Understanding Tribal History and Culture
Understanding Tribal History and Culture
Block
5
THEORY, CULTURE AND THE HISTORY OF TRIBALS
UNIT 1
Historical Background 5
UNIT 2
Tribal World View 11
UNIT 3
Tribal Discourse 18
UNIT 4
Nature and Celebration in Tribal Life 25
UNIT 5
Tribal Thought: Some Voices-I 35
UNIT 6
Tribal Thought: Some Voices-II 45
EXPERT COMMITTEE
Prof. Shyamla Narayan (Retired) Prof. Satyakam
Jamia Millia Islamia Director (SOH).
COURSE PREPARATION
Prof. Anand Mahanand (Unit 1,2,3 & 6) Dr. Anand Prakash (Retd.) (Unit 4 & 5)
Hyderabad University Delhi University
Hyderabad Delhi
PRINT PRODUCTION
C. N. Pandey
Section Officer (Publication)
SOH, IGNOU, New Delhi
January, 2019
Indira Gandhi National Open University, 2019
ISBN : 978-93-88498-59-3
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by Prof. Satyakam, Director, School of Humanities.
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BLOCK INTRODUCTION
Block 5 Unit 1 will delve into the history of tribals that would also provide the
background to their writings. Unit 1 would elaborate that the history of the tribals
goes back to the pre-historical period though the documentation was neglected for
centuries.
Unit 2 familiarizes us with the tribal world view with its concept and characteristics.
It will give you a closer look at the attitude of tribal people towards life and the
beliefs they hold.
Unit 3 discusses the concept of the tribal discourse as well as its significance. The
unit also looks at the forms of tribal discourse and its features.
Unit 4 focuses on the aspects of nature and celebration in tribal life. The tribals take
inspiration from nature and also the rituals performed on various occasions and are
happy to celebrate life.
Unit 5 explains the important point made by G.N. Devy and Thingnam Kishan
Singh in their essays. These writings are significant to understand the way of life of
the tribals and their world view.
Unit 6 discusses the essays of Verrier Elwin and John Mac Dougall that explain the
cultural past of the tribals and the tribal social system. These essays are significant
in understanding their writings in this units that follow.
Theory, Culture and This
History of Tribals
4
Historical Background
UNIT 1 HISTORICAL BACKGROUND
Structure
1.0 Objectives
1.1 Introduction
1.2 Key Questions
1.3 How to use the Study Material?
1.4 Understanding Tribal History
1.5 Tribal History: The Tribals in Ancient Times
1.6 Tribal History: The Tribals in the Middle Ages
1.7 Tribal History: The Tribals in the Colonial Period
1.8 Tribal History: The Contemporary Times
1.9 The Interface between Tribal History and Tribal Literature
1.10 Let Us Sum Up
1.11 Glossary
1.12 Questions
1.13 Suggested Readings
1.0 OBJECTIVES
The main objective of this unit is to provide a historical background to the tribal
writing. This will help students in understanding tribal literature better. We know
that context and text are intimately related — the text is a product of the context in
which it has been produced. The tribal writing should be viewed in context since it
is a product of its time. It is also a historical product. It is necessary therefore to
look at the time, the past and present that give rise to such writing. Tribal writing, is
not only a product of history, but it also recapitulates and reconstructs history, too.
It is quite necessary thus to look into the past before we look at the writings about
the tribal people. This unit will provide a background to the tribal writings available
to us in the contemporary period.
1.1 INTRODUCTION
History has traditionally been understood as the story of kings and queens, their
conquests and defeats. Common people had no significant place in such historical
narratives. For instance, the tribal people have hardly been mentioned in mainstream
historical narratives. Regarding them, we only find stray references here and there.
Does that mean they had no contribution? Does that mean they didn’t exist around
that time? We should tell ourselves that they existed and also contributed significantly
to society but their achievements and contributions have not been valued. They
were not written at all, because the dominant class made their history the accepted
one. And the tribals? They were not equipped to write. Then, how did they retain
their history? The answer is: through oral narratives. They expressed their experience
in songs, stories, epics, ballads and lyrics. If we study them, we will find their
history. Sadly, nothing much of these narratives has been collected and documented.
Whatever sources are available, are to be studied so that we are able to foreground
tribal history. 5
Theory, Culture and The In recent years, the concept of history has undergone change. In the new situation,
History of Tribals
history also includes the life of the common people including women, dalits and
tribals. Though there are very scanty historical accounts about tribal people, we
will try to delve into their history by looking at different sources.
The tribes are “the autochthonous people of lndia who are believed to be earliest
settlers in Indian Peninsula” (Verma 1).
During the feudal period (400-1000) tribal areas were invaded by the non-tribals.
The Mundas and the Nagas claimed to have fought on the side of the Kurus against
the Pandavas. We also learn that Arjuna married Chitrangada, a Naga princess.
Apart from these accounts the tribals have a rich resource of the oral tradition. They
include songs, folktales, myths, legends, ballad, and epics. They also bear their
historical accounts. There have been attempts to compile and document these
different narratives by many writers such as G. N. Devy, Randhir Khare, Sitakanta
Mahapatra,Ramanika Gupta and others.
In the recent years, tribals have started writing about their own conditions and
issues. We have writers like Laxman Gaikwad who are engaged in reconstructing
the tribal past through their autobiographical narratives. Gaikwad in his
autobiographical novel Uchalya (The Branded) brings to the fore the issue of
Denotified tribes. He also gives a vivid picture of the life of the people who were
branded by the British during the colonial regime. Thus, we can understand how
historical accounts on tribal history may help us grasp the contemporary writings of
the tribal people.
Even today poets like Bhujang Mesram invoke Birsa Munda in their poems:
Birsa, you have to come,
You have to come from somewhere
A sickle for grass, an axe for wood
No east west south north matter
Come from somewhere my Birsa
As the breeze in the fields…
People await, await your coming ( Mahanand 28).
1.11 GLOSSARY
Dominant Class : The upper sections (class) of society
Indigenous people : people having particular ties to a particular area and
cultural and historical distinctness. In the Indian
context, the tribal people are also called indigenous.
Nomadic : people who don’t reside in a particular place but
wander from one place to another for livelihood.
Some tribal communities in India are included in this
category.
9
Theory, Culture and This Colonial narratives : Narratives written by colonial administrators, scholars
History of Tribals
and writers.
Animists : people who believe in the existence of spiritual beings
that inhabit in natural objects like animals, trees, and
so on.
1.12 QUESTIONS
1) What is the dominant concept of history?
2) How do you define tribal people?
3) Why is tribal history relevant today?
4) What kind of impact does history have on literature?
5) How do writers use history in their writings?
10
Historical Background
UNIT 2 TRIBAL WORLD VIEW
Structure
2.0 Objectives
2.1 Introduction
2.2 Key Questions
2.3 How to Study this Study Material?
2.4 Tribal World View: Concept and Characteristics
2.5 The Place of Myths, Rituals, Signs, Songs and Sayings
2.5.1 Features of Tribal World View
2.6 What does the Tribal Life Offer to the Non-tribal World?
2.7 Let Us Sum Up
2.8 Glossary
2.9 Questions
2. 10 Suggested Readings
2.0 OBJECTIVES
In this unit we will have a closer look at tribal world view. We will discuss different
features of the tribal world view and stress how people of these significant
communities are distinct, self-sufficient and independent. The discussion will also
provide an idea of their relationship with others, the environment in which they live
and the beliefs they hold. As a whole this unit will acquaint the reader with the
feeling and attitude of tribal people towards their life.
2.1 INTRODUCTION
What do we mean by world view?
‘World view,’ according to the Oxford Dictionary means a person’s thinking and
understanding of life. It refers to two things: (a) thought and attitude of a person at
the individual level; and (b) the collective level—What a person thinks about oneself
and what he/she thinks about others. We shall focus our discussion on these points
to understand tribal world view. Thinking about one self is a big question. It has a
larger philosophical meaning. However, in our context, it can mean how a tribal
person defines himself/herself. A tribal person looks at himself/herself as a member
of a larger community. He/She is generally, content and happy in life. Their world
is limited and the needs are also limited. They are not greedy and do not exploit
others for their personal gain. They are independent and love freedom. This is evident
from the Gond’s (one of the tribes) idea of heaven and hell. The Gond’s idea of
heaven is “miles of forest without any forest guards, and their idea of hell is miles
and miles of forest without any mohua trees” (Elwin, Baiga 58). The above statement
proves that the tribal person loves freedom and does not like restrictions from others.
Apart from their love for freedom, they are also honest, and straightforward.
Apart from their relationship with other individuals of family and community, tribal
people are also related to spirits of their ancestors. They believe in the existence of
these spirits and seek their counsel at the time of need. They also make effort to
keep the spirits satisfied. That way, the tribals feel protected and secured. Apart
from these spiritual beings, the tribals believe in their presiding deities and other
supernatural powers and mythological figures. Verrier Elwin rightly says that tribals
are “possessed by their mythology” (56). It is to be added that the totems, signs and
symbols also are respected as they learn about them from their myths and they are
related to their clan, past or belief system. They make icons to satisfy the ancestors.
Elwin describes that “before the ikons were made the ancestors used to give people
a great deal of trouble” (183).
Festivals, arts and crafts, songs and dance play an important role in their life. The
Karma dance of the Gond is a precious occasion when they invoke the goddess to
protect their crops from insects. The practice also connects them to nature as they
sing and dance around the karam tree celebrating the occasion. Songs are there to
redeem their culture from mediocrity. Elwin describes the artistic nature of tribal
people in several places by narrating their art and craft, motifs in paintings, and so
on. This is how he talks about their poetic bent of mind, “And I soon found…
among these gentle and romantic tribal people, poetry jumps out at you. It is there
every where, in their eyes, on their lips, even in some of their actions” (Elwin, The
Tribal World 53). He further mentions, “I found the people talking poetry . An old
woman speaks of fire as a flower blossoming on a dry tree of an umbrella as a
peacock with one leg. Children playing round their fire at night ask each other
riddles which are sometimes real poems” (53).
The tribal people are also related to their environment including trees, birds and
animals. They have a filial relationship with them. Many trees, birds and animals
figure in their myths. Hence they respect them and do not destroy them. That’s how
their belief system helps to preserve trees and forests. They not only regard the
forest as their Mother or Dharti Mata but also love the forest with passionate
devotion. It is to them the forest of joy, the forest of sweet desire. It is the scene of
the early romances of their childhood, the arena in which they engage upon their
most heroic struggles with nature” (Elwin, The Tribal World 115). They are not
afraid of animals, even tigers. Verrier Elwin describes how he saw a tiger when he
was travelling with a Baiga. “He was scared as it was an open car. But the Baiga
who sat near him was cool and started his magic spell. Later he told about a man
who could play with these tigers” (59). They generally draw a lot of lessons for
their life from sayings, proverbs and songs.
Tribal people are not only cooperative but affectionate, helpful and hospitable. Elwin
shares his experience as to how they helped him to reach a hospital when he was ill.
He says, “Once in Patangarh I developed a very large septic boil which I attempted
to cure by some antibiotic tablets or Milk of Magnesia which they resembled in
size, so they did not do very much good and I got steadily worse, until I was in acute
pain and fever. It was the height of the rains, no motor transport was possible and I
had to be carried thirty two miles to a place where I could get a car to take me
another ninety miles to the nearest hospital. I shall never forget the cheer and 13
Theory, Culture and The tenderness of the men who carried me in a sort of litter through pouring rain and
History of Tribals
partly by night. We had to cross flooded rivers into which my bearers plunged up to
the neck, raising my litter above their heads to keep me dry. When I ultimately
reached the hospital I was told that if I had delayed even a few hours I should have
developed generalized blood poisoning, but an immediate operation put me right.
Yet it was my tribal friends who saved me” (Elwin, The Tribal 125). You might
have seen in films or read in books about the helpful nature of tribal people. Elwin
also recalls and says, “Around this house and other houses in which we lived there
was a strong atmosphere of affection”(124). The tribal people’s sense of cooperation
and commitment to community has been described by Elwin in following terms,
“But inspite of the realm of fantasy in which they lived, these women are practical
and devoted servants of their tribe. They were always ready to hasten to minister to
the sick and console the sorrowful (Elwin, The Tribal World 192)
Tribal life is completely bound by religion the members of the tribe believe in.
Elwin describes Saora life as follows, “Saora life was completely dominated by
their religion. Beyond and around this life and this visible world is an unseen realm
of vital reality, peopled by a host of spirits whose activities impinge on normal
existence at every turn. The ghosts live in an underworld, which is something like
the world of our own, but everything is on a Lilliputian scale. The houses are very
small; the clouds lie low upon the land; it is always twilight under the infernal
moon. The ghosts live a sad half life, ill fed and poorly clad, until they themselves
die again and, if they are created in proper form, vanish from the misery of existence
for ever” ( Elwin, The Tribal World 191-192).
The tribals believe in myths which tell the story of their past origins and ancestors.
Almost each clan is informed about their past through myths. Myths also tell them
about many other things— giving them directions in life. They tell about their story
of origin and totems. The tribals respect their totems. Totem is a being , object or
symbol representing an animal or plant that serves as an emblem of a tribe or a clan,
14
family lineage reminding them of their ancestry. According to a Muria myth the Tribal World View
Murias consider the dandai fish as their totem (Elwin, Selected 115). Out of respect
they don’t kill the fish but have a lot of veneration for it. Each clan has its totems.
It could be an animal, bird or an object. Another clan may consider cobra as their
totem.
Rituals show their discipline and devotion towards traditions. Rituals not only offer
them psychological satisfaction but also enhance a sense of renewal in life. The
signs portrayed in their wall paintings show their creativity and specific style of art.
The songs and sayings not only add meaning to their life but educate them about
different aspects of existence.
Happiness is another quality of the tribal people. They are happy in their life. The
Gond folksong, for instance, idealizes the concept of happiness in the following
terms:
“In all the world a village is the place for happiness
In every house are ploughs and bullocks
And every one goes farming” ( Elwin, The Tribal World, 139).
The tribal people celebrate life and beauty in living. Nari Rustamji felt about the
tribal people in the following manner: “Much of the beauty of living still survives
in these remote and distant hills, where dance and song are a vital part of everyday
living, where people speak and think freely without fear or restrain”(qtd. In Elwin,
The Tribal, 296).
We are becoming more and more individualistic forgetting cooperation and good
aspects of community life. The tribal view of life which is based on community and
cooperative life offers us lessons to lead a life of cooperation.
We are distancing ourselves from Nature. Not only that, we are using it very roughly.
As a result, there are natural calamities like Tsunami, floods and other disastrous
events. Deforestation causes drought and many land areas become deserts. Melting
of the snow occurs. Sea water level may go up. All these are negative effects of
exploiting nature. Respect for nature and the spirit to protect it is something we
learn from the tribal world view.
Finally, the tribal belief in the supernatural makes them less anxious, stressed and
depressed.
Finally, It must be stated that the tribal world view is not a static concept. It is
subject to change from time to time and place to place. It is also not a homogenous
concept meaning all tribals having the same world view. You might have observed
that we have gleaned evidences from different tribal groups such as Gond, Baiga,
Saora and so on.
2.8 GLOSSARY
World View : A person’s way of thinking about and understanding
life which depends on his/her beliefs and attitudes.
Akrosh : A Hindi Film by Govind Nihalani depicting
exploitation of tribal people. Important actors in the
films were Om Puri, Smita Patil, and Naseeruddin
Shah
Mrigaya : A film by Mrinal Sen depicting tribal life during
British rule.
16
Thakur Deo and Dharti : supreme deities of the Baiga. Tribal World View
Mata
Tot em : An object, or symbol representing an animal or plant
that serves as an emblem of a group of people such
as clan or family reminding them of their ancestry.
2.9 QUESTIONS
a) What do you understand by World View? What are the basic features of the
tribal world view?
b) How does a tribal individual understand himself/herself?
c) How does a tribal person relate to others?
d) What is the attitude of a tribal towards Nature?
e) What do you understand by totem? Explain it with a few examples.
f) What is the role of myth in tribal belief system?
g) Tribal world view is not static and homogenous. Explain.
2. 10 SUGGESTED READINGS
Elwin, Verrier Selected Writings. Delhi: OUP, 2009.
The Tribal World of Verrier Elwin: An Autobiography. Delhi: OUP, 1964.
Leaves from the Jungle: Life in a Gond Village. Delhi: OUP, 1992.
Tribal Myths of Odisha. Bombay: OUP,1943.
Baiga. Delhi: Gian Publishing House, 1986.
Phulmat of the Hills. London: Murray, 1937.
Jensen, A. E. Myth and Cult Among Primitive People. Trans. Mariana Tax Choldin
and Wolfgang Weissleder. Chicago: University of Chicago Press, 1951.
Mahanand, Anand. Representations of Tribal India in Fiction. Saarbrucken
(Germany): Lambert Academic Publishers, 2011.
Lo(K)cal Knowledge: Perceptions on Dalit, Tribal and Folk Literature. Delhi:
Authors Press,2012.
Singh, Kumar Suresh. Ed. The Tribal Situation in India. Shimla: IIAS, 1972
17
Theory, Culture and The
History of Tribals UNIT 3 TRIBAL DISCOURSE
Structure
3.0 Objectives
3.1 Introduction
3.2 Key Issues to be Discussed in this Unit
3.3 How to Study this Study Material?
3.4 Tribal Discourse- the Concept
3.5 Forms of Tribal Discourse
3.6 Features of Tribal Discourse
3.7 Significance of Tribal Discourse
3.8 Let us Sum Up
3.9 Glossary
3.10 Questions
3.11 Suggested Readings
3.0 OBJECTIVES
The objectives of this Unit are to understand the concept of discourse in general
and tribal discourse in particular terms. One of the objectives is to sensitize students
about different forms of tribal discourse. The unit also talks about the relevance of
the tribal discourse.
3.1 INTRODUCTION
The tribal discourse deals with information, communication and intellectual
resources of the tribal people. It is a vast area of knowledge concerning society,
culture, thought, polity, economy, language, literature and history of the tribal people.
We have a wealth of information, about the mentioned areas that should be
disseminated and shared.
In the same way, we try to think of philosophical discourse of the tribal people, and
take into consideration their world view and attitude towards life.
Political Discourse
We see that tribal history is embedded in the oral traditions of the tribal people.
The political system of tribal people is based on their traditional ethos. It is worth
going to a tribal village to observe how their political system works, and the hierarchy
that exits there. First of all we need to understand their traditional political
institutions. If we observe their traditional political structure, we would find that
they have a leader of their community who is called raja. For instance the Oraon
tribe of a particular region has their community leader who is called Oraon Raja.
Then at the local (village) level, they have a Chief. This is the traditional structure.
The Raja and the Chief traditionally decide matters related to their tribe at the
community and the village levels respectively. They are traditional heads. But
these communities are not free from modern political system. They have their local
Sarpanchs, [Link], [Link] and elected leaders. So the tribal people are governed
by two systems. It would be interesting to see how these two are related and how
they function. It has been of interest to scholars as to how the tribal communities
relate themselves to the Indian State and how has the State been treating these
communities. We might have heard a lot about the debate of Isolation and
Assimilation, Prime Minister Nehru’s Panchsheel and so on. All these matters
constitute the political discourse with regard to the tribal people. We might observe
from this discussion that political and social domains are intimately related. Hence
let us go to the social domain.
Social Discourse
In order to understand social discourse of the tribal people, we need to understand
the different aspects of their social institutions like family, clan, community among
others. We also need to know about how these are related to one another. We should
also have some idea about their social customs like marriage and the concept of
gender relations among these people. For example many tribal communities do not
have dowry system. In fact the groom has to pay the bride -price. If he is not able to
pay it, he has to work in his in-law’s place. In some tribal communities, the woman
enjoys more freedom. In Bonda community, for instance, the bride is about ten year
older to the groom. The tribal discourse constitutes all these aspects of their life.
Social and cultural discourses are interrelated. Let us discuss the cultural discourse.
Cultural discourse
Culture is a complex term. A single definition of the term cannot include its varied
aspects. In a simple way, we can understand it as a way of life. Culture means the
way people earn their livelihood, the way they dress, conduct themselves, and so
on. It may also include their attitude towards themselves and others. Culture also
includes rituals, festivals, songs, dance, and forms of entertainment, art, crafts,
festivals, languages, literature and traditions. The tribal communities have a rich
reservoir of cultural resources. One needs to understand these forms. Each of these
forms of culture and cultural practices are to be studied. There are discussions and
20 communications on these. This constitutes the cultural discourse of the tribal people.
Gender discourse Tribal Discourse
These are a few aspects of tribal life and there are writings and discussions available
on these. These aspects together would be termed as Tribal discourse. It may be
produced by the tribals or by others on the tribes. For understanding tribal narratives
these will provide us a background. One may ask, Isn’t tribal writing or literature
part of tribal discourse?
One may say yes. It may constitute a part of tribal discourse, but since it is linked
with the above mentioned aspects, we need to use them as background to understand
tribal literature or writing.
Creative Writing
In the field of creative writing, tribal people have been used as subjects by a number
of writers. We can start from the oral narratives or from our epics the Ramayana
and Mahabharata. Creative writers like Verrier Elwin, John Masters, Rudyard
Kipling who had produced colonial narratives have left behind a wealth of resources
on the tribal people. We have Indian English writers like Arun Joshi, Kamala
Markandaya, Gita Mehta who have differently dealt with this theme. In Indian
languages writers like Gopinath Mohanty, Shivarama Karanth, and Mahasweta Devi
have written about the tribal people. There are many tribal writers like Ram Dayal
Munda, Grace Kujur, Mahadev Toppo, Rose Kerketta, in Jharkhand who have been
writing about their own life. The writers from Kerala- C.K. Janu and Narayanan
have contributed to tribal discourse through their narratives. In the North East, we
have writers like Rongbong Terang, Estherine Iralu, Temsula Ao, Dorje and others
who have produced a world of literature on the life of their own people.
Literary Criticism
Many scholars and critics have also responded to works written by tribal writers
tribal literature has become an important area for research and scholarship in the
recent years. It is important to gather a data base on these works. Prolific writers on
tribal issues include Ganesh Devy; Mahasweta Devy; Gayatri Chakravorty Spivak
who has written extensively on literature on the tribal people. Anand Mahanand’s
Tribal Literature in India (2005) and Representations of Tribal India in Fiction
(2010) also deal with criticism on the writings of these creative writers.
ii) Tribal discourse deals with different domains of tribal life which include
language, literature, culture, society and history 23
Theory, Culture and The iii) It is an emerging field, with collective consciousness
History of Tribals
iv) Tribal discourse has greatly contributed to research and knowledge generation
vis-à-vis the tribal community that had been neglected for a long time. It has
helped in reconstructing tribal past and has further helped us understand
different aspects of tribal life, culture and heritage.
3.9 GLOSSARY
Discourse : The word discourse comes from the Latin word
“discursus” meaning running to and fro. It also
means written and spoken communication. It can
mean intellectual inquiry. In Humanities and Social
Sciences the term is used to describe a formal way
of thinking that can be expressed through language.
3.10 QUESTIONS
i) What do you understand by the term “discourse”? What is tribal discourse?
ii) Why is tribal discourse important in our time?
24
Tribal Discourse
UNIT 4 NATURE AND CELEBRATION IN
TRIBAL LIFE
Structure
4.0 Objectives
4.1 Nature as a Rescuer
4.2 The Poet-subject and the Surrounding World
4.3 Absence of Power Structure in Tribal Community
4.4 Spontaneity and Variety in Tribal Life
4.5 Openness and Distinctness in the Tribal Community
4.6 Unity of Nature and Humans
4.7 Harmony and Peace as the Core of Tribal Life
4.8 Let Us Sum Up
4.9 Questions
4.10 Suggested Readings
4.0 OBJECTIVES
We consider in this unit aspects of nature and celebration that are reflected in the
life and behaviour of the tribal community. It is observed that the tribal has a close
organic association with nature. S/he is born in nature, looks at it on a daily basis as
no other in the rest of the country, and relates to it as if one is a part of it. On the
other side, nature has its different phases. It shows itself in rain, sunshine, clouds,
streams and rivers, animals and birds, various sounds and colours. The tribal changes
his/her mood in accordance with all these, believing that all these are its guides
protectors, and well-wishers. Nature has also its joyous aspects, such as breeze,
storm, flowers, singing of birds, roar of lions, etc. The tribal takes inspiration from
these as well as from the rituals performed on various occasions in life because of
which he becomes happy and therefore celebrates. These are taken up in some
detail in this unit.
So far as the second reason goes, we may state that nature with its cycles, variety,
and aesthetic-inspiring quality sends out messages to the tribe as a matter of course.
As suggested, the tribal community does not seek guidance from what happened in
the past, but from what happens on the day that followed the previous night. To see
the pattern that may finally emerge from actions done over a long time, one may
realize that the order of preference and choice was dictated by the dynamically
changing socio-natural scenario. The tribal community only keeps pace with the
changes in the environment. Also, in view of a governing logic prevented from
emerging, the tribal community absorbs the truth of the socio-cultural scenario in a
radically new way.
The Northeast has been described as Asia in miniature, a place where the
brown and yellow races meet and mingle. The oral history of the tribes of
Mizoram, Nagaland, Manipur and other areas tell of ancestors from the
shadowy past, from mountains steeped in mist and romance, from lands
far away, of snake gods and princesses, epic battles and great warriors.
(Misra, Tilottama. Ed., The Oxford Anthology of Writings from North-
East India: Poetry and Essays. New Delhi: OUP, 2011.P.160)
In this quotation, the phenomenon of variety has been effectively outlined. The
Northeast here is an identity collectively evolved for telling the world that there is
an alternative character of living is present in it. Significantly, the area under mention
is given the extremely suggestive and appealing name “Asia in miniature.” The
first impression of the name it is a beautiful entity, making the onlooker curious
about what the place contains and in what measure. Since, beauty has been brought
in, there must be an artistic aspect to it. That indeed is the case. In art, proportion is
important. It creates symmetry. One part integrates with another as if the two
complement each other and show their interdependence. Look at the community
visualized in the word and find that each component of it, human and natural, lives
for itself and the others with equal respect and dignity. The beauty also comprises
the various cultures that coexist to inspire one another and finally form a collective
unit suggested by the beautiful word.
What do “the brown and yellow races [that] meet and mingle” tell? To my mind,
they tell the story of coexistence that naturaly evolved. People of one area and
culture saw something appealing in another area and the two enjoyed the mixing.
Initially, they had different languages to use for communication, but as they moved
near each other, they happily borrowed words, phrases, short crisp expression, jokes,
comments and finally views. All formed a spectacle of happiness. Did a different
colour matter? Did a different set of rituals draw line of demarcation and division?
The answer to both the questions was a firm no, since the “meet and mingle” act
had raised the living by a few notches and added value to the union unthinkable
earlier.
Again, in the quotation “ancestors from the shadowy past” along “from mountains
steeped in mist and romance, from lands far away” combine time and place
containing community life spread over millennia in a manner at once aesthetic and
philosophical. The description appears to suggest there was complete unity between
ancestors and mountains as well as mist and romance. Note that it is not specificity
that is evoked, but a vision that takes us to post-development phase of history. In
this sense, socialism as envisioned by history outside of and freed from “prehistory”
could be sensed in the quotation and its clear reference to those inhabitants in “the
shadowy past” who bore witness to an era of positive and dynamic mutuality. To
this, another statement by Sanjoy Hazarika becomes an apt corollary:
The people of the Northeast are the guardians of its most precious asset: its
uniqueness. Which other area has such beauty among its people and its environment?
Which sees such a range of religions, creeds, communities, lifestyles and traditions?
Which other area can match it in the sheer raw power of nature: whether it is the
Brahmaputra that resembles a great sea during its rain-swollen, flood-hungry days;
or the force of its gales and the grace of its waterfalls, the lushness of its forests and
29
Theory, Culture and The bamboo thickets. And the solitude of its spirit, found in the mist of the mountains.
History of Tribals
(Misra, Tilottama. Ed., The Oxford Anthology of Writings from North-East India:
Poetry and Essays. New Delhi: OUP, 2011.P.163)
Mark the word “uniqueness” here that denotes a value worth preserving by posterity.
Literally, the word speaks of something not seen anywhere in the world. This is an
exaggeration we should appreciate for its emphasis on the vital life the Northeast
represents. Metaphorically, it might go in an entirely new direction to send the
message that we watch in the region a future that we may have to consciously and
assiduously work for. Indeed, that is possible if we saw in clear terms the
“preciousness” of the “asset”. It cannot be captured through prose. That is why
Hazarika has taken recourse to the broad manner of poetry and created the sense of
wonder and loftiness by talking of Brahmaputra “resembling a great sea” and “the
lushness of it forests and bamboo thickets.” However, the picture would not be
complete if he did not make a telling reference to “the solitude of its spirit, found in
the mist of the mountains.” This underlines the unity between what humans have
(in the form of urge and will) and what they observe in nature. On the other hand, if
humans reduce their capabilities to the level of possessing more things than required,
they lose out on the invaluable wealth of nature, something that puts them in touch
with the magic of the mind. The tribal community in their songs, in their simple-
looking rituals re-enact the drama that they see with the help of imagination in their
own memory. Do they have history, do they have a progressive knowledge with
which to harness the power of nature? In response to this, we might say that the
terms of their knowledge and what to remember from the past are not those of
going forward. On the contrary, their terms are inspired by make-believe, re-working
and re-living acts of happiness and fulfilment. All these fall in the category of
celebration. For them, the mantra of life is to share with one another those moments
that will put them in touch with the rhythm that the movement of waters, animals,
birds and the slow-growing plants and trees follow and work with. In the latter,
there is life. This life is recognised and worshipped. It also makes them believe that
such a life generates a sense of belonging. The tribal community lives in and for the
forests and streams that they strive to preserve and nurture. Charles Chasie mentions
a practice where forces of nature, chance, gods and the deep faith residing in the
tribal person come together to construct the act of sustenance. In this case, even as
ordinary a practice as blessing a young person who may be going on a journey to
conduct business away from one’s place will reveal the creative mindset of the
tribe. Important in it would be the faith reflected in the blessing where help from
gods or the tribe’s ancestors is invoked. At one level, it is a flight of one’s imagination,
at another it might as well be a pointer to something unknown but so near that the
reference may directly assure safety and security.
The title “House Warming” points at the name of the ritual that makes the place
appropriate for staying in. Since humans did not occupy it, or another set of people
lived in it, a ritual is required to make the place new and fresh, so to say. The
assumption in the song is that the goal can be achieved only when the spirits present
at the place are asked to leave. That done, the celebration formally would begin.
Mark that the personal stay is made part of the fundamental truth of work that joins
all with one another. The same is denoted through “I am celebrating” that demands
interaction between two people or among more than two since a larger mission of
cultivation is the issue. The ownership of the house by two fathers (of the two
women, Mune and Sane respectively) is involved and cultivation of land as well as
dwelling at the place is to happen, physical effort will result. The last four lines talk
of smearing of blood, and sticking of feathers that are to precede cultivation. The
celebration in this sense is work-related and social.
In the following lines from a Garhwali song, we come across a change in mood that
has moved away from the serious work-related endeavour to the relatively subjective
participation:
We offer flowers to you,
O doorstep of the house, be kind—
Fill the granary with corn.
Just before dawn, [hunter] Chuba dozed off for about an hour. When he woke up he
thought that he had a terrible nightmare. And seeing all the dwellers of the forest
still surrounding him, his heart was filled with fear again. Finally, the king of the
forest, the Grand Lion spoke. Chuba was now shivering despite the sun’s rays
embracing the earth with warm arms. The Grand Lion said, “I think you, man, did
not have a pleasant night. Well, we the dwellers of the forest haven’t had a pleasant
night’s rest for the past ten years, except last night. I don’t need to tell how we have
felt and what we have we have suffered for the past ten years because of you, man,
and now you too have gone through our experience last night. It would have been
very easy to take revenge for the death of all our loved ones in the most violent
way—which is through your gun. But we do not believe in violence and revenge.
We too can hurt and kill but we know that we were not created to cause pain and
death. We know that we have been created to maintain the balance of nature and
32
contribute to the well-being of this planet. We cause pain and kill only when we are Nature and Celebration in
Tribal Life
attacked, in self-defence. (Misra. Tilottama Ed, The Oxford Anthology of Writings
from North-East India: Fiction. New Delhi: OUP, 2011. P.253)
This passage shows in clear terms the map of happiness that humans are capable of
creating if they have a positive attitude towards themselves and nature in consonance
with each other. In this passage, the Grand Lion symbolises the grandeur and breadth
of vision of the tribal imagination that works on the principle of attaining
uninterrupted peace for all, described by him as “a pleasant night’s rest.” This has
basis in the concept of equality and respect for all people on the planet earth that
has plenty of resources for the survival and upkeep of humanity. Incontrovertibly,
humans have it in them to dream big about lasting happiness that can lead all to a
celebratory mode.
4.9 QUESTIONS
1) How does the tribal individual relate to nature? Explain.
2) What do celebration and joy mean in the context of the tribal community?
Elaborate.
Notes:
1) The blessing to the traveller on mission is as follows: “May the spirits look
after you and protect you; May good fortune attend to you; May you always be
in good health so that you do not lose perspective and can always remain
directed towards your goal; And you’re your achievements surpass that of
your rivals. May the smoke of your fire be seen as long as anyone else is
making fire; May you be fleet-footed so that you may not stumble and fall
either by stone or stump; And having achieved what you set out to do, may you
return as quickly as the hand of Providence guides you.” (Misra. Poetry and
Essays 263) In this, combination of various myths, cultural figures and nature’s
images works towards a project that members of the tribe undertake in the
social context. See the mention of spirits, the protection theme, goal, the way
of walking to a place, and Providence in the same breath.
2) G.N. Devy has observed, “Songs have a special importance in tribal imaginative
transactions, as they relate to every aspect of life. These songs normally take
the form of a requiem or a conversation, and thus might contain a lover’s
address to his beloved, a daughter’s to her parents or a man’s to his ancestors. 33
Theory, Culture and The … Their complexity lies in their allusive quality and their wonderfully earthy
History of Tribals
metaphors.” The lines from the two songs quoted in the text are important
from the point of view of what Devy has called their “earthiness.”
34
Nature and Celebration in
UNIT 5 TRIBAL THOUGHT: SOME Tribal Life
VOICES-I
Structure
5.0 Objectives
5.1 G.N. Devy’s General View About the Tribals
5.2 Concept of the Organically Linked Community
5.3 The Secular is Counter-posed With Sacred
5.4 Two Traditions: The Oral and The Visual
5.5 Thingnam Kishan Singh’s View of Manipur Region in History
5.6 Vibrancy in Manipur in Its Early Existence
5.7 Fall and Subjugation of Manipur Through Violence in Early Eighteenth
Century
5.8 Irony Working Behind a Different Kind of Modernity
5.9 The Problematic Present
5.10 Let Us Sum Up
5.11 Questions
5.12 References
5.0 OBJECTIVES
This unit aims to familiarise the young scholar with new thoughts about the tribal
population in India. These thoughts are given the word voices since they signify a
sympathetic understanding of the way of life of the tribals with special focus on
their attitude, their aesthetic vision enshrined in their folk tales and their overall
history. Particularly, this unit will dwell upon the rationale of living of this community
equipped to interpret the forest, the land, community life, and cultural identity. Two
scholars of repute picked up for covering the community/ communities of India’s
tribal population and for presenting a sympathetic appreciation of this social segment
are G.N. Devy and Thingnam Kishan Singh. Devy’s essay constitutes the Introduction
in his book Painted Words: An Anthology of Tribal Literature, and Kishan Singh’s
essay is titled “Encounters and Literary Engagements: A Critique of History and
Literature in Manipur.”An attempt is made in this unit to emphasise a few important
points made by the two scholars in their respective essays.
Indeed, this is not asking for too much in the contemporary circumstance. Today in
many a case, we do look at a phenomenon with sincere curiosity and wonder, and
strive to enrich our mind with yet to be attained wisdom. Also, with such an attitude
we acquire a critical awareness of our own thoughts and ideas that may be invisibly
bound with complacency and smugness. When did we, for instance, look at as a
tribal as if he viewed his world and ours sensibly and seriously? To us he appears so
simple and unevolved! We soon tell ours, if we are sympathetically inclined in the
general sense, that he should be helped to raise his level of education, awareness
and skills. This way he will catch up with us and become our equal finally. We
assume erroneously that his growth as a human being is stunted and if not given a
push in what we consider the new direction, it will dry up and fall on the wayside.
We do not realise that in history, tribal have gone through troubled times at all
places where they lived, and survived many ups and downs. Today, too, they pose
issues before the mighty capitalist interests and even if pressed hard, may have a
resistance strategy built in the marrow of their own logic of existence. Capitalism is
ruthless and deadly. Its violence, we all know, works at a multiplicity of levels. It
can combine ideology, politics, money power and naked repression to see that tribals
are driven away from their forest and absorbed into the market scenario as work
force. Yet, the tribal ethos stands apart and may be an answer to to the ills and evils
of modern-day capitalism. This is precisely what Devy has in mind as he argues for
a positive and an altogether different view of the tribal worldview. His view could
go a long way in mobilizing opinion in support of the tribal [Link] making
his point about the ethos of the tribal section, Devy uses reversal as a strategy in
which influential groups among us are looked at from the eye of a different section
of people. This is a crucial point he has made since it turns tables on the world
driven by profit making and turning human venture into a commodity for purchase
and sale in market conditions. It is one thing to dub the tribal not knowing and left
behind in the process of what is called change and another to look critically into the
existing world and spotting only vacuity there.
Note the link between nature and the tribal individual in the lines above. The equation
between the two is logical if we recognize the specificity. The marriage is not here
a matter of long negotiations necessary to know the sustainability of the relationship.
Thus, Managal arranges the marriage and with it the matter ends. The rituals, too,
are of serious consideration. The tribal believes them to be true and essential. Also,
no need is felt to look critically at the equation between humans and trees. If a man
can marry a woman, so can a man or a woman marry a tree each. To a supposedly
secular and argumentative individual, the case of the marriage happening here is in
the form of replication—both Makar and Revati first marry the respective tree and
then each other and they or the community to which they belong takes the whole
procedure in earnest.
The essay begins with asserting the idea that “History bears testimony to the travails
of civilization running through a course of two thousand years as the people
inhabiting what is presently called Manipur experienced numerous upheavals
subsequent to clashes with different cultures and powers.”It is a simple but extremely
assertive statement telling in clear terms the character of people inhabiting Manipur.
In his opinion, the region had many groups with their separate identities. The groups
clashed with one another sometimes, and many a time they lived in relative harmony.
You may notice the sense of pride when the reference is made to “the people”
experiencing “numerous upheavals” after clashes had occurred between groups in
the community consisting of “different cultures and powers.” Mark here that the
people of the region were dynamic, full of energy and capable of taking their own
decisions as also fighting if that became necessary. In the comment is inherent the
truth that groups within the community made mistakes and took wrong decisions
presumably since at the particular moment when it all took place in their lives, they
felt like taking a stand that led to faulty actions. Singh’s purpose is to let the reader
know about the sense of living with freedom and self-reassurance—they were makers
of their own destiny. Let us keep in mind the fact that decisions taken persistently
by a community only express their bent of mind. That only denotes the character
and nature of the people involved. It is history that we are discussing, not a discourse
from outside of the framework of action. This, says Singh, continued till the region
came later to be called Manipur.
Another important aspect of the literature of the early period was the treatment of
heroism. Rivalry and clashes between the clans resulted in the development of
martial skills. Bravery and courage remained central to the numerous conflicts that
created a martial culture. (Misra, Tilottoma. The Oxford Anthology of Writings from
North-East India: Poetry and Essays. New Delhi: 2011.P.144-145)
In this quotation, we come across the point that the way of life of a community
causes evolution of norms and ideas. Those in turn excite the imagination of many
of its members who take pride in their acts of valour. Working hard to realise their
aims, the participants in the heroic endeavour innovate and experiment for bettering
their skills and methods. In due course, yet greater success in the efforts of the
community is ensured. Singh terms the long-standing effort “martial culture” from
which the community draws inspiration for a long time. Also, the effort is witness
to accounts of specific individuals who behaved in a certain manner and planned
their activity by talking, discussing and analysing, as well as executing the plan. In
such a case, it is only natural that narratives are formed consisting of descriptions
of what specific individuals got involved in while active in the said venture. There
is a reference in the passage quoted above to the “religious and social festival” of
the Khaba community. In the obvious sense, the festival is rightly assumed as
celebratory. Through it, the community realizes its hidden desires to make possible
what they imagined as good and desirable.
40
Tribal Thought: Some Voices-I
5.7 FALL AND SUBJUGATION OF MANIPUR
THROUGH VIOLENCE IN EARLY
EIGHTEENTH CENTURY
Thingnam Kishan Singh has explained in this essay titled “Encounters and Literary
Engagements: A Critique of History and Literature in Manipur” a whole process of
subjugation and destruction of a heroic community of fighters. The violent episode
is described as follows:
The close of the seventeenth century and the beginning of the eighteenth century
mark a turning point in the history of Manipur. … Deeply influenced by the teachings
of the Bengali Vaishnavite Shantidas Goswami, a preacher on a proselytizing mission
along with the prevailing socio-political circumstances, Garibnawaz lived to the
true ideals of a tyrannical despot when he issued a diktat pronouncing Hinduism as
the new religion of Manipur. Opposition and resistance to this autocratic move to
obliterate the traditional faith and culture were brutally repressed. The king and
Bengali mentor left no stone unturned to erase traces of the indigenous faith. Places
of worship were destroyed, worship of traditional and local ancestral deities,
traditional rituals and rites, Lai Haraoba festivals, eating of meat, drinking of liquor
and burial of the dead were immediately banned. Burial was replaced by cremation.
Edicts were proclaimed to bring about these changes with severe consequences for
disobedience. Along with the imposition of Hinduism, the manuscripts and texts in
the indigenous script were confiscated and burnt in full public view in officially
sanctioned events known as the Puya Meithaba. Use of the indigenous script was
banned with dire consequences for those attempting to resist. It was to be replaced
by the Bengali script. Shantidas Goswami composed an entirely different chronicle
known as Gijay Panchali, which was a deliberate attempt to efface the history and
culture of the people. It projected the land as the Manipur in the Hindu epic
Mahabharata and traced the lineage and genealogy of the first King of Manipur to
Chandrabhanu whose daughter Chitrangada was married to Arjuna, the great Pandava
archer. Babruvahana was the son born of this wedlock. … Imported art forms like
the Natya Sankirtan actively encouraged by the royal power gained popularity.
Corruption in language became the order of the day as the elite and aristocratic
class got increasing exposure to Indo-Aryan languages like Sanskrit and Bengali.
Manipuri vocabulary witnessed introduction of many new words from these
languages. (Misra, Tilottoma. The Oxford Anthology of Writings from North-East
India: Poetry and Essays. New Delhi: 2011.P.148-9)
Mark here words such as “autocratic move to obliterate the traditional faith and
culture.” Whereas the history of the Manipuri community prior to the seventeenth
century was of group clashes within the indigenous social unit, the developments in
the seventeenth century denote autocracy. The word denotes a wilful act devoid of
internality of the group in question, and points towards the tendency to use cold and
calculated policies meant to impose through means fair or foul to kill the urge to
survive, assert and preserve. In the process of “obliteration,” the script is changed,
the folklore is declared null and void and taken away from circulation so that it is
replaced by a counter folklore. The act of policy is marked by a cruelty that works
on a different plane. The parameters of this policy are not physical, but mental and
spread in its scope to the plane of culture. One culture is removed through force and
another culture replaces it after the agents of the former culture have been rendered
inoperative.
41
Theory, Culture and The Kishan Singh’s account of the process of obliteration of Manipuri culture and folklore
History of Tribals
bears a close resemblance to colonising a whole people through force, physical and
mental. The latter violence is yet more cynical; it is executed through recourse to
systematic suppression. Culture and thought are sought to be changed radically
under it and the target is the mind, creativity and fantasy. The whole community is
denied the right to observe its past in the way it existed and was believed be so over
time. What was carried on for centuries in the name of rituals, observance of norms
and their projection through folklore is snatched from the community, and a new
form of thought and interpretation is brought in for assessing one’s work at the
level of mind and imagination.
42
Tribal Thought: Some Voices-I
5.10 LET US SUM UP
We have read in this unit an interpretation of the life of the tribal community from
two viewpoints, those of G.N. Devy and Thingnam Kishan Singh. Whereas Devy
comments on the nature of the tribals as harmonious with nature, Kishan Singh
takes us deep into the past of Manipur region. Devy’s appreciative view of the
tribal community blends well with that of Kishan Singh who has called people of
Manipur heroic with respect to their heritage. Each of the two scholars has a distinct
view of the people under study. The two voices of the tribal thought enable us to see
the tribal community as dignified, honest, and living in harmony with nature. Yet,
they face problems of dealing with social prejudice and homogenisation by a power
centre away from them. It is also observed that thinkers and writers among the
regions in the Northeast are conscious about their own vitality and the urge to live
with dignity.
Notes:
1
G.N. Devy has observed:
“Most tribal communities in India are culturally similar to tribal communities
elsewhere in the world. They live in groups that are cohesive and organically unified.
They show very little interest in accumulating wealth or in using labour as a device
to gather interest and capital. They accept a worldview in which nature, man and
God are intimately linked, and they believe in the human ability to spell and interpret
truth. They live more by intuition that by reason, they consider the space around
them more sacred than secular, and their sense of time is personal rather than
objective. The world of the tribal imagination, therefore, is substantially different
from that of the non-tribal Indian society.” (Int., Painted Words x)
2
This is what Devy has said in the context:
“One of the main characteristics of the tribal arts is their distinct manner of
constructing space and imagery, which might be described as ‘hallucinatory.’ In
both oral and visual forms of representation, tribal artists seem to interpret verbal
or pictorial space as demarcated by an extremely flexible ‘frame.’ The boundaries
between art and non-art become almost invisible. A tribal epic can begin its narration
from a trivial everyday event; tribal paintings merge with living space as if the two
were one and the same. And within the narrative itself, or within the painted imagery,
there is no deliberate attempt to follow a sequence. The episodes retold and the
images created take on the apparently chaotic shapes of dreams. In a tribal Ramayana,
an episode from the Mahabharata makes a sudden and surprising appearance; tribal
paintings contain a curious mixture of traditional and modern imagery. In a way,
the syntax of language and the grammar of a painting are the same, as if literature
were painted words and paintings were a song of images.” (Int. Painted Words xiii)
5.11 QUESTIONS
1) What does G.N. Devy mean when he says that for the tribal, sacred is preferred
to the secular? Explain.
2) How does Thingnam Kishan Singh interpret homogenisation that the Manipur
region faces at present? Elaborate.
43
Theory, Culture and The
History of Tribals 5.12 REFERENCES
Devy, G.N. Ed., Painted Words: An Anthology of Tribal Literature. Vadodra: Purva
Prakash, 2012.
Misra, Tilottoma. The Oxford Anthology of Writings from North-East India: Poetry
and Essays. New Delhi: 2011.
44
Tribal Thought: Some Voices-I
UNIT 6 TRIBAL THOUGHT: SOME
VOICES-II
Structure
6.0 Objectives
6.1 Introduction
6.2 Key Questions
6.3 How to study this Study Material?
6.4 Verrier Elwin: An Introduction
6.4.1 The Muria and their Ghotul
6.4.2 John MacDoughall: An Introduction
6.5 “Tribal Resistances”
6.6 Let Us Sum Up
6.7 Glossary
6.8 Questions
6.9 Suggested Readings
6.0 OBJECTIVES
The objectives of the unit is to discuss Verrier Elwin’s “The Muria and their Ghotul”
and John MacDougall’s “Tribal Resistance” to understand their perspectives on
tribal way of life as well as their cultural past. These two essays constitute important
material on tribal life and discuss the uniqueness of the tribal social system as well
as history. The unit will help students understand this uniqueness through these
essays. This background knowledge of the tribal communities discussed in these
essays will help them understand other writings as well.
6.1 INTRODUCTION
Due to some gap in communication between the tribal people and the non-tribal
communities, there have been hurdles in understanding the tribal people, their history
and culture. Due to this gap, their culture and history have been either ignored or
overlooked. There are also misrepresentations. However, due to efforts made by
some scholars like Verrier Elwin and MacDougall, a good number of aspects of
their life have reached the so-called mainstream society and they are valuable pieces
of information. See, for instance the following:
“The clan system of the Muria is now greatly confused. In the old days it
seems probable that the inhabited territory of north Bastar was divided up
among the different clans of Maria and Muria, and each had its own
particular bhum or clan area. In each bhum there was a spiritual capital
called the pen-rawar or pen-kara. Here lived the clan-god or Anga with
the clan-priest to tend him and mediate between him and his kinsmen.
Here they came for the chief festivals of the Anga; here they brought their
dead and erected their menhirs; here they gathered for the special panchayat
that discussed offences against the clan laws.” (108-9)
45
Theory, Culture and The It shows the way tribals organized their living through specific patterns. The work
History of Tribals
done by Elvin and MacDougall is a product of serious engagement with comments
that the tribal community had in the course of existence. For this reason, the scholars
such as these are also a unique source of knowledge about the tribal people. The
above mentioned essays will give information about tribal customs and history.
These will also provide background knowledge to read other texts.
Elwin’s essay deals with the Muria’s social system called Ghotul. Ghotul is
understood as a dormitory system, but it is more than that. If we read through it, we
will discover that the tribal youth learn to have healthy relationship with the opposite
sex and social traits here. In the same essay, he also talks about many other aspects
of social life such as social organization, clan, totem, family, ghotul discipline, and
so on. The following quotation sheds light on the customs the tribals have developed
in conditions surrounding them.
A boy obviously cannot marry relatives of the inner circle or any of his
classificatory ‘aunts’ or ‘nieces’. He is strictly forbidden to marry his wife’s
elder sister, his mother-in-law, his younger brother’s wife or widow and
any other woman in a parallel relation to them. There is no objection to
his marrying his grandmother or granddaughter even when they are in the
direct line of relationship. A few cases are known of men marrying their
great-aunts or grand-nieces.”(p.121)
MacDougall’s essay in the same manner describes two social movements¯the Sardar
Movement and the Kherwar Movement that took place in Ranchi district and
Santal Parganas respectively during the colonial period. It describes the causes of
these movements and attributes them to the process of partial peasantization as one
of the major causes. A quotation from MacDougall will make clear the role played
by the movements in which tribals took part:
After the survey, you may read the essays. Make a beginning with any one. Make
notes of the striking features you discover about the Muria’s custom and about the
movements of the Mundas, Oraons and the Santhals. One could then go to the essay
by MacDougall. It is about peasantization. Ask yourself what peasantization means.
Also: when can we call a person peasant? Just observe how the writer narrates the
process of peasantization of three tribal communities.
He came to India in 1927 and set up an ashram in Poona in 1928 with an aim to
integrate Christianity and Hinduism. Later, he decided to work among the tribal
people.
He went to the central province and set up a Church in Karanjia, a Gond village in
the Maikal hills. Elwin and his friend Shamrao Hivale called it an ashram and
started their work among the adivasis by giving them health care, education and
hygiene.
In 1936, they moved to another village. As he travelled and worked among the
adivasis, he came to know more about their life, culture and society. He was struck
by some of their values and cultural practices. Elwin realized that he should learn
from the adivasis instead of teaching them. He was fascinated by the freedom enjoyed
by adivasi women. They could choose their partners and marry without dowry, and
divorce if they wished to do so. He was also quite impressed by the village dormitory
system which he called ghotul and their joyful attitude towards sex and absence of
sexual repression.
Elwin liked the community life of the tribals and their sharing of natural resources.
He writes in his book Leaves from the Jungle, “One day one family of a village
went to pluck mangoes and at the end of the day half the village was sucking
mangoes”. Elwin was also appreciative of the adivasis respect for nature and
environment. He saw that they lived in harmony with nature and considered it as
part of their sustenance. As he aptly writes, “Their concept of heaven is miles and
47
Theory, Culture and The miles of forest without any forest guard and their concept of hell is miles and miles
History of Tribals
of forest without any mahua tree.”
Elwin’s keenness to learn about the adivasis helped him in acquiring enormous
knowledge about their life, society and culture. His writings bear testimony to his
knowledge. His writing includes anthropological accounts such as
1) The Baiga (Murray, 1939)
2) The Agaria (OUP,1942)
3) Maria Murder and Suicide (OUP, 1942)
4) The Muria and their Ghotul (OUP,1947)
5) Bondo Highlander (OUP, 1947)
6) Leaves from the Jungle: Life in a Gond Village (1936)
You might observe that the Wikipedia definition of the Ghotul highlights the Muria’s
free mixing up and alliance with partners. Let us read the essay and know more
about the people and their ghotul system. Let us sum up the essay. First, Elwin talks
about the clan system. He says that no marriage is possible within the clan as the
members of the same clan consider themselves as members of the family. For this
reason, such a marriage is not permissible.
Later, Elwin talks about the Ghotul system of the Murias. He narrates how young
boys and girls start arriving at the Ghotul beating drums from 7.30 p.m to 9.00
p.m. He describes the role of the Kotwar and the Sirdar in this context. From his
description of activities we understand ghotul as a place where young boys and
girls learn social traits. Read the following:
48
In the Chota Dongar Pargana, the girls go to massage the chelik in the Tribal Thought: Some Voices-II
very place where they are going to sleep. Elsewhere they sit in a circle or
grouped round the fire, sometimes scattered about the room. If the boy is
asleep the motiari rouses him and makes him sit up; she sits or kneels
behind him, very close, with her knees round his body. With her comb she
begins to shake out and arrange the boy’s hair. (Elwin 128)
It is a place for singing, dancing, playing and entertaining one another. The girls
comb hair of one another and give a massage to boys. Lovers meet and if they want
to enjoy physical intimacy, they go to smaller room in the ghotul complex. In this
regard, Elvin tells us about conventions the Muria, for instance, observe:
Elwin also describes the ghotul discipline. The life of chelik and motihari is strictly
regulated. Even the members have to strictly follow the rules. Quarrels in the
dormitory are strongly condemned. Cleanliness is maintained regularly. Read the
following to know how discipline is practiced:
Chelik and motiari are insistent that everyone must take an equal share
(though not always the same share) in the common labour and common
recreations. Failure to attend the ghotul regularly is punished; an absence
of two or three days, unless there is a very good excuse, means a fine. It is
especially bad for the motiari to absent themselves. This is regarded as a
really serious offence, an infringement of the chelik’s rights, a breach of
ghotul fellowship; it raises the suspicion that the girl is having an affair
with a married man or a member of another caste. On the other hand, if a
girl enters the ghotul during her menstrual period she must provide liquor
and perhaps a more substantial sacrifice to appease Lingo Pen whom she
has offended. (pg. 135)
There are forms of penalty for the offenders. Like the Muria, the oraons also have
their dormitory system known as Dhumkuria. It is studied by the sociologist S.C.
Roy in his book The Oraons of Chhotanagpur. In the same manner J.P. Mills talks
about the dormitory system of the Nagas known as Morung in his book The Rengma
Nagas.
The tribals have their own norms of living with one another. Read, for instance the
following:
As elsewhere in India, a woman and her husband’s younger brothers or a
man and his wife’s younger sisters are specially privileged. So are
grandmother and grandson or grandfather and granddaughter. A boy may
say to his grandmother, ‘Once you are dead I will eat beef in your honour;
I will go dancing in front of you with a drum; why don’t you die quickly
so that I can get a good feast?’ And she replies, ‘If I die you will have to
49
Theory, Culture and The spend a lot of money, you will have to get rice, you will have to bring
History of Tribals
several tins of liquor, so what good will it be?’ A grandfather always flirts
and jokes with his granddaughter. Sometimes he says to her husband,
‘How dare you sleep with my wife? You will have to give me the bride-
price for her’, and so on. (p. 122)
I hope you have got some idea about life of the tribals reading Elwin’s writing
about this unique system. Now let us move to the next writing which has been
written by John MacDougall. Before that let us know about the writer.
Peasantization of the adivasis means how the adivasi society became peasant society
in the historical process.
A peasant society broadly has these three features.
i) Settled cultivators with household mode of production.
ii) Other groups extract economic surplus from the peasants.
iii) The state has coercive power and some legitimate authority over peasants and
the state is accorded with some prestige by peasants.
According to MacDougall, before the British rule, these adivasi societies were not
peasants. They had no fixed place where they could cultivate, the surplus of their
production was not extracted by other groups, and the state did not control them
forcibly. In fact they were under a king and had a different kind of relationship with
him.
Under the British rule, the relationship between the state and the adivasi society
changed. The adivasi societies became settled cultivators. Many non-tribal
communities settled in this region. They had come from other regions and they
were non-tribal groups. They extracted and appropriated adivasis economic surplus
in different ways. The dikus made several attempts to Hinduize the adivasis. But
50 they were not successful in interfering with the adivasi social structure. Another
agency that was active was the church. The missionaries tried to christianize the Tribal Thought: Some Voices-II
tribals. The adivasis resisted such intervention. Most of the time, the state constituting
the British administration had direct and coercive power over them through police.
The elaborate way in which issues were handled is shown by MacDougall in the
following description:
“It is true that before British rule, the Maharaja of Chotanagpur and his
dependents extracted some economic surplus from the Mundas and Oraons,
and was given some prestige by them. However, available evidence
suggests that a negligible amount of surplus was actually extracted. Nor
did the Mundas and Oraons participate in any meaningful way in the Hindu
civilization to which the Maharaja’s family was oriented. This stands in
marked contrast to the orientation of low-caste rural Hindus reported by
such observers as Marriott (1955: 173-218; Fallers, 1961: 108-10)). Thus
in crucial respects the Mundas and Oraons were not peasants before 1770.
The same is true, a fortiori, of the Santals, who did not have an equivalent
of the Mahajara of Chotanagpur.” (MacDougall, John. Tribal Resistances.
Delhi: Critical Quest, 2008.P.16)
In this regard, the following is illustrative: Chelik and Motiari are insistent that
everyone must take an equal share (though not always the same share) in the common
labour and common recreations. Failure to attend the ghotul regularly is punished;
an absence of two or three days, unless there is a very good excuse, means a fine. It
is especially bad for the motiari to absent themselves. This is regarded as a really
serious offence, an infringement of the cheilk’s rights, a breach of ghotul fellowship;
it raises the suspicion that the girl is having an affair with a married man or a
member of another caste. On the other hand, if a girl enters the ghotul during her
menstrual period she must provide liquor and perhaps a more substantial sacrifice
to appease Lingo Pen whom she has offended.
6.7 GLOSSARY
Muria : An indigenous tribe that lives in Middle India. They are
believed to be a part of Gond tribe.
Ghotul : a dormitory system of the Muria where they mix up on
terms of equality and learn social traits.
Clan : a group of tribe that claims common origin. The clan
members seem to have blood relation. For this reason,
they do not marry within the tribe.
Peasantization : a process which makes an individual or community
settled cultivator(s) with household mode of production.
They are organized under a state which has legitimate
authority over them. The economic surplus of the
community is extracted by another community.
Santals : A tribal community that mostly inhabits Jharkhand,
52 Odisha and Bihar and Bengal.
Oraon : A tribal community that inhabits Jharkhand, Bihar, Tribal Thought: Some Voices-II
Odisha and Bengal.
Sirdar : head boy of a ghotul.
Kotwar : Warden of a ghotul.
Chelik : young man.
Motihari : Young woman.
6.8 QUESTIONS
1) Who is Verrier Elwin? Why is he famous?
2) What do you know about the Murias?
3) What is Clan system?
4) What do you know about John MacDougall?
5) Describe the two Resistance Movements ¯ The Sardar Movement and the
Kherwar Movement. Describe their Origin and causes.
53
Mainstream historical accounts often minimize or ignore tribal histories, focusing instead on dominant narratives. Tribes historically had no written records, relying on oral traditions that are undervalued by conventional histories, leading to erasure and misrepresentation. This situation necessitates a reevaluation of historical methods to include oral history and recognize the richness of tribal pasts .
Tribal discourse being predominantly oral reflects its communal nature, with narratives embodying collective memory and knowledge. The transition to written forms, often owned by individual authors, represents a shift towards preserving these discourses for broader recognition and academic engagement. However, it risks losing the performative and dynamic aspects inherent in oral traditions, potentially altering their original cultural significance .
Oral narratives play a crucial role in preserving tribal history and culture because they serve as repositories of collective memory in the absence of written history. These narratives include myths, songs, and stories that communicate cultural values, social norms, and historical events from one generation to the next, effectively maintaining their rich traditions and history .
The concept of an 'organically linked community' reflects tribal social structures where individuals are deeply interconnected through shared perspectives and dependencies on their natural environment. This interdependence fosters a robust, cooperative community life that contrasts with the individualism of modern societies. These communities emphasize intuition and collective wellbeing, demonstrating a unique socio-cultural system .
G.N. Devy employs reversal as a strategic perspective to juxtapose mainstream society's views with how tribal communities might perceive these views. This reversal challenges preconceived notions of tribal inferiority and encourages seeing them as holding valuable insights into alternative ways of living. It allows us to critique capitalist ideologies from a standpoint that values community orientation and sustainability, thus offering a new understanding of tribal discourse .
G.N. Devy suggests that the tribal worldviews should be understood as distinct from the categories of social life shaped by the dominant culture. The tribals' material existence and their objective ways should be noted without preconceived notions, as they defy conventional divisions and are often marginalized. Devy uses a reversal strategy to view the mainstream culture from the tribal perspective, challenging the perception that tribals are 'unevolved' and arguing that tribal ethos may offer solutions to modern capitalism's issues .
Tribal knowledge systems, with their emphasis on sustainable practices, community living, and holistic approaches, offer valuable insights into addressing contemporary global challenges such as environmental sustainability, social inequality, and cultural preservation. Their practices, such as traditional medicine and ecological balance, can provide alternative strategies that complement modern scientific approaches, indicating their potential to adapt to and mitigate current issues .
Tribal discourses maintain significance by preserving unique cultural, historical, and knowledge traditions that have been marginalized by dominant systems. They offer alternative ways of understanding development, like sustainable approaches and community-based living, which can enrich mainstream society. Highlighting tribal discourses counters their historical erasure and validates their cultural contributions, as their ethos provides potential alternatives to capitalist exploitation .
The tribal attitude towards nature is characterized by an organic and intimate relationship, often viewing nature as a companion and equal in their community. Unlike mainstream modern societies, which may see nature as a resource to be exploited, tribes view natural entities as integral to their spiritual and cultural life, exemplified by their practices of sustainable living and respect for the environment .
A 'totem' is a symbolic object or representation of an animal or plant that serves as an emblem for a group such as a clan or family, reminding them of their ancestry. It is integral to tribal identity as it encapsulates their connection to nature and their cultural heritage, thereby reinforcing their worldview and societal structure .