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Eagleton's Definition of Literature

Terry Eagleton discusses different views of defining literature, including as imaginative writing or a deviation from ordinary language. However, he argues that no definition can fully capture literature and that it involves subjective value judgements. Literature also reflects the ideologies of powerful social groups.

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0% found this document useful (0 votes)
61 views2 pages

Eagleton's Definition of Literature

Terry Eagleton discusses different views of defining literature, including as imaginative writing or a deviation from ordinary language. However, he argues that no definition can fully capture literature and that it involves subjective value judgements. Literature also reflects the ideologies of powerful social groups.

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tanishaaasingh0
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Q. What is Literature according to Terry Eagleton. Discuss.

Answer---- The question of “What is Literature?” has been raised so many times, by so
many scholars and researchers, yet it still remains open to discussion; since no answer seems to
encompass everything that we tend to call “literature”. In that regard, Terry Eagleton‟s
introduction, is one of the most known to have tried to define “Literature”.
The first definition that comes to mind when one tends to think about literature according to
Eagleton, is the question of fact versus fiction. Some tend to believe that literature is
“imaginative” writing; putting therefore literature in opposition to factual and/or historical
writing. Yet this distinction has some flaws, and one of the best examples is the one provided
by Terry Eagleton when he says that “Superman comics” are fiction but not regarded as
literature. We can therefore understand that the claim that literature refers to “imaginative
writing” isn‟t going to take us that far.
Literature therefore can be seen as a deviation from everyday language, or as described
by Roman Jacobson as an “organized violence committed on ordinary speech”. This view
according to Eagleton is the formalistic view of literature. In fact, its focus wasn‟t on content
but on form. The formalists only regarded literature as a particular organization of language.
Formalism according to Eagleton was only „the application of linguistics to the study of
literature‟. Content was therefore secondary, not to say unnecessary, to the formalists. This
view of literature is criticized by literary theorist Terry Eagleton. He argues that to claim that
literature is a special kind of language presupposes the existence of a normal or ordinary
language.
Another problem with the above view is that it sees the way in which something is
said/written as being more important than what is actually discussed. That is if we decide to
treat literature “non-pragmatically”, we can forget about any objective definition of literature,
because as advocated by Eagleton, in claiming that, we are also leaving the definition of
literature to „how somebody decides to read what is written. Eagleton continues in his
discussion and adds that any piece of writing can be read non- pragmatically, as any text can be
read poetically. Therefore, literature cannot be judged as being simply a discourse that must be
read “non-pragmatically”.
This leads Eagleton to claim that there is absolutely no objective definition of
„literature. We can only understand that since literature has a lot to do with value-judgements,
the very crucial point suggested by Eagleton when he says that no piece of literature can be
unfolded to a group of people without being changed; and this is exactly why literature remains
an unstable affair.
Thus we’ve seen from the above analysis how different trials of defining literature lead to each
other, only to get us as far as seeing literature as an unstable affair that can never be scrutinized
in an objective manner. Yet the claim that what we tend to see as literature has a lot to do with
value-judgements, is a very interesting one. We can also understand that ideology has a lot to
do with what we tend to view as literature. Being very straightforward, one can say that the
social groups in power wants us to consider certain piece of writings as literature and others as
not. This can only push us to think that by reading what a certain society considers as literature
we may understand a lot, about this given society. We also understand that for literature to be
under so much invisible schemes, then it may only have a very crucial impact on the
reproduction of social inequalities and power relations, this is why literature has come to be the
slave of the social groups in power, for whom there are always social goods at stake.
Terry Eagleton, the internationally celebrated literary scholar and cultural theorist, being
a distinguished Professor of English Literature in the Department of English and Creative
Writing has a very critical ideology on the aspects of literature. What makes him so popular is
that he remains, however, more than ever concerned with the meaning of literature.

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In Eagleton's analysis, the cultural context has significant implications for literature as it dictates what is recognized and valued as literature. Cultural norms and power structures guide these value judgments, making literature a reflection of societal ideologies and power relations. This highlights the idea that literature is inherently political, serving both to mirror and perpetuate the values of prevailing social groups, thus shaping collective cultural identities .

Eagleton's perspective highlights literature's role in reflecting societal values through its relationship with ideology and power dynamics. Literature is often curated and classified based on the values and interests of those in power, thus serving as a mirror of societal norms and beliefs. This perspective shows that literature is not only a cultural artifact but also an active participant in shaping and reinforcing societal values and ideologies .

Eagleton's statement that literature cannot be unfolded to a group without being changed signifies the transformative and subjective nature of literature. It reflects the idea that the interpretation of literature is influenced by the audience's individual perspectives and cultural contexts. This view challenges the notion of a fixed meaning within texts, asserting that meaning is co-constructed and variable, underscoring literature's inherent instability and the role of interpretation in its definition .

Eagleton underscores the instability of defining literature by illustrating how any piece of writing can potentially be seen as literature depending on how it is read, which introduces subjectivity and relativism. He argues that literature cannot be objectively defined since it is heavily reliant on value-judgments and can vary based on individual and cultural interpretations. This ties back to Eagleton's critique of both the imaginative and formalist definitions of literature, showing that literature's essence cannot be pinned down to specific attributes or criteria .

Eagleton criticizes the notion that literature is a special kind of language because it presupposes the existence of a 'normal' or 'ordinary' language, while undervaluing the content in favor of form. This formalist perspective disregards the pragmatic and contextual factors that influence how texts are understood and valued. Eagleton argues that without considering these factors, literature's definition becomes limited and inadequate, as it overlooks the complex interplay between language, meaning, and cultural context .

Eagleton's view of literature encapsulates its relationship with power dynamics by suggesting that what is classified as literature is influenced by those in power who seek to maintain social control. Literature thus becomes a mechanism for reproducing social inequalities and reflecting ideological values of dominant groups. This perspective demonstrates literature's role in cultural conditioning and the promotion of specific ideological narratives, underscoring its complicity in preserving existing power structures .

Eagleton views the quest for an objective definition of literature as futile because literature is inherently tied to subjective interpretations, value judgments, and cultural contexts. These factors introduce variability and relativity in any attempt to pin down a singular definition. By asserting that literature's definition depends more on how texts are perceived and read, rather than on intrinsic qualities, Eagleton reveals the challenges and complexities of defining literature in an objective manner .

Eagleton perceives the relationship between literature and pragmatic considerations as problematic if literature is treated non-pragmatically, meaning without considering practical implications and content. He argues that when literature is divorced from its pragmatic dimensions, it risks being judged solely on form rather than substance, leading to an oversimplified and narrow understanding. This critique highlights the importance of considering literature in its broader cultural and ideological contexts .

According to Eagleton, ideology plays a significant role in determining what is considered literature because social and power structures influence these judgments. What a society values as literature often reflects the interests of the social groups in power. This implies a relationship between literary value and social control, where literature becomes a tool for perpetuating social inequalities and power relations. Thus, literature is not just a reflection of cultural taste but a means for ideological control .

Terry Eagleton challenges the traditional notion of literature as purely imaginative writing by arguing that this definition is insufficient. He points out that fiction alone does not qualify something as literature, as evidenced by examples like 'Superman comics' which are fictional but not regarded as literature. Eagleton highlights the formalist view where literature is defined by its formal structure rather than its imaginative content, suggesting literature is about organization of language and deviation from ordinary speech. He argues that literature's definition is more dependent on value judgments and cultural conditioning than on inherent characteristics .

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