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Phantom Chapter 8

Fantasma de la opera capitulo 8

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0% found this document useful (0 votes)
10 views5 pages

Phantom Chapter 8

Fantasma de la opera capitulo 8

Uploaded by

nayelisestevez15
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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28 The Phantom of the Opera little back doors to the Opera House, they stopped. “On Saturday night, then. After the opera,’ Raoul said. ‘I’m going to take you away, and marry you.’ Christine looked up into his face. ‘Yes, Raoul.’ Then they kissed, there by the door of the Opera House. Their first kiss. iAGz—w- Where is Christine Daaé? On Saturday morning Comte Philippe looked across the breakfast table at his brother. ‘Don’t do it, Raoul, please. All this talk about ghosts and phantoms. I think the girl is mad.’ ‘She’s not mad, and I’m going to marry her,’ Raoul said. ‘She’s only a little opera singer,’ Philippe said unhappily. “And she’s very young. Are you still going to love her in ten, or twenty, years’ time?’ Raoul drank his coffee and did not answer. There were two more unhappy faces in the Opera House, too. The directors now understood about O.G. They didn’t " want any more accidents. ‘Box 5 is free tonight for O.G. Daaé is singing Margarita. And here is 20,000 francs. Madame Giry can leave the money in Box 5 for him. Is that everything? Monsieur Armand asked Monsieur Firmin. Where is Christine Daaes 29 ‘It’s a lot of money,’ Monsieur Firmin said unhappily. He thought for a minute. ‘What al bout some flowers in Box 5? Madame Giry says that O.G. likes flowers.’ “O.G. can bring his own flowers!’ shouted Monsieur Armand. The evening began well. The chandelier was now back in place, with new ropes. All Paris was in the Opera House. Everybody wanted to hear Christine Daaé’s voice again. People also knew about the love story between Christine Daaé and the Vicomte de Chagny. There are no love secrets in Paris! People watched the Comte and the Vicomte in Box 14 with interest. Young men from families like d singers. le Chagny do not marry opera 2 i x iy Wy eT aE TZ z People watched the Comte and Vicomte in Box 14 with interest. 30 The Phantom of the Opera When Christine came on to the stage, her face was white and she looked afraid. But she sang like an angel. Ah, what a voice! All Paris was in love with Christine Daaé. She began to sing the famous love song. Suddenly, every light in the Opera House went out. For a second nobody moved or spoke. Then a woman screamed, and all the lights came on again. But Christine Daaé was no longer on the stage! She was not behind the stage, she was not under the stage. Nobody could find her. The Opera House went mad. Everybody ran here and there, shouted and called. In the directors’ office, people ran in and out. The police came, and asked questions. But nobody could answer the questions. Monsieur Armand got angry and shouted, and Monsieur Firmin told him to be quiet. Then Madame Giry arrived in the office with her daughter Meg. ‘Go away, woman!’ Monsieur Armand shouted. ‘Monsieur, there are three people missing now!’ Madame Giry said. ‘Meg, tell the directors your story.’ This was Meg’s story. “When the lights went out, we were just behind the stage. We heard a scream ~I think it was Christine Daaé’s voice. Then the lights came back on, but Christine wasn’t there! We were very afraid, and we began to run back to our dressing-room. There were people running everywhere! Then we saw the Vicomte de Chagny. His face was red and he was very angry. “Where’s Christine? Where’s Christine?” he shouted. Suddenly the Persian came up behind him and took his arm. He said ws Where is Christine Daaé? “Meg, tell the directors your story,’ said Madame Giry. 31 a ‘ 11t 4 AAATAAIAAA AD 32 The Phantom of the Opera something to the Vicomte and they went into Christine Daaé’s dressing-room ...’ ‘Yes? And then? Monsieur Firmin said quickly. ‘What happened next?’ ‘Nobody knows!’ Meg’s face was white. ‘We looked into Christine Daaé’s dressing-room, but ... but there was nobody there!” The house on the lake When the lights came on, Raoul ran. He ran down stairs and along passages, through the Opera House to the back of the stage. In the passage outside Christine’s dressing-room, a hand took his arm. “What's the matter, my young friend? Where are you running to, so quickly?” Raoul turned and saw the long face of the Persian under his black hat. ‘Christine!’ Raoul said quickly. ‘Erik’s got her. Where is she? Help me! How do I get to his house on the lake?” “Come with me,’ said the Persian. They went quickly into Christine’s dressing-room. The Persian closed the door and went to the big mirror on one wall. ‘There’s only one door into this room,’ Raoul began. ‘Wait,’ the Persian said. He put his hands on the big mirror,

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