm, delicate overdrive
Gain(0~99) Controls the gain amount Blues
e ect. Can be used as either an overdrive or a
Green OD Tone(0~99) Controls the tone brigntness Rock
Boost, can be used in a variety of musical
VOL(0~99) Controls the e ect output volume Metal
styles.
Famous users: Stevie Ray Vaughan , Joe
Satriani , Paul Gilbert, Andy Timmons , Kirk
Hammett, Steve Ray Vanghan , Michal Landau ,
U2
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
 Click the module icon below to go to the corresponding page.

PRE DST AMP NR CAB EQ MOD DLY RVB

DST
FX Title Description Parameters & Ranges Good For

Based on the legendary 2-knob yellow overdrive

pedal with thick. Artist of the 70's was mostly
using a fuzz distortion sound and the overdrive
produced by it was not typical. It was however
Yellow soon accepted as the new standard of guitar Gain(0~99) Controls the gain amount Blues
OD sound. It features an asymmetric circuit where VOL(0~99) Controls the e ect output volume Rock
the positive and negative halves of the waveform
isn't distorted equally. The sound is therefore
still close to the original even though distortion
have been added.

Based on the legendary 3-knob yellow overdrive

Gain(0~99) Controls the gain amount
pedal. The unique asymmetric overdrive e ect Blues
Super OD Tone(0~99) Controls the tone brightness
circuit adds warm and pleasant overdrive e ect Rock
VOL(0~99) Controls the e ect output volume
to the traditional guitar timbre.

Based on an legendary 3-knob Blues overdrive

pedal providing full-range overdriven sound.
Whether it's warm and natural overdrive or full Gain(0~99) Controls the gain amount
Blues
Blues OD open distortion, it gives your guitar the most Tone(0~99) Controls the tone brightness
Rock
expression, makes it easy to control the tone, and VOL(0~99) Controls the e ect output volume
allows for subtle variations in your personal
playing style.

Based on legendary Electro-Harmonix ®

Big Mu Pi®* fuzz/distortion pedal. It is very
Sustain(0~99) Controls the gain amount
individual, warm and thick sound wall, restless
Lazaro Tone(0~99) Controls the tone brightness Rock
but full of beauty.
VOL(0~99) Controls the e ect output volume
Famous users: Jimi Hendrix, Santana, Pink Floyd,
Jack White

Based on legendary Dallas-Arbiter ® Fuzz Face ® *

fuzz pedal. Dallas Arbiter conjured the sound of
rock and roll for half a century in 1966 with a few
simple transistors. The sound of Fuzz Face was Fuzz(0~100) Controls the gain amount
Red Haze Rock
heavy and sharp, and its sound influenced VOL(0~100) Controls the e ect output volume
countless famous musicians.

Famous users: Jimi Hendrix, Santana, Pink Floyd,

Jack White

Based on legendary ProCo™ The Rat* distortion

(early LM308 OP-amp version). The Rat* has
come to life thanks to its wide range of Filter Gain(0~99) Controls the gain amount
knob, bright and compact sound head, full end Filter(0~99) Conterclockwize controls the tone
Darktale Rock
and strong plasticity, making it a favorite of brigntness
many musicians. VOL(0~99) Controls the e ect output volume

Famous users: Je Beck, Kurt Cobain

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
 Click the module icon below to go to the corresponding page.

PRE DST AMP NR CAB EQ MOD DLY RVB

DST
FX Title Description Parameters & Ranges Good For
Gain(0~99) Controls the gain amount
Tone(0~99) Controls the tone brightness
A simple and e ective distortion e ect for VOL(0~99) Controls the e ect output volume Blues
Flex OD
guitars and basses. Mode(Norm, Scoop, Edge) Selects from three Rock
sound characters
Blend(0~99) Controls the wet/dry signal ratio
It is based on a classic orange three-knob Gain(0~99) Controls the gain amount
Blues
SM Dist distortion e ector, which can be used to easily Tone(0~99) Controls the tone brightness
Rock
get the timbre characteristics of the 70s-80s. VOL(0~99) Controls the e ect output volume

Based on MI Audio ® Crunch Box ® * distortion

peal. Sensitive and exquisite distortion beast, it
Gain(0~99) Controls the gain amount
La satisfies all the passion of Ri and Solo. The Hard
Tone(0~99) Controls the tone brightness
Charger response of each frequency band is balanced, the Rock
VOL(0~99) Controls the e ect output volume
dynamic feedback is faithful to the fingertip, and
the noise can be well controlled even at high gain.

Gain(0~99) Controls the gain amount

Based on a yellow bass overdrive pedal
Blend(0~99) Controls the wet/dry signal ratio
with wide tonal range. It combines the original
VOL(0~99) Controls the e ect output volume Blues
bass sound with a unique overdrive e ect to
Bass Dist Bass(0~99) Controls the low frequency Rock
make a very good distortion e ect while
amount Metal
ensuring The original bass dynamic tone. It can
Treble(0~99) Controls the high frequency
also be used as a pretty good boost.
amount

Based on famous Xotic ® EP Booster* pedal.

Gain(0~99) Controls the e ect gain
Provides +20DB of pure stimulation lift, strong
Boost Bright(O /On) Switches extra brightness Modern
low frequency, bright high frequency, making
on/o
clear sound more pleasant.

AMP
FX Title Description Parameters & Ranges Good For

Based on Fender ® Tweed Deluxe*. This

amplifier with a dynamic range from clean to VOL(0~99) Controls the amp pre gain
Blues
Tweedy wild overdrive, from country rock to distortion, Tone (0~99) Controls the tone brightness
Jazz
the Fender ® Tweed Deluxe* has been a totem Output (0~99) Controls the amp output volume
in every style for more than 60 years.

Based on Fender ® ’59 Bassman ® *. The most VOL(0~99) Controls the amp pre gain
dramatic speaker in the history of Rock&Roll, PRES(0~100) Controls the amp presence
originally designed for bass, has become the Output(0~99) Controls the amp output volume
most classic guitar speaker. As clear as water, Bass(0~99) Controls the amp low frequency
Bellman Blues
Vacuum tube makes the sound more beautiful, response
59N Jazz
make musical instrument manufacturers are Middle(0~99) Controls the amp mid frequency
eager to imitate the product. response

Famous users: Stevie Ray Vaughan, Treble (0~99) Controls the amp high frequency

Kurt Cobain response

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
 Click the module icon below to go to the corresponding page.

PRE DST AMP NR CAB EQ MOD DLY RVB

AMP
FX Title Description Parameters & Ranges Good For

VOL(0~99) Controls the amp pre gain

Output(0~99) Controls the amp output volume
Based on Fender ® ’ 65 Twin Reverb ® *.
Bass(0~99) Controls the amp low frequency response
Dark With a Stratocaster*, the classic sound Blues
Middle(0~99) Controls the amp mid frequency response
Twin can be easily restored in both country Jazz
Treble(0~99) Controls the amp high frequency
jazz and rock music.
response
Bright(O /On) Switches extra brightne

Based on Mesa/Boogie ® Lone

Star™(CH1). The pre-amp circuit has
extraordinary expressive power, the Gain(0~99) Controls the amp pre gain
comprehensive timbre and intuitive PRES(0~99) Controls the amp presence
Blues
operation are indicative of Master(0~99) Controls the amp output volume
L-Star Rock
Mesa/Boogie ® 's far superior technical Bass(0~99) Controls the amp low frequency response
CL Country
capabilities.
An engaging and lively Middle(0~99) Controls the amp mid frequency response
Jazz
timbre experience.
It has a more Treble(0~99) Controls the amp high frequency
compressed, balanced, soft mid response
frequency sound, and its high-frequency
like gorgeous bell.

Based on VOX ® AC30HW* (normal

channel). The symbolic clear sound and
warm and sharp overdrive, since the day
of its birth, has become the Shadows, The
Beatles, the Rolling Stones and other
group's favorite speaker. The British VOL(0~99) Controls the amp pre gain
band led the “British Invasion” has made Blues
Cut(0~99) Counterclockwise controls the tone
Foxy VOX ® speaker a household name as a Rock
brightness
30N British rock icon. Even in hard rock and Country
Master(0~99) Controls the amp output volume
British rock, Radiohead, Suede, Oasis and Jazz
Bright(O /On) Switches extra brightness on/o
other super groups are preferred.

Famous users: The Shadows, The

Beatles,
The Rolling Stones, Radiohead, Suede,
Oasis

Based on Bogner ® Shiva* (20th

Anniversary version, Ch1. Modern Gain(0~99) Controls the amp pre gain
optimized circuit, with a double channel PRES(0~99) Controls the amp presence
Blues
BogSV treasure house of sound, excellent circuit Master(0~99) Controls the amp output volume
Rock
CL design makes it have high-frequency Bass(0~99) Controls the amp low frequency response
Metal
transparent and flexible low frequency, Treble(0~99) Controls the amp high frequency response
crystal clear sound, British higain Bright(O /On) Switches extra brightness on/o
compact and gorgeous.

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
 Click the module icon below to go to the corresponding page.

PRE DST AMP NR CAB EQ MOD DLY RVB

AMP
FX Title Description Parameters & Ranges Good For
Based on the legendary “Jazz Chorus”
solid state combo. When it came out in
VOL(0~99) Controls the amp output volume
1975, it is the first musical instrument
Bass(0~99) Controls the amp low frequency response
speaker equipped with Chorus e ect. It Rock
J-120 CL Middle(0~99) Controls the amp mid frequency response
was famous for its pure sound and stereo Jazz
Treble(0~99) Controls the amp high frequency response
chorus e ect.
Bright(0~99) Switches extra brightness on/o
Famous users: Metallica, The Smiths,
The Police, Aerosmith

Based Matchless™ Chieftain 212 combo*

Gain(0~99) Controls the amp pre gain
(clean tone). MATCHLESS ® 's philosophy
PRES(0~99) Controls the amp presence
since its founding in 1989 has been to
Match Master(0~99) Controls the amp output volume Blues
make as many top-notch, all-purpose
CL Bass(0~99) Controls the amp low frequency response Rock
speakers as possible. The crisp
Middle(0~99) Controls the amp mid frequency response
graininess and perfect dynamic
Treble(0~99) Controls the amp high frequency response
feedback will make your playing easy.

Based on Dr. Z ® Maz ³8 Sr.* combo (clean VOL(0~99) Controls the amp pre gain
sound). With its varied sound, wide Cut(0~99) Conterclockwise controls the tone brightness
frequency response and dynamic range, Master(0~99) Controls the amp output volume Blues
Z38 CL
it is not only an excellent single platform, Bass(0~99) Controls the amp low frequency response Rock
but it can meet your needs whether you Middle(0~99) Controls the amp mid frequency response
are a British or An American fan. Treble(0~99) Controls the amp high freque

Based on Grindrod ® Pendragon PG20C*

Gain(0~99) Controls the amp pre gain
(Normal channel, bright o ). If you're a
VOL(0~99) Controls the amp output volume
Knights big fan of British sound/overdrive, this is Blues
Bass(0~99) Controls the amp low frequency response
CL a sound you can't miss. It can bring the Rock
Middle(0~99) Controls the amp mid frequency response
pure British style, sound full of
Treble(0~99) Controls the amp high frequency respon
penetrating power.

Based on Bad Cat ® Hot Cat 30* (clean

channel). As the world's first use of Class
A circuit design guitar speakers, the Gain(0~99) Controls the amp pre gain Blues
Bad-KT
sound quality has been greatly PRES(0~99) Controls the amp presence Rock
CL
improved. It combines British and Master(0~99) Controls the amp output volume Metal
American styles, with rich harmonics
and su icient headroom.

Based on Marshall ® JTM45* (normal

channel). In 1962, Marshall ® introduced VOL(0~99) Controls the amp pre gain
the first guitar speakers specifically PRES(0~99) Controls the amp presence
designed for rock music, and its Output(0~99) Controls the amp output volume Blues
UK 45
powerful sound laid the foundation for Bass(0~99) Controls the amp low frequency response Rock
rock music. So its panel material Middle(0~99) Controls the amp mid frequency response
plexiglas as the most classic 1960s Treble(0~99) Controls the amp high frequency respons
sound specific name--- Plexi.

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
 Click the module icon below to go to the corresponding page.

PRE DST AMP NR CAB EQ MOD DLY RVB

AMP
FX Title Description Parameters & Ranges Good For
Based on Marshall ® JMP50* (“Jump”
VOL 1(0~99) Controls the output volume of CH1
connection). Through the adjustment
PRES(0~99) Controls the amp presence
of JTM45*'s rectifier tube, the power
Output(0~99) Controls the amp output volume
was improved. In 1966, Marshall Blues
UK 50JP Bass(0~99) Controls the amp low frequency response
company launched JTM50*, and the Rock
Middle(0~99) Controls the amp mid frequency response
“Plexi” sound obtained utilizing the
Treble(0~99) Controls the amp high frequency response
overdrive by more people. The timbre is
VOL 2(0~99) Controls the output volume of CH2
more full compared to JTM45*.
Based on the famous “Brown Eye” UK-
style boutique amp head (BE channel).
Gain(0~99) Controls the amp pre gain
Improvement on Marshall ® Plexi*
PRES(0~99) Controls the amp presence
basis. It has smooth high frequency,
Master(0~99) Controls the amp output volume Blues
UK 800 tight low frequency and high
Bass(0~99) Controls the amp low frequency response Rock
frequency gain function. It can be used
Middle(0~99) Controls the amp mid frequency response
in many musical styles.
Treble(0~99) Controls the amp high frequency
Famous users: Kerry King, AC/DC, Zakk
Wylde
Based on the famous “Brown Eye” UK-
Gain(0~99) Controls the amp pre gain
style boutique amp head (BE channel).
PRES(0~99) Controls the amp presence
Improvement on Marshall ® Plexi*
Master(0~99) Controls the amp output volume Blues
Flagman basis. It has smooth high frequency,
Bass(0~99) Controls the amp low frequency response Rock
tight low frequency and high
Middle(0~99) Controls the amp mid frequency response
frequency gain function. It can be used
Treble(0~99) Controls the amp high frequency response
in many musical styles (BE channel) .

Gain(0~99) Controls the amp pre gain

Cut(0~99) Controls the amp presence
Based on Dr. Z ® Maz 38 Sr* combo Master(0~99) Controls the amp output volume Blues
Z38 OD
(dirty tone). Bass(0~99) Controls the amp low frequency response Rock
Middle(0~99) Controls the amp mid frequency response
Treble(0~99) Controls the amp high frequency response

Gain(0~99) Controls the amp pre gain

PRES(0~99) Controls the amp presence
Blues
BogSV Based on Bogner ® Shiva* (20th Master(0~99) Controls the amp output volume
Rock
OD Anniversary version, Ch2). Bass(0~99) Controls the amp low frequency response
Metal
Middle(0~99) Controls the amp mid frequency response
Treble(0~99) Controls the amp high frequency response

VOL(0~99) Controls the amp pre gain

PRES(0~100) Controls the amp presence
Bellman Based on Fender ® ’59 Bassman ® * Output(0~99) Controls the amp output volume Blues
59B (bright channel). Bass(0~99) Controls the amp low frequency response Jazz
Middle(0~99) Controls the amp mid frequency response
Treble(0~99) Controls the amp high frequency response

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
 Click the module icon below to go to the corresponding page.

PRE DST AMP NR CAB EQ MOD DLY RVB

AMP
FX Title Description Parameters & Ranges Good For

VOL(0~99) Controls the amp pre gain

Cut(0~99) Conterclockwise controls the tone brightness
Blues
Foxy Based on VOX ® AC30HW* (Top Boost Master(0~99) Controls the amp output volume
Rock
30TB channel). Bass(0~99) Controls the amp low frequency response
Country
Treble(0~99) Controls the amp high frequency response
Char(Cool/Hot) Selects from 2 gain ranges

Based on the Supro ® Dual-Tone

1624T* (CH1+2, dirty tone). In the mid
60’s , vintage 1624T amps have been
sought-after for decades because the
Dual-Tone’s volume knob is turned VOL 1(0~99) Controls the output volume of CH1

beyond noon, a fat and compressed Tone 1(0~99) Controls the tone brightness of CH1
SUPDua Blues
clean tone evolves into an immediately VOL 2(0~99) Controls the output volume of CH2
l OD Rock
recognizable grind that remains Tone 2(0~99) Controls the tone brightness of CH2

articulate and listenable even when Output(0~99) Controls the amp output volume

turned up to full blast.

Famous users: Jimi Hendrix,

Link Wray, David Bowie

Match Based on Matchless™ Chieftain 212 Gain(0~99) Controls the amp pre gain Blues
OD combo* (dirty tone). PRES(0~99) Controls the amp presence Rock
Solo100 Based on Soldano ® SLO100* (crunch Master(0~99) Controls the amp output volume
Bass(0~99) Controls the amp low frequency response Metal
OD channel)
Middle(0~99) Controls the amp mid frequency response
L-Star Based on Mesa/Boogie ® Lone
Treble(0~99) Controls the amp high frequency response Rock
OD Star(CH2).

Gain(0~99) Controls the amp pre gain

PRES(0~99) Controls the amp presence
Bad-KT Based on Bad Cat ® Hot Cat 30* Master(0~99) Controls the amp output volume
Rock
OD (overdrive channel). Bass(0~99) Controls the amp low frequency response
Edge(0~99) Controls the amp mid frequency response
Treble(0~99) Controls the amp high frequency response

Based on Mesa/Boogie ® Mark II C+™

Mess2C (Lead channel) with 2 di erent Gain(0~99) Controls the amp pre gain
+1 onboard switch combinations. In the PRES(0~99) Controls the amp presence
Blues
1980s, Mark II C + *established the Master(0~99) Controls the amp output volume
Rock
position of Mesa / Boogie ® metal style, Bass(0~99) Controls the amp low frequency response
Metal
Mess2C and its voice appeared in the albums of Middle(0~99) Controls the amp mid frequency response
+2 Metallica and Dream Theater, and Treble(0~99) Controls the amp high frequency response
become a classic of American Higain.

Gain(0~99) Controls the amp pre gain

VOL(0~99) Controls the amp output volume
Knights Based on Grindrod ® Pendragon Blues
Bass(0~99) Controls the amp low frequency response
OD PG20C* (Drive channel). Rock
Middle(0~99) Controls the amp mid frequency response
Treble(0~99) Controls the amp high frequency response
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
 Click the module icon below to go to the corresponding page.

PRE DST AMP NR CAB EQ MOD DLY RVB

AMP
FX Title Description Parameters & Ranges Good For

Based on Diezel ® Vh4*. Born in

Germany in the 1990s, its timbre and Gain(0~99) Controls the amp pre gain
multifunction have attracted countless PRES(0~99) Controls the amp presence
guitar masters. The unique Modern Master(0~99) Controls the amp output volume
Dizz VH Metal
Higain quickly conquered many Bass(0~99) Controls the amp low frequency response
musicians. Middle(0~99) Controls the amp mid frequency response
Famous users: Guns N’ Roses, Treble(0~99) Controls the amp high frequency respons
Metallica, Korn, Slipknot, Bon Jovi

Gain(0~99) Controls the amp pre gain

PRES(0~99) Controls the amp presence
Based on ENGL ® Savage 120 E610*.
Eagle Master(0~99) Controls the amp output volume
Iconic Morden Higain, it is an Metal
120 Bass(0~99) Controls the amp low frequency response
indispensable part of heavy metal.
Middle(0~99) Controls the amp mid frequency response
Treble(0~99) Controls the amp high frequency response

Based on Peavey ® 5150 ® (LEAD

channel). Guitarist Eddie Van Halen, Gain(0~99) Controls the amp pre gain
who began working with Peavey ® in Master(0~99) Controls the amp output volume
the 1980s, loved the sound and took Bass(0~99) Controls the amp low frequency response
EV 51 Metal
the album's title “5150” to the world Middle(0~99) Controls the amp mid frequency response
with its metallic sound. Treble(0~99) Controls the amp high frequency response
PRES(0~99) Controls the amp presence
Famous users: Eddie Van Halen

Based on Soldano ® SLO100*

(overdrive channel). Also from Eddie VOL(0~99) Controls the amp pre gain
Van Hale's Brown Sound, Steve Vai's PRES(0~99) Controls the amp presence
Solo100 classic album “Passion & Warfare” was Master(0~99) Controls the amp output volume
Metal
LD recorded in SLO100*. Bass(0~99) Controls the amp low frequency response
Middle(0~99) Controls the amp mid frequency response
Famous users: Steve Vai, Mark
Treble(0~99) Controls the amp high frequency response
Knopfler, Eric Clapton, Gary Moore

Based on Mesa/Boogie ® Mark IV™ Gain(0~99) Controls the amp pre gain
(Lead channel). Based on the classic PRES(0~99) Controls the amp presence
Mess4 upgrade, it inherits the omnipotence of Master(0~99) Controls the amp output volume
Metal
LD Mesa / Boogie ® , with rich harmonics Bass(0~99) Controls the amp low frequency response
and sustain from the voiceless tone to Middle(0~99) Controls the amp mid frequency response
the sharp dark morden higain timbre. Treble(0~99) Controls the amp high frequency response

Gain(0~99) Controls the amp pre gain

Based on Mesa/Boogie ® Dual
PRES(0~99) Controls the amp presence
Rectifier ® . The distortion of Rectifier ®
Mess Master(0~99) Controls the amp output volume
series is warm, and the distortion of Metal
DualV Bass(0~99) Controls the amp low frequency response
Rectifier ® series is very wide, which is
Middle(0~99) Controls the amp mid frequency response
more thick and solid than Mark ® .
Treble(0~99) Controls the amp high frequency response

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
 Click the module icon below to go to the corresponding page.

PRE DST AMP NR CAB EQ MOD DLY RVB

AMP
FX Title Description Parameters & Ranges Good For

Based on ENGL ® Powerball II E645/2* Gain(0~99) Controls the amp pre gain
(CH4). It can bring you extremely PRES(0~99) Controls the amp presence
compact low frequency, a lot of gain Master(0~99) Controls the amp output volume
Power LD Metal
and precise dynamic response, which Bass(0~99) Controls the amp low frequency response
is very suitable for modern rock and Middle(0~99) Controls the amp mid frequency response
metal music. Treble(0~99) Controls the amp high frequency response

Gain(0~99) Controls the amp pre gain

PRES(0~99) Controls the amp presence
Based on the famous“Brown Eye” UK- Master(0~99) Controls the amp output volume Blues
Flagman+
style boutique amp head. Bass(0~99) Controls the amp low frequency response Rock
Middle(0~99) Controls the amp mid frequency response
Treble(0~99) Controls the amp high frequency response

Based on Orange ® Rockerverb 100™*

(Dirty channel). Once launched, this
Gain(0~99) Controls the amp pre gain
amplifier has become a new favorite
Master(0~99) Controls the amp output volume Blues
of rock musicians. Its sound is unique,
Juice R100 Bass(0~99) Controls the amp low frequency response Rock
and its timbre can be controlled from
Middle(0~99) Controls the amp mid frequency response Metal
warm and sweet clear tone to heavy
Treble(0~99) Controls the amp high frequency response
music, which will bring surprise to the
performers.

Gain(0~99) Controls the amp pre gain

PRES(0~99) Controls the amp presence
Blues
Mess Based on Mesa/Boogie ® Dual Master(0~99) Controls the amp output volume
Rock
DualM Rectifier ®. Bass(0~99) Controls the amp low frequency response
Metal
Middle(0~99) Controls the amp mid frequency response
Treble(0~99) Controls the amp high frequency response

Based on Bogner ® Ecstasy*("Blue"

Gain(0~99) Controls the amp pre gain
channel, Vintage mode).
Ecstasy ®
PRES(0~99) Controls the amp presence
was born in 1992. Blue channel is
Master(0~99) Controls the amp output volume
Bog BlueV popular for its highly recognizable Metal
Bass(0~99) Controls the amp low frequency response
classic rock and roll sound. Its loud
Middle(0~99) Controls the amp mid frequency response
and handsome plexi voice has
Treble(0~99) Controls the amp high frequency response
extraordinary attainments.

Based on Bogner ® Ecstasy*("Blue" Gain(0~99) Controls the amp pre gain

channel, Modern mode).
The red PRES(0~99) Controls the amp presence
channel is known for its fiery high Master(0~99) Controls the amp output volume
Bog RedM Metal
gain distortion and the main timbre. It Bass(0~99) Controls the amp low frequency response
can show you from vintage overdrive Middle(0~99) Controls the amp mid frequency response
to modern higain. Treble(0~99) Controls the amp high frequency response

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
 Click the module icon below to go to the corresponding page.

PRE DST AMP NR CAB EQ MOD DLY RVB

AMP
FX Title Description Parameters & Ranges Good For
Gain(0~99) Controls the amp pre gain
Based on Ampeg ® SVT* bass amp. Bass(0~99) Controls the amp low frequency response
Launched in 1969, Ampeg SVT has Middle(0~99) Controls the amp mid frequency response
Classic
always been the most mainstream MRange(220Hz/450Hz/800Hz/1.6kHz/3kHz) Vintage
Bass
bass speaker, Have a strong ability to Selects from 5 mid frequency ranges
sound shape. Treble(0~99) Controls the amp high frequency response
Master(0~99) Controls the amp output volume

Based on Alembic™ F-2B* preamp.
In

the 1960s, inspired by the Fender ®
VOL(0~99) Controls the amp output volume
speaker, the circuit was transformed
Bright(O /On) Switches extra brightness on/o
in an all-round way, which brought the
Bass Pre Bass(0~99) Controls the amp low frequency response Vintage
extremely advanced adjustment
Middle(0~99) Controls the amp mid frequency response
mode at that time, which was loved by
Treble(0~99) Controls the amp high frequency response
many musicians, thus leaving a strong
mark in the history of rock music.

Based on Ampeg ® B-15* “Flip Top”

bass amp. The B-15* was conceived by
legendary Jess Oliver in 1958. It can be VOL(0~99) Controls the amp output volume
Mini Bass seen from the early clubs to the Bass(0~99) Controls the amp low frequency response Vintage
world's top studios. B-15* can be said Treble(0~99) Controls the amp high frequency response
to be a landmark product that is hard
to be ignored.

Based on vintage VOX ® * AC-100*

bass amp. In 1963, the Beatles was in
urgent need of a bass speaker with a
volume greater than that of the club's VOL(0~99) Controls the amp output volume
Foxy
crazy shouting, and the AC-100* came Bass(0~99) Controls the amp low frequency response Vintage
Bass
into being. With 100W power and Treble(0~99) Controls the amp high frequency response
4x12" box, it has successfully become
the most representative bass voice in
the 1960s.

VOL(0~99) Controls the amp pre gain

Based on Mesa/Boogie ® Bass 400* Master(0~99) Controls the amp output volume
Mess
amp. You can hear the sound of the Bass(0~99) Controls the amp low frequency response Vintage
Bass
early bass speakers in many albums. Middle(0~99) Controls the amp mid frequency response
Treble(0~99) Controls the amp high frequency response

VOL(0~99) Controls the output volume

Based on AER ® Colourizer 2* acoustic
Tone(0~99) Controls the tone brightness
preamp. Originated in Germany, it is a
Balance(0~99) Controls the tone control balance;
preamp designed for acoustic guitar
turn to 0 to disable tone control
AC Pre sound reinforcement. It will bring Classic
EQ Freq(0~99) Controls the EQ center frequency from
richer dynamics and overtones to your
90Hz to 1.6kHz
acoustic guitar, making the sound
EQ Q(0~99) Controls the EQ bandwidth
more three-dimensional and vivid.
EQ Gain(0~99) Controls the EQ boost/cut amount

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
 Click the module icon below to go to the corresponding page.

PRE DST AMP NR CAB EQ MOD DLY RVB

NR
FX Title Description Parameters & Ranges Good For

Based on the famous ISP ® Decimator™* noise

gate pedal. The Decimator features
improvements in the expander tracking with
their new Linearized Time Vector Processing™.
Gate 1 Thre(0~99) Controls the noise gate thre Modern
This novel improvement provides a more linear
release time-constant response for the
exponential release curve of the downward
expander.

Thre(0~99) Controls the noise gate threshold

Attack(0~99) Controls how fast the noise gate
Flexible noise gate with attack and release
Gate 2 start to process signal Modern
control
Rel(0~99) Controls the noise gate release time
when signal level reaches

CAB
FX Title Description Parameters & Ranges

Custom modified Fender ® * 2x12" cabinet.

TWD 2x12
The mid-range is very strong, suitable for playing clean tone and overdrive.

Vintage Fender ® ’65 Twin Reverb* 2x12" cabinet. It has a very retro tone, with
DarkTW 2x12
tight high frequencies, suitable for playing clean tone.

Mesa/Boogie ® Lonestar* 2x12" cabinet. The mid-frequency performance is

L-Star 2x12
outstanding, and it has excellent performance in clean and overdrive.

Two-Rock ® * 2x12" cabinet. The combination of mid-range and high-frequency

2Rick 2x12
makes it sound very warm.

Legendary “Jazz Chorus” 2x12" cabinet. The transparent and bright high-
J-120 2x12
frequency sound makes it very suitable for playing clean.

Marshall ® 2550* 2x12" cabinet.

UK-GN 2x12
Its overdrive tone is very suitable for rhythm guitars.
VOL (0~99) Controls
the output volume
Fryette ® Deliverance* 2x12" cabinet.
Free 2x12
With gorgeous mid-to-high frequencies, suitable for clean and overdrive.

Marshall ® * 4x12" cabinet with Celestion ® G12T-75* speakers.

UK-75 4x12 The characteristics of low frequency and
high frequency make it full of Plexi flavor.

Vintage Marshall ® 4x12" cabinet with Celestion ® Greenback ® * speakers. Four

UK-GN 4x12 speakers in the same direction make the sound more concentrated and the
mid-range is more prominent, which is very suitable for rhythm guitars.

Marshall ® 1960AV* 4x12" cabinet. Emphasizes the shaping of mid-to-high

UK-LD 4x12
frequencies, which is very suitable for lead guitars.

1968 Marshall ® * 4x12" cabinet. Combining the advantages of 1960A and

UK-DK 4x12
1960B, each frequency band is very balanced and comprehensive.

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
 Click the module icon below to go to the corresponding page.

PRE DST AMP NR CAB EQ MOD DLY RVB

CAB
FX Title Description Parameters & Ranges
Custom modified Marshall ® * 4x12" cabinet. The powerful speakers can bring
UK-MD 4x12
you classic Marshall penetration and solidity.
Bogner ® Uberkab* 4x12" cabinet.
Pogner 4x12
The open cabinet makes its sound more flexible.
Diezel ® * 4x12" cabinet.
Dizz 4x12
Its high frequencies are very sharp and sound very aggressive.
ENGL ® * 4x12" cabinet. The balanced combination of each frequency band
Eagle 4x12
makes its sound very pleasant.
Peavey ® 6505* 4x12" cabinet. Its high frequency is very distinctive, making it
Ev51 4x12
sound very shocking.
Soldano ® * 4x12" caninet. Excellent mid-frequency is its characteristic, even if
Solo 4x12 many instruments are playing, it can also make your solo stand out from the
crowd.
Mesa/Boogie ® Road King ® * 4x12" cabinet. The semi-open design allows it to
US 4x12 have a wrapped low frequency while maintaining a transparent mid and high
frequency, which is an unmissable choice.
Mesa/Boogie ® Rectifier ® * 4x12" cabinet. This is a cabinet that pursues
Mess-D 4x12
comprehensiveness, and it can support both clean and heavy music.
Bogner ® Uberkab* 4x12" cabinet 2. The closed cabinet can provide deep and
U-ban 4x12
compact bass response, suitable for the need for more concentrated tone.
Orange ® PPC412* 4x12" cabinet. The closed cabinet brings richer details, the
VOL (0~99) Controls
Juice 4x12 flat frequency response makes it very versatile, and its crisp high frequency the output volume
can make the solo more prominent.
Vintage Hiwatt ® SE4123* 4x12" cabinet. Strong and tight sound, very suitable
H-Way 4x12
for modern, aggressive rock sound.
Bogner ® Shiva* 1x12" cabinet. The low frequency is fat and the high frequency
BogSV 1x12
is compact, suitable for high-gain rhythms.
Vintage Fender ® Vibrolux* 1x12" cabinet. Retro tone, clear mid to high
Dark 1x12
frequency, suitable for country music.
Morgan ® AC-20 Deluxe* 1x12 cabinet. It has very clear feedback and can easily
Regular 1x12
capture every movement of your fingertips.
Black Cat ® Hot Cat* 1x12" cabinet. The mid-frequency is as charming and
Bad-KT 1x12
humming, making the solo full of poetry.
Vintage VOX ® AC15* 1x12" cabinet. All frequency bands are very balanced, no
Foxy 1x12
matter clean or overdrive, it will give you an objective result.
1980's Mesa/Boogie ® * 1x12" cabinet. The mid-low frequency is very wrapped,
Studio 1x12 and the high-frequency sound is concentrated, suitable for solo with distorted
sound.
Supro ® * 1x6" cabinet with oval speaker. It has a unique taste in the overdrive
SUP 1x6
sound, suitable for blues music.
Vintage Fender ® Champ* 1x8" cabinet. The 8-inch speaker gives its tone a
TWD 1x8
unique sense of tension, which will surprise you when used in blues music.

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
 Click the module icon below to go to the corresponding page.

PRE DST AMP NR CAB EQ MOD DLY RVB

CAB
FX Title Description Parameters & Ranges

Vintage Fender ® Princeton* 1x10" cabinet. Suitable for warm and bright clean
TWD-P 1x10
sounds, and can keenly capture fingertip movements.

Fender ® '59 Bassman ® * 4x10" cabinet.

Bellman 4x10 Four 10-inch speakers give it plenty of high frequencies, making it very
suitable for country music and blues music.

MessBass Mesa/Boogie ® * 2x10" bass cabinet. The bass speakers with well-balanced
2x10 frequency bands can show the details of performance well.

SWR ® Workingman's* 4x10" bass cabinet. The gorgeous high frequencies can
Max 4x10
make the bass sound more impactful.

Ampeg ® SVT-410HE* 4x10" bass cabinet. The prominent high frequencies

Ameg 4x10
bring more string-touch sound to the bass.
VOL (0~99) Controls
the output volume
Ampeg SVT-810E* 8x10" bass cabinet. Eight 10-inch speakers give it a solid
Ameg 8x10
midrange, which can provide a strong and flexible tone for the bass.

Dreadnought guitar simulation. The bass is very strong and suitable for
D
playing and singing.

Simulates an OM type acoustic guitar.

OM
The mid frequency is better, suitable for solo.

Simulates a jumbo acoustic guitar. The huge body makes it resonate very well,
Jumbo
get your Elvis suit out of the closet!

Simulates a GA type acoustic guitar. Its sound is balanced and soft, suitable for
GA
guitar playing, and also very suitable for fingerstyle.

EQ
FX Title Description Parameters & Ranges

125Hz(-50~+50) Boosts/cuts the frequency band

400Hz(-50~+50) Boosts/cuts the frequency band
800Hz(-50~+50) Boosts/cuts the frequency band
Guitar EQ 1
1.6kHz(-50~+50) Boosts/cuts the frequency band
4kHz(-50~+50) Boosts/cuts the frequency band
VOL(0~99) Controls the output volume
Equalizer designed for
guitars
50Hz(-50~+50) Boosts/cuts the frequency band
120Hz(-50~+50) Boosts/cuts the frequency band
400Hz(-50~+50) Boosts/cuts the frequency band
Guitar EQ 2
800Hz(-50~+50) Boosts/cuts the frequency band
4.5kHz(-50~+50) Boosts/cuts the frequency band
VOL(0~99) Controls the output volume

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
 Click the module icon below to go to the corresponding page.

PRE DST AMP NR CAB EQ MOD DLY RVB

EQ
FX Title Description Parameters & Ranges

80Hz(-50~+50) Boosts/cuts the frequency band

Based on the 5-band EQ module on 240Hz(-50~+50) Boosts/cuts the frequency band
Mess-EQ Mesa/Boogie®* amps, can easily realize the 750Hz(-50~+50) Boosts/cuts the frequency band
classic boogie V-shaped sound 2.2kHz(-50~+50) Boosts/cuts the frequency band
6.6kHz(-50~+50) Boosts/cuts the frequency band

MOD
FX Title Description Parameters & Ranges

Based on legendary Arion ® SCH-1* stereo chorus

pedal. Eric Clapton and Michael Landau used its Depth(0~99) Controls the chorus depth
sound to create the wonderful atmosphere of the Rate(0.10~10.00Hz) Controls the chorus speed
A-Chorus
80s! Whether it's the classic chorus e ect or the Tone(0~99) Controls the tone brightness
wonderful rotating speaker sound, you can easily get Sync(O /On) Switches Tap Tempo sync on/o
it.

Based on the legendary huge ensemble Depth(0~99) Controls the chorus depth
chorus pedal born in late 1970s (chorus mode), Rate(0.10~10.00Hz) Controls the chrous speed
G-Chorus
producing rich, shimmering vintage analog chorus VOL(0~99) Controls the e ect output volume
tone. Warm, rich, and dreamlike analog chorus sound. Sync(O /On) Switches Tap Tempo sync on/o

Depth(0~99) Controls the chorus depth

Classical bass chorus, most bass players in the early Rate(0.10~10.00Hz) Controls the chrous speed
B-Chorus
stage must choose fine works. Level(0~99) Controls the e ect output volume
Sync(O /On) Switches Tap Tempo sync on/o

Detune(-50 Cents~+50 Cents) Controls the detune

This is a detuning e ect that combines a slightly
amounts by 1 cent
Detune shifted signal with the original signal to create a
Wet(0~99) Controls the e ect output volume
chorus-like tone.
Dry(0~99) Controls the dry signal level

Depth(0~99) Controls the flanger depth

Rate(0.10~10.00Hz) Controls the e ect speed
Classic flanger e ect, producing rich and natural
Flanger Pre Delay (0~99) Controls the pre delay time
flanger tone.
FdBk (0~99) Controls the feedback amount
Sync (O /On) Switches Tap Tempo sync on/o

Depth(0~99) Controls the flanger depth

Based on a BBD-based blue vibrato pedal, producing
Vibrato Rate(0.10~10.00Hz) Controls the e ect speed
natural analog vibrato sound.
Sync (O /On) Switches Tap Tempo sync on/o

Based on legendary MXR ® M101 Phase 90*. Have

you heard the guitar sound in Eddie Van Halen's Rate(0.10~10.00Hz) Controls the phaser speed
Phaser
“Eruption”? That distorted tone with a sense of Sync (O /On) Switches Tap Tempo sync on/o
rotation is achived by the Phase 90.

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
 Click the module icon below to go to the corresponding page.

PRE DST AMP NR CAB EQ MOD DLY RVB

MOD
FX Title Description Parameters & Ranges

Based on Voodoo Lab ® Micro Vibe*. Voodoo Lab

Micro Vibe has the same design as the original 1968
Depth(0~99) Controls the e ect depth
Uni-Vibe*. Jimi Hendrix and Stevie Ray Vaughan used
Vibe Rate(0.10~10.00Hz) Controls the e ect speed
these e ects extensively on their albums. The Vibe
Sync (O /On) Switches Tap Tempo sync on/o
e ect will bring about slight and regular pitch
changes.

Based on legendary Demeter ® TRM-1Tremulator*,

o ering classical opto tremolo sound. In 1982, rock
Depth(0~99) Controls the flanger depth
pioneer Ry Cooder approached James Demeter to ask
Opto Trem Rate(0.10~10.00Hz) Controls the e ect speed
whether the tremolo sound of the Fender ® twin
Sync (O /On) Switches Tap Tempo sync on/o
series speakers could be made into a pedal e ect
device, and this classic e ect device was born.

Depth(0~99) Controls the tremolo depth

Rate(0.10~10.00Hz) Controls the tremolo speed
Sine Trem Sine tremolo waveforms and super wide tonal range.
VOL (0~99) Controls the e ect output volume
Sync (O /On) Switches Tap Tempo sync on/o

Depth (0~99) Controls the tremolo depth

Triangle Triangle tremolo waveforms and super wide tonal Rate(0.10~10.00Hz) Controls the tremolo speed
Trem range. VOL (0~99) Controls the e ect output volume
Sync (O /On) Switches Tap Tempo sync on/o

Depth (0~99) Controls the tremolo depth

Rate(0.10~10.00Hz) Controls the tremolo speed
Bias Trem Bias tremolo waveforms and super wide tonal range. VOL (0~99) Controls the e ect output volume
Sync (O /On) Switches Tap Tempo sync on/o
Bias (0~99) Controls the waveform o set amount

DELAY
FX Title Description Parameters & Ranges

Mix (0~99) Contols the wet/dry signal ratio

Time (20ms-4000ms) Controls the delay time
Based on the legendary 3-knob BBD analog
Sweet Fdbk (0~99) Controls the feedback amount
delay pedal with “REPEAT RATE” control
Sync (O /On) Switches Tap Tempo sync on/o
Trail (O /On) Switches e ect trail on/o

Mix (0~99) Controls the wet/dry signal ratio

Time (20ms-4000ms) Controls the delay time
P-Echo Produce pure, precised delay sound Fdbk (0~99) Controls the feedback amount
Sync (O /On) Switches Tap Tempo sync on/o
Trail (O /On) Switches e ect trail on/o

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
 Click the module icon below to go to the corresponding page.

PRE DST AMP NR CAB EQ MOD DLY RVB

DELAY
FX Title Description Parameters & Ranges

Mix (0~99) Controls the wet/dry signal ratio

Time (20ms-4000ms) Controls the delay time
M-Echo Simulates solid-state tape echo sound Fdbk (0~99) Controls the feedback amount
Sync (O /On) Switches Tap Tempo sync on/o
Trail (O /On) Switches e ect trail on/o

Mix (0~99) Contols the wet/dry signal ratio

Fdbk (0~99) Controls the feedback amount
T-Echo Simulates tube-driven tape echo sound Time (20ms-4000ms) Controls the delay time
Sync (O /On) Switches Tap Tempo sync on/o
Trail (O /On) Switches e ect trail on/o

Mix (0~99) Contols the wet/dry signal ratio

Based on Maxon ® AD900 Analog
Time (20ms-4000ms) Controls the delay time
Delay*, providing warm,
999 Echo Fdbk (0~99) Controls the feedback amount
accurate delay sound
Sync (O /On) Switches Tap Tempo sync on/o
Trail (O /On) Switches e ect trail on/o
Famous Users: Pink Floyd

Mix (0~99) Contols the wet/dry signal ratio

Fdbk (0~99) Controls the feedback amount
Producing a special delay e ect with
Rev Echo Time (20ms-4000ms) Controls the delay time
reversed feedback
Sync (O /On) Switches Tap Tempo sync on/o
Trail (O /On) Switches e ect trail on/o

Mix (0~99) Contols the wet/dry signal ratio

Simulates the classic slapback echo Time (20ms-4000ms) Controls the delay time
Slapbk
e ect Fdbk (0~99) Controls the feedback amount
Trail (O /On) Switches e ect trail on/o

Mix (0~99) Contols the wet/dry signal ratio

Fdbk (0~99) Controls the feedback amount
Reproduces the sound of a vintage Time (20ms-4000ms) Controls the delay time
Vin-Rack 1980's rack-mount delay machine with Mod (0~99) Controls the modulation amoun
slightly sample-reduced feedback Tone (0~99) Controls the modulation brightness
Sync (O /On) Switches Tap Tempo sync on/o
Trail (O /On) Switches e ect trail on/o

Mix (0~99) Contols the wet/dry signal ratio

Fdbk (0~99) Controls the feedback amount
Time (20ms-4000ms) Controls the delay time
Producing a delay e ect with sweeping S-Depth (0~100) Controls the sweeping depth
Swp Echo
filter modulated repeats S-Rate (0~100) Controls the sweeping speed
S-Sync (O /On) Switches sweeping Tap Tempo sync on/o
T-Sync (O /On) Switches delay Tap Tempo sync on/o
Trail (O /On) Switches e ect trail on/o

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
 Click the module icon below to go to the corresponding page.

PRE DST AMP NR CAB EQ MOD DLY RVB

DELAY
FX Title Description Parameters & Ranges
A ping-pong delay Mix (0~99) Contols the wet/dry signal ratio
producing stereo feedbadk Fdbk (0~99) Controls the feedback amount
Ping Pong bounces back and forth Time (20ms-4000ms) Controls the delay time
between left and right Sync (O /On) Switches Tap Tempo sync on/o
channels Trail (O /On) Switches e ect trail on/o

Mix (0~99) Contols the wet/dry signal ratio

Time (20ms-4000ms) Controls the delay time
A multi tap delay that Fdbk (0~99) Controls the feedback amount
M-Echo2
simulates Tone (0~99) Controls the e ect tone brightness
Sync (O /On) Switches Tap Tempo sync on/o
Trail (O /On) Switches e ect trail on/o

REVERB
FX Title Description Parameters & Ranges

Mix (0~99) Controls the wet/dry signal ratio

Simulates the Pre Delay (0ms-100ms) Controls the pre delay time
Room
spaciousness of a room Decay (0~100) Controls the reverb decay time
Trail (O /On) Switches e ect trail on/o

Mix (0~99) Controls the wet/dry signal ratio

Simulates the
Pre Delay (0ms-100ms) Controls the pre delay time
Hall spaciousness of a
Decay (0~100) Controls the reverb decay time
performance hall
Trail (O /On) Switches e ect trail on/o

Mix (0~99) Controls the wet/dry signal ratio

Simulates the Pre Delay (0ms-100ms) Controls the pre delay time
Church
spaciousness of a church Decay (0~100) Controls the reverb decay time
Trail (O /On) Switches e ect trail on/o

Simulates the sound Mix (0~99) Controls the wet/dry signal ratio
character produced by Decay (0~99) Controls the reverb decay time
Plate
a vintage plate H-Damp (0~99) Controls the high cut amount
reverberator Trail (O /On) Switches e ect trail on/o

Simulates the sound Mix (0~99) Controls the wet/dry signal ratio
character produced by Decay (0~99) Controls the reverb decay time
Spring
a vintage spring Tone (0~99) Controls the e ect tone brightness
reverberator Trail (O /On) Switches e ect trail on/o

Mix (0~99) Controls the wet/dry signal ratio

Special-tuned reverb e ect
N-Star Decay (0~99) Controls the reverb decay time
with lush, bright decays
Trail (O /On) Switches e ect trail on/o

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
 Click the module icon below to go to the corresponding page.

PRE DST AMP NR CAB EQ MOD DLY RVB

REVERB
FX Title Description Parameters & Ranges

Mix (0~99) Controls the wet/dry signal ratio

Special-tuned reverb e ect
Deep Sea Decay (0~99) Controls the reverb decay time
with huge, deep decays
Trail (O /On) Switches e ect trail on/o

Mix (0~99) Controls the wet/dry signal ratio

Pre Delay (0ms-100ms) Controls the pre delay time
Produces a modulated
Decay (0~99) Controls the reverb decay time
Mod Verb reverb e ect that is lush
Lo End (-50~+50) Controls the e ect low frequency amount
and sweet
Hi End (-50~+50) Controls the e ect high frequency amount
Trail (O /On) Switches e ect trail on/o

Special-tuned reverb e ect Mix (0~99) Controls the wet/dry signal ratio
Clear Sky with liquid-like decays and Decay (0~99) Controls the reverb decay time
deep low ends Trail (O /On) Switches e ect trail on/o

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.