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Kapitan Tutan's Volcanic Eruption Roleplay

The volcano Pinsoy erupted, spewing ash 100 meters high and prompting evacuations. Later in the day, the alert level was raised to Level 3 due to magmatic unrest. By evening, the alert level was raised further to Level 4, signaling a dangerous eruption may occur. Residents of Barangay Tinitian are worried about the increasing activity and speed of changes at Pinsoy volcano.

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26 views6 pages

Kapitan Tutan's Volcanic Eruption Roleplay

The volcano Pinsoy erupted, spewing ash 100 meters high and prompting evacuations. Later in the day, the alert level was raised to Level 3 due to magmatic unrest. By evening, the alert level was raised further to Level 4, signaling a dangerous eruption may occur. Residents of Barangay Tinitian are worried about the increasing activity and speed of changes at Pinsoy volcano.

Uploaded by

tibayanshekainahgrace
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd

NSTP Roleplay (11/15/23) – Group 3 Cameraman: Usog ka pa onti.

*peeks into
camera* Sige pa, sa kanan, onti, ‘yan. Goods ka na
CAST: ‘jan.
Technicals – Dominic Pinsoy Reporter: Grabe naman ‘tong Vog na ‘to. *coughs*
Cameraman – John Carlo Valerio Bilisan na natin.
Reporter (Fukiko) – Shekainah Tibayan Cameraman: Sige. 3, 2, 1, action! *peeks into his
Bgy. Captain (Kapitan Tutan) – Lanz Mendoza camera. BGM plays on time with the countdown.
Locals – Joshua Riana, Viancey Romawak
B1, B2 — Joshua Riana, Viancey Romawak Reporter: *Newscasting music begins playing*
Tanod — Joshua Riana Nagbabagang balita, nabuga ng aabot sa 100
metrong taas na abo ang bulkang Pinsoy ngayong
Family 1: PREPARED Linggo, ayon sa Phivolcs, dahilan para
Mother 1 () – Sofia Parreño ipanawagan ang pagpapalikas sa mga residente
Father 1 (Antonio) – Lyka Marquez sa paligid ng bulkan.
Children1 () – Andrew Panahon
Bandang ala-una ng hapon ay nagkaroon ng
Family 2: UNPREPARED "phreatic eruption" ang bulkan, dahilan para
Mother2 – Jhunzen Manalese lumaki ang binubugang usok sa paligid nito, ayon
Father2 – Miguel Santiago kay Phivolcs officer in charge Renato Solidum sa
Children 2– Kurt Monses panayam sa DZMM.

PROPS: Pinalilikas na ng Phivolcs ang mga residente na


nasa barangay Tinitian.
Newspaper
Pinaghahanda na rin ng Phivolcs ang mga
Hand fan
nakatira malapit sa Bulkang Pinsoy.
Video Camera
Reporter Microphone Ako po si Fukiko Tibayan, PDM News.
Plastic Labo w/ bread
Relief goods Cameraman: Andddd… cut! *coughs* Nice, okay
na ‘yon.
Bondpaper, Tape, and Pentel
Laptop Reporter: *coughs* Tara na, ‘di na ‘ko makahinga
Bluetooth Speaker dito.
Bodyguards Shades & Placard (2x)
***NEWSPEOPLE EXIT***
Remote Control (2x)
Duster dress (2x) OPENING SCENE 2: BGY. CAPTAIN ANNOUNCES
CHARACTER NOTES: Kapitan Tutan and his bodyguards enter. They all
wear a face mask.
Lyka — typical flannel dad, makeup for facial hair
Kapitan Tutan — Formal clothes B2: Kapitan, grabe na yung mga nangyayari sa
B1, B2 — All black + maong pants + shades paligid. Eto po yung pinakabagong report tungkol
sa bulkan.

OPENING SCENE 1: FIRST NEWS (LIVE) Kap: *takes the paper, skims it, then look at B2* I
see, ako nang bahala dito.
Reporter and cameraman enter the scene
quickly, positioning themselves for a good shot. B1 and B2 position themselves on the opposite
Reporter pats down her coat and fumbles with ends of the table and Kap slams his hands on the
1

her papers. Cameraman sets up his camera. surface.


Page

Reporter: Okay na ba tong pwesto natin?


Kap: Aking mga kababayan, mga kapwa ko Child1: Ma naman!
Tinitian. Magandang araw sa inyong lahat. Ako si
Dad1: Mabuti pa manood tayo ng balita para
Kapitan Tutan, ang inyong lingkod, narito ngayon
malaman natin anong latest na update. Delikado
dahil mayroon akong mahalagang ibabahagi sa kasi tayo pag hindi tayo handa. Dapat maging
inyo. *looks at the people worried* Malaki ang alerto ka lagi at matuto ka na rin ng survival
banta ng pagputok ng Bulkang Pinsoy. Para sa skills. Para ‘to sa ikabubuti mo.
kaligtasan ng lahat, kailangan na po nating mag-
evacutae sa lalong madaling panahon. Ihanda Mom1: Hay salamat Antonio, turuan mo nga yang
anak mo.
niyo nap o ang inyong mga gamit at isama ang
mga mahal sa buhay. Sumunod sa mga tagubilin Dad1: Asan ba yung remote? Manood tayo ng
ng awtoridad. Mag-ingat po tayong lahat, at balita.
magtulungan para sa ating kaligtasan.
Child1: Wait lang, alam ko andito lang yun eh…
APPLAUSE SFX, B1 and B2 shed a tear and exits
They all go and fumble around for the remote,
with Kap.
then stay still or disappear from view.
***LGU EXIT***
SCENE 2.2: UNPREPARED FAMILY 2 ENTRANCE
SCENE 2.1: PREPARED FAMILY 1 ENTRANCE POSITION — Blackboard side
POSITION — Whiteboard side Child2 enters the room in his uniform; he just got
home from school. He looks around.
Child1 enters with a phone in hand, playing ML
and takes a seat. Later on, Mom1 enters the scene Child2: Asan na si mama? Nagugutom na ko.
whilst looking worried. Child1 notices this. *looks at himself* Gara naman, bat ang dumi ko?
Naligo naman ako ah. Ewww…
Child1: Oh, ma, okay ka lang?
Child2: Ma? Mama? Nakauwi na ko! Tay?
Mom1: *restlessly looking for things* Anak,
tulungan mo nga muna ako maghanap ng mask. Dad2: Uy anak, andito ka na pala. *enters the
Tsaka, ‘wag ka munang lalabas ha? Mamaya ka na room with plastic bag in hand* Kain muna tayo,
din maglaro. Tulungan mo muna ako. bumili ako ng meryenda.
Child1: *pockets his phone* Sige ma, anong Child2: Yun oh, sakto! Dabest ka talaga tay!
problema? Mukha kang balisa.
Dad2: Asan mama mo? Sabay-sabay na tayong
Dad1: *enters the scene with newspaper covering magmeryenda.
his face, putting it down to reveal his face before
speaking* ‘Di magandang balita anak. May Child2: Ewan ko nga po ‘tay e, hinahanap ko rin
posibilidad na kailangan nating lumikas. kanina pero di ko makita.
Child1: Ba’t naman tayo lilikas? Masaya na ko Dad2: Honey??? Mahal ko?? Asan ka??
dito sa barangay natin.
Both of them looks around.
Dad1: *scratches his moustache with a bit of a
lipbite* Hindi naman sa aalis lang tayo kasi aalis Dad2: Honey?
tayo, pero nag-aalboroto nanaman si Pinsoy.
Kailanganin man nating umalis ng Barangay Mom2: *from outside the room* Andito ako!
Tinitian o hindi, dapat maging handa tayo sa mga
posibleng mangyari. Mom2 enters the room flipping her hair. BGM
plays, sultry music for Mom2’s entrance.
Child1: San niyo ba nakukuha ‘yang mga
impormasyon niyong ‘yan? Child2: Mama!
2
Page

Mom1: *asar* Puro ka kasi laro kaya wala kang Dad2: Darling… grabe… ang ganda mo talaga
alam sa paligid mo. kahit kalian.
Mom2: Binola mo nanaman ako. Bulkang Pinsoy nag-aalboroto, mga residente ay
inaabisuhan nang lumikas.
Dad2: Hindi ah, totoo namang ang ganda-ganda
mo *insert pickup line here* Itinaas ang alert level 2 bandang 2:30 ng hapon at
kalauna'y inakyat pa sa alert level 3 bandang
Mom2: *twirls hair* Anubaaaaa, eme ka jan. alas-4 ng hapon, base sa abiso ng Phivolcs kung
saan sinasabing may "magmatic unrest" sa
Mom2 and Dad2 laughs with each other.
bulkan.
Child2: Pwede ba mamaya na kayo magharutan,
Bandang alas-8 ng gabi, itinaas sa alert level 4
nagugutom na ko eh. *inis*
ang bulkan, hudyat na maaaring magkaroon pa
Mom2: Ay, anak hahahaha, nakauwi ka na pala. ng mapeligrong pag-alboroto.
Anong kakainin natin?
Ang nakakabahalang bilis ng pagkilos ng bulkan
Dad2: Nagdala ako ng tinapay pang meryenda. ay nagdulot ng pangamba sa mga mamamayan ng
Tara, kain na tayo. Barangay Tinitian.

Mom2: Ay, sakto! Salamat honey. Anak, halika na Ating alamin ang saloobin ng mga residenteng
kumain muna tayo. nakatira malapit kay Bulkang Pinsoy.

Dad2: Asan na ba yung remote, manonood ako ng Reporter walks up to two people sitting idly.
TV.
Reporter: Mawalang-galang ho, akin lamang
Child2: Tay oh andito yung remote. *inabot sa tatanungin kung kamusta ang inyong
tatay niya* pamumuhay ngayon at pinangangambahan ag
pagputok ni bulkang Pinsoy sa anumang oras?
Dad2: Salamat anak. Ambait mo talaga. *headpats
Child2*
Lokal1: Sa ngayon ayos pa naman kami, pero iba
SCENE 2.3: BOTH FAMILIES po yung pakiramdam tuwing naririnig naming
yung tuloy-tuloy na kulog ng bulkan kasi parang
Mom1: *pulls out the remote out of nowhere* binabalik kami sa trauma na dinanas namin 10
Nahanap ko na, eto o. *gives it to Dad1* years ago. Talagang mapapahanda ka nalang at
Dad1: Salamat mahal. *points the remote at TV* mapapadasal na sana wag nang maulit yung
trahedya dati.
Child1: Mahalaga ba talaga to?
Reporter: Ano pong masasabi niyo para sa mga
Dad1: Oo naman anak. Para sa kaligtasan mo, kababayan niyong malapit sa bulkan?
dapat lagi kang updated sa balita.
Lokal2: *tumingin diretso sa camera* Ako na
Mom1 & Dad2 points their remotes toward the mismong magsasabi sa inyo, mas mabuti nang
TV at the same time.
maging handa kaysa magsisi sa huli. Pag
Mom1 & Dad2: Tara, manood na tayo ng TV. inabisuhan ng pamahalaang lumikas, wag
magmatigas. Para naman ito sa ikabubuti niyo.
Both characters press the remote and the two Kung pwede nga lumikas na kayo kahit wala pang
families look at the TV. They both freeze.
abiso. Laging maghanda ng 72-hour survival kit.
Technical team plays the video. Hindi mo alam kailan mo kakailanganin.
Kailangan din maging maalam ka sa mga
SCENE 3: RECORDED NEWSCASTING (VID) kaganapan sa kapaligiran mo. Sa totoo lang hindi
ako taga-Tinitian. Doon ako sa katabi, barangay
Video fades in from black to switching on of the
Bading, pero nakakadala. Masyado akong
TV. Immediately starts with the news intro.
nagpakampante. Kung hindi lang ako naging
3
Page

Reporter: Narito na ang pinakalatest na balita sa ganon, sana kasama ko pa pamilya ko. Mas
PDM news.
mabuti nang maging masyadong handa bago pa Mom2: Oh siya tara na nang makapagsharon ako
may mawala. ng mauulam natin para bukas.

Reporter: Maraming salamat po sa inyong mga Fam2 starts walking away.


tugon. *Walks back to solo position*
Nakapanayam na natin ang ilan sa mga Mom2: *whispers* Alam mo honey feeling ko
mamayang nakatira malapit sa Bulkang Pinsoy at buntis ako.
karamihan dito sa kanila ay naghahanda na Dad2: *wtf face* Huh? Bakit mo naman naisip
upang maiwasan ang trahedya. yan?
Pinaalaahanan ng Phivolcs ang publiko na hindi Mom2: E kasi nagke-crave ako sayo ihhhhh
maaaring lumapit sa main crater ng bulkan dahil
posibleng maglabas ito ng mga nakalalasong Dad2 laughs.
volcanic gas.
Child2: PWEDE BA WAG SA HARAP NG BATA????
Samantala, isinulong na ni mayor Edward
Mendoza ang pagpapagawa ng precautionary ***FAM2 EXIT***
evacuation sa bayan.
SCENE 4.2: FAMILY 1 LESSON
Ako nga pala ulit si Fukiko Tibayan ng PDM
Dad1: *puts the remote away* Ngayon, nalaman
News.
mo yung kahalagahan ng pagiging maalam at
***VIDEO ENDS*** updated. Kung hindi tayo nanonood ng balita o
nakikinig sa radio, hindi natin malalaman na
SCENE 4.1: FAMILY 2 EXIT kailangan na talaga nating lumikas.
Family 1 remains frozen, Fam2 starts moving. May mga panahon kasi na nag-aalboroto yung
mga bulkan pero hanggang doon lang sila kaya
Fam2 remains quiet and looks at each other
hindi kailangang lumikas. May mga panahon ding
awkwardly.
gaya ng ngayon na kailangan nating umalis.
Mom2: Alam mo minsan, ang o-OA ng mga
Mom1: Tama ang tatay mo anak. Maliban sa
nagbabalita ngayon.
pagiging maalam sa balita, dapat lagi din tayong
Dad2: Kaya nga e. Hindi naman siguro tayo handa sa mga sakuna. Alam mo ba yung
aabutan nyan kasi malayo naman tayo sa bulkan. sinasabing 72-hour survival kit?

Mom2: Totoo, tama ka jan honeybunch Child1: hindi po eh, ano po ba yon?
sugarplum ko. Ang talino mo talaga mahal. Sa
Mom1: Bale, ang 72h survival kit, isa yong kit or
tagal natin dito nakatira wala pa namangn
kahit bag na naglalaman ng essentials mo na
nangyayaring masama sa atin kaya wag na natin
magtatagal sayo ng tatlong araw. Dapat may mga
yan alalahanin. *pinaypayan sarili lalo* Ang init,
laman tong canned goods, tubig, radio, baterya,
baskil na ko!
face masks, flashlights, at gamot if kailanganin.
Child2: *not listening* Andito na rin yung mga importante nating
papeles, tas may extra cash dito.
Dad2: Ay honey, naalala ko lang. Diba birthday
ngayon ni Aling Aning? Iniimbita nya tayo e. *hands Child1 the bag* Eto anak, sayo ko
Pumunta kaya tayo sa kanila ngayon, pamparelax ipagkakatiwala to. Hindanda na namin to ng tatay
lang. mo matagal na.

Child1: Salamat po!


4

Child2: Birthday tay???? Sige sige sige sama ako!!!


Page
Dad1: Isara muna natin yung mga bintana SCENE 6: EVACUATION CENTER
hanggat wala pang direktang pag-sabi na
kailangan na nating lumikas. Wala munang Tanod points the way. Fam2 enters the room, all
lalabas ng bahay ng walang katuturan. *Sofia*, ashy and tired.
magbihis na kayo. Tanod: Diretso lang po. Dito lang po muna kayo,
Child1: Bat magbibihis? parating na po si Kap. ***EXITS***

Mom1: Kailangan natin magsuot ng proteksyon Kap and Friends enter. Kap positions himself
lalo na sa ashfall. Hindi mabuting ma-inhale yon o behind the table as B2 carries relief goods and
kaya maipon sa balat mo. Magjacket ka oh. puts them there. B1 is just serious.
*inabot* Mas maganda kung may tela kang basa Kap: Mga kapwa ko Tinitian, ako’y lubos na
tas dun ka huminga para mas filtered yung nalulungkot sa nangyare sa ating barangay kaya’t
hangin na i-i-inhale mo. narito ako at ang aking mga kawani upang
Child1: Salamat ma, pa. Sige po. kamustahin kayo. Mayroon din kaming mga
dalang konting tulong.
***EMERGENCY ALERT PLAYS***
Fam1 falls in line in front of him. B1 starts taking
Mom1: Ayan na… pinapalikas na tayo. pictures with flash on as Kap gives out the relief
goods.
Dad1: Wag na tayo magpatumpik-tumpik pa. Iba
ang galit ng kalikasan, minsan nangyayari yan Mom1: Maraming, maraming salamat sa walang
bago mo marealize. Halika na, lumikas na tayo. sawang pagtulong Kapitan Tutan. Napakalaking
bagay na neto para samin.
Child1: Opo nay, tay.
Kap: Walang anuman. Maliit na halaga lang yan
***FAM2 EXIT*** kumpara sa nakulimbat ko nang salapi… ay este
SCENE 5: DURING VOLCANIC ERUPT. (VID) sa tiwalang ibinigay nyo sakin.

Narrator: Magkaibang desisyon ang ginawa ng Fam1 is happy and content.


dalawang pamilya pagdating sa sakuna. Ang Kap: Magpapadala pa ako ng tulong at gamit para
isang pamilya ay naghanda upang masigurado sa inyo sa sa aking pagbabalik. Ngayon ay
ang kanilang kaligtasan, ngunit ang isang pamilya kailangan ko munang umalis. Paalam muna sa
ay nagpakampante. ngayon.
Imbes na seryosohin ang babala, pinili ng Kap and Friends leave. Fam1 checks out their
ikalawang pamilya ang pagpapakasaya. Bilang goods.
resulta, sila ay bahagi ng bilang ng mga nasawi.
Journalists enter and shove a mic into Lyka’s face.
Ang unang pamilya naman ay piniling lumikas sa
lalong madaling panahon matapos nilang Reporter: Ngayon po ay aalamin naman natin
maghanda. Ano na kayang nangyari sa kanila? kung anong masasabi ng mga nakaligtas sa
muling pagputok ni Pinsoy makalipas ang
Photos: sampung taon. Ano pong masasabi niyo sa
- Bulkang Pinsoy - Dead Fam2 ngayon?
- Cute Fam1 picture - Fam1 preparing
- Fam2 having fun - Fam2 coughing Dad1: Ha?????????
-“Dugo ito”
THE END
5

*Some voiceovers?
Page
Page 6

Common questions

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The roleplay effectively simulates real-world scenarios by providing a dramatized yet realistic depiction of community responses to a volcanic threat. It uses relatable characters and dialogues to mirror possible attitudes and behaviors during disasters. By demonstrating consequences of both preparedness and complacency, it offers a practical guide on necessary preparations, such as having a 72-hour survival kit and staying informed through reliable advisories. The role of community leaders in managing evacuations is also depicted, enhancing understanding of leadership dynamics in crises. This simulation serves as an impactful educational tool, emphasizing the value of preparedness and informed actions .

The roleplay contrasts the two families to highlight the importance of disaster preparedness. Family 1, depicted as prepared, actively engages in actions such as monitoring news updates and having a 72-hour survival kit ready. This proactive stance allows them to evacuate safely when the warnings escalate. In contrast, Family 2 is portrayed as unprepared and inattentive to the gravity of the incoming volcanic eruption, choosing to dismiss the warnings and continue with everyday activities. This negligence results in their inclusion among the casualties. The narrative illustrates that preparedness leads to safety, while complacency can lead to dire consequences .

Kapitan Tutan's role as a community leader is significant in mobilizing evacuation efforts and ensuring resident safety. He addresses the community with clear directives to prepare and evacuate, demonstrating decisive leadership. Kapitan also facilitates relief distribution at the evacuation center, showing a commitment to his constituents' welfare. Despite his leadership, a humorous slip reveals potential corruption, hinting at complexity in his character. His actions underscore the importance of effective leadership in crisis situations, as they can largely determine community safety outcomes .

The roleplay concludes by contrasting the fates of two families, effectively underscoring the consequences of preparedness. Family 1, who heeded warnings and prepared adequately, are shown receiving aid and expressing gratitude, illustrating successful resilience and survival. In contrast, the unprepared Family 2 faces tragic outcomes, as indicated by their absence and the narrator's ominous remarks. This stark ending serves to impress upon the audience the critical importance of preparation and community efforts for survival and resilience in the face of natural disasters .

The narrative distinguishes between individual and collective responsibilities through the actions and decisions of the characters. Individual responsibility is demonstrated by Family 1, who prioritize personal safety by preparing a survival kit and heeding evacuation orders. Collective responsibility is highlighted through the actions of Kapitan Tutan, who organizes community evacuations and provides relief goods, emphasizing communal care. This dual focus illustrates that individual preparedness supports personal safety, while community efforts are essential for broader protection against disasters .

The roleplay strategically uses diverse settings, such as domestic spaces and community meetings, to illustrate various levels of disaster awareness and preparation. In the homes, conversations underscore each family's readiness, with Family 1 engaging in discussions about survival kits, while Family 2 indulges in trivial pursuits. Public settings, like the barangay meeting led by Kapitan Tutan, emphasize communal responses with official advisories for evacuation. By contrasting intimate and public spaces, the narrative accentuates how personal responsibility and community leadership can converge to ensure safety during natural disasters .

The portrayal of the unprepared family employs humor through playful interactions and light-hearted domestic scenes, such as affectionate banter between the parents and the child's exasperation with their antics. Despite the humor, these scenes underscore the family's lack of seriousness in addressing the volcanic threat, contrasting sharply with the prepared family's sober response. This use of humor highlights the folly of complacency in the face of danger, reinforcing the message that disaster preparedness should not be taken lightly .

Within the narrative, Phivolcs advisories play a crucial role in guiding the characters' actions. These advisories inform residents about the escalating volcanic activity, recommending evacuation when the alert level reaches 4. Characters who heed these advisories, such as Family 1, prepare and evacuate, ensuring their safety. The advisories serve as reliable sources of information that drive the urgency to act. In contrast, Family 2's disregard for Phivolcs warnings underscores the peril of ignoring expert advice during crises .

The transitions between scenes in the roleplay seamlessly link individual and communal responses to the volcanic threat, thus reinforcing themes of preparedness and consequence. Initial scenes open with a live news broadcast, establishing urgency. Subsequent household scenes contrast preparedness versus negligence. This is followed by shifts to community settings where collective actions, like those led by Kapitan Tutan, unfold. Finally, the return to family units showcases the outcomes of their preparedness levels. These transitions highlight the interplay between individual actions and communal directives in disaster contexts, effectively conveying the narrative's themes .

Characters interacting with the reporter reveal varying levels of public awareness and responses to the volcanic activity. The reporters' interviews with locals capture their concerns and readiness, reflecting a spectrum of awareness from fear to proactive preparedness. Characters like Lokal2 advocate for early evacuation and preparedness, underscoring the value placed on informed reactions. These interactions accentuate the community's vigilance and the role of media in disseminating crucial information, thereby fostering a sense of urgency and collective responsibility in the face of potential disasters .

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