0% found this document useful (0 votes)
249 views14 pages

First Sugbuanon Short Story: Maming

The document discusses the Sugbuanon dialect used in parts of the Visayas and Mindanao regions in the Philippines. It notes that Sugbuanon literature is characterized as abundant and varied, including oral forms like folk tales, songs, and plays as well as written forms such as poems, short stories, novels and plays. It highlights Vicente Sotto as the father of Visayan writing.
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
249 views14 pages

First Sugbuanon Short Story: Maming

The document discusses the Sugbuanon dialect used in parts of the Visayas and Mindanao regions in the Philippines. It notes that Sugbuanon literature is characterized as abundant and varied, including oral forms like folk tales, songs, and plays as well as written forms such as poems, short stories, novels and plays. It highlights Vicente Sotto as the father of Visayan writing.
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd

Sugbuanon

Literature
SUGBUANON
Dialect that is used in central Visayas,eastern Visayas,eastern
Mindanao,and the greater part of northern and central
Mindanao

Their literatures is characterized as abundant and varied

ORAL FORMS
Folk tales,sayings,songs,riddles,orations, and theatricals

WRITTEN
FORMS
Poems,short stories,novels and plays

VICENTE
SOTTO
Father of Visayan writing

This article is about the senator who served from 1946 to 1950.
For his grandson, also a senator, see Tito Sotto.
In this Philippine name, the middle name or maternal family
name is Yap and the surname or paternal family name is Sotto.
Vicente Yap Sotto (Tagalog: [bɪˈsɛntɛ ˈsɔtɔ]; born Vicente
Sotto y Yap; April 18, 1877 – May 28, 1950) was a Filipino
playwright, journalist, and politician who served as
a senator from 1946 to 1950. He also served in the House of
Representatives from 1922 to 1925, representing Cebu's 2nd
district. He was the main author of the Press Freedom Law
(now known as the Sotto Law, Republic Act No. 53).

Personal life
Sotto donated the lot in A. Mabini Street at Barangay Tinago,
near Parián district, where the Cathedral of the Philippine
Independent Church (Iglesia Filipina Independiente) Diocese of
Cebu is situated. The church is dedicated to Santo Niño de
Cebú.

Sotto was born in Cebu City on April 18, 1877, to Marcelino


Sotto and Pascuala Yap. He is the younger brother of Filemon
Sotto. He finished his secondary education at the University of
San Carlos (formerly Colegio de San Carlos), Cebu City. He
obtained the degree of Bachelor of Laws in Letran and Judicial
Science and studied law in Manila Law College and passed the
bar examinations in 1907. Sotto was a member of
the Philippine Independent Church (also known as the
Aglipayan Church) as he saw independence from the Roman
Catholic Church as a
source of national pride

Political career
Sotto in 1917
In 1902, Senator Sotto entered politics when he ran for the
municipal council[2] of Cebu and won. In 1907, he was elected
mayor despite his absence during the election owing to his
involvement in a court battle caused by a kidnapping suit lodge
against him by his opponent, and was forced to stay in Hong
Kong. Sotto returned to the country in 1914.

In 1922, he was elected representative of the second district of


Cebu until 1925. In 1937, he ran for governor of Cebu but lost.
[3] In May 1946, he ran for senator and won and served as
Chairman of the Senate Committee on Finance until 1950. He
served in the Senate until 1950.

Death
When he died on May 28, 1950,[4] at the age of 73, his
colleagues in the Senate remembered him as "recalcitrant,
principled Sotto

Contributions

To government and Philippine independence


Sotto was the main author of the Press Freedom Law (now
known as the Sotto Law, Republic Act No. 53) enacted in 1946.
The Sotto Law protects journalists from being compelled to
name their news sources.

In 1899 (then just 22 years old), he put up La Justicia, the first


newspaper in Cebu published by a Philippine citizen, in which
he defended the issue of Philippine independence. It was
suspended on orders by the American military governor.

In the week following, the undaunted Sotto begun


publishing El Nacional. This was also ordered closed and Sotto
was imprisoned at Fort San Pedro for two months and six
days. After this experience, he began using the pen name Taga
Kotta (of the fort, or resident of the fort).

He was found guilty of treason as a member of a committee of


rebels along with those in Manila and Hong Kong. When he
was freed in 1900, he published Ang Suga (The Light), which
was first issued on June 16, 1901.

He organized in Hong Kong in 1911 the English–Spanish


fortnightly The Philippine Republic.[6] Its publication was
stopped a year later and its editor was arrested. Sotto's
extradition was requested three times by the American
government but every time it was denied by the British courts.
The Philippine Republic resumed publication after a month of
suspension.

In 1915, Sotto returned to Manila and begun work on a weekly


journal he named The Independent. He issued a special edition
of this journal in Paris in 1929. The news item prompted an
American senator to introduce a resolution in the United States
Senate to grant immediate independence to the Philippines.

To Cebuano
culture
Sotto is regarded as the Father of Cebuano language and
letters. He is also considered the father of Cebuano journalism.
Sotto published Ang Suga, the first newspaper in Cebuano in
1900.

Sotto's play Paghigugma sa Yutang Natawhan (Love of Native


Land), dramatized the Cebuano people's heroic struggle
against Spanish feudal rule in the modern realist mode. He also
wrote the first published Cebuano short story Maming in the
maiden issue of Ang Suga.

He wrote, directed, and produced the first Cebuano


play Elena, a play in three acts. It was first performed at
the Teatro Junquera on May 18, 1902. The play established
Sotto's reputation as a playwright.

The dedication of the play by the playwright reads, "To My


Motherland, that you may have remembrance of the glorious
Revolution that redeemed you from enslavement. I dedicate
this humble play to you."

Tributes to
Sotto
Carlos P. Garcia, 8th President of the Philippines, a native of
Bohol and fellow Visayan, said of Sotto: "Vicente Sotto was a
rock of Gibraltar in character because of the ruggedness of his
conviction, the indomitability of his soul, the sublimity of his
courage, and the depth of his faith in the ultimate triumph of
justice. His knees no bending, his pen signed no retraction, his
march saw no retreat, and his soul of steel knowns no
surrender. He marshaled his efforts and used his influence to
secure and safeguard for the press the fullest measure of
freedom. By his death the country has lost a great patriot, his
family has lost a loving and devote father, the Senate has lost
an illustrious member..."

Southern Islands Hospital, the primary public medical care


facility in southern Philippines, was renamed on May 21, 1992,
to Vicente Sotto Memorial Medical Center, in honor of the late
senator.[8] A street inside the Cultural Center of the
Philippines Complex in Pasay is named in his honor.

The University of San Carlos has established the Don Vicente


Sotto Cebuano Studies grant as a contribution to the formation
of a scholarly awareness of the various aspects of history, social
life, language, and the arts of Cebu

SOTTO’S ANG SUGA


(THE LAMP,1926)-where poetry in vernicular first appeared

SOTTO’S MAMENG
The first published short story in Sugbuanon

POET
Dramatist Saturio Villarino characterizes Sugbuanon’s Poetry
as adaptations from Spanish in metrical and rhyming schemes
SATURIO
ALVAREZ
VILLARINO

Si Toting Villarino mao ang kinaunhan ug labing


bantogang direktor sa sine nga Binisaya. Saturio Alvarez
Villarino ang tinuod niyang ngalan. Nailhan sad siya nga S.
Alvarez Villarino sa radyo diin siya ang tagsulat ug direktor sa
programa kaniadto sa estasyon sa radyo nga DYRC nga Tang
Ta Rang Tang. Iyang kagikan ang mga Villarino sa
Tuyan, Naga, Sugbo. Ang iyang inahan mao si Leonarda
Alvarez nga anak ni Vicenta Angus Alvarez ug ni Fr.
Ambrosio Iturriaga y del Carmen taga Logrono Espanya nga
nahimong kura paroko sa Danao, Sugbo. Ang iyang amahan si
Vicente "Inting" Villarino nga taga Tuyan, Naga. Aduna siyay
mga igsoon nga didto namuyo sa San Isidro, Leyte nga mao si
Alfredo Villarino (Didong), Ismael Villarino (Opao), Isit
Villarino (nga nahimong mayor sa maong lungsod) ug si
Sayong Villarino de Lara. Aduna pud siyay usa ka igsoon sa
lain nga amahan (anak ni Facundo Duterte) nga si Andrea
Castro. Ug aduna usab siyay igsoon sa amahan nga si Paulino,
Carina, Sylvia og Herminihildo (anak ni Loreta Fuentes).

Si Toting adunay upat ka mga anak. Duha kang Amparo


Bunagan nga sila si Vicenta (Tita) ug Leah (Liklik) ug duha
kang Naty Bazarte nga sila si Malaquias (Loklok) ug
Leonardita (Lala. Ang Leonardita gikuha gikan sa ngalan sa
inahan ni Toting nga si Leonarda)

Ang mga sinulat ni Toting Villarino anaa karon sa U.P. E-


Library. Mao kini ang 19 ka mga sinulat ni Toting nga anaa
karon na tapigan sa U.P. Dilliman Library:
1.) Sa Tiilan sa Atong Parnaso.

2.) The past, a girl and the storm.


by Villarino, Saturio Alvarez; 1961.
Subject: Short stories, Cebua

3.) Alter idem : 3 acts play.


by Villarino, Saturio Alvarez; 1966.
Subject: Cebuano drama.

4.) Ug unya, mibunok ang ulan.


by Villarino, Saturio Alvarez;
Subject: Short stories, Cebuano.

5.) Bag-ong Magdalena : 3 acts play.


by Villarino, Saturio Alvarez;
Subject: Cebuano drama.

6.) Ug unya, miulan (1st draft).


by Villarino, Saturio Alvarez;
Subject: Short stories, Cebuano.

7.) Dolores : 3 acts play.


by Villarino, Saturio Alvarez; 1971.
Subject: Cebuano drama.
8.) Ug unya, miulan : sugilanon nga binalak.
by Villarino, Saturio Alvarez;
Subject: Short stories, Cebuano.

9.) Milagro sa Birhen sa Fatima : 3 acts play.


by Villarino, Saturio Alvarez; 1973.
Subject: Cebuano drama.

10.) Awit sa Bukid.


by Villarino, Saturio Alvarez; s.l.: s.n., 1972.
Subject: Cebuano drama.

11.) Mituo ako : 4 acts play.


by Villarino, Saturio Alvarez; 1939.
Subject: Cebuano drama.

12.) Lumalabay ang tanan.


by Villarino, Saturio Alvarez; s.l.: s.n., 1972.
Subject: Cebuano drama.

13.) Swerte de kasahos! : a tragic-comedy in 4 short acts.


by Villarino, Saturio Alvarez;
Subject: Cebuano drama.

14.) CORONATION PAGEANT.


by Villarino, Saturio Alvarez;
Subject: Cebuano drama.

15.) Unya miunos!... ug miunos!... : a tragedy in 3 acts with


epilogue.
by Villarino, Saturio Alvarez;
Subject: Cebuano drama.
16.) IKAW ANG MAGHUHUKOM - SAD-AN BA KUN DILI
BATA GILABAY SA BASURAHAN.
by Villarino, Saturio Alvarez;
Subject: Cebuano drama.

17.) Ikaw!... ug wa nay lain...!.


by Villarino, Saturio Alvarez;
Subject: Cebuano drama.

18.) Ang palad, palad gayud! : a screenplay - incomplete.


by Villarino, Saturio Alvarez;
Subject: Cebuano drama.

19.) Sa pahiyum mo lamang : a musical treatment.


by Villarino, Saturio Alvarez;
Subject: Cebuano drama.

Si Toting naka sulat sab og ubay-ubay nga mga awit uban sa


iyang su-od nga higala og bantogang Sugbuanon nga pianista
og musikero nga si Manny Cabase. Ang katapusang na mugna
nilang duha nga awit mao ang "Sa Dulo ng Ating Landas" nga
nahilakip sa primerong plaka ni Hajji Alejandro ni adtong tuig
1975. Si Toting ni panaw ni adtong Enero 1977 sa dakbayan sa
Sugbu.
7 Types Of
Folk
Theatricals
BALITAW

A comic representation of the love chase in a verse dialogue of


courtship that develops into a wit combat performed in song
and dance

DRAMA-
BALITAW
Developed from the balitaw,in which story line with spoken
dialogue is woven around at least balitaw sentences

DUPLO
A debate in verse with two or more characters

BALAGTASAN SA
BALITAW
An incorporation type of drama performed by friends ad
neighbors to divert a bereaved family from their [Link]
actors play a king and his courtiers who address one another
In verse and put a roundel game of verse recitations

BAGAMUNDO
A related type of folk play where a vagabond stranger arrives
at the gate of the kolilisi kingdom and ventures to argue with
the king and his court into admitting and introducing him to
the ladies

PAMALAYE
An old ritual of formalizing an engagement to marry

Common questions

Powered by AI

Vicente Sotto's contributions to journalism during American colonial rule were pivotal in shaping the discourse on Philippine independence. His establishment of 'La Justicia' and later 'El Nacional', despite their suspension and his arrest, demonstrated his unwavering commitment to nationalist ideals . Sotto's resilience in continuing to publish despite colonial suppression highlighted the role of journalism as a form of resistance, thereby inspiring movements that demanded independence. His journalistic activities not only furthered the independence cause but also laid the groundwork for later press freedoms formalized through the Sotto Law .

Sotto's early journalism career and subsequent imprisonment for publishing against colonial authorities greatly influenced his political pursuits and legislative priorities. His establishment of 'La Justicia,' a newspaper advocating for Philippine independence, and his imprisonment underscored his commitment to freedom . These experiences likely strengthened his resolve to fight for press freedoms, which culminated in his authorship of the Sotto Law protecting journalistic sources . Thus, his early challenges were foundational to his enduring legacy in legislative reforms.

Vicente Sotto was instrumental in advancing press freedom in the Philippines through the introduction of the Press Freedom Law, or Sotto Law, Republic Act No. 53, in 1946. This law provided journalists the right to protect their sources, crucially supporting freedom of expression in the post-war Philippines . His steadfast advocacy for press liberties demonstrated his commitment to democratic principles and helped enshrine protections that are still relevant today.

'Ang Suga,' the first Cebuano newspaper launched by Vicente Sotto, marked a significant milestone for Cebuano journalism by being the first publication that offered a platform for Cebuano voices to reach wider audiences . By producing literature in the Cebuano language and addressing local issues, Sotto bolstered cultural pride and identity among the Cebuano people, fostering a strong sense of community. This endeavor not only revolutionized regional journalism but also shaped the cultural identity by reinforcing the Cebuano language and artistry, playing an essential role in the cultural renaissance of the Visayas region .

Vicente Sotto's plays, such as 'Paghigugma sa Yutang Natawhan' and 'Elena,' were historically significant as they provided a medium for critiquing colonial rule and celebrating Philippine resistance. Through theater, Sotto illuminated the struggles and aspirations of the Cebuano people, dramatizing their fight against Spanish feudal systems and invoking nationalist sentiments . These works served as catalysts for cultural renaissance and patriotic fervor, intertwining artistic expression with political activism, thus influencing the broader movement towards independence by keeping the spirit of resistance alive through cultural narratives.

Vicente Sotto played an instrumental role in the cultural revival of Cebuano theater and literature. His works, notably the play 'Elena' and the short story 'Maming,' were pioneering contributions that fused political themes with artistic expression, reflecting societal realities and sparking cultural introspection . By dramatizing the Cebuano people's struggle and employing the modern realist mode, Sotto not only entertained but also educated audiences, nurturing a cultural renaissance. His efforts underscored the importance of local narratives and established a legacy of seeking artistic truth to inspire future generations of Cebuano writers and artists .

The renaming of Southern Islands Hospital to Vicente Sotto Memorial Medical Center symbolizes a profound recognition of Vicente Sotto's contributions to Cebu and the Philippines. This honor reflects not only his impact on legislative and cultural fronts but also serves as a lasting testament to his influence and legacy . By commemorating Sotto in such an enduring way, it ensures that future generations acknowledge and appreciate his efforts, particularly in advocating for press freedom and culturally enriching Cebuano society, thus enhancing regional pride and identity.

Vicente Sotto's personal and family background deeply influenced his dedication to politics and culture. Born into a family with a strong sense of civic duty and a history of public service, such as his brother Filemon Sotto, likely instilled in him a commitment to public life and reform . His educational journey, including studies in law, fueled his advocacy for legal reforms, while his familial ties to the insurgent movements against colonial rule bolstered his cultural and political engagements for independence and local identity . These elements collectively shaped his approach to societal issues, leading to significant achievements in both domains.

Vicente Sotto is revered as the Father of Cebuano language and letters, significantly contributing to Cebuano literature and culture. He published 'Ang Suga,' the first Cebuano newspaper in 1900, and wrote 'Paghigugma sa Yutang Natawhan'—a play that reflects the Cebuano people's struggle against Spanish colonial rule . Sotto also wrote 'Maming,' the first published Cebuano short story, and the play 'Elena,' which established his reputation as a playwright . His efforts ensured the continued prominence and development of the Cebuano language and culture.

Vicente Sotto's play 'Elena' left a profound impact on Cebuano society by dramatizing the Cebuano people's resistance to Spanish colonial rule in a modern realist form. This play helped establish a cultural identity and fostered a sense of pride and historical consciousness among the Cebuano populace . The dedication of the play to the Motherland signifies its role in promoting nationalism and the remembrance of past struggles for freedom, ensuring that the Cebuano contributions to the Philippine independence movement were not forgotten.

You might also like