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Annie Jr Audition Info for Students

Middle school students are invited to audition for the spring musical Annie Jr. Auditions will be held on January 8-9, with potential call backs on the 10th. Students interested in acting, singing, and moving on stage should sign up on the school's app and reserve their spot. Participation in the after school activity (ASA) will be from January to March on Mondays and Thursdays. Audition requirements include singing a selection from Annie individually or in a group, acting readings from assigned character sides, and a short movement sequence. Resources are available to help students prepare their singing.

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0% found this document useful (0 votes)
22 views2 pages

Annie Jr Audition Info for Students

Middle school students are invited to audition for the spring musical Annie Jr. Auditions will be held on January 8-9, with potential call backs on the 10th. Students interested in acting, singing, and moving on stage should sign up on the school's app and reserve their spot. Participation in the after school activity (ASA) will be from January to March on Mondays and Thursdays. Audition requirements include singing a selection from Annie individually or in a group, acting readings from assigned character sides, and a short movement sequence. Resources are available to help students prepare their singing.

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hanqing01pd2030
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© All Rights Reserved
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Attention Middle School Students, we will be performing the musical theater show Annie, Jr in the

spring semester! Auditions will be held on Monday and Tuesday January 8-9, 2024. Some students may
be “called back” on Thursday for an additional audition if the director’s need more information. If you
like to act, sing, and move on stage then add these dates to your calendar.

Also, you should SIGN UP for ANNIE in School’s Buddy to reserve a spot in the show.

The Annie ASA will be a two term commitment – participants will be committing to participate in both
Q3 and Q4 on both Mondays and Thursdays in order to ensure we have a successful show.

Audition Requirements:
Singing:

 All students will sing: “Hard Knock Life” measures 75-89 (pages 13-14 in the attached “Annie -
Full Script and Music”document). We will practice this briefly before the singing auditions
happen.
 If you are NOT interested in a solo singing role, you may audition in small groups of 2-4 students.
 If you are interested in a specific role, please prepare the song suggested in the attached “Annie
Role Descriptions” document. You can find all the songs in the “Full Script and Music”
document. You are encouraged to read through the show to familiarize yourself with the story
and characters. Please keep in mind that the directors will be looking for students who are
flexible and ready to shine in any role, not just the ones that students prefer for themselves.

Acting:

 All boys should be familiar with Warbucks, Roosevelt, and Drake sides. Be prepared to be asked to read more
than once.

 All girls should be familiar with Annie, Miss Hannigan, Pepper, and Tessie.

 Because of the number of students auditioning the orphanage may have boys and girls. You may not have lines
but you will be part of the ensemble, sing and be part of the dance numbers.

 Please do NOT memorize the lines. It’s not necessary.

 Be prepared to improvise along with reading the assigned sides.

Movement:

 All students will be taught a short movement sequence during the audition. They will perform
this in small groups of 3-5 students at a time.
In order to practice the singing for the show, there are some great resources available to you all:

1. The “Annie - Full Script and Music” document - This contains the sheet music for all the songs in
the entire show.
2. Guide Vocal Tracks – Every song in the show has a recorded version that will be just like the
version we will perform. It’s perfect for listening and rehearsing on your own.
3. Performance Accompaniment Tracks – Every song in the show has a recorded version with only
instrumental parts, without voices, so that you can practice and prepare exactly as we will
perform the show. Your goal in rehearsal should be to be able to sing confidently along with
these tracks.

If you have any questions, please ask Mr. E or Mr. Miller!

Common questions

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Rehearsal preparation for Annie, Jr. involves using guide vocal tracks, which are recorded versions of every song with vocals, and performance accompaniment tracks, which feature only instrumental parts. The aim is for students to confidently sing along with these tracks, mimicking the actual performance conditions, thus enhancing their readiness for the show .

To audition for Annie, Jr., students are required to sing specific excerpts from the song "Hard Knock Life," measures 75-89, found in the "Full Script and Music" document. Students not interested in solo roles may audition in groups. Those interested in specific roles should prepare songs from the "Annie Role Descriptions." For acting, boys need to be familiar with Warbucks, Roosevelt, and Drake sides, while girls should know Annie, Miss Hannigan, Pepper, and Tessie sides. Memorization is not required, but improvisation along with reading assigned sides is expected. For movement, students will learn a short sequence and perform it in groups of 3-5 during the audition .

The "Full Script and Music" document allows students to familiarize themselves with the songs and story by providing sheet music and details for all roles. The rehearsal tracks help students practice singing with both vocals and instrumentals, enhancing their performance quality and confidence. These resources ensure comprehensive preparation and foster an understanding of the musical's overall structure .

Teaching a movement sequence during auditions evaluates students' ability to quickly learn and perform choreography, essential for musical theater. This strategy assesses coordination and memory, impacting performance by highlighting those who can effectively integrate singing, acting, and movement, which are critical for a cohesive stage presence .

The two-term commitment for Annie ASA ensures sustained engagement and development of skills over Q3 and Q4, providing adequate time for participants to develop their roles and contribute to a successful production. It demands a strong commitment from students, fostering discipline and consistent effort, crucial for producing a high-quality performance .

The director's casting approach for Annie, Jr. emphasizes flexibility by seeking students who can shine in any role, rather than preferring specific roles. This suggests a willingness to adapt casting choices based on auditions, potentially mixing gender roles in the orphanage ensemble and encouraging improvisation, allowing for dynamic and versatile role assignment .

Memorization is not emphasized because the audition's nature focuses more on flexibility and improvisation skills, allowing actors to respond dynamically during their reading parts. This open approach assesses a student's ability to adapt and enhance the performance without relying strictly on memorized content .

Directors might call for additional "call back" auditions to gain more insights into some students' capabilities when making final casting decisions. This process involves a second audition opportunity after the initial one, allowing directors to assess talents that may not have been fully observed initially and ensure the best fit for each role .

Including both boys and girls in the orphanage roles adapts traditional casting by challenging gender-specific roles, promoting inclusivity and providing opportunities for a broader range of students to participate. This creative choice reflects modern understandings of diversity in theater, enriching the production with varied perspectives and talents .

Preparing a song from the "Annie Role Descriptions" suggests that directors are looking for students who show initiative and readiness to embody roles with specific character traits and vocal skills. This preparation demonstrates an understanding of character nuances, indicating readiness for specific parts and ensuring a more tailored casting approach .

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