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Jean-Michael Blais: il Arr. by Abigail Stephenson

This musical composition is written using musical notation symbols. It consists of a series of notes arranged on a musical staff with varying rhythms. The piece has multiple sections that change in tempo and instrumentation.

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Holly

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0% found this document useful (0 votes)

10 views3 pages

Jean-Michael Blais: il Arr. by Abigail Stephenson

Uploaded by

Holly

We take content rights seriously. If you suspect this is your content, claim it here.

Available Formats

Download as PDF, TXT or read online on Scribd

il

arr. by Abigail Stephensnon

Composed by Jean-Michael Blais

 = 200 
                                    

                             


         
  
                             
7

                      




 
 
                                     
13

     
                              
  

                  
              
        
19


                                
   

        
         
             
25
rit.

               
    
 


                             
     
     
31

        
  
   
    
               
2

      

   
 
     
     

                                      
 
45

 
  
                      

     


                                       

51

       
     

             
 

                                       
  
57

     
   
       
 



  

      
      
                            

  
63

    
         
 
           
    


                                      

69

       
       
         
    
         
 rit.
       
    
3

 
    
75

     
      
  
 

                                  
        
81

  
          
   




                                         
    
88

                      
 
  

  

        
 
95 

        
  

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Jean-Michael Blais: il Arr. by Abigail Stephenson

Uploaded by

Jean-Michael Blais: il Arr. by Abigail Stephenson

Uploaded by

il

arr. by Abigail Stephensnon

                      

      

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