Sing in g A ll To get her

Thord Gummesson
Canon
3

q q =q e
(U)
Swing 1. 2.

## 4 D Œ Œ
A

Œ Œ Œ Œ Œ .. Œ
E7 A7 D D Fine
& 4 œ œ œ œ œ œ œ œ œ . .
œ œ
Sing - ing all to - geth - er, sing - ing just for joy,
Sing - ing all to - geth - er, ev - ery girl and boy.

(U)
1. 2.

##
B

# œ œ œj œ . Œ ..  . Œ
6 D E7 A7 D D Fine
& œ œ œ œ œ œ n œ œ œœ œœ œœ .. .
Ev - ery - bod - y sing - ing a song, ev - ery - bod - y sing - ing a song,
Ev - ery - bod - y sing - ing a song, ev - ery - bod - y sing all day long.

(U) Fine
1. 2.

# # Dœ œ   . Œ ..  . Œ
C
œ œ
11 D.C.
œ œ œ œ
E7 A7 D D

& #œ œ
All you do is raise your voice, it’s a simp - le choice. choice.

Ostinato

(U)
## 4 D j j
D
..
E7 A7 D
& 4 . œ #. œ . œ œ œ œ 
Sing your song and sing it all day long.

(U)
? ## 4   œ œ ..
E D E7 A7 D
4 œ œ œ œ  œ œ œ  œ œ œ
Pom, pom, pom, pom, pom, pom, pom, pom, pom, pom, pom, pom.
Hello, How Are You
Lorenz Maierhofer
Animated
1. 2. 3. 4.

& 44
Animated C G7 C C G7 C C G7 C C G7 C

j j ˙ œ œ œ œ œ ..
œ œ œ œ œ œ œ œ J J œ œ œ
-v
\
œ
˙
\

EN: Hel - lo, how are you, my dear friends? Hel-lo, how are you? Let’s shake hands!
FR: Al - lô, sa - lut, chante et claque des mains, al - lô, sa - lut, don - nons - nous la main.
NL: Hal - lo, mij vriend, sing en klap de hand, hal - lo, mij vriend, sing en reik de hand.
PL: Wi-tam, schbje-wáj - me báv - me - schie, wi-tam, schbje -wáj - me dschie -sme schie.
TR: Hay - di kar - de - şim kal - ka - lım, el - le - ri - mi - zi tu - ta - lım.
SK: Vi - tám, spí - vá - me, bav - me se, vi - tám, spí - vá - me, te - šme se.
SI: Zdra - vo za - poj - mo med se - boj, zdra-vo za - poj - mo med se - boj.
UN: Szi - a - sztok e - nek el - jünk most, szi - a - sztok e - nek eg - yütt most.
DE: Sin - gend be - grü - ßen wir uns heut, weil uns das Mit - ei - nan - der - Sin - gen freut.
© Helbling

Klatschbegleitung
Vocussion
4 ã 44 œ
ã4 œ œ œ œ ¿ .. œ ¿ œ œ ¿ ..
3× D.C.
¿ œ 
f I
(Schenkelschläge) (klatsch’) (schnipp’) (re Hand reichen) M ts a m ts.
(mit Offbeat-Snaps)

j j j j
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
u
IT: For- za a- mi - ci, / su can - tia - mo. / For- za a- mi - - ci __, / ma-no nel-la ma-no.
ES: Ho – la a- mi - gos, / nos jun - ta - mos. / Ho - la a- mi - gos__, / DS FD WD PR
LT: Sal - ve a- mi- ce, / lae- ti can-te- mus, / iam gau-de-a-mus et__ / de - mus ma-nus.
AE: Sal-em a-lei-kum, / keif - al- hal. / Sal - em a-lei - kum,__ / keif - al - hal____.

RU: Здравст-вуй-те дру-зья / ве-се-ли-тесь / Здравст-вуй-те дру-зья и / за ру-ки возь-ми-тесь.

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œœ œ œ œ œ œ œ

CN: 你 好。你 好 吗, 我 的 朋友。敬个礼呀握握手。

Nǐ hǎo, nǐ hǎo ma, / wǒ de péngyou. / Jìng___ ge lǐ ya / wò wo shǒu.
j j j j
œ œ œ œ œ œ œ œ  œ œ œ œœœœ œ œ 
KD KD D S M FK O MD FK

JP: こんにちは! 遊びましょう! こんにちは! 歌いましょう!

j j j j
œ œ œ œ œ œ œ œ  œ œ œ œœ œœ œ œ œ 
. FK D D D FK . FK D WD D FK
Yellow Submarine
John Lennon/Paul McCartney
. œ =œm
œH œœ
3

# # 4 (D) A G Dm Bm Em G

& 4 œ. œ œ. œ œ. œ Œ œ. œ œ. œ œ œ. œ œ. œ
1. In the town where I was born lived a man who sailed to
2. So we sailed on to the sun till we found the sea of
4
## A7
Œ
D A G Dm
Œ
Bm

& œ. œ œ. œ œ. œ œ. œ
sea. And he told us of his life in the
green, and we lived be - neath the waves in our

7
## Em G 1. A7
..
2. A7
Œ
D
.. œ
& œœ œ œ. œ
œ. œ œ œ. œ œ. œ . . œ œ œ. œ
land of sub - ma - rines. rines. Ref.: We all live in a
yel - low sub - ma -
11
## A7 A7 D
..
& Œ Œ Œ
œœ.. œœ œœ .. œœ œœ œœ .. œœ œœ.. œœ œœ œœ .. œœ œœ .. œœ œœ ( )

J
yel - low sub - ma - rine, yel - low sub - ma - rine, yel - low sub - ma -rine.

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PDQ P UH I WKHP H U QH I V KDV DOO ZH QHHG
OL H QH W G U N I EO H DQG VHD I JUHHQ
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Lennon/McCartney
Hit the Road, Jack
j
Percy Mayfield
œnœ =œ œ
3

b 4
(She) Cm B As G7 Cm B

&b b4 œ œ j œ œ œ œ œ œ
œ. œ œ œ œ
Ref.: Hit the road, Jack, and don’t you come back no more, no more, no
(Fine)
b œ œ œ
G7 Cm B As G7 Cm (B Ab G7 )
..
4 Ab

&b b œ œ j
œ. œ œ œ œ œ œ w .
more, no more. Hit the road, Jack, and don’t you come back no more.

b
(He) Cm B As G7

&b b œ œ
8
œ œ œ œ œ œ œ œ œ œ œ
1. Woo! Wo - man, oh, wo - man, don’t treat me so mean, you’re the

b bb
11 Cm B As G7 Cm B

& bœ œ œ œ œ œ œ œ j œ œ œ œ
œ œ œ. œ
mean - est old wo -man that I’ve ev - er seen. I guess if you said

b bb j
14 As G7 Cm B As (She) G7

& #œ œ. œ. j œ œ
œ œ œ œ œ œ œ œ œ
so I’d have to pack my things and go. That’s right!
D.C. (Ref. → Vers 2)

b
(16)
j
(He) Cm B As G7

&b b œ œ œ œ
œ œ œ œ œ œ œ œ œ œ œ œ
j
2. Now ba - by, lis - ten ba - by, don’t - a treat me this - a way. For

b bb
19 Cm B As G (She) Cm B

& œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ
I’ll be back on my feet some day. Don’t care if you do ’cause it’s

b j
& b b œj œ
22 As G7 Cm B As G7 (He)

œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ
un - der - stood you ain’t got no mon -ey you just ain’t no good. Well, I

b bb j
25 Cm B As G7 Cm B As (She) G7

& j œ œ
œ œ œ œ œ #œ œ . œ. œ œ œ œ œ œ œ œ œ
guess if you say so I’d have to pack my things and go. (That’s right!)
D.C.
Hit the Road, Jack
“Get off, Jack!” is a controversial song featured in the film “Ray”(2004)
about the famous blind singer and pianist Ray Charles.
Blowing de Wind
Bob Dylan

&c ˙ œ œ ˙ œ œ ˙ œ œ ˙. œ ˙ œ œ

&˙ œ œ w ˙. Œ ˙ œ œ ˙ œ œ

&˙ œ œ œ ˙ œ œ ˙ œ œ Œ
˙. w ˙.

&˙ œ œ ˙ œ œ ˙ œ œ œ ˙ œ œ
˙.

REFRAIN

&˙ œ w ˙. œ ˙. œ
œ œœ ˙˙ œœ œ ˙. œ

j j
& œ. œ œ œ
œ. œ œ œ ˙. œ ˙˙ œœ œœ œ. œ œ Œ
J ˙. œ œ . œ œ œœ w
w ˙˙ ..
J
2. How many years can a mountain exist 3. How many times must a man look up
before it is washed to the sea? before he can see the sky?
How many years can some people exist How many ears must one man have
before they‘re allowed to be free? before he can hear people cry?
How many times can a man turn his head How many deaths will it take ‘till he knows
and pretend that he just doesn’t see? that too many people have died?
Ref.: The answer, my friend ... Ref.: The answer, my friend ...

Bob Dylan (*1941) is one of the greatest interpreters of folk music.

He created a series of protest songs that spoke out against war

His songs combined critical texts and elements of folk music.

They became a means of expression for a politically active generation
resolutely committed to peace.

The worldview presented in the songs of Dylan and other singers such
as Joan Baez and Pete Seeger gave a voice to an entire generation of
young peoples around the world.
Morning Has Broken
Eleanor Farjeon
Intro

3
D G/D A F#7
j
& 4 # œ œ œ œ œ  œ œ œ #œ
‰ J œ Œ œ ‰ J œ œ œ‰ . œ # œ œ œŒ œ œ œ # ‰ # œ # œ œ œœ œ
J J
?3
4 . #.
. .
5 G7/H C F/C C
& œ œ # œ œ œ œ n  œ œœ œœ . œ œj œ œ œ
Bm

œ œ ‰ œ œ œ œ J ‰ Œ œ œ œ œ œ œœ œ  ..
J .
? . .
 .
. .

3 . . j
œ.
C C Dm G F C

&4 œ œ œ œ œ. œ œ .
œ J
1. Morn - ing has bro - ken like the first morn - ing,

7
j Œ
Am Em Am D G G7

& œ œ œ . . œ. œ œ . 
black - bird has spo - ken like the first bird.

.
13 C F F C Am D

& œ œ œ . œ œ j œ .
œ œ. œ
Praise for the sing - ing, praise for the morn - ing,

19 G7 C F G7 C C

& œ . . j Œ Œ
œ œ œ œ. œ . œ
praise for them, spring - ing fresh from the world.

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Happy X-Mas (War Is Over)
John Lennon/Yoko Ono

& 12 .. j Œ ‰ Œ
C

8 œ œ j œ œ
œ œ œJ œœ œ œ
1. So this is
1
X - Mas and what have you
2. X - Mas for weak and for
3. X - Mas and what have we

j
2
Œ ‰ Œ Œ ‰ Œ
Dm G

& œ. j œ œ œ œ œ
œ œ œ œ œ
œ œ
done? An - oth - er year o - ver and a new one just be -
strong, the rich and the poor ones the road is so
done? An - oth - er year o - ver and a new one just be -

j
4
Œ ‰ Œ Œ ‰ Œ
C C7 F

& œ. j œ œ œ œ œ j œ
œ œ œ œ œ œ
gun. And so this is X - Mas I hope you have
long. And so hap - py X - Mas for black and for
gun. And so hap - py X - Mas we hope you have

j
j œ œ œ œ
6
Œ ‰ Œ bœ Œ ‰ Œ
Gm C7

& œ. œ œ œ œ œ œ
œ
fun, the near and the dear ones, the old and the
white, for the yel - low and red ones, let’s stop all the
fun, the near and the dear ones, the old and the

j œ œ œ œ œ bœ œ. œ œ œ œ œ
8
Œ ‰ Œ Œ
F B

& œ. œ œ J
œ a
young. Ref.: A ver - y Mer - ry X - Mas and a hap - py New
fights.
young.

j j
& œ. œ. œ œ bœ œ
10
Œ Œ
C Gm B

J œ œ œ. œ œ œ œ
Year. Let’s hope it’s a good one with - out an - y

1. 2. 3.

..  j œ œ œ ..  . .
12
Œ Œ
F G F G F (G)
& . j œ .
œ œ œ œ
fear. 2. And so this is fear. 3. And so this is fear.
Accompaniment voice in the strophe 2 and 3
(Fine)
12
C Dm G C
& 8 œ.
œ. œ. œ. œ. œ. #œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.
War is o ver if you want it, war is o ver now.
- -
5 F Gm C F
& œ. œ. œ. œ. œ. #œ. œ. œ. Nœ. œ. œ. œ. œ. œ. œ.
œ.
War is o - ver if you want it, war is o - ver now.

» The Song finish with the four initial bars of accompaniment, repeat and fade out.

War Is Over! If You Want It

In December 1969, Yoko Ono and John Lennon rented billboards in
several major cities around the world, including New York (pictured),
Los Angeles, Toronto, Tokyo, Rome and Berlin, for their anti-war
campaign. Three years later they released the Christmas song
“Happy X-Mas (War Is Over)
1

Elvis Presley
1