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Innovative Shell Structures in Architecture

The document provides information about alternative building construction systems utilizing shell structures. It describes Ferdie Angelo C. Hipe's senior project on the topic for his architecture degree at University of Santo Tomas. The project was supervised by Professor Owen Nicerio and discusses concepts like shell geometry, structural analysis, and construction techniques for shell structures.

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0% found this document useful (0 votes)
16 views7 pages

Innovative Shell Structures in Architecture

The document provides information about alternative building construction systems utilizing shell structures. It describes Ferdie Angelo C. Hipe's senior project on the topic for his architecture degree at University of Santo Tomas. The project was supervised by Professor Owen Nicerio and discusses concepts like shell geometry, structural analysis, and construction techniques for shell structures.

Uploaded by

ahrelje99
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd

BUILDING UTILITIES 5:

ALTERNATIVE BUILDING CONSTRUCTION SYSTEM

SHELL
STRUCTURES

BY:
FERDIE ANGELO C. HIPE
ARC41

AR. OWEN NICERIO


L’ Oceanográfic

Félix Candela (architect), Alberto Domingo and Carlos Lázaro (engineers) | 2003 | SPAIN
L'Oceanogràfic ("The Oceanographic") is an oceanarium situated on the dry Turia River bed to the southeast of
the city center of Valencia, Spain, where different marine habitats are represented. It is the largest complex of its
type in Europe, spanning 110,000 square metres and holding a capacity of 42,000,000 litres of water, including a
26,000,000-litre dolphinarium and a 7,000,000-litre ocean tank with sharks, rays and other fish. It is home to 45,000
animals from 500 different species—all inhabiting nine two-tiered underwater towers representing the Earth's major
ecosystems. The aquariums utilize sea water pumped from the La Malva-Rosa beach.
BOSJES
CHAPEL

Coetzee Steyn (architect)| 2016 | SOUTH AFRICA


The six-metre-high building was conceived as a “lightweight, dynamic structure which appears to float
within the valley”, an effect accentuated by an adjacent reflective pond.
Constructed from a slim cast concrete shell, the undulating roof rises to form six peaks – one at each
corner and one in the middle of each long elevation. It is supported at four points where it falls
dramatically to meet the ground. Below, expanses of glazing are framed in timber to give the appearance
of crucifixes.
SYDNEY OPERA
HO USE

Jørn Utzon (architect)| 1973 | SYDNEY, AUSTRALIA

The Sydney Opera House is a multi-venue performing arts centre in Sydney. Located on the
banks of the Sydney Harbour, it is often regarded as one of the world's most famous and
distinctive buildings and a masterpiece of 20th century architecture.
The structure of the building is made from reinforced concrete and the facades from polarized
glass with steel frames. The shells are covered by white and cream mate tiles made in Sweden,
although from a distance they all look white to the eye.
PALAZZETTO
DELLO SPORT

PALAZZETTO DELLO SPORT | Annibale Vitellozzi (architect)| 1956 – 1957 | ROME


The venue was constructed along with the 11,500-seat Palazzo dello Sport, for the 1960 Summer Olympics, and it
was inaugurated in 1957. It was designed by architect Annibale Vitellozzi its reinforced thin-shell concrete dome
was engineered by Pier Luigi Nervi under the direction of Engineer Giacomo Maccagno. During the Olympics, the
arena hosted the basketball events, among other sports. Since then, it has also been used for volleyball matches and
other events.

The arena is constructed with a ribbed concrete shell dome, that is 61 meters in diameter, and is constructed of 1,620
prefabricated concrete pieces, which are braced by concrete flying buttresses. Much of the structure was
prefabricated, so that the dome was erected in 40 days.
ZARZUELA
RACECOURSE

The Zarzuela Racehorse| Carlos Arniches Moltó and Martín Domínguez Esteban (architects), Eduardo
Torroja Miret (engineer) | 1934-1941 | MADRID

The Hipódromo de la Zarzuela was designed to replace the Hipódromo de la Castellana, a course on the Paseo de la
Castellana. The old course was demolished in the 1930s so that the site could be redeveloped as office buildings.

The architects were Carlos Arniches Moltó and Martín Domínguez Esteban, who had been collaborating since the
1920s. For this project, they were joined by the engineer Eduardo Torroja, a pioneer in the design of concrete shell
structures. His work on the stands with their distinctive roof is recognised internationally.
KRESGE
AUDITORIUM

Kresge Auditorium| Eero Saarinen (architects | 1955 | CAMBRIDGE, USA

Saarinen designed Kresge Auditorium in tandem with his nearby MIT Chapel; the two buildings are separated by a
green space called the Kresge Oval. The ensemble is recognized as one of the best examples of mid-century modern
architecture in the United States.

The Auditorium is where MIT students and faculty could gather for formal events, and the Chapel was intended for
marriages and memorials; the green that stretches between the two buildings, in the tradition of early-American
urban planning, was to serve as the setting for civic events. Though the campus has grown around the buildings, the
essential features of this idea are still easily legible, and the original intentions are reflected in the everyday actual
usage of these spaces.

Common questions

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Eduardo Torroja applied innovative design strategies in the Zarzuela Racecourse stands by using concrete shell structures, which were revolutionary at the time for their ability to span large spaces without needing numerous supports. This not only created a visually distinctive roof that enhanced the aesthetic appeal but also improved the functionality by providing unobstructed views and shelter for spectators. The elegance and efficiency of the structure highlight the blend of engineering and architectural expertise that describes Torroja's work, influencing future designs of architectural shells .

The Sydney Opera House exemplifies mid-20th century architectural innovation through its expressive modernist design and the groundbreaking use of reinforced concrete shells. Architecturally, it features striking shell structures that are visually reminiscent of sails or waves, a design that poses significant engineering challenges. The facades are built from polarized glass with steel frames, and the external shells are covered with white and cream tiles specially crafted in Sweden, enhancing its iconic visual presence. These design features solidify its status as a masterpiece of 20th-century architecture .

The design of the Sydney Opera House prioritized both innovative aesthetics and multipurpose functionality, contributing to its iconic status. The architectural consideration of using sail-like shells creates visual drama and a recognizable silhouette, signifying modernist cultural aspirations. Functionally, the structure accommodates multiple performing arts venues within a single complex, reflecting diverse cultural utilities. The use of cutting-edge materials, such as reinforced concrete for the shells and specialized ceramic tiles, further underscores the innovative scope and enduring appeal of the design .

The Kresge Auditorium reflects mid-20th century modern architecture through its distinctive dome shape and use of innovative materials and construction techniques. Designed by Eero Saarinen, the building's semi-circular, thin-shell roof is both structurally efficient and aesthetically pleasing, reflecting the modernist emphasis on form follows function. Its integration with the MIT Chapel and the surrounding Kresge Oval exemplifies principles of urban planning, creating a cohesive spatial relationship that fosters civic and cultural activities, echoing mid-century modern goals of functional and social integration within architectural spaces .

The Bosjes Chapel achieves harmony with its natural surroundings through its design as a "lightweight, dynamic structure," which gives the appearance of floating within its valley setting. Its undulating roof, made of slim cast concrete shell, forms distinct peaks that mimic natural forms and is accentuated by an adjacent reflective pond, further integrating the structure with its environment. The extensive glazing framed in timber also visually integrates the structure with the landscape by creating reflections and maintaining transparency .

Eduardo Torroja's design of the Zarzuela Racecourse stands demonstrates his pioneering use of concrete, particularly in the creation of shell structures that combine aesthetic dynamism with structural efficiency. By employing thin-shell concrete roofs, Torroja addressed the challenge of spanning large spaces with minimal supports, which enhanced visibility and shelter for racecourse spectators. This innovative approach solved issues related to weight, material usage, and structural integrity, simultaneously setting a new precedent for modern architectural aesthetics and structural performance .

The spatial arrangement between the Kresge Auditorium and the MIT Chapel embodies traditional American urban planning principles through the deliberate creation of a green space—the Kresge Oval—between the two structures. This layout reflects the early-American emphasis on open communal spaces for civic engagement. The integration of these building functions, with the auditorium for formal events and the chapel for personal ceremonies, alongside the shared outdoor area, encourages social interaction and community involvement, mirroring the civic-centered planning practices typical of the era .

The prefabrication techniques used in constructing the Palazzetto dello Sport had a significant impact on architectural practices by demonstrating the feasibility and efficiency of assembling large structures rapidly. The use of prefabricated concrete pieces for the ribbed dome not only expedited the construction process—completed in 40 days—but also reinforced the structural stability and aesthetic coherence of the design. This approach showcased how prefabrication could address challenges of scalability and expressiveness in architecture, influencing subsequent architectural projects to incorporate similar methods .

L'Oceanogràfic in Valencia is notable for its architectural and engineering innovations, including the vast scale of the complex and its capacity to represent different marine habitats. The facility spans 110,000 square meters and holds 42,000,000 liters of water, which includes a 26,000,000-liter dolphinarium and a 7,000,000-liter ocean tank. The architectural ingenuity is seen in its structuring around nine two-tiered underwater towers that reflect Earth's major ecosystems. The use of sea water pumped from La Malva-Rosa beach further emphasizes ecological integration .

The Palazzetto dello Sport, designed by Annibale Vitellozzi and engineered by Pier Luigi Nervi, features a ribbed concrete shell dome that spans 61 meters in diameter. This innovative design uses 1,620 prefabricated concrete pieces supported by concrete flying buttresses. The prefabrication technique allowed for the dome's erection to be completed in just 40 days. This method of construction, which emphasizes speed and efficiency while maintaining structural integrity, was pioneering at the time and had a lasting influence on modern architecture's deployment of prefabricated elements and shell structures .

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