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Improvisation Success Guidelines

The document provides 20 guidelines for successful improvisation. Some key points include maintaining a consistent character with motivation, using imagination and listening skills, sharing the stage and not arguing, keeping dialogue and action in the present tense, and establishing relationships between characters to create conflict and move the scene forward. The overall message is that improv requires actors to fully commit to their roles and make spontaneous choices that build on what came before.

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Yvonne W. Guyton
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0% found this document useful (0 votes)
9 views2 pages

Improvisation Success Guidelines

The document provides 20 guidelines for successful improvisation. Some key points include maintaining a consistent character with motivation, using imagination and listening skills, sharing the stage and not arguing, keeping dialogue and action in the present tense, and establishing relationships between characters to create conflict and move the scene forward. The overall message is that improv requires actors to fully commit to their roles and make spontaneous choices that build on what came before.

Uploaded by

Yvonne W. Guyton
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOC, PDF, TXT or read online on Scribd

THE GUIDELINES OR ‘RULES’ FOR SUCCESSFUL IMPROVISATION

Keep this sheet………… Memorize these rules…………….. Follow these guidelines.


You and your class/teammates will thrive together.

DEFINITION: IMPROVISATION is acting without a script. The actor creates the scene
and dialogue as he/she goes along.

1. Have a CHARACTER and keep it. Using a costume, prop, funny voice, accent or
unusual physical quality helps but the best characters start with the actor and a
unique point of view. The preoccupation or motivation of the character is what
drives the scene and creates the conflict, making it interesting to watch.
2. Use your IMAGINATION. Never ignore something unusual or unexpected.
Listen to your inner voice, trust yourself, and go with the impulse. The unusual
choices result in the best scenes. Trust!
3. RELAX so you can listen to your impulses. Warm-ups, stretching, and breathing
always helps.
4. LISTEN to everything that is said. The best improvisers are those that listen and
remember what was said. A player’s move is not complete until you see how it
affects your partner(s).
5. SHARE the stage time, don’t try to control it. An improv grows from explored
moments where nothing is ignored, nothing is forgotten and nothing is a mistake.
No one player is more important than anyone else. Each player must share the
responsibility of the scene. Share your ideas but be willing to change or drop the
idea (of how you wanted it to go) immediately the moment the scene takes an
unexpected twist.
6. Stay in GOOD TASTE. Inappropriate material is just a desperate effort by
insecure players when they are worried that a scene isn’t funny. Being
inappropriate will result in the scene being stopped and the actors asked to leave
the stage. This IS embarrassing.
7. The best way to look good is to make others look good!! You do this by never
DENYING what is said. YES is always the answer in improv. There are no
mistakes on stage if everyone commits 100% to the scene.
8. Try for AGREEMENT rather than arguing. Fighting over the scene accomplishes
little except to delay the action. It is easy to argue but audiences find it more
interesting when actors agree and go with it. The audience rarely sees people
agree to the crazy things improv forces the players to agree with. This is funny.
9. Don’t explain what you plan to do – JUST DO IT! Keep the action in the present
and make active choices. Since exposition is boring, start the action (conflict) and
move the plot along quickly.
10. Don’t WHISPER onstage. Make sure your audience can hear everything said.
11. Don’t COACH from the audience. Yelling advice to people only makes them
nervous and upset. Remember it is easier to think of things to do when you are
sitting in the audience. Don’t be rude. If you find yourself stuck on stage you can
turn to the teacher and ask for help. If the teacher then calls on the class for
suggestions then constructive advice would be appropriate.
12. The TRUTH is funny. NEVER FORCE HUMOR for it will look like you are
showing off. The only way to do comedy is to play the scene HONESTLY. A
truly funny scene is one of generosity where you are trying to make the other
person and his/her ideas look as good as possible. In comedy honesty is the best
policy. Trying to get a laugh is obvious to audiences and largely ineffective.
13. Use good BLOCKING: This is where the actors stand and how they move. Until
this is studied in detail the basic rules are don’t stand behind people or turn your
back on the audience.
14. He who gives information is a gift giver. He who asks QUESTIONS is a thief.
Questions place the burden of the scene on the other person. Do your share by
giving information. When a player asks a question he/she usually has an answer
in mind; so why ask the question? State it – don’t question it.
15. SILENCE creates tension and draws in the audience. Give yourself time to think.
16. Please don’t use PHYSICAL VIOLENCE. If physical altercations seem natural
in a scene always play these moments in slow motion for safety. The audience
will find the fight funny.
17. When making a choice SPECIFICS are more interesting than generalities. “Nice
car.” is dull but, “Wow, a Corvette!!” adds interest, realism, and gives your
partner(s) something to work with.
18. Don’t feel pressured to SOLVE PROBLEMS. Improv is sometimes better when
players add conflict to the scene making the problems worse instead of solving
them.
19. Use PRESENT TENSE. This keeps the conflict happening now and it does not
become people standing around telling a boring story.
20. The characters in the scene must have a RELATIONSHIP. Establish this quickly.
You must know who you are talking to! Conflict is the starting point. The
relationship makes the scene. If you don’t know what the relationship is make
one up! YES is always the right answer.

Common questions

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Commitment to the scene affects authenticity by enforcing a standard where actors fully immerse themselves in their roles without reservation . This complete investment ensures that actors deliver genuine reactions and interactions that resonate with the audience, creating a believable and engaging performance . When actors work with full commitment, their sincerity and dedication shine through, translating to truthful and captivating character portrayals that intrinsically align with the fundamental truths of the characters and scenarios presented . This principle ensures that all actions, decisions, and lines emanate organically, producing authenticity .

'Sharing the stage' is important in improvisation because it ensures that no single player dominates the scene, allowing for a balanced and dynamic performance where all participants can contribute equally . Failing to share the stage can result in a less engaging scene as it limits the diversity of ideas and can lead to a power imbalance where one person may overly control the narrative, stifling creativity and potentially causing tension among performers . A lack of shared responsibility may lead to scenes where interesting opportunities for development are missed, resulting in a less compelling performance .

Silence in improvisation contributes to scene tension by creating a palpable pause that heightens anticipation and emotional stakes . It allows actors to express non-verbal cues and give the audience time to process and engage more deeply with the scene . Silence can articulate internal conflict or heighten an impactful revelation, drawing the audience into the moment . By strategically employing silence, performers can manipulate pacing and deliver scenes with a greater emotional punch, actively engaging the audience through active observation and interpretation .

Avoiding question asking enhances the flow of improvisation by reducing pressure on other actors to provide answers and assisting in maintaining action momentum . Questions can disrupt the scene's flow as they place the burden on other players. Instead, actors should provide information or statements that add to the scene, thereby driving the narrative forward and keeping engagement high . By doing so, actors can share in the responsibility of creating the scene, transforming implied queries into declarative and constructive additions, thus enhancing the overall performance .

The guideline to 'wait for an invitation' before intervening in an improv scene from the audience helps maintain performer composure by preventing unsolicited input that can disrupt performance flow and confidence . It ensures that actors are not overwhelmed by external pressures, allowing them to maintain focus and follow their creative impulses . From an audience etiquette standpoint, this restraint respects the performers’ freedom to navigate their narratives independently unless help is solicited . It fosters a supportive environment, where both audience and actors understand their roles in the creative process, leading to a more harmonious and respectful performance atmosphere .

Staying in the present tense during an improv scene helps maintain immediacy and urgency, making the action feel vital and ongoing . This focus prevents the performance from devolving into a retrospective explanation or inactive storytelling, keeping the audience engaged through live, unfolding events . Using present tense language encourages actors to be active participants in the scene, continually advancing the plot, making dynamic choices, and adding richness to the character interactions . This technique keeps the energy of the performance consistent and participatory, enhancing overall scene development .

Maintaining a consistent character is crucial in improvisation because it establishes a central point of view that drives the scene and creates conflict, which keeps the audience engaged . Strategies to achieve this include using a costume, prop, funny voice, accent, or unusual physical quality, but primarily, the character should start with the actor's own unique perspective . The character’s motivations or preoccupations help sustain consistency throughout the scene .

Using specific rather than general choices in improvisational scenes provides greater detail and context, which enhances realism and assists actors in building a more immersive experience . Specifics like 'Wow, a Corvette!' instead of 'Nice car' render the scene more compelling, enabling the audience to visualize details clearly and feel more connected to the unfolding story . These specifics can generate plot hooks, prompt vivid imagery, and evoke stronger emotional responses, all of which enhance audience retention and satisfaction . This richness in detail can add layers to character development and plot intricacies, improving overall storytelling .

Making others look good enhances an improv performance by fostering a supportive environment where players build on each other's ideas, creating a cohesive and engaging scene . Practically, this can be implemented by always affirming and building upon other players’ contributions, never denying what is said, and ensuring everyone commits 100% to the progression of the scene . This collaborative effort reduces the chance of mistakes and highlights each player's strengths, keeping the audience entertained .

The guideline to 'agree rather than argue' shapes the narrative by facilitating seamless transitions and exploration of ideas, which makes scenes more dynamic and inventive . It encourages performers to say 'yes' to each other's propositions, leading to unexpected and humorous scenarios as actors find creative ways to integrate 'crazy' or unconventional elements into the narrative . This leads to harmonious storytelling, enhancing audience perception by presenting unified, cohesive stories rather than fragmented and conflicted scenes . When characters agree, it subverts typical audience expectations, maintaining interest and providing comedic relief .

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