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Techniques in Contemporary Philippine Arts

This document provides information about materials and techniques used in contemporary Philippine arts. It begins by introducing the chapter's focus on familiarizing readers with local materials and techniques used by contemporary artists. It then lists several most essential learning competencies related to enumerating abundant regional materials, differentiating materials used in different mediums, and designing art using home materials. The document proceeds to discuss various materials commonly used in the Philippines like abaca, bamboo, rattan and their applications. It also explains techniques like mixed media, new media art, improvisation in theater, creative drama and related games. An activity is provided asking readers to find materials hidden in a word search grid.

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0% found this document useful (0 votes)
314 views10 pages

Techniques in Contemporary Philippine Arts

This document provides information about materials and techniques used in contemporary Philippine arts. It begins by introducing the chapter's focus on familiarizing readers with local materials and techniques used by contemporary artists. It then lists several most essential learning competencies related to enumerating abundant regional materials, differentiating materials used in different mediums, and designing art using home materials. The document proceeds to discuss various materials commonly used in the Philippines like abaca, bamboo, rattan and their applications. It also explains techniques like mixed media, new media art, improvisation in theater, creative drama and related games. An activity is provided asking readers to find materials hidden in a word search grid.

Uploaded by

alie tolentino
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
  • Introduction
  • Local Materials in the Philippines
  • Different Techniques and Their Application
  • Activities
  • Assessment

11/12

CONTEMPORARY PHILIPPINE ARTS


FROM THE REGIONS
QUARTER 2 – MODULE 1
MATERIALS AND THE APPLICATION OF
TECHNIQUES IN CONTEMPORARY ARTS

1
INTRODUCTION (What I Need to Know?)

In this chapter, we will discuss the materials and techniques used by contemporary artists.
In this chapter you will be able to familiarize yourself with what materials and techniques
contemporary the artists used locally. By learning about the materials and techniques, you will be
able to critique and justify the materials and techniques used by the artists when appreciating their
works. Your knowledge in this chapter may also be applied in your own artwork
So, let’s get ready. Happy learning!

(MELC) Most Essential Learning Competency


Explicates the use of available materials and the application of techniques.
At the end of this module, you should be able to:
a. enumerate the materials that are abundant in the regions;
b. differentiate the materials used in paintings and drawings;
c. design an art using materials that are available at home.

DISCUSSIONS AND ACTIVITIES (What is It?)

MATERIALS AND TECHNIQUES IN CONTEMPORARY ARTS


Contemporary artists are experimental in the materials they use. With the help of technology
and expanded knowledge from other countries, contemporary artists are not limited anymore in
using traditional materials. Some artists salvage materials that they can still use to make creative
forms. They can combine materials like wood and metal that can interact with the wind to make
music. There are some who use everyday items like plastic cover for food, paper for sculpture,
mirror or yarn. Some may use their personal things like clothes or accessories.
([Link]

LAGUNA.“Project Be-longing” by Alfredo and Isabel Aquilizan. Cubes


composed of personal belongings,representing balikbayan boxes.
CAVITE. Impy Pilapil’s “Chime Halo”. Hanging bamboo chimes
[Link]

[Link]

LAGUNA. “Wings” by Alfredo and Isabel Aquilizan, LAGUNA. “Formosa Series 1” by Ryan Villamael. Paper sculpture.
made up of used rubber slippers collected from
Singapore Correctional Facility.
[Link]
[Link]
2
LOCAL MATERIALS IN THE PHLIPPINES
MATERIALS PRODUCT
Abaca belongs to banana family. Its fiber has a natural Slippers, ropes, twine, hammock,
luster with colors ranging from pure white to ivory and frame, display jar, Chelsea chair
dark brown.
Bakbak is the outermost covering or leaf sheath of the Mat, bangkuay bin, boxes, bin,
abaca stalk. It is a flat thick durable sheath as twine or display jar, Cecilia dining table, and
braided. The strong brown fiber used to make furniture. arm chair.
Bamboo is used as a raw material in creating many Kubing, bungkaka, tongatong,
products. It is used in construction, textile, musical angklung, pateteg, gabbang
instruments, weapons, and many more.
Buntal is a cylindrically shaped fiber. The supple ivory Bag, shoes, desk accessories like pen
white strands are quiet durable, pliable, and have good holder, picture frames, file trays,
dyeing qualities. wallets, place mats, lampshades,
window blinds.
Buri is extracted from the matured leaves of the buri Hats, bags, baskets, memorabilia
palm. The fiber is durable and resistant to moisture. boxes, perfume tray, and other woven
products
Coir is the fibrous material surrounding the fruit of the Indoor or outdoor fiber carpets, wall
coconut tree. covering, doormat, trellises, and geo
textiles

Nito is a plant belonging to the fern family that grows Bags, bread tray, lampshade and
abundantly in the hinterlands of Mindanao. decorative jar
Pandan is a tropical plant. It is processed and transformed Baskets, hats, picture frames and
into splints that are being used as raw material. bags
Raffia is a fiber extracted from unopened buri leaf in 3 Hats, placemats, folder, shoes,
stages. It is loom woven into fabrics or used as wall slippers, boxes, portfolio and ladies’
coverings, upholstery material, folding doors and window bags, circular boxes, document boxes
hangings.
Rattan belongs to the palm family. There are different Baskets, picture frames, furniture
types of rattan palms, such as high or low climbers, single and other novelty items, Zoya lounge
stemmed or clustered rattan species. chair, Valencia queen size bed, Rest
divan
Tikiw is a large, erect, and aquatic or marshy herb plant. Baskets, hampers with lids, bags,
It is found in Central Luzon to Mindanao. It abounds in rugs, carpets, placemats, jar, and
fresh water swaps, and in newly opened rice land at low other decorative items.
altitudes.
Tikog belongs to sea grasses. It is a native reed plant used Bags, decorative mats, hampers,
as a raw material for mat weaving. newspaper racks, table mat, waste
bin, tower candle holder, wall decor
([Link]
DIFFERENT TECHNIQUES AND ITS APPLICATIONS

 Mixed media – a term used to describe artworks composed from a combination of different
media or materials. A work on canvas that combines paint, ink, and collage could properly be
called a “mixed media” work.

3
 New Media Art – a 21st century catchall term used to define all that is related to the internet and
the interplay between technology, images and sound
[Link]
[Link]

[Link] [Link]
[Link]

 Ballet Philippines Opera - is a ballet company in the Philippines founded in 1969 by Alice Reyes
with the support of Eddie Elejar and the Cultural Center of the Philippines. Proficient in both
ballet and modern dance, the company synthesizes diverse dance and movement forms, from
classical ballet to avant-garde choreography, from traditional dance to modern dance, from
martial arts to aerial movements, into distinctively Filipino contemporary expressions.

 Improvisation in the theater- playing of dramatic scene without written dialogue and with
minimal or no predetermined dramatic activity. Most or all of what is performed is created at the
moment it is performed. In its purest from, the dialogue, action, story, and characters are created
collaboratively by the players as the improvisation unfolds in present time, without the use of an
already prepared, written script. An important goal of improvisation is to enable the individual to
develop spontaneity which is necessary in creating the illusion of reality. The improvisation
teacher must expose students to the theatrical environment through various games rather than
lectures.

Forms of Improvisation
1. Short form – short scenes constructed from predetermined game.
2. Long form – scenes related by story or character.

 Creative Drama – an improvisational, non-exhibition, process centered form of drama in which


participants are guided by a leader to imagine, enact, and reflect upon human experiences.
-this process allows students to actively explore a subject or question through imaginative play
that is facilitated by a leader and may involve a variety of improvisational activities.
-these activities are not scripted or memorize, and they allow students to synthesize various
educational concepts into a personally meaningful form.

Improvisation Games
1. Spontaneous Response Games
2. Spontaneous Movement
3. Creative Movement
4
4. Interactive Storytelling
(([Link] )

ACTIVITY 1: FIND ME!

Directions: Search the word and write in your answer sheet the materials of arts hidden in the
grid words that appear forward or backward, horizontally, vertically or diagonally in
the grid.

A C A B A R E V A E B E G O P
J N V M A B D J V Q T M C L A
M S O F V K R I C O I R D N P
Q H T Y W Z B U B S K V R I E
Q X T C A N V A S X D R W T R
P W O Y J Y G I K H Q A H O M
N E O U I R U B A A E T N I A
L T B I K R G S Z O R T Z Z C
I H M C O L V I C J D A E S H
N R A F F I A S H B U N T A L
O W B L B L S A C O L N A O E
L L I E N A D N A P L E S R C
E C O K O R P A I N T I K O G
U X S O I M O M Z J W K R C D
M M J W A T E R C O L O R V I

ACTIVITY 2: DIFFERENTIATE ME!


Directions: Give at least 2 examples of the technique and applications of the arts and
differentiate each other by writing your answer in your answer sheet.

1. 2.
1. Mixed-media
_____________________________________

1. 2.

2. New Media Art


_______________________________________

1. 2.
3. Creative Drama
_________________________________________

1. 2.
5
4. Ballet Philippine Opera

________________________________________
Rubrics

Rubrics
CRITERIA DESCRIPTION POINTS
Organization The concept was clearly 5
and creatively conveyed
Content The content was clearly 5
discussed
Presentation The idea was clearly 5
presented based on the
work used.

ACTIVITY 3: THUMB PATTERN

Directions: Through Freestyle, do what is ask from number 1 to 3, write your answer in your
answer sheet using the rubrics below.
1. Draw your town, city or province logo using some materials that are available in
your home.
2. Create your own logo with the use of mixed media.
3. Place your thumb mark in any corner of the logo to ensure that this activity is yours.

6
ASSESSMENT
I. Directions: Select the BEST word from column B that describes in column A. Write the correct
letter in your answer sheet.

Column A Column B
______1. Its fiber has a natural luster with colors ranging A. Bakbak
from pure white to ivory and dark brown
______2. A flat thick durable sheath as twine or braided. B. Buntal
used to make furniture.
______3. Used in construction, textile, musical instruments, C. Coir
weapons, and many more.
______4. The supple ivory while strands are quite durable, D. Raffia
pliable, and have good dyeing qualities [Link]
______5. It is extracted from the matured leaves of the buri palm F. Rattan
______6. The fibrous material surrounding the fruit of the coconut tree. [Link]
______7. A plant belonging to the fern family that grows abundantly H. Buri
in the hinterlands of Mindanao.
______8. It is processed and transformed into splints that are being I. Pandan
used as raw material
______9. It is loom woven into fabrics or used as wall coverings, J. Abaca
upholstery material, folding doors and window hangings.
______10. There are different types of rattan palms, such as high or K. Fabrics
low climbers, single stemmed or clustered rattan species.

II. Directions: Write TRUE in your answer sheet if the statement is correct and FALSE if it is
incorrect.

_________1. BRUSHES are made up of wood and they consist of bristles and hair
_________2. DYES are especially used in buildings and houses
_________3. CLAY is made up of soil and it is used in making pots
_________4. PENCILS are exclusively used only for writings
_________5. COLOR PAINT is commonly used to protect, color or provide texture to
objects.

7
III. Directions: Make your own design using the techniques and application of the arts. Rubric will
be used to rate your work.

Rubrics

8
Activity 1
ANSWER KEY OF ACTIVITIES
Activity 1
1. Bakbak 7. Pandan

2. Bamboo 8. Raffia Activity 2: Activity 3:

3. Buntal 9. Rattan Answers may Answers may


vary. Refer to vary. Refer to
4. Buri 10. Tikiw
Rubrics. Rubrics.
5. Cori 11. Abaca

6. Nito 12. Tikog

References:

A. Books

Sandagan, Luzviminda D [Link]; 2016 Contemporary Philippine Arts from the [Link] Publshing
Services.

B. Online and Other Sources

[Link]

[Link]
ARY_ART_TECHNIQUES_AND_PERFORMANCE_PRACTICES

[Link]

DIVISION QUALITY ASSURANCE MANAGEMENT TEAM IN HUMSS

WRITER: RIZAL R. TINAZA


VALIDATORS:
DR. MARILEX A. TERCIAS DR. EUGENE M. TORALBA
DR. ALBERTO O. RABANG DR. VIRGINIA B. FREGILLANA
JEANNEROSE M. ACOSTA ZOSIMA IRENE H. FERNANDEZ
MA. JOCELYN J. SOTONG DANILO T. SIBLAG
VICTOR B. ABAN JAMELIE M. CRISPINO

CONSULTANTS:
DR. DANILO C. SISON DR. TEODORA V. NABOR
DR. CORNELIO R. AQUINO DR. JEROME S. PARAS
DR. MAYBELENE C. BAUTISTA

9
p
ANSWER KEY OF ASSESSMENT

I. II.
1. J 6. C 1. True
2. A 7. E 2. False III.

3. G 8. I 3. True Answers may vary.


Refer to Rubrics.
4. B 9. D 4. False
5. H 10. F 5. True

10

Common questions

Powered by AI

Mixed media and new media art differ in their approaches to creating contemporary Philippine art, yet both incorporate multiple elements and technologies. Mixed media involves combining various physical materials, such as paint, ink, and collage, to create a singular piece that engages multiple senses and dimensions. This approach allows artists to explore textures, depths, and traditional craftsmanship within a unified framework . In contrast, new media art engages digital technology, including the internet and electronic platforms, to blend images, sound, and viewer interaction, often resulting in dynamic or interactive pieces. New media art often examines the relationship between technology and contemporary culture, using modern platforms to reach a digital audience . While mixed media focuses on physical and tactile elements, new media is centered within the digital realm, foregrounding technological influence in artistic expression. Both, however, reflect the artists' attitudes towards modernity and tradition.

Contemporary Philippine artists utilize a variety of local materials and innovative techniques to create their artworks. They often experiment with materials like abaca, bamboo, buntal, and rattan, which are abundant in the Philippines. These materials are used in diverse ways—for example, abaca is crafted into slippers and ropes, while bamboo is used in musical instruments and construction . Artists also incorporate non-traditional items, such as personal belongings and everyday materials, to form unique art pieces. Techniques like mixed media are commonly employed, allowing artists to combine various media such as paint, ink, and collage into a single artwork, which embodies a unique contemporary expression .

Technology significantly influences the materials and techniques used by contemporary artists in the Philippines by expanding their possibilities beyond traditional methods. With access to new knowledge and technological advancements, Filipino artists are not constrained to conventional materials. Instead, they experiment with innovative materials sourced globally through technological means, integrating them with local resources to create unique artworks. For example, using digital media and mixed media services, artists can blend various forms, such as digital prints alongside traditional hands-on techniques, resulting in richer and more complex artistic expressions . This blend of technology and art results in diverse outputs like new media art that encompass internet interplay with traditional forms .

Evaluating the materials used in Philippine contemporary artworks provides insights into the artists' messages and intentions, as materials often symbolize cultural, socioeconomic, or environmental themes. For instance, using environmentally conscious materials like recycled objects or abaca fibers can signal an artist's commentary on sustainability and their engagement with local environmental issues . Additionally, the use of traditional materials such as bamboo might reflect an intent to evoke nostalgia or cultural continuity, thus familiarizing and grounding audiences in local heritage. By carefully selecting materials that resonate with particular themes, artists create a dialogue with viewers that extends beyond visual aesthetics to include material significance, thereby allowing a deeper understanding of the artists' conceptual frameworks .

The integration of traditional materials and new media in creating contemporary Filipino art forms presents both challenges and opportunities. One challenge is the potential clash between the tactile quality of traditional materials like abaca or bamboo and the intangible nature of new media forms such as digital art and installations. Artists must find a balanced approach that respects the integrity of both mediums while exploring their synergy . On the opportunity front, this fusion allows artists to create innovative and multidimensional art that transcends conventional boundaries. It leverages the rich cultural heritage represented by traditional materials while embedding it within the context of modern technology, thus resulting in unique artistic expressions that appeal to diverse audiences. This blend also facilitates richer storytelling and interactive experiences, allowing artists to push the boundaries of creativity and engagement, highlighting the potential of Filipino art on a global platform .

The choice of materials in contemporary Filipino artworks greatly influences their critique and appreciation. Materials are not merely functional; they serve as significant carriers of meaning and cultural context. When artists use locally sourced materials like abaca, rattan, or personal items, it can reflect cultural identity and environmental awareness, adding layers of meaning that viewers can analyze and appreciate. For instance, by using abaca or rattan, artists connect their work to traditional crafts, leveraging their textures and appearance to evoke local heritage . Furthermore, unconventional materials prompt discussions around sustainability and innovation within art. Thus, the material's provenance, sustainability, and cultural resonance are central to both the critique and the audience's interpretation of the artwork .

Traditional Filipino materials are crucial in crafting a distinct Filipino identity in contemporary art. Materials such as abaca, bamboo, and pandan are deeply embedded in the Philippines' cultural history and are prominently used in crafts and daily life. By incorporating these materials into contemporary art, artists pay homage to their heritage and reinforce cultural narratives within their works . These materials serve as a bridge between past and present, allowing the art to resonate with Filipino audiences through familiar textures and forms while presenting them in novel, modern contexts. This process not only preserves traditional techniques but also invigorates them with new meanings, aligning cultural legacy with contemporary issues and expressions, thereby solidifying a unique Filipino identity in global contemporary art circles.

Local resources such as bamboo and abaca play a significant role in the innovation and sustainability of contemporary Filipino art. Bamboo, known for its versatility and strength, is extensively used in furniture, construction, and musical instruments, providing artists a sustainable material that supports both traditional and modern design aesthetics . Meanwhile, abaca, with its unique texture and durability, enables the creation of various artworks ranging from textiles to fine arts, encouraging eco-friendly art practices. The use of these abundant resources not only reduces the environmental footprint but also promotes local craftsmanship and cultural continuity. By integrating these materials, contemporary artists advance sustainable art practices while maintaining cultural relevance and innovation, highlighting the Philippines' rich natural resources and their crucial role in both environmental consciousness and creative expression .

The use of everyday and personal items in contemporary art deeply influences the perception of artwork by introducing elements of relatability and intimacy. These materials transform art into a more accessible and engaging experience, as viewers can connect personal narratives to the art pieces. Artists harness the familiarity of such objects to infuse their work with stories that might speak directly to individual and collective experiences, thereby broadening the interpretive scope . This choice of materials often challenges traditional boundaries of art by emphasizing themes of identity, memory, and consumerism, prompting viewers to engage with artworks on both personal and societal levels and reflecting the evolving nature of contemporary art into an inclusive and dynamic interaction .

Improvisation in theater is a key tool for developing creativity and spontaneity among Filipino artists. It involves performing scenes without pre-written scripts, encouraging artists to create dialogue, action, and character interactions in the present moment. This method enhances an artist's ability to adapt and innovate quickly, fostering a skillset that is crucial for spontaneous performances . The improvisation process includes forms such as short and long scene constructions that rely on immediate response and creative thinking. This environment encourages artists to trust their instincts and engage collaboratively, making improvisation not only a learning exercise but also a dynamic performance tool that reflects and strengthens Filipino cultural narratives and human experiences .

CONTEMPORARY PHILIPPINE ARTS
FROM THE REGIONS
QUARTER 2 – MODULE 1
MATERIALS AND THE APPLICATION OF
TECHNIQUES IN CONTEMPORAR
INTRODUCTION (What I Need to Know?)
In this chapter, we will discuss the materials and techniques used by contemporary artist
LOCAL MATERIALS IN THE PHLIPPINES
MATERIALS
PRODUCT
Abaca belongs to banana family. Its fiber has a natural
luster with color
pinterest.com

New Media Art – a 21st century catchall term used to define all that is related to the internet and
the inter
4. Interactive Storytelling
                       ((https://en.wikipedia.org/different-techniques-and-applications-Philippin
4. Ballet Philippine Opera
________________________________________
Rubrics
Rubrics
CRITERIA
DESCRIPTION
POINTS
Organization
ASSESSMENT
I. Directions: Select the BEST word from column B that describes in column A. Write the correct 
   letter in your
III. Directions: Make your own design using the techniques and application of the arts. Rubric will
be used 
to rate your wor
ANSWER KEY OF ACTIVITIES
Activity 1 
References:
A.
Books 
Sandagan,  Luzviminda  D  et.al;  2016  Contemporary  Philippine
p
ANSWER KEY OF ASSESSMENT
10
I.
1. J
6. C
2. A
7. E
3. G
8. I
4. B
9. D
5. H
10. F
II.
1. True
2. False
3. True
4. False
5.

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