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Torrance Tests of Creative Thinking

This document discusses creative problem solving and the Torrance framework for creative thinking. It outlines the four criteria of creativity according to Torrance: fluency, flexibility, originality, and elaboration. Each criterion is defined and examples of how to apply them are provided. The six stages of the creative problem solving process are also summarized.
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0% found this document useful (0 votes)
269 views5 pages

Torrance Tests of Creative Thinking

This document discusses creative problem solving and the Torrance framework for creative thinking. It outlines the four criteria of creativity according to Torrance: fluency, flexibility, originality, and elaboration. Each criterion is defined and examples of how to apply them are provided. The six stages of the creative problem solving process are also summarized.
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd

Problem Solving and

Module 18 Creativity

INTRODUCTION

The Torrance Tests of Creative Thinking is a test of creativity that was created by Ellis Paul Torrance. The
test originally involved simple tests of divergent thinking and other problem-solving skills, which were
scored on four scales: Fluency, Flexibility, Originality, and Elaboration. The third edition of the Torrance
Tests of Creative Thinking in 1984 eliminated the Flexibility scale from the figural test, but added
Resistance to Premature Closure and Abstractness of Titles as two new criterion-referenced scores on the
figural. With the five norm-referenced measures that he now had (fluency, originality, abstractness of
titles, elaboration and resistance to premature closure), he added 13 criterion-referenced measures which
include: emotional expressiveness, story-telling articulateness, movement or actions, expressiveness of
titles, syntheses of incomplete figures, synthesis of lines, of circles, unusual visualization, extending or
breaking boundaries, humor, richness of imagery, colorfulness of imagery, and fantasy. According to
Torrance, the most systematic assessment of creativity in elementary school children has been conducted
by Torrance and his associates, who have developed and administered the Minnesota Tests of Creative
Thinking, which was later renamed as the Torrance Tests of Creative Thinking, to several thousands of
school children. The tests represent a fairly sharp departure from the factor type tests developed by
Guilford and his associates, and they also differ from the battery developed by Wallach and Kogan, which
contains measures representing creative tendencies that are similar in nature.

OBJECTIVES

In this Module, challenge yourself to attain the following learning outcomes:

 Explain the four Criteria of Creativity by Torrance.

 Practice Creative Thinking.

 Apply these lessons in problem solving skills.

ABSTRACTION
Edward Paul Torrance

Known as the “Father of Creativity” for his nearly 60 years of research that became the framework for
the field of gifted education.

He was professor emeritus of educational psychology

He invited the benchmark method for quantifying creativity.

Torrance Framework for Creative Thinking

- A common framework for creative thinking processes is described by Torrance (1979). Each
aspect is defined below, along with ways to facilitate the respective aspect by using key words
and application activities.

Fluency

- Fluency refers to the production of a great number of ideas or alternate solutions to a problem.
Fluency implies understanding, not just remembering information that is learned.

Key words

Compare, convert, count, define, describe, explain, identify, label, list, match, name, outline, paraphrase,
predict, summarize.

Application activities

Trace a picture and label the parts.

Outline an article you find on your topic.

How many uses can you think of for a clothes hanger?

List 15 things that are commonly red contain red.

Example: Apple, blood, brick, caboose, cherry, Christmas stocking, exit sign,

fire alarm, flag, heart, red nose reindeer, rose, tomato, wagon.

Flexibility

- Flexibility refers to the production of ideas that show a variety of possibilities or realms of
thought. It involves the ability to see things from different points of view, to use many different
approaches or strategies.
Key words

Change, demonstrate, distinguish, employ, extrapolate, interpolate, interpret, predict.

Application ideas

What would happen if ... there were no automobiles?

How would a ... dog look to a flea?

like

How would you feel if ... you were invisible for a day?

How would you group the ideas about "red" into categories?

Example: Fruit, safety features, vehicles.

Once categories are identified, fluency may be further demonstrated by generating more ideas about the
idea red within categories. Even a modest attempt could result in the following lists, recognizing that the
creative thinking process may shift the mind in a spiral way between all four aspects of creativity.

Elaboration

- Elaboration is the process of enhancing ideas by providing more details. Additional detail and
clarity improve interest in and understanding of the topic.

Key words

Appraise, critique, determine, evaluate, grade, judge, measure, select, test.

Application ideas

Tell your neighbor about your last family trip using as many details as possible

What can you add to improve its quality or performance?

Describe all the possible characteristics of the red quality in a wagon.

Example: Shade, finish, texture, uniformity.

Originality

- Originality involves the production of ideas that are unique or unusual. It involves synthesis or
putting information about a topic back together in a new way.

Key words
Compose, create, design, generate, integrate, modify, rearrange, reconstruct,

reorganize, revise,

Application ideas

Find an original use for

What would be the strangest way to get out of bed?

Design a new

that is better than the one you have.

Write an unusual title for the ideas about red.

Example: Revolutionary "Red" Representation.

creative problem solving (CPS).

Creative Problem Solving

(Overall View of the Report)

Creative Problem Solving (CPS) is an intentional process for solving problems and discovering
opportunities. This exposes the of use of creativity in coming up with solutions which are not only novel
but practical.

• Alex Osborn (1950’s) described this process in his book, “Applied Imagination”. He opened the
process in the public domain which meant anyone can use it.

 Osborn’s Checklist, the origin of Classical Brainstorming is the root of creative problem solving.

 It has six stages in its most extended and formalized form, each with a divergent and a
convergent phase.

Brief Skeleton of a Very Rich Process by Van Gundy (1988)

1. Stage 1: Mess finding: Sensitive yourself (scan, search) for issues (concerns, challenges, opportunities,
etc.) that need to be tackled.

• Divergent techniques include ‘Wouldn’t It Be Nice If’ (WIBNI) and ‘Wouldn’t It Be Awful If’
(WIBAI) – brainstorming to identify desirable outcomes, and obstacles to be overcome.
• Convergent techniques include the identification of hotspots (Highlighting), expressed as a list of
IWWMs (‘In What Ways Might…’), and selection in terms of ownership criteria (e.g. problem-owner’s
motivation and ability to influence it) and outlook criteria (e.g. urgency, familiarity, stability).

2. Stage 2: Data finding: Gather information about the problem.

o Divergent techniques include Five Ws and H (Who, Why, What, When, Where and How) and
listing of wants, sources and data: List all your information ‘wants’ as a series of question; for each, list
possible sources of answers; then follow these up and for each source, list what you found.

o Convergent techniques again include identifying hotspots; Mind-mapping to sort and classify the
information gathered; and restating the problem in the light of your richer understanding of it.

3. Stage 3: Problem finding: convert a fuzzy statement of the problem into a broad statement more
suitable for idea finding.
o Divergent techniques include asking ‘Why?’ etc. – the repeatable questions and Five W's and H.
o Convergent techniques include Highlighting again, reformulation of problem-statements to meet the
criteria that they contain only one problem and no criteria, and selection of the most promising statement
(but NB that the mental ‘stretching’ that the activity gives to the participants can be as important as the
actual statement chosen).
4. Stage 4: Idea Finding: generate as many ideas as possible
o Divergence using any of a very wide range of idea-generating techniques. The general rules of Classic
Brainstorming (such as deferring judgement) are likely to under-pin all of these.
o Convergence can again involve hotspots or mind-mapping, the combining of different ideas, and the
short-listing of the most promising handful, perhaps with some thought for the more obvious evaluation
criteria, but not over-restrictively.
5. Stage 5: Solution finding: Generate and select obvious evaluation criteria (using an
expansion/contraction cycle) and develop (which may include combining) the short-listed ideas from Idea
Finding as much as you can in the light of these criteria. Then opt for the best of these improved ideas
(e.g. using Comparison tables).

6. Stage 6: Acceptance finding: How can the suggestion you have just selected be made up to standard
and put into practice? Shun negativity and continue to apply deferred judgement – problems are exposed
to be solved, not to dishearten progress. Action plans are better developed in small groups of 2 – 3
rather than in a large group (unless you particularly want commitment by the whole group). Particularly
for ‘people’ problems it is often worth developing several alternative action plans.

Common questions

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The stages of Creative Problem Solving (CPS) align with aspects of the Torrance Framework by emphasizing divergent and convergent thinking across their processes. Both methods promote fluency through idea generation (CPS’s Idea Finding), flexibility by examining problems from multiple perspectives (CPS’s Problem Finding), originality in unique solutions (CPS’s Solution Finding), and elaboration through detailed development (CPS’s Acceptance Finding). Torrance’s aspects align closely with CPS's structured phases, enhancing creative processes in problem resolution .

Merging divergent and convergent phases could facilitate a seamless transition from idea generation to practical application in educational settings, promoting sustained creative engagement and critical evaluation. By balancing open-ended exploration with focused narrowing of options, students might develop a more integrated understanding of problem-solving processes. However, this fusion may also dilute the distinct advantages of each phase, potentially limiting creativity by prematurely filtering ideas. Thus, careful implementation is key to maximizing educational effectiveness .

The 'Idea Finding' stage emphasizes generating a wide range of ideas, aligning with Torrance’s concept of originality by encouraging unique and unusual solutions. Both processes advocate deferring judgment during brainstorming to foster unrestrained creativity. This alignment supports the synthesis of novel ideas and approaches, fundamental to originality, which entails putting information together in new and unexpected ways, thus enhancing the potential for innovative outcomes .

Emotional expressiveness in Torrance's criterion-referenced measures evaluates how well individuals can convey feelings in their creative works. This aspect is significant because emotion often underpins originality and depth in creative ideas, enhancing the richness and impact of creative output. By measuring emotional expressiveness, assessors can better understand the affective components of creativity, which contribute to the overall quality and authenticity of the creative process .

The 'Acceptance Finding' stage is crucial as it translates selected creative ideas into actionable plans, focusing on how suggestions can meet standards and be practically implemented. By encouraging the development of action plans in small groups, this stage bolsters ownership and commitment to solutions, ensures readiness for practical application, and fosters problem-solving through continued open-mindedness and adaptability. This stage is essential for bridging creative ideas with tangible outcomes .

Eliminating the Flexibility scale could simplify scoring and focus on other measures such as fluency, originality, and the newly introduced criteria: resistance to premature closure and abstractness of titles. This may benefit the test by concentrating on more distinct and measurable aspects of creativity. However, removing Flexibility could also pose a drawback by reducing the test’s capacity to gauge a test-taker’s ability to view ideas from diverse perspectives, which is an important aspect of creative thought .

The 'Data Finding' stage uses techniques such as the Five Ws and H and mind-mapping to gather and organize information, which aids in transforming vague problem statements into clearer, well-defined ones. By systematically gathering relevant data and sorting it through divergent and convergent methods, participants gain a comprehensive understanding of the problem context, facilitating the emergence of a precise problem definition and laying a foundation for effective solution development .

Ellis Paul Torrance's approach to creativity measurement was distinct due to its emphasis on divergent thinking and a holistic assessment of creative potential through tests that included fluency, originality, and later, abstractness of titles, elaboration, and resistance to premature closure. While Guilford emphasized factor-type tests and Wallach & Kogan focused on creativity measures similar in nature to his, Torrance’s tests offered a broader range of creativity-indicating scales and criterion-referenced measures, allowing for a more comprehensive evaluation of creative tendencies .

'Resistance to Premature Closure' is significant as it measures an individual's ability to keep an open mind and explore multiple possibilities before finalizing an idea. Its inclusion in creativity measurement is impactful because it underscores the value of exploring alternatives and maintaining cognitive flexibility, both critical for fostering deep and innovative creative thinking. This criterion helps identify individuals who can sustain creativity by avoiding hasty conclusions, thereby enhancing the overall assessment of their creative potential .

Criterion-referenced measures enhance creativity evaluation by offering specific insights into particular creative capacities like emotional expressiveness, story-telling articulateness, and movement or actions, which aren’t captured by norm-referenced measures. These measures allow for a more nuanced understanding of creativity beyond general fluency or originality, by examining the expressive and detailed qualities of creative output. This deeper analysis can reveal strengths in creativity not visible through purely comparative scoring against norms .

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