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Shurtleff's 12 Acting Guideposts

The document outlines 12 guideposts from Michael Shurtleff's book "Audition" that can be used to develop a character for a scene or audition. The guideposts are: 1) Relationships with other characters, 2) Goals and conflicts, 3) Moment before the scene, 4) Humor, 5) Opposites, 6) Discoveries, 7) Tactics, 8) Importance, 9) Events, 10) Place, 11) Roles played with other characters, and 12) Secrets and mysteries of the character. Answering questions about each guidepost helps flesh out details about a character and their circumstances in a scene.

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Joshua Sewell
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0% found this document useful (0 votes)
418 views3 pages

Shurtleff's 12 Acting Guideposts

The document outlines 12 guideposts from Michael Shurtleff's book "Audition" that can be used to develop a character for a scene or audition. The guideposts are: 1) Relationships with other characters, 2) Goals and conflicts, 3) Moment before the scene, 4) Humor, 5) Opposites, 6) Discoveries, 7) Tactics, 8) Importance, 9) Events, 10) Place, 11) Roles played with other characters, and 12) Secrets and mysteries of the character. Answering questions about each guidepost helps flesh out details about a character and their circumstances in a scene.

Uploaded by

Joshua Sewell
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
  • IV. Humor
  • III. The Moment Before
  • V. Opposites
  • I. Relationships
  • II. What are You Fighting For? Goals and Conflict
  • VI. Discoveries
  • X. Place
  • IX. Secrets
  • VIII. Major Events
  • VII. Tactics (Changed from Shurtleff)
  • XI. Gameplay and Roleplay
  • XII. Secrets and Mysteries

Shurtleleff’s 12 Guideposts

The following questions are pulled from Michael Shurtleff’s “Audition: Everything an Actor Needs to
Know to Get the Part”. In it, Shurtleleff gives 12 Guideposts that you can use to build a character in
any scene, either for an audition or in performance. Answer the following questions in about your
scene(s) or character(s). When you answer, refer to the character as yourself using “I” statements (ex.
Instead of saying, “Christine believes the phantom is her father’s ghost”, we would say “I believe the
phantom is my father”.

I. Relationships
The most fundamental building block in any scene is how you are related to your fellow actors.
Examples could be Father and Son, Boss and Employee, or King and Loyal Knight.
Who are the other characters in this scene? What is your relationship to each of those characters? How
does your relation to them change the way you behave around or towards them?

II. What are You Fighting For? Goals and Conflict


Each character in a scene has something that they want, a Goal they are fighting for. They also have
obstacles that keep them from reaching their goal, a source of Conflict.
What does your character want, what are you Fighting For? What is keeping you from your goal?

III. The Moment Before


You didn’t appear out of nowhere as the scene began, every character has a history- form their birth to
the Moment Before the scene starts.
Where were you in the moment just before the opening of the scene? What were you doing? How does
that change or influence your behavior at the start of the scene?

IV. Humor
There is an element of humor in every scene, even in scenes that aren’t meant to be funny. The
characters in the scene may be able to the humor, or they might be clueless to it.
Where is the humor In your scene? Do you see what is happening in that scene with any humor?

V. Opposites
For every quality that is shown in a scene, it’s opposite is also present as well. Finding where opposites
meet can show us moments of high dramatic tension, or clue us into a scene’s themes.
What opposites can you find embodied in your scene? Are there any traits that you embody that you
can find an opposite for in the scene?

VI. Discoveries
The “Illusion of the First Time” is a phrase that is used often in theatre. This refers to the idea that the
characters in a scene are experiencing everything is the scene for the first time. Discoveries are things
you find out during this scene that have some impact on you, and likely change you in some way.
What do you Discover in this scene? How does this change things for you?

VII. Tactics (Changed from Shurtleff)


The second guidepost talked about your Goals and Conflicts that keep you from them; This guidepost
is how you fight for your Goals.
What Tactics do you use to get your goals? Is that successful, or not? How do you change your Tactics
to adapt?

VIII. Importance
A major rule in writing is to write the most interesting part of a character’s life, (If something from
their past or future is more interesting, write about that!) Although the character in the scene may not
realize it, this scene is one of the biggest moments in their lives.
Why is your scene Important? What does it mean to you?

IX. Events
Events can be seen as landmarks in a scene, large moments that the rest of the scene is either leading
towards or away from. These are the moments that inform and define everything that happens around
them.
Are there any big Events before the scene starts? What are the big Events that happen during this
scene? How do they inform your behavior, leading up to and after the Event?

X. Place
The most self-explanatory of the guideposts, this means not just physical location but also everything
that informs how you behave in that setting.
Where does your scene happen? What is one thing you can see, hear, feel, and smell? What time of day
is it? What season? Are you comfortable here? How does all this change how you behave?

XI. Gameplay and Roleplay


Similar to Relationships, Game and Roleplaying are also how you connect to your other actors- but
these are much more flexible. Relationships tend to change slowly, if at all, but roles are changed out
often. Two character may have the Relationship of Mother and Daughter, but play the roles of
Caretaker and Dependent, Teacher and Student, or Rebel and Disciplinarian all in the same scene.
What roles do you play in your scene? Do these roles change during the scene?

XII. Secrets and Mysteries


Lastly, what do we hide from others and what do we not know. Secrets are things your character knows
but hides from others. Mysteries are secrets that are kept from your character.
What secrets are you keeping? Are those secrets revealed during the scene? What mysteries are being
kept from you? Are those revealed during the scene?

Common questions

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'The Moment Before' provides context and backstory that informs a character's initial actions and emotions at the start of a scene. It suggests that characters do not appear out of nowhere but rather carry with them the emotions, actions, and motivations from their prior experiences. For example, if a character was just involved in an argument before entering a scene, the residual anger could influence their tone and demeanor as the scene begins. This creates a more authentic portrayal, suggesting continuity and depth in a character's journey .

'Discoveries' are crucial in a character's journey as they represent moments of realization or revelation that can transform a character's perspective or decisions. These discoveries contribute to the 'Illusion of the First Time,' making the performance feel spontaneous and genuine. They can serve as pivotal points that alter the course of a scene by changing the character’s behavior or decisions moving forward, thus driving the plot and character development .

'Secrets and Mysteries' shape interactions by introducing elements of tension and suspense between characters. Secrets, being what a character knows but hides, can cause them to act deceitfully or choose words carefully, impacting their relationships and interactions. Mysteries, on the other hand, involve unknown elements within the narrative that keep the character and audience guessing, driving intrigue and motivating characters to seek revelation or resolution as the scene progresses .

Understanding 'Opposites' within a scene can enhance an actor's performance by revealing complex character dimensions and heightening dramatic tension. For instance, portraying a character who embodies both strength and vulnerability can create a richer, more nuanced performance. Opposites can also highlight conflicts and inner turmoil, which can make a scene more engaging. By recognizing and incorporating these contradictory qualities, an actor can create a more dynamic and compelling character portrayal .

According to Shurtleff, 'Relationships' are the fundamental building blocks in any scene and significantly affect an actor's portrayal by dictating how characters interact with one another. For instance, knowing if your character is in a Father and Son relationship versus a Boss and Employee relationship will change the nuances and delivery of your lines, gestures, and reactions. The nature of your relationship with others in the scene influences your behavior and emotional responses, thereby shaping your character’s portrayal .

'Tactics' refer to the methods or strategies an actor employs to achieve their character's goals. They influence performance by providing a range of possible actions to overcome obstacles and pursue objectives. Actors might use persuasion, manipulation, or intimidation as different tactics within a scene. The use of varied tactics can result in a dynamic and adaptable performance, enhancing a character's complexity and realism .

'Events' are significant as they serve as pivotal moments that dictate the flow and emotional intensity of a scene. They act as landmarks around which the scene's actions revolve, creating peaks of tension, resolution, or transformation. These events can influence the audience's understanding and the characters' reactions, intensifying emotions and advancing the plot. For example, a confession or revelation can dramatically alter the direction and stakes of the narrative, affecting all involved characters .

Even in dramatic scenes, the guidepost 'Humor' is important as it provides relief, creates contrast, and adds complexity to the narrative. It can alter audience perception by humanizing characters, making them more relatable, and providing a deeper connection to the material. Often, humor can highlight the absurdity or irony in serious situations, thereby enriching the audience's emotional experience and engagement with the scene .

The guidepost 'Importance' contributes by ensuring that actors emphasize the most vital and interesting aspects of a scene. It underscores moments that may be life-changing or crucial for character development, prompting actors to focus on and elevate these instances to highlight their significance. By recognizing and portraying these key moments with the appropriate weight and attention, actors can enhance the dramatic impact and audience engagement with the scene .

Understanding 'Place' influences an actor's performance by grounding their actions and emotional responses in physical context. Knowing the scene's specific location, time, and atmosphere affects how a character feels and behaves; for example, a character's demeanor in a comfortable home setting would differ from one in a public confrontation. The 'Place' provides cues for body language, voice modulation, and interaction with other characters, all of which are critical for authentic performance .

Shurtleleff’s 12 Guideposts
The following questions are pulled from Michael Shurtleff’s “Audition: Everything an Actor Needs
For every quality that is shown in a scene, it’s opposite is also present as well. Finding where opposites 
meet can show us
The most self-explanatory of the guideposts, this means not just physical location but also everything 
that informs how you

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