English Language Literature
English Language Literature
Task:
17 16 15 14
10 9 8 7 6 5 4 3 2 1
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1 Article
1.1 Charlie Brooker: ‘Too much talk for one planet:
why I’m reducing my word emissions’ 8
1.2 Ian Birrell: ‘As gay people celebrate, the treatment of
the disabled just gets worse’ 10
2 Autobiography/Biography
2.1 De Profundis by Oscar Wilde 11
2.2 Mom & Me & Mom by Maya Angelou 12
3 Diary/Memoir
3.1 Diary: What I Did in 2013 by Alan Bennett 14
3.2 Eye-witness account written by a young radio operator in the First World War 15
4 Digital Text
4.1 Blog by George Scott: ‘A ride of two halves...’ 17
4.2 Past Masters Podcast: ‘The Truth is in Here:
UFOs at The National Archives’ 18
5 Interview
5.1 BBC1 Panorama interview between Martin Bashir and Princess Diana 19
5.2 Jay Leno’s interview with President Obama (transcript) 21
6 Radio Drama/Screenplay
6.1 The King’s Speech by David Seidler 23
6.2 When I Lived in Peru by Andrew Viner 25
7 Reportage
7.1 Chris Rainier: ‘Tsunami Eyewitness Account by Nat Geo photographer’ 27
7.2 Jessica Read: ‘Experience: I survived an earthquake while scuba diving’ 29
8 Review
8.1 Flemmich Webb on Boxer Handsome by Anna Whitwham 31
8.2 Martin Hoyle on television drama The Bridge 32
9 Speech
9.1 John F. Kennedy’s Inaugural Address in Washington on January 20, 1961 33
9.2 Colonel Tim Collins to 1st Battalion, Royal Irish Regiment, in Iraq in 2003 35
10 Travelogue
10.1 Sea and Sardinia by D.H. Lawrence 37
10.2 Riding the Iron Rooster: By Train Through China by Paul Theroux 38
4
Introduction
For the English team at Pearson, an integrated approach to the subject of English Language and
Literature is critical to providing learners with the expertise to become active, skilful interpreters
of the kinds of text that they interact with on a daily basis. The texts in this anthology have
been selected to give you experience in deconstructing, analysing and interpreting a range of
non-literary and digital forms, broadening your understanding by drawing upon integrated
skills from both linguistic and literary approaches.
The Pearson Edexcel Level 3 Advanced GCE and Advanced Subsidiary GCE in English Language
and Literature celebrate diversity. This collection comprises interesting and exciting non-literary
texts to offer you the opportunity to study a range of spoken, written and digital forms created
by writers and speakers from a wide variety of backgrounds, times and perspectives. They range
from the more typical, classic forms such as newspaper articles and interviews, to a selection of
innovative and digital texts including blogs and travelogues.
The texts demonstrate the writer or speaker’s ability to craft or form their work to present
a distinctive voice. You are encouraged to consider how the writer or speaker skilfully uses
language techniques and literary devices to create a distinctive identity or persona in their work.
The examples included will broaden your awareness of how texts are constructed and crafted
in numerous ways and will help you develop the literary and linguistic analytical techniques
required to perform in-depth and critical analysis; reach a better understanding of how language
frequently contains covert messages; and increase your ability to examine language through a
critical lens.
Not only are these invaluable skills that you will utilise if you progress to Further or Higher
Education, but they will also develop your writing abilities, helping you to hone your own voice
and develop your own perspectives.
Dr Joanne McDowell
University of Hertfordshire
5
Text glossary
Article
News stories and feature articles are the staple forms of journalism. An article is a particular section or
item in either a printed or broadcast text that forms an independent part of a publication or programme.
News stories are immediate and focus on a subject of current interest. Their aim is to be informative and
economical as they have limited space. Feature articles discuss an on-going issue and present the views of
the writer. They are longer and more detailed than news stories and often include visuals. This category
is broad and may include written articles drawn from newspapers, magazines, websites or other printed
publications or articles taken from the broadcast media.
Autobiography/Biography
An autobiography is a written account of the life of a person, written by that person. Autobiographies
are subjective by nature – seeing and filtering events through the perspective of the writer. They tend
to have a confessional tone and can include reminiscences and anecdotes. The writer is usually aware of
the implied audience as he/she is writing with the intention of publication. Celebrity autobiographies are
often ‘ghost’ written, i.e. written by a professional writer who interviews the subject. An autobiographer
tries to establish a rapport with the reader on a personal level.
A biography is an account of a person’s life written by a professional writer. The subject is usually a famous
historical or present-day public figure. Although the writer is more distanced from the subject there is
an element of subjectivity as the subject is presented through one person’s perspective. The biographer
selects and organises the material to present the subject in a particular way. This type of non-fiction
employs many of the characteristics of fiction, e.g. a strong narrative line, descriptions of locations, events
and people.
Diary/Memoir
Diaries and memoirs are personal documents, usually adopting a confessional tone. Diaries are a record of
events and may either be very personal to the writer and their life or reflect wider issues, such as diaries
of World War I or diaries written by politicians. Diaries are chronological and an immediate record of
daily events and observations whereas memoirs are written retrospectively and are often based on diary
entries. It might be assumed that diaries are written for the writer only, with a narrow, intimate focus on
the writer’s memories, feelings and emotions; however, many diarists do have an objective of eventual
publication and some private diaries written by famous people eventually have a public audience and may
be useful as historical documents.
Digital Texts
Blog
The term ‘blog’ is an abbreviation of ‘weblog’. A blog is a personal online journal in which an individual
records opinions, activities and experiences on a regular basis. Some provide a personal commentary on a
particular topic or issue; others function as personal online diaries. Blogs can include hyperlinks provided by
the writer which may extend their purpose and often have the facility for readers to respond or comment.
Although blogs are written texts they share many features with spoken language and they tend to be
transitory, i.e. available for a relatively short space of time. The primary purpose is close interaction with
the audience and the language features reflect this. Blogs may be planned and drafted or may be more
spontaneous.
Podcast
A podcast is an audio or video programme which is formatted to be played on a portable media player.
The term is derived from ‘broadcast’ and ‘pod’ in reference to the iPod. It is very much a horizontal media
form: producers are consumers and consumers can become producers and engage in conversations with
each other.
6
Text glossary
Interview
An interview is a conversation conducted by an interviewer such as a TV reporter, chat show host,
prospective employer or police/court official in which facts or statements are elicited from another. The
interview may be transcribed and reproduced or recorded/broadcast. Interviews provide opportunities
to comment on the differing language structures and purposes employed by the interviewer to elicit
information and by the interviewee.
Radio Drama/Screenplay
Drama is a form of fiction that is typically represented in performance. Drama scripts or screenplays
may be drawn from TV, radio, stage, film or documentary. Their language is shaped by their multiple
audiences (technical/performer/viewer) and the varied functions served by this language. Drama presents
opportunities to explore the language used to construct texts designed for broadcast/performance with a
particular focus on the voices of characters or participants and the dynamic between them.
Reportage
Reportage is a first-hand account of, or commentary on, an event. Accounts can be drawn from a variety
of sources – broadcast, online, recorded or print-based. Reportage is most commonly, but not exclusively,
linked with the media and journalism – for example, outside broadcasts by reporters at the scene of an
event. As such they can be linked to interviews and commentaries and are often supplemented by the
impressions and experiences of the reporter.
Review
Reviews offer critical, often personal, appraisal of a publication, product, service, event or performance.
They may be drawn from online, broadcast or traditional print-based sources and may cover any art form,
product or service. Reviews may be favourable or may adopt a more negatively critical approach. Many
reviewers employ a humorous style in order to add entertainment value for the reader. Rhetorical and
persuasive techniques are frequently features of review writing. Reviews assume shared knowledge of
their particular subject and an interest in the genre on the part of their readers.
Speech
Public speaking is the process of delivering a speech in a structured way intended to inform, influence,
motivate or entertain a listening audience. Speeches may come from a range of sources and contexts:
politics, courtroom address/summing up, eulogy and motivational address. Speeches are planned and
carefully crafted and rely heavily on rhetorical devices and metaphorical language, although the speaker
may shift the style by introducing colloquial phrases to engage more intimately with listeners. Rhythm
is crucial in a speech and is achieved by the speaker’s use of lexis and structure. Speeches are intended
to inspire and motivate the audience in some way therefore their main function is persuasive but they
must also include features that will maintain the attention of the audience. You should be aware of the
discourse structure, i.e. the shape and direction of the argument.
Travelogue
A travelogue can be defined as a text which documents the places visited by, or the experiences of, a
traveller. Typical travelogues convey a strong sense of place and the detailed accounts help the reader to
envisage the experiences of travel through the eyes of the traveller. This category covers a broad range of
styles and genres and examples can be drawn from broadcast, multi-modal or printed sources. These include
journals/diaries (online or print-based), broadcast documentaries, guide books and autobiographies.
7
1 Article
1.1 Charlie Brooker: ‘Too much talk for one planet: why I’m reducing my word
emissions’
This is an article from the Guardian newspaper by Charlie Brooker, the English satirist
and broadcaster. He has worked in television, radio, print and online media.
E
agle-eyed readers may have spotted I haven’t been writing
this column for a while. Roughly two people noticed its
absence, until the other day when a paragraph in Private Eye
claimed I’d asked Alan Rusbridger, editor of the Guardian, to switch
off the reader comments underneath my articles (not true), and that
he’d refused to do so (also not true), so I’d quit (not entirely true).
This led to an intense flurry of activity, by which I mean four people
asked me about it.
Although the Private Eye story wasn’t completely wrong – I have
stopped doing this particular column for a while, for reasons I’ll
explain in a moment – I was all set to write to their letters page
to whine in the most pompous manner imaginable, something I’ve
always secretly wanted to do, when I figured I might as well respond
here instead, for money.
Incidentally, I’m aware this is Olympic-level navel gazing, but you’re
a human being with free will who can stop reading any time. Here,
have a full stop. And another. And another. There are exits all over
this building.
Anyway, I haven’t quit the newspaper, but I have, for the meantime,
stopped writing weekly, partly because my overall workload was
making that kind of timetable impossible, and partly because I’ve
recently been overwhelmed by the sheer amount of jabber in the
world: a vast cloud of blah I felt I was contributing to every seven
days.
If a weatherman misreads the national mood and cheerfully sieg-
heils on BBC Breakfast at 8.45am, there’ll be 86 outraged columns,
95 despairing blogs, half a million wry tweets and a rib-tickling
pass-the-parcel Photoshop meme about it circulating by lunchtime.
It happens every day. Every day, a billion instantly conjured words
on any contemporaneous subject you can think of. Events and noise,
events and noise; everything was starting to resemble nothing but
events and noise. Firing more words into the middle of all that
began to strike me as futile and unnecessary. I started to view
8
1 Article
9
1 Article
1.2 Ian Birrell: ‘As gay people celebrate, the treatment of the disabled just gets
worse’
This is an article from the i newspaper by Ian Birrell, the former deputy editor of
the Independent newspaper. He is a columnist, foreign correspondent, campaigner, and
co-founder of Africa Express.
As gay people celebrate, the Not only are people with disabilities far less
likely to be in work despite being the most loyal
treatment of the disabled employees, but almost two-thirds of those who
just gets worse develop a disability have lost their job within two
With more spending cuts looming, are we years. …
content to leave one minority locked out of Reported hate crime is rising, with stories of
society as second-class citizens? awful abuse commonplace… You can multiply
all these damning statistics – the terrible stories
They were clearing up the confetti, nursing of routine harassment – for people with learning
hangovers and disappearing on honeymoons difficulties. Just imagine the rightful outcry if this
yesterday after the first batch of gay marriages was happening to people because of their gender,
in Britain. It was a remarkable moment as sexuality or skin colour.
the contented couples celebrated their unions So why is this happening in the wake of the
with the traditional kiss. Within my lifetime, Paralympics, with all that optimistic talk of
homosexuality has been first legalised, then transforming attitudes? …
embraced into everyday normality. …
One reason is the lack of social and workplace
The ceremonies mark a milestone in the bumpy interaction, such a crucial motor in changing
march towards tolerance and equality. We should attitudes. So instead of invitations to drinks
rejoice at the speed with which people who after work and weekend dinner parties, there is
were once jailed, mocked and used as a political befuddled British embarrassment at best, coldness
football have taken their correct place at the at worst, towards people with disabilities. As a
heart of society. Politicians of all hues deserve consequence comes a failure to understand their
praise for displaying courage in confronting the hopes, fears and desires.
misanthropes who sought to stop lesbian and gay
Then there is the lack of political power – one
people from enjoying rights that the rest take for
more legacy of the poverty and woeful support
granted.
endured by many disabled people. Digital
Problems remain with homophobic bullying in technology has helped but the idea of seeking
schools and bigotry abroad. But the reform shows a seat in Parliament is a joke for people who
how quickly attitudes can change. … struggle to obtain a seat on the bus. At the last
We have seen a similar rapid shift in attitudes general election, more than two-thirds of polling
on gender and race, for all the hurdles that still stations had significant barriers to accessibility. …
exist for both women and ethnic minorities. Yet, It is great to see Britain become more tolerant.
amid all the discussion of diversity and self- But, with more spending cuts looming, are we
congratulatory talk of tolerance, one minority content to leave one minority locked out of
remains stuck in the shadows of society. Indeed, society as second-class citizens? Just as with gay
many members would argue that their life is and lesbian people, disabled people want only the
getting worse, with hostility growing. same rights as everyone else. And remember that
These are people with disabilities, a group only one in six people with disabilities was born
growing fast in our ageing society. … with them; one day this minority might include
you, whatever your colour, gender or sexuality.
10
2 Autobiography/Biography
2.1 De Profundis by Oscar Wilde
This is an extract from De Profundis, written by Oscar Wilde during his imprisonment
in Reading Gaol and first published in 1905.
I want to get to the point when I shall be able to say quite simply, and
without affectation that the two great turning-points in my life were when
my father sent me to Oxford, and when society sent me to prison. I will not
say that prison is the best thing that could have happened to me: for that
phrase would savour of too great bitterness towards myself. I would sooner
say, or hear it said of me, that I was so typical a child of my age, that in my
perversity, and for that perversity’s sake, I turned the good things of my life
to evil, and the evil things of my life to good.
What is said, however, by myself or by others, matters little. The important
thing, the thing that lies before me, the thing that I have to do, if the brief
remainder of my days is not to be maimed, marred, and incomplete, is to
absorb into my nature all that has been done to me, to make it part of me,
to accept it without complaint, fear, or reluctance. The supreme vice is
shallowness. Whatever is realised is right.
When first I was put into prison some people advised me to try and forget
who I was. It was ruinous advice. It is only by realising what I am that
I have found comfort of any kind. Now I am advised by others to try on
my release and to forget that I have ever been in prison at all. I know that
would be equally fatal. It would mean that I would always be haunted by an
intolerable sense of disgrace, and that those things that are meant for me as
much as for anybody else – the beauty of the sun and moon, the pageant of
the seasons, the music of daybreak and the silence of great nights, the rain
falling through the leaves, or the dew creeping over the grass and making it
silver – would all be tainted for me and lose their healing power, and their
power of communicating joy. To regret one’s own experiences is to arrest
ones’ own development. To deny one’s own experiences is to put a lie into the
lips of one’s own life. It is no less than a denial of the soul.
11
2 Autobiography/Biography
This is an extract from Mom & Me & Mom, an autobiography by the African-American
author, poet, dancer, actress and singer, Maya Angelou.
By the time I was twenty-two, I was living in San Francisco. I had a five-year-
old son, two jobs, and two rented rooms, with cooking privileges down the
hall. My landlady, Mrs. Jefferson, was kind and grandmotherly. She was a ready
babysitter and insisted on providing dinner for her tenants. Her ways were so
tender and her personality so sweet that no one was mean enough to discourage
her disastrous culinary exploits. Spaghetti at her table, which was offered at least
three times a week, was a mysterious red, white, and brown concoction. We
would occasionally encounter an unidentifiable piece of meat hidden among the
pasta. There was no money in my budget for restaurant food, so I and my son,
Guy, were always loyal, if often unhappy, diners at Chez Jefferson.
My mother had moved into another large Victorian house, on Fulton Street,
which she again filled with Gothic, heavily carved furniture. The upholstery on
the sofa and occasional chairs was red-wine-colored mohair. Oriental rugs were
placed throughout the house. She had a live-in employee, Poppa, who cleaned
the house and sometimes filled in as cook helper.
Mother picked up Guy twice a week and took him to her house, where she fed
him peaches and cream and hot dogs, but I only went to Fulton Street once a
month and at an agreed-upon time.
She understood and encouraged my self-reliance and I looked forward eagerly
to our standing appointment. On the occasion, she would cook one of my
favorite dishes. One lunch date stands out in my mind. I call it Vivian’s Red
Rice Day.
When I arrived at the Fulton Street house my mother was dressed beautifully.
Her makeup was perfect and she wore good jewelry. After we embraced, I
washed my hands and we walked through her formal, dark dining room and
into the large, bright kitchen.
Much of lunch was already on the kitchen table.
Vivian Baxter was very serious about her delicious meals.
On that long-ago Red Rice Day, my mother had offered me a crispy, dry-
roasted capon, no dressing or gravy, and a simple lettuce salad, no tomatoes or
cucumbers. A wide-mouthed bowl covered with a platter sat next to her plate.
She fervently blessed the food with a brief prayer and put her left hand on the
platter and her right on the bowl. She turned the dishes over and gently loosened
the bowl from its contents and revealed a tall mound of glistening red rice (my
favorite food in the entire world) decorated with finely minced parsley and green
stalks of scallions.
The chicken and salad do not feature so prominently in my tastebuds’ memory,
but each grain of red rice is emblazoned on the surface of my tongue forever.
24
12
2 Autobiography/Biography
“Gluttonous” and “greedy” negatively describe the hearty eater offered the
seduction of her favorite food.
Two large portions of rice sated my appetite, but the deliciousness of the dish
made me long for a larger stomach so that I could eat two more helpings.
My mother had plans for the rest of her afternoon, so she gathered her wraps
and we left the house together.
We reached the middle of the block and were enveloped in the stinging acid
aroma of vinegar from the pickle factory on the corner of Fillmore and Fulton
streets. I had walked ahead. My mother stopped me and said, “Baby.”
I walked back to her.
“Baby, I’ve been thinking and now I am sure. You are the greatest woman I’ve
ever met.”
I looked down at the pretty little woman, with her perfect makeup and
diamond earrings, and a silver fox scarf. She was admired by most people in San
Francisco’s black community and even some whites liked and respected her.
She continued. “You are very kind and very intelligent and those elements are
not always found together. Mrs. Eleanor Roosevelt, Dr. Mary McLeod Bethune,
and my mother—yes, you belong in that category. Here, give me a kiss.”
She kissed me on the lips and turned and jaywalked across the street to her
beige and brown Pontiac. I pulled myself together and walked down to Fillmore
Street. I crossed there and waited for the number 22 streetcar.
My policy of independence would not allow me to accept money or even a
ride from my mother, but I welcomed her and her wisdom. Now I thought of
what she had said. I thought, “Suppose she is right? She’s very intelligent and
often said she didn’t fear anyone enough to lie. Suppose I really am going to
become somebody. Imagine.”
At that moment, when I could still taste the red rice, I decided the time had
come to stop my dangerous habits like smoking, drinking, and cursing. Imagine.
I might really become somebody. Someday.
25
13
3 Diary/Memoir
3.1 Diary: What I Did in 2013 by Alan Bennett
This is an extract from the 2013 diary of Alan Bennett, the English playwright, screenwriter,
actor and author.
3 January, Yorkshire
The year kicks off with a small trespass when we drive over from Ramsgill
via Ripon and Thirsk to Rievaulx. However the abbey is closed, seemingly
until the middle of February, which infuriates us both, and though at 78 and
with an artificial hip it’s not something I feel I should be doing, we scale the
five-bar gate and break in. The place is of course empty and though it’s quite
muddy underfoot, an illicit delight. It’s warm and windless, the stones of the
abbey sodden and brown from the amount of moisture they’ve absorbed.
Spectacular here are the toilet arrangements, the reredorter set above a
narrow chasm with a stream still running along the bottom. Unique, though
(or at least I haven’t seen another), is the tannery complete with its various
vats, a small factory in the heart of the abbey and which must have stunk
as tanneries always did. I remember the tannery down Stanningley Road
opposite Armley Park School in Leeds which my brother and I (en route for
the Western cinema) always ran past holding our noses. The site at Rievaulx
is just over the wall from the abbot’s lodgings, which smelly though medieval
abbeys were, must have been hard to take. Coming away we scale the gate
again, happy to have outwitted authority, but since all that stands between
Open and Closed is a five-bar gate it’s maybe English Heritage’s way of turning
a blind eye.
4 February
I don’t imagine that my old Oxford supervisor, the medieval historian Bruce
McFarlane, would be much exercised by the discovery of the body of Richard
III, though there would be some mild satisfaction in finding the king exactly
where the sources said he was. McFarlane wouldn’t have thought the body
particularly informative as compared with the real stuff of history, some of
the ex-duke of York’s receiver’s accounts, say, or records of Yorkist estate
management.
The TV programme on Channel 4 was a lengthy and slightly spurious
cliffhanger, culminating in the always conjectural reconstruction of what the
famous corpse looked like. No different from the fanciful portrait, it turns
out, but with enough humanity to satisfy the convictions of the Richard III
Society, who were stumping up for the whole exercise. Bracketed in my mind
with the ‘Bacon is Shakespeare’ lot, the Richard III fans seem not without
a bob or two and with some of their barmier members on parade in the
programme. …
5 March
So cold this week that I do what I haven’t done since I was in the army in
Bodmin in 1954, get up and put my clothes on top of my pyjamas.
14
3 Diary/Memoir
29 March
Richard Griffiths dies. We’ve been away for a couple of days so are spared
the unctuous telephone calls that always come from the tabloids on such
occasions, ‘We’re sorry to be the bearer of bad tidings’ or ‘We hope we’re
not intruding on your grief.’ Outside his family the person who would have
known him best as an actor at the National and who would have been most
acquainted with the logistic difficulties caused by his bulk was his dresser.
No one will think to ask him, and I’ve never known him gossip about the
actors he’s dressed (myself included), but he would have an angle on Richard
and how he coped with his life that is unshared by any of the obituary writers.
Richard had an unending repertoire of anecdotes and an enviable spontaneous
wit besides. I was working with him at the time when Henry VIII’s flagship
the Mary Rose was being laboriously raised from the depths of the Solent.
This was being done by means of a cradle when suddenly a cable snapped and
the wreck slipped back into the water.
‘Ah,’ said Richard. ‘A slight hiccup on the atypical journey from grave to
cradle.’
3.2 Eye-witness account written by a young radio operator in the First World War
This is an extract from a memoir written by sapper B. Neyland, who served from September
1916 to December 1919 in the Royal Engineers (Signals), Wireless Section.
At the age of eighteen I crossed to France early in 1917, a sapper in the Royal Engineers
Wireless Section. We operators had only a vague idea of our likely duties, for the
Wireless Section was only then becoming of use in the trenches.
I was sent via St. Pol to Arras, and with a fellow-operator was led into the trenches at
Roclincourt. There I first experienced the bursting of a shell near me, and I laughed
at the frightened manner in which our guide flung himself down when the shell fell
about thirty yards away. It was not long before I took to flinging myself down on
such occasions.
When our guide led me into a trench filled waist deep with muddy water, I could not
believe he was serious – and I hesitated – I was wearing brand-new riding-breeches,
puttees, and boots. However, I waded in, and it was seventeen days before my boots
touched dry soil again.
We were left in a muddy dug-out at Roclincourt with an officer and his batman,
waiting for the attack. We spent our time experimenting with a small British Field
set – the Trench set – and we still had no idea of our purpose.
Then, on April 5th, we were called into Arras where a R.E. officer “put us wise”. The
attack was to be made within the next few days, the infantry waves were to advance
under cover of a formidable barrage, and each wave was to be provided with a
wireless station. The Roclincourt station was to go over with the first infantry wave.
15
3 Diary/Memoir
The Roclincourt station! That was Hewitt and I and an officer! Four infantrymen
were to assist us in carrying our weighty apparatus, the set, accumulators, dry cells,
coils of wire, earth mats, ropes, and other details.
We returned to Roclincourt and sent many practice messages to our Directing Station
at Arras. That night one of our aerial masts was shattered and we were instructed
to erect another. We had no reserve mast, but, fortunately, we found a large crucifix
nearby.
“That’s it,” said the officer. “Hewitt, climb up there and attach the aerial as high as
possible.”
Hewitt clambered up over the figure of Christ just as a German machine gun swept
the line, the Verey lights revealing Hewitt distinctly. He soon fell into a depth of
slime, frightened, but unhurt. It was our first experience of enemy machine-gun fire.
“You try,” the officer pointed to me.
It is an eerie sensation to climb over an effigy of Jesus, to dig your feet into any parts
of the figure offering foothold, to hold on to the outstretched arms, and breathe on
to the downcast face, to fix a rope somewhere on the Cross and to hear the German
machine gun tat-tatting all around.
Failing to secure the rope, I slid down and we returned to the dug-out with our
officer extremely annoyed. Early the next morning we secured the aerial to the ruins
of a building. On April 7th our officer laid a plan of the German sector opposite us
on the table, and he detailed our instructions.
At a particular tree-stump far over in the enemy’s Blue Line we were to erect a
station as rapidly as possible and transmit any messages handed in by the officers
engaged in the attack.
I felt intensely relieved that I was to be given an opportunity of doing something
useful, and of feeling that at last I was to play a real part in the Great War. I found
that Hewitt, too, experienced this sense of relief.
16
4 Digital Text
4.1 Blog by George Scott: ‘A ride of two halves...’
4.2 Past Masters Podcast: ‘The Truth is in Here: UFOs at The National Archives’
This is a transcript of a podcast discussing the transfer of files on UFO sightings from the
Ministry of Defence to The National Archives.
From ghost rockets in Scandinavia to mysterious spheres tracked over Eritrea, the Past Masters
team look at the records of Unidentified Flying Objects held at The National Archives and ask,
is the truth in here?
The Ministry of Defence is now transferring files on UFOs to The National Archives covering
1978 to 2002.
Bob: Hi there, you are listening to Past Masters from the National Archives in London. I’m Bob.
Jo: And I’m Jo.
Bob: And this month we’re looking at one of the strangest sets of records we have here at the
Archives – the British government’s very own X-Files.
Jo: Mysterious lights in the sky, unexplained radar traces. Reports from military sources and
members of the public and official government policy on UFOs from the old Air Ministry, the
Ministry of Defence, the Foreign Office and the Admiralty.
Bob: And why are we looking at this?
Jo: Because it’s a fascinating insight into the workings of government. And it’s secret files on aliens!
How good is that?
Bob: I think they’re “unexplained aerial phenomena”, aren’t they? Where’s the evidence they’re
aliens?
Jo: Now, scepticism is very healthy but I think when you’ve heard some of these documents you
might not be so sure.
Bob: I think that’s very unlikely. What have you got?
Jo: We’ve got dozens of files containing carefully kept records of hundreds of sightings.
Bob: How far back do they go?
Jo: Well, the British government first begins watching the skies in the first decade of the 20th
century.
Bob: Looking out for German airships before the First World War.
Jo: That’s right.
Bob: Well, since they went on to bomb cities up and down Britain in 1915 that sounds very
sensible. But it’s nothing to do with aliens. What else have you got?
Jo: Oh. Okay. World War II. Throughout the war British and American pilots report seeing strange
patterns of lights on bombing runs over Germany.
Bob: Like the lights you get on aircraft?
Jo: Well, sort of, but not –
Bob: That’s another mystery solved then. I’m getting good at this.
18
5 Interview
5.1 BBC1 Panorama interview between Martin Bashir and Princess Diana
This is an extract from the television interview broadcast in 1995 between Martin Bashir, a
journalist with the BBC current affairs programme Panorama, and Diana, Princess of Wales.
DIANA: I think the British people need someone in public life to give affection, to
make them feel important, to support them, to give them light in their dark
tunnels. I see it as a possibly unique role, and yes, I’ve had difficulties, as
everybody has witnessed over the years, but let’s now use the knowledge I’ve
gathered to help other people in distress.
BASHIR: Do you think you can?
DIANA: I know I can, I know I can, yes.
BASHIR: Up until you came into this family, the monarchy seemed to enjoy an
unquestioned position at the heart of British life. Do you feel that you’re at
all to blame for the fact that survival of the monarchy is now a question that
people are asking?
DIANA: No, I don’t feel blame. I mean, once or twice I’ve heard people say to me that,
you know, ‘Diana’s out to destroy the monarchy’, which has bewildered me,
because why would I want to destroy something that is my children’s future. I
will fight for my children on any level in order for them to be happy and have
peace of mind and carry out their duties. But I think what concerns me most
of all about how people discuss the monarchy is they become indifferent, and
I think that is a problem, and I think that should be sorted out, yes.
BASHIR: When you say indifferent, what do you mean?
DIANA: They don’t care. People don’t care anymore. They’ve been so force-fed with
marital problems, whatever, whatever, whatever, that they’re fed up. I’m fed
up of reading about it. I’m in it, so God knows what people out there must
think.
BASHIR: Do you think the monarchy needs to adapt and to change in order to survive?
DIANA: I understand that change is frightening for people, especially if there’s nothing
to go to. It’s best to stay where you are. I understand that. But I do think that
there are a few things that could change, that would alleviate this doubt, and
sometimes complicated relationship between monarchy and public. I think
they could walk hand in hand, as opposed to be so distant.
BASHIR: What are you doing to try and effect some kind of change?
DIANA: Well, with William and Harry, for instance, I take them round homelessness
projects, I’ve taken William and Harry to people dying of Aids – albeit I told
them it was cancer – I’ve taken the children to all sorts of areas where I’m
not sure anyone of that age in this family has been before. And they have a
knowledge – they may never use it, but the seed is there, and I hope it will
grow because knowledge is power.
19
5 Interview
BASHIR: What are you hoping that that experience for your children – what impact
that experience will have on your children?
DIANA: I want them to have an understanding of people’s emotions, people’s
insecurities, people’s distress, and people’s hopes and dreams.
BASHIR: What kind of monarchy do you anticipate?
DIANA: I would like a monarchy that has more contact with its people – and I don’t
mean by riding round bicycles and things like that, but just having a more
in-depth understanding. And I don’t say that as a criticism to the present
monarchy: I just say that as what I see and hear and feel on a daily basis in the
role I have chosen for myself.
BASHIR: There’s a lot of discussion at the moment about how matters between yourself
and the Prince of Wales will be resolved. There’s even the suggestion of a
divorce between you. What are your thoughts about that?
DIANA: I don’t want a divorce, but obviously we need clarity on a situation that has
been of enormous discussion over the last three years in particular. So all I say
to that is that I await my husband’s decision of which way we are all going to
go.
BASHIR: If he wished a divorce to go through, would you accept that?
DIANA: I would obviously discuss it with him, but up to date neither of us has
discussed this subject, though the rest of the world seems to have.
BASHIR: Would it be your wish to divorce?
DIANA: No, it’s not my wish.
BASHIR: Why? Wouldn’t that resolve matters?
DIANA: Why would it resolve matters?
BASHIR: It would provide the clarity that you talk about, it would resolve matters as
far as the public are concerned perhaps.
DIANA: Yes, but what about the children? Our boys – that’s what matters, isn’t it?
BASHIR: Do you think you will ever be Queen?
DIANA: No, I don’t, no.
BASHIR: Why do you think that?
DIANA: I’d like to be a queen of people’s hearts, in people’s hearts, but I don’t see
myself being Queen of this country. I don’t think many people will want me
to be Queen. Actually, when I say many people I mean the establishment that
I married into, because they have decided that I’m a non-starter.
20
5 Interview
This is an extract from the television interview broadcast in 2013 between Jay Leno, host
of NBC’s The Tonight Show with Jay Leno, and Barack Obama, President of the United
States of America.
THE PRESIDENT: I had a bunch of friends come over who I don’t see that often
from high school and college. And we played a little golf, and then we tried to
play a little basketball. And it was a sad state of affairs. (Laughter.)
Q: Really?
THE PRESIDENT: A bunch of old guys. Where’s the Ibuprofen and all that
stuff. (Laughter.)
21
5 Interview
Q: You can’t grasp that number, no. (Laughter.) Now, I’ve seen Michelle tease you
about your gray hair. You have a bit of silver in your hair. Do you tease back?
THE PRESIDENT: No. (Laughter and applause.) That’s why we’re celebrating
our 21st anniversary. (Laughter.)
Q: As I’m married 33 years, I know exactly what you’re saying. (Laughter.) I’ve
got to ask you about this. Everyone is concerned about these embassy closings.
How significant is this threat?
THE PRESIDENT: Well, it’s significant enough that we’re taking every
precaution. We had already done a lot to bolster embassy security around the
world, but especially in the Middle East and North Africa, where the threats
tend to be highest. And whenever we see a threat stream that we think is specific
enough that we can take some specific precautions within a certain timeframe,
then we do so.
Now, it’s a reminder that for all the progress we’ve made — getting bin Laden,
putting al Qaeda between Afghanistan and Pakistan back on its heels — that
this radical, violent extremism is still out there. And we’ve got to stay on top
of it. It’s also a reminder of how courageous our embassy personnel tend to be,
because you can never have 100 percent security in some of these places. The
countries themselves sometimes are ill-equipped to provide the kind of security
that you want. Even if we reinforce it, there are still vulnerabilities.
And these diplomats, they go out there and they serve every day. Oftentimes,
they have their families with them. They do an incredible job and sometimes
don’t get enough credit. So we’re grateful to them and we’ve got to do everything
we can to protect them. (Applause.)
22
6 Radio Drama/Screenplay
6.1 The King’s Speech by David Seidler
This is an extract from the screenplay The King’s Speech written by David Seidler, the British
playwright, film and television writer.
LIONEL
Know any jokes?
BERTIE
Timing isn’t my strong suit.
LIONEL
Cuppa tea?
BERTIE
No thank you.
LIONEL
I think I’ll have one.
BERTIE
Aren’t you going to start treating me Dr Logue?
LIONEL
Only if you’re interested in being treated.
Please, call me Lionel.
BERTIE
I prefer Doctor.
LIONEL
I prefer Lionel. What’ll I call you?
BERTIE
Your Royal Highness, then Sir after that.
LIONEL
A bit formal for here. What about your name?
BERTIE
Prince Albert Frederick Arthur George?
LIONEL
How about Bertie?
23
6 Radio Drama/Screenplay
BERTIE
(flushes)
Only my family uses that.
LIONEL
Perfect. In here, it’s better if we’re equals.
BERTIE
If we were equal I wouldn’t be here. I’d be at
home with my wife and no-one would give a damn.
LIONEL
Don’t do that.
BERTIE
I’m sorry?
LIONEL
Sucking smoke into your lungs will kill you.
BERTIE
My physicians say it relaxes the throat.
LIONEL
They’re idiots.
BERTIE
They’ve all been knighted.
LIONEL
Makes it official then. My ‘castle’, my rules.
24
6 Radio Drama/Screenplay
This is an extract from the radio drama When I Lived in Peru by the British playwright,
Andrew Viner.
MARTIN: If it’s about those bugs we’ll have a new version out next week.
JULIAN: No, it’s not that. As you’re probably aware, there’s been a
downturn here at FSR. Like a lot of companies, to cut costs
we’re outsourcing our IT department overseas – in our case to
Tanzania.
MARTIN: Redundant?
JULIAN: At your last appraisal you said you found it “dull and repetitive”,
and that you felt “un-stretched and lacking any kind of a
challenge”.
25
6 Radio Drama/Screenplay
MARTIN: Congratulations!
CLAIRE: It’s just an acting promotion while they reorganise after the
redundancies. London said they’d wait for me, and because of
the extra projects, I’ll get a raise as soon as I get here.
MARTIN: That’s brilliant news. But what about the stubble and drool every
morning?
CLAIRE: It’s only for a few months. Till then I guess we’ll just have to
make the most of these weekends. (THEY KISS) Anyway, what
was your work news?
26
7 Reportage
7.1 Chris Rainier: ‘Tsunami Eyewitness Account by Nat Geo Photographer’
This is a first-person account, published in The National Geographic News, of the photographer
Chris Rainier’s experiences of a tsunami in Indonesia in 2005.
It’s day 15 [January 10, 2005] since the disaster, and still there are vast areas where
exposed bodies can be seen lying around, decaying. Just cleaning up, picking up the
bodies, remains the biggest challenge.
Everyone is very impressed with the U.S. military relief effort and the UN’s coordination
of some 200 different [charity organizations] setting up here. The urgent challenge is to
make sure that another hundred thousand people don’t die from disease.
The horror of this place reminds me of something from a biblical disaster story or the
sketches of Hieronymus Bosch [a painter of monstrous scenes of hell]. Everywhere I go
I have to be careful I don’t step on a corpse.
The magnitude of this thing is that this goes on for hundreds of miles in both directions.
In one area some 10 square miles [25 square kilometers] of the city was completely
flattened. It is feared that something like 30,000 bodies are still in there.
The government has confirmed 95,000 dead and 77,000 missing. They are likely soon to
convert that 77,000 missing into confirmed dead.
Are the emergency supplies of food and medicine getting through to the people?
Food and medical aid is arriving, and it is getting to the survivors. An infrastructure
is being set up here in Banda Aceh—but the needs are huge. We still see a lot of
people with broken bones that have not received treatment. We see people with deep
lacerations that have been covered with a dirty rag.
The U.S. military works here from dawn to dusk, and cruise ships have arrived from
Singapore with relief workers and supplies. People are very, very appreciative that we
are here. They appreciate America’s help. People come up to me all the time to say
thanks, give me a hug, or start crying in appreciation. The U.S. military is being well
received.
It’s going to be interesting to see how the massive amount of money raised in the U.S.
and other countries will translate into help on the ground. The bottleneck is a challenge.
So many people are here and so much assistance is coming in. Getting it out to all the
outlying places and all the people who need it is a problem.
27
7 Reportage
Picking up the bodies is a priority. Then the medical assistance needs to move beyond
the most urgent triage to treating broken limbs and deep wounds. People are dying
because they are unable to get this basic medical attention.
A huge number of people are displaced. The challenge is to stabilize their communities
and set up new places for them to live.
28
7 Reportage
29
7 Reportage
30
8 Review
8.1 Flemmich Webb on Boxer Handsome by Anna Whitwham
This is a review of Anna Whitwham’s novel Boxer Handsome by the freelance editor, presenter
and journalist, Flemmich Webb.
Boxer Handsome is Anna Whitwham’s first novel and was inspired by her grandfather,
John Poppy, a young featherweight boxer at the Crown & Manor Boys Club in Hoxton.
This familial connection gives this exciting debut an authenticity, which allied to a
confident writing style, suggests Whitwham has a promising future ahead of her.
The story opens with Bobby fighting childhood friend Connor over a girl. Both amateur
boxers in the same boxing club in East London, they are due to fight each other in the
ring in a divisional competition in a week’s time, but this flurry of fists takes place by the
canal, bare-knuckled and brutal. Bobby wins but can’t resist a victorious act of brutality
that drives subsequent events.
Whitwham acknowledges the value of boxing in society – giving wayward kids a focus,
trainers acting as father figures to young men – through Derek, who runs the Clapton
Bow Boys Club and keeps an eye out for Bobby and his other charges.
But she doesn’t shy away from its brutal side and the thin line that separates regulated
fighting in the ring from unfettered violence outside it. Casualties of this world lay strewn
throughout the world Whitwham creates. Joe, Bobby’s father, was once a decent boxer
himself, but is now a sad alcoholic, a broken shell of a man with none of the respect that
his fists once commanded. Bobby’s mother, a victim of domestic abuse at the hands of
Joe, sees history repeating itself as her son follows in his dad’s footsteps, a slave to the
code of honour that this macho world demands. There’s something of Shakespeare’s
emotionally stunted warrior, Coriolanus, in Bobby. When he meets a local girl, Chloe, he
suddenly glimpses an alternative to the world he has inhabited since birth. The tragedy
is that he lacks the emotional skills to seize this chance.
Whitwham’s writing is as sharp as a one-two combination, short punchy sentences that
capture effectively the brooding atmosphere of the East End, the threat of violence at
every turn and the savagery of fighting. “Then [he] cracked the bridge of his nose wide
open. Skin split. Blood spat. Connor stumbled about headless.”
But the book is tender, too, a change of pace that deepens the emotional resonance of the
characters. Bobby is uncharacteristically unsure of himself when he first takes Chloe on
a date: “She had a grip on him, a spell that held him in awkward moments he couldn’t
get out of.” This is a promising debut, and it will be interesting to see how Whitwham
handles subject matter in subsequent novels that is more distant from her own experience.
31
8 Review
This is a review published in the FT Weekend magazine of the television drama The Bridge by
the TV, radio and film critic, Martin Hoyle.
32
9 Speech
9.1 John F. Kennedy’s Inaugural Address in Washington on January 20, 1961
This is an extract from the speech by John F. Kennedy at his inauguration, a formal ceremony
to mark the beginning of his term of office as President of the United States of America.
To those new states whom we welcome to the ranks of the free, we pledge our word that
one form of colonial control shall not have passed away merely to be replaced by a far
more iron tyranny. We shall not always expect to find them supporting our view. But we
shall always hope to find them strongly supporting their own freedom - and to remember
that, in the past, those who foolishly sought power by riding the back of the tiger ended
up inside.
To those people in the huts and villages of half the globe struggling to break the bonds of
mass misery, we pledge our best efforts to help them help themselves, for whatever period
is required – not because the Communists may be doing it, not because we seek their
votes, but because it is right. If a free society cannot help the many who are poor, it cannot
save the few who are rich.
To our sister republics south of our border, we offer a special pledge: to convert our
good words into good deeds, in a new alliance for progress, to assist free men and free
governments in casting off the chains of poverty. But this peaceful revolution of hope
cannot become the prey of hostile powers. Let all our neighbours know that we shall join
with them to oppose aggression or subversion anywhere in the Americas. And let every
other power know that this hemisphere intends to remain the master of its own house.
To that world assembly of sovereign states, the United Nations, our last best hope in an
age where the instruments of war have far outpaced the instruments of peace, we renew
our pledge of support – to prevent it from becoming merely a forum for invective, to
strengthen its shield of the new and the weak, and to enlarge the area in which its writ
may run.
Finally, to those nations who would make themselves our adversary, we offer not a pledge
but a request: that both sides begin anew the quest for peace, before the dark powers
of destruction unleashed by science engulf all humanity in planned or accidental self-
destruction.
We dare not tempt them with weakness. For only when our arms are sufficient beyond
doubt can we be certain beyond doubt that they will never be employed.
But neither can two great and powerful groups of nations take comfort from our present
course – both sides overburdened by the cost of modern weapons, both rightly alarmed
by the steady spread of the deadly atom, yet both racing to alter that uncertain balance of
terror that stays the hand of mankind’s final war.
So let us begin anew – remembering on both sides that civility is not a sign of weakness,
and sincerity is always subject to proof. Let us never negotiate out of fear, but let us never
fear to negotiate.
33
9 Speech
Let both sides explore what problems unite us instead of belaboring those problems which
divide us.
Let both sides, for the first time, formulate serious and precise proposals for the inspection
and control of arms, and bring the absolute power to destroy other nations under the
absolute control of all nations.
Let both sides seek to invoke the wonders of science instead of its terrors. Together let
us explore the stars, conquer the deserts, eradicate disease, tap the ocean depths, and
encourage the arts and commerce.
Let both sides unite to heed, in all corners of the earth, the command of Isaiah – to “undo
the heavy burdens, and [to] let the oppressed go free.”
And, if a beachhead of cooperation may push back the jungle of suspicion, let both sides
join in creating a new endeavor – not a new balance of power, but a new world of law –
where the strong are just, and the weak secure, and the peace preserved.
All this will not be finished in the first one hundred days. Nor will it be finished in the
first one thousand days; nor in the life of this administration; nor even perhaps in our
lifetime on this planet. But let us begin.
34
9 Speech
9.2 Colonel Tim Collins to 1st Battalion, Royal Irish Regiment, in Iraq in 2003
This is the eve-of-battle speech made by Colonel Tim Collins to the 1st Battalion of the Royal
Irish Regiment in 2003, prior to British troops entering Iraq.
35
9 Speech
36
10 Travelogue
10.1 Sea and Sardinia by D.H. Lawrence
This is an extract from Sea and Sardinia by the English writer D.H Lawrence, who travelled
from his home in Sicily to Sardinia in 1921.
I slept not so badly through the stifled, rolling night—in fact later on slept
soundly. And the day was growing bright when I peered through the porthole,
the sea was much smoother. It was a brilliant clear morning. I made haste and
washed myself cursorily in the saucer that dribbled into a pail in a corner: there
was not space even for one chair, this saucer was by my bunk-head. And I went
on deck.
Ah the lovely morning! Away behind us the sun was just coming above the sea’s
horizon, and the sky all golden, all a joyous, fire-heated gold, and the sea was
glassy bright, the wind gone still, the waves sunk into long, low undulations, the
foam of the wake was pale ice-blue in the yellow air. Sweet, sweet wide morning
on the sea, with the sun coming, swimming up, and a tall sailing bark, with her
flat fore-ladder of sails delicately across the light, and a far-far steamer on the
electric vivid morning horizon.
The lovely dawn: the lovely pure, wide morning in the mid-sea, so golden-
aired and delighted, with the sea like sequins shaking, and the sky far, far, far
above, unfathomably clear. How glad to be on a ship! What a golden hour for
the heart of man! Ah if one could sail for ever, on a small quiet, lonely ship, from
land to land and isle to isle, and saunter through the spaces of this lovely world,
always through the spaces of this lovely world. Sweet it would be sometimes to
come to the opaque earth, to block oneself against the stiff land, to annul the
vibration of one’s flight against the inertia of our terra firma! but life itself would
be in the flight, the tremble of space. Ah the trembling of never-ended space,
as one moves in flight! Space, and the frail vibration of space, the glad lonely
wringing of the heart. Not to be clogged to the land any more. Not to be any
more like a donkey with a log on its leg, fastened to weary earth that has no
answer now. But to be off.
To find three masculine, world-lost souls, and world-lost saunter, and saunter
on along with them, across the dithering space, as long as life lasts! Why come to
anchor? There is nothing to anchor for. Land has no answer to the soul any more.
It has gone inert. Give me a little ship, kind gods, and three world-lost comrades.
Hear me! And let me wander aimless across this vivid outer world, the world
empty of man, where space flies happily.
37
10 Travelogue
10.2 Riding the Iron Rooster: By Train Through China by Paul Theroux
This is an extract from the travelogue by the American travel writer and novelist, Paul
Theroux, who took eight trains across Europe, Eastern Europe, the USSR and Mongolia on his
way to reaching the Chinese border.
We came to Paris and were met by a bus and brought to a hotel. This was in
the fourteenth arrondissement near the end of the Metro line, in a district
that was indistinguishable from the outskirts of Chicago, or South Boston. It
was mainly post-war blocks of flats that had once been light stucco and were
now grey. There were too many of them, and they were too close together,
and people said: ‘Is this Paris? Is this France? Where’s the Eiffel Tower?’ The
centre of Paris is a masterpiece of preservation, but the suburbs such as this
one are simple and awful. The brutal pavements and high windows of Saint-
Jacques seemed designed to encourage suicide.
Then I was told (‘funnily enough’) that Samuel Beckett lived in one of those
blocks of flats and indeed had been in it for years. That was where he wrote
his stories and plays about the sheer pointlessness and utter misery of human
existence. I thought: No wonder! I was told that he often came over to our
hotel, the Hotel Saint-Jacques, to have a morning coffee. The hotel was a
newish, spick and span place that resembled the lonely hotels that are found
just outside American airports, where people stay because there is nowhere
else. Beckett came here for pleasure? I walked the streets, I lurked in the
coffee shop, I prayed for him to appear; but, nothing. It was a lesson, though.
When people read ‘Samuel Beckett lives in exile in Paris’, they did not know
that it meant a poky little flat on the fifth floor of number thirty-two – a tall
grey building in which residents waited for Godot by watching television. And
it was seventeen stops on the Metro from the centre of Paris, the Left Bank,
the museums.
… It was a wet black morning in Paris, the street-sweepers and milkmen doing
their solitary rounds by the light of street-lamps, and just as dawn broke over
the eaves and chimney pots we plodded out of the Gare de l’Est. I thought we
had left the suburbs behind in the rue Saint-Jacques, but there were more, and
they were deeper and grimmer. The people in the group, with their faces at
the windows of the train, were shocked and disillusioned. It wasn’t gay Paree,
it wasn’t even Cleveland. The Americans looked very closely. We were unused
to this. We put up suburbs too quickly and cheaply for them to wear well. We
expected them to decline and collapse and be replaced; they weren’t built to
last, and they look temporary because they are temporary. But French suburbs
– villas, terraced houses and blocks of flats – are solid and fairly ugly and their
most horrific aspect is that they look as though they will last for ever. It had
been the same in outer London: how could houses so old look so awful?
38
Acknowledgements
We are grateful to the following for permission to reproduce copyright material:
Extract on pages 8–9 from “Too much talk for one planet: why I’m reducing my word emissions”`, The
Guardian, 28/07/2013 (Charlie Brooker), copyright © Guardian News & Media Ltd, 2013; Extract on
page 10 from “As gay people celebrate, the treatment of the disabled just gets worse”, The Independent,
31/03/2014 (Ian Birrell), copyright © The Independent, [Link]; Extract on pages
12–13 from Mom & Me & Mom by Maya Angelou, Virago, 2014, pp.75–79 copyright © 2013 by Maya
Angelou. Reproduced by permission of Little, Brown Book Group Limited and Random House, an
imprint and division of Random House LLC. All rights reserved; Extract on pages 14–15 from Alan
Bennett Diaries by Alan Bennett, Vol 36, No. 1, London Review of Books, pp.34–35. Reproduced with
permission; Extract on pages 15–16 from “Memoirs & Diaries – A Wireless Operator” by B. Neyland,
1917, published in The Mammoth Book of How it Happened – WW1, Robinson, 1997 and http://
[Link]/diaries/[Link]. Reproduced with permission of Little, Brown Book
Group Limited and [Link]; Extract on page 17 from the blog “George’s Andalucia training
camp diary – day three. A Ride of Two Halves”, 30 March 2014, [Link]
[Link]. Reproduced with kind permission from George
Scott; Extract on page 18 from “The Truth is in Here: UFOs at The National Archives”, 08/10/09.
The National Archives, [Link]
at-the-national-archives, Contains public sector information licensed under the Open Government
Licence (OGL) [Link]://[Link]/doc/open-government-licence; Extract
on pages 19–20 from the transcript of the BBC1 Panorama Interview with the Princess of Wales.
Broadcast November 1995, [Link]
copyright © BBC. Reproduced with permission; Extract on pages 21–22 from an interview with
President Barack Obama by Jay Leno, The Tonight Show, NBC Studios Burbank, California 07/08/2013,
[Link]
show. Reproduced under the Creative Commons Attribution 3.0 License; Extract on pages 23–24 from
The King’s Speech, screenplay by David Seidler, 2010, pp.18–21, The Weinstein Company, Bedlam
Productions / See Saw Films; Extract on pages 25–26 from the BBC Radio drama “When I Lived
in Peru” by Andrew Viner, pp.14–16, [Link]/writersroom/scripts/When-I-Lived-in-Peru,
copyright © BBC and Gemma Hirst Associates on behalf of the author. Reproduced with permission;
Extract on pages 27–28 from “Tsunami Eyewitness Account”, National Geographic News, 11/01/2005
(Chris Rainier and David Braun), © David Braun/National Geographic Creative. Reproduced with
permission; Extract on pages 29–30 from “I survived an earthquake while scuba diving”, The Guardian,
25/01/2014 (Jessica Read), copyright © Guardian News & Media Ltd, 2014; Extract on page 31 from
“Book review: ‘Boxer Handsome’ by Anna Whitwham”, The Independent, 10/01/2014 (Flemmich
Webb), copyright © The Independent, [Link]; Extract on page 32 from Review of
The Bridge, Financial Times, 05/01/2014 (Martin Hoyle), copyright © The Financial Times Limited.
All Rights Reserved; Extract on pages 35–36 from Colonel Tim Collins’ ‘Eve of Battle’ speech, http://
[Link]/our-people/leadership/290-eve-of-battle, copyright © Colonel Tim Collins, 2003.
Reproduced by permission of Lucas Alexander Whitley Ltd; and Extract on page 38 from Riding the
Iron Rooster: By Train Through China by Paul Theroux, Hamish Hamilton, 1988, Penguin Books 1989,
pp.9–11, copyright © Cape Cod Scriveners Co., 1988 & copyright © Paul Theroux, 1988. Reproduced
by permission of Penguin Books Ltd and The Wylie Agency LLC.
Cover image: Getty Images / Life on White
Every effort has been made to contact copyright holders to obtain their permission for the use of
copyright material. Pearson Education will, if notified, be happy to rectify any errors or omissions and
include any such rectifications in future editions.
39
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