Teachers’
Workshops
2020
Handout for Teachers
Session outcomes
• Using RAFT for descriptive writing
• Unusual introductions – ideas to prompt students
• Emotive language – evoking feeling, ensuring the desired impact
on the reader
• Rhetorical questions – what is their purpose and how are they
used?
19
© Oxford University Press, 2020
All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted, in any form or by any means.
1
1
•
•
•
•
© Oxford University Press, 2020
All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted, in any form or by any means.
© Oxford University Press, 2020
All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted, in any form or by any means.
2
Examples of writing techniques
Sunshine
The April sun, weak but determined, shone through a castle
window and from there squeezed itself through a small hole in the
wall and placed one golden finger on the little mouse
The Tale of Despereaux
Kate Dicamillo
Look out for language techniques
On a cold, dark, December
night, the children gathered
around the raging bonfire. Its
warmth protected them like a
cozy blanket. They roasted
delicious marshmallows that
smelt divine. The children
chatted excitedly, as the
wolves howled in the distance,
reminding them that they were
on an adventure in the wild.
8
© Oxford University Press, 2020
All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted, in any form or by any means.
3
2
© Oxford University Press, 2020
All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted, in any form or by any means.
© Oxford University Press, 2020
All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted, in any form or by any means.
4
© Oxford University Press, 2020
All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted, in any form or by any means.
© Oxford University Press, 2020
All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted, in any form or by any means.
5
3
© Oxford University Press, 2020
All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted, in any form or by any means.
© Oxford University Press, 2020
All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted, in any form or by any means.
6
Pre-work for descriptive writing
RAFT
Use higher-order
thinking questions
Role: what will the writer
(HOTS)
be? A bird on a tree? A
homeless person? A
toddler?
Awareness of readers
Audience: who are you
writing for?
Format: is it a letter, Structure and
speech, poem, diary? organization
Topic: use visuals or
verbs as prompts
20
© Oxford University Press, 2020
All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted, in any form or by any means.
7
4
© Oxford University Press, 2020
All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted, in any form or by any means.
© Oxford University Press, 2020
All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted, in any form or by any means.
8
Describing a festival
Use sensory imagery to make your point and use patterns to develop
detail:
The spirit of fun and hospitality lights up the city of Lahore during
the Basant festival. Colourful kites are seen grazing the skies, the
smell of fresh Bar-B-Que emanates from the roofs of families and
friends who gather for an evening of laughter and chatter to
welcome Spring. Countless shimmering lights line the houses and
buildings. There is optimism in the air, with children singing age-old
songs of love and hope. Basant evenings in Lahore borrow from a
tradition that is as old as time itself, manifesting the collective
human experience that keeps us all looking forward to the days to
23 come.
© Oxford University Press, 2020
All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted, in any form or by any means.
9
© Oxford University Press, 2020
All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted, in any form or by any means.
10
Makes a point
Introduces a
topic
© Oxford University Press, 2020
All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted, in any form or by any means.
11
© Oxford University Press, 2020
All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted, in any form or by any means.
12
Example – how many language
techniques can you point out?
Aloo hastened her steps. She felt dizzy, nervous and panicky. It
looked as though the earth under her feet was racing like the angry
clouds above. The slimy snake slithered and slid towards her at a
maddening pace. Who would’ve thought Aloo’s morning would turn
out this way? She imagined herself fighting for her life, gasping for
every breath.
30
Test Yourself!
Incorrect descriptions:
‘Entering the war zone that I had to write about, my stomach
churned at the rank smell in the air.’
‘Scattering in a million directions, Aliaa bent to scoop up all her Eid
candy.’
34
© Oxford University Press, 2020
All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted, in any form or by any means.
‘As I entered the war zone that I had to write about, my stomach
churned at the rank smell in the air.’ 13
‘As I entered the war zone that I had to write about, my stomach
churned at the rank smell in the air.’
‘Aliaa bent to scoop up all the Eid candy that had scattered in a
million directions.’
35
‘Aliaa bent to scoop up all the Eid candy that had scattered in a
million directions.’
35
Recap
Remind students to evaluate themselves and their peers using the following:
• Strong adjectives and adverbs – avoid general words such as good, nice, bad
• Avoid clichés – have you begun with an©unusual Oxford University Press, 2020
or unexpected introduction?
All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted, in any form or by any means.
• Use sensory details – have you brought ©inOxford
all five senses?
University Press, 2020
All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted, in any form or by any means.
• Emotive language – how well have you used feelings to engage the reader?
• Figurative language – have you used similes, metaphors, personification etc?
• Rhetorical questions and hyperbole – what impact/effect do these achieve?
• Conclusion – did you leave the reader with a thought-provoking comment?
References:
Santa, C., Havens, L., & Valdes, B. (2004). Project CRISS: Creating Independence through
Student-owned Strategies. Dubuque, IA: Kendall Hunt.
Dean, Deborah. (2006). Strategic Writing: The Writing Process and Beyond in the Secondary
English Classroom. Urbana, IL: NCTE
Websites:
[Link]
[Link]
© Oxford University Press, 2020
All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted, in any form or by any means.
e Book Piracy
D o n ’ t b and Plagiarism
De c e i v e d are Crimes.
Buy Genuine Oxford Books
Look out for the new security label whenever you purchase an Oxford
textbook or supplementary reader. Labels with the features shown below
are proof of genuine Oxford books.
The image of Quaid’s
Mausoleum changes colour ‘OUP’ written in very small
from orange to green when print becomes visible when
viewed from different angles. 1 viewed through a magnifying
4 glass.
The labels have security cut
marks to prevent them from • Download free ‘FPQR Tasdiq’ app
being peeled off and reused. 2 from App Store/PlayStore on your
smartphone.
• Scan QR code on the security label
to verify if you have purchased a
5 genuine Oxford book.
The word ‘ORIGINAL’
appears when the area
under ‘RUB HERE’ is The labels tear if peeled off
rubbed with a coin. 3 6 from the book cover.
Pirated books can be recognised by:
• inferior production quality
• low-grade paper Do not accept the book if the label is
• variations in texture and colour missing, has been torn or tampered
• poor print quality with, the colour on the security
• blurred text and images label does not change, or the word
• poor binding and trimming ‘ORIGINAL’ does not appear upon
• substandard appearance of the book rubbing the area with a coin.
If you suspect that you are being sold a pirated book
without the security label, please contact:
Oxford University Press,
1
No. 38, Sector 15, Korangi Industrial Area, Karachi-74900, Pakistan.
Tel.: (92-21) 35071580-86 Fax: (92-21) 35055071-72
Toll-free No.: 0800-68775 (9 a.m. to 5 p.m.; Monday to Friday)
Email: [Link]@[Link]
Website: [Link] Find us on: