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Manila: Past vs. Present Exhibition

The document discusses how Manila has changed dramatically over time from a beautiful city pre-World War 2 to a gritty city today. It describes a new exhibition at the Metropolitan Museum of Manila that explores Manila's changing identity and memory through its past and present. Examples are given of specific places in Manila and how they have changed from the past to the present.

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Myka Manto
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0% found this document useful (0 votes)
20 views4 pages

Manila: Past vs. Present Exhibition

The document discusses how Manila has changed dramatically over time from a beautiful city pre-World War 2 to a gritty city today. It describes a new exhibition at the Metropolitan Museum of Manila that explores Manila's changing identity and memory through its past and present. Examples are given of specific places in Manila and how they have changed from the past to the present.

Uploaded by

Myka Manto
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd

UID101

Group 2 HRM-11

Members:
Taroma, Daniel
Dilao, John Paul
Dy, Jhanmark
Endiape, Nora May
Esmejarda, Kevin Clark
Ismael, Kyle Adriel
Jugo, Christopher John
Poetry:

Usok na nakakakilabot
Buong siyudad ay binabalot
Mga kalat na 'di na hahakot
Tunay na nakalulungkot

Masakit tangggapin na 'di na natin masusulyapan ang kagandahan


Dahil tayo mismo ang sumisira sa ating pinapangarap na kaginhawaan

Saan na ang nakasanayang kong Maynila?


Maibabalik pa kaya ang dati netong sigla
Ngayon napaano ka na, nawalan na ng pag-asa
Pinapabayaan na ng sariling bansa at punong-puno ng nagdudusa
MANILA IN THE PAST AND MANILA NOW
MANILA WAS once beautiful, full of beautiful buildings, parks and wide boulevards. But then
came the devastation of World War II, followed by rampant urbanization and population growth,
and Manila's landscape changed dramatically. Manila as we know it today is a gritty city with
shifting notions of heritage and identity.

The question begs the question: What is Manila to you?


The Metropolitan Museum of Manila (Met) presents its newest exhibition, Manila: Hidden in
Plain Sight, which aims to explore and shape the memory of the city amid changing culture,
urban life and identity. "The exhibition explores the city's memory and the structures that shape
the city's heritage and social identity," said Met director Tina Colayco at the opening of the
exhibition on July 27. The exhibition also aims to have a dialogue about Manila's past and
present.

On display at the MET until August 26, the exhibit will travel to three Manila schools - Manila
High School, Polytechnic University of the Philippines and Universidad de Manila - in
September and October. According to Colayco, the goal is to be a forum for dialogue and
discussion among students about the pros and cons of living in Manila. The exhibition is a
conversation between the present and the past, with the art of the past and the present side by
side. Thanks to the Bangko Sentral ng Pilipinas (BSP) collection, there are paintings depicting
the heyday of Manila. Selected works include Isidro Ancheta's painting of the Intramuros Gate
of 1920, which encapsulates Manila as a corridor and melting pot for communities from
different provinces and people from different lifestyles and classes. There is also a painting by
Victor Diores called Jones Bridge, which presents the old Jones Bridge that crosses the Pasig
River and connects Ermita and Binondo.

This is some of examples of place in Manila Then and Now

Puerta Real, Intramuros, Manila

Then: Puerta Real, a gate exclusively used by the Spanish Governor-General during state
occasions.
Now: A nonoperational gate in Intramuros, part of the Puerta Real Gardens

Plaza Goiti, Sta. Cruz, Manila


Then: Plaza Goiti, with views of the back of Sta. Cruz Church and Meralco Tram waiting station.
Now: Plaza Lacson, a totally different reconstructed plaza, church and surrounding buildings.

Escolta Street, Binondo, Manila

Then: Calle Escolta used to be the "Wall Street of Manila" before the outbreak of the second
world war
Now: Escolta Street is still a prominent street in Binondo where hotels, restaurants and many
other businesses are established.

Jones Bridge, Binondo, Manila

Then: Puente de España, the beautiful bridge comparable to those in Paris.


Now: Jones Bridge, a reconstructed bridge built on the ruins of the original bridge (bombed in
1945). No longer the beautiful bridge.

Luneta Park, Ermita, Manila

Then: The Rizal Monument and a view of the Manila Hotel


Now: Still the same monument and hotel (but with a new building).

Common questions

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The historical and current depictions of locations like Plaza Goiti and Escolta Street serve as a microcosm for the broader urban transformation of Manila. Historically, Plaza Goiti was notable for its location and views, housing the Meralco Tram waiting station—a key point in Manila's infrastructure. Today, as Plaza Lacson, it is reconstructed to incorporate modern structures, reflecting a shift away from historical aesthetics to practicality and modern urban use. Similarly, Escolta Street, once known as the 'Wall Street of Manila' for its economic vibrancy, has transitioned from being a historical trading hub to a street bustling with modern businesses, yet still retaining echoes of its past significance. This reflects broader urban changes where historical structures are often overshadowed by new developments, highlighting tensions between preserving history and facilitating growth.

Urbanization and modernization have led to both the deterioration and preservation of cultural sites in Manila through a complex interplay of destruction and revitalization efforts. The loss is evident in sites like Puerta Real and Jones Bridge, where functional or aesthetic changes have stripped away their historical essence due to urban expansion needs and infrastructural updates. Conversely, certain elements of cultural preservation persist, such as in Luneta Park where the Rizal Monument remains a steadfast symbol of national pride and history amidst the metropolis's evolution. This duality reflects how urbanization, driven by economic and population growth, necessitates both adaptation and conservation, challenging stakeholders to balance modern needs with cultural legacy protections.

Jones Bridge, from its original incarnation as Puente de España, serves as a metaphor for Manila’s architectural and cultural evolution by symbolizing transition and adaptation. The original bridge, once likened to the elegant structures found in Paris, represented colonial prestige and Manila's aspirations for urban sophistication. After its destruction in World War II, the bridge was reconstructed, lacking its former architectural glory but continuing to serve a pivotal function as a connector across the Pasig River. This transformation mirrors Manila’s broader shift from a city focusing on colonial grandeur to one governed by utilitarian and modern demands, embodying the broader narrative of change, resilience, and the ongoing negotiation of cultural identity within urban transformation.

Balancing heritage conservation with modern urban demands in Manila presents challenges exemplified by transformations in sites like Escolta Street and Plaza Goiti. On one hand, there is a need to preserve historical and cultural legacies intrinsic to these areas; on the other, there's pressure to address economic, infrastructural, and social service requirements of a rapidly growing urban population. Escolta Street, once a financial hub, now hosts modern businesses, illustrating the challenge in gentrifying historical spaces while maintaining their cultural significance. Plaza Goiti’s transformation into Plaza Lacson represents similar challenges, as urban renewal efforts often prioritize functionality over historical authenticity. These examples highlight broader dilemmas in ensuring development aligns with heritage preservation, necessitating collaborative solutions across cultural, governmental, and commercial sectors to sustain Manila's historical identity amid modernization.

Location-specific narratives, such as those concerning Puerta Real and Luneta Park, play critical roles in comprehending Manila's transformation. Puerta Real, once a site exclusively used by the Spanish Governor-General, now stands as a nonoperational symbol within the Puerta Real Gardens, reflecting the broader desacralization of historically significant spaces due to modern redevelopment. Meanwhile, Luneta Park, home to the enduring Rizal Monument, represents a continuity of cultural symbols amidst urban evolution. These narratives are essential to understanding how specific sites encapsulate the complexities of heritage retention amid changing urban landscapes, offering insights into Manila's shifting priorities and cultural memory. They underscore the disjunctions and continuities in Manila's journey from colonial heritage to a contemporary metropolis, informing contemporary urban planning and identity formation.

The Manila: Hidden in Plain Sight exhibition potentially redefines the audience's perception of the city by shedding light on its historical grandeur and current realities. Through a curated dialogue between past and present artworks, such as Isidro Ancheta’s and Victor Diores’ paintings, the exhibition prompts a reassessment of Manila's identity by highlighting the stark contrast between its once-celebrated past and now-gritty urban landscape. This reconsideration could enhance appreciation and critical awareness of both the loss and preservation of cultural heritage, potentially influencing future urban policies and personal attitudes toward heritage conservation. Viewers may leave with a heightened sense of responsibility to advocate for maintaining remnants of historical Manila amidst ongoing urbanization.

Artistic depictions of Manila’s historical landmarks, as showcased in exhibitions such as Manila: Hidden in Plain Sight, serve as catalysts for contemporary dialogues on heritage and identity by visually narrating the city's past and present. Artworks like Isidro Ancheta's painting of the Intramuros Gate and Victor Diores' depiction of the Jones Bridge evoke historical imagery that challenges viewers to consider the transformation of these sites over time. This enables a reflective discourse on what is valued culturally and prompts considerations about identity within today's urban context. By confronting viewers with tangible, artistic representations of historical and modern Manila, art acts as a medium to explore the intersection between memory, identity, and cultural evolution, encouraging dialogue about the realities of urban change and preservation.

The Metropolitan Museum of Manila's exhibition highlights the profound changes in Manila’s socio-cultural identity from a city once rich in heritage to one deeply marked by urbanization and modernization. It juxtaposes the past splendor of Manila with its current state, thus engaging viewers in an introspective dialogue about the transformation of the city’s heritage and identity. The exhibition offers a platform for reflecting on the city’s shifting cultural landscape through artworks like Isidro Ancheta's painting of the Intramuros Gate and Victor Diores' Jones Bridge depiction. These pieces suggest a narrative of Manila as a melting pot, where heritage is both celebrated and eroded. The exhibition thus raises questions concerning what Manila means today compared to its historical identity, inviting discussion on preserving cultural heritage amid rapid urban changes.

The concept of Manila as a ‘melting pot’ is depicted in historical artworks through visual narratives that accentuate its diverse community interactions and infrastructure. In Isidro Ancheta's painting of the Intramuros Gate, Manila is portrayed as a corridor and a vibrant hub for different communities, reflecting its role as a central meeting point for various lifestyles and social classes. This imagery underscores Manila's historical significance as a dynamic and inclusive city, foundational for its identity as a cultural crossroads. The diverse depictions in the exhibition underscore the city's legacy of integrating various cultural influences, highlighting its historical roles as both a colonial enclave and a modern metropolis.

Exhibitions like Manila: Hidden in Plain Sight play a crucial role in fostering educational dialogues by providing a platform for critical engagement with urban heritage among students and the greater public. By showcasing art that juxtaposes historical with contemporary Manila, such exhibitions invite viewers to reflect on the cultural and social implications of urban transformation. Targeting schools like Manila High School and universities in Manila, the exhibit facilitates onsite discussion and critical thinking about urban identity, creating awareness about the value of cultural sites and the need for preservation. This educational component encourages students and the public to consider their roles in heritage conservation and active citizenship, promoting a more informed societal discourse on cultural identity amidst urban change.

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