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AI-Generated Novel: 1 the Road

Ross Goodwin drove from New York to New Orleans in 2017 with an AI in his car collecting sensor data which the AI used to generate a novel in real-time. The AI was trained on fiction and location data and its text was printed unedited on receipt paper. Reviews noted the text was choppy but occasionally glimpsed consciousness or poetry. Goodwin's goal was to reveal how machines create words and serve as a warning about future sophisticated AI text.

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0% found this document useful (1 vote)
1K views3 pages

AI-Generated Novel: 1 the Road

Ross Goodwin drove from New York to New Orleans in 2017 with an AI in his car collecting sensor data which the AI used to generate a novel in real-time. The AI was trained on fiction and location data and its text was printed unedited on receipt paper. Reviews noted the text was choppy but occasionally glimpsed consciousness or poetry. Goodwin's goal was to reveal how machines create words and serve as a warning about future sophisticated AI text.

Uploaded by

sophia787
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
  • Concept and Execution
  • Training Dataset
  • Introduction to 'The Road'
  • References
  • Reviews
  • Quotes
  • Ross Goodwin Biography
  • External Links

1 the Road

1 the Road is an experimental novel composed by artificial


intelligence (AI). Emulating Jack Kerouac's On the Road, Ross
Goodwin drove from New York to New Orleans in March 2017
with an AI in a laptop hooked up to various sensors, whose output
the AI turned into words that were printed on rolls of receipt paper.
The novel was published in 2018 by Jean Boîte Éditions.

Goodwin left the text unedited. Although he felt the prose was
"choppy", and contained typographical errors, he wanted to present
the machine-generated text verbatim, for future study. The story
begins: "It was nine seventeen in the morning, and the house was
heavy".[1]

Concept and execution


Emulating Jack Kerouac's novel On the Road, Ross Goodwin
traveled from New York to New Orleans in March 2017[2] with Front cover, 1 the Road
three sensors, providing real-world input; a surveillance camera
mounted on the trunk[2], trained on the passing scenery; a
microphone, picking up conversations inside the car, and additionally the Global Positioning System
(GPS), tracking the car's location.[3]

Input from these sources, and the time provided by the computer's internal clock,[1] was fed into a long
short-term memory recurrent neural network[1], which in turn generated sentences on rolls of receipt
paper.[3]

The car was a Cadillac; Goodwin explained later he wanted an "authoritative" car (and was unable to get a
Crown Vic), and worried that people might think him a terrorist if they saw the car with its electronics and
wires. Google paid part of the cost, having become interested in Goodwin's work at New York University.

Accompanying him were five other people (including his sister and his fiancee), and the Cadillac was
followed by a film crew which documented the four-day journey; the documentary was directed by Lewis
Rapkin.[2]

Training dataset

The training dataset included a sample fiction[3], consisting of three different text corpora, each with about
20 million words--one with poetry, one with science fiction, and one with "bleak" writing, in Goodwin's
words. It had also been fed a data set from Foursquare; the AI recognized locations from Foursquare, and
appended commentaries to them.

The conversations captured inside the car were rendered in mutated fashion. The locations provided by the
GPS were outputted verbatim, to open the day's writing.[2]
The novel was generated letter by letter.[2] Due to continual input from the GPS and time clock, the novel
often mentions the latitude, longitude, and time of day.[1] It was printed unedited and thus is "choppy",
according to Goodwin; typos were retained, since he wanted to show the text "in its most raw form".[3]

Goodwin said his main purpose for this novel is to reveal the way machines create words: "In the future
when this text becomes more sophisticated it's a warning. If you see patterns like this, it may not have been
written by a human".[3]

Reviews
Thomas Hornigold, writing for Singularity Hub, concluded that the AI is no Jack Kerouac, but that "you
might see, in the odd line, the flickering ghost of something like consciousness, a deeper understanding".[1]
Brian Merchant of The Atlantic read the entire novel in one sitting. He could not recognize a coherent plot
or story arc, but saw "plenty of pixelated poetry in its ragtag assemblage of modern American imagery. And
there are some striking and memorable lines".[2]

Ross Goodwin biography


Ross Goodwin, a former ghostwriter for the Obama administration and a creative technologist,[2] has often
used neural networks to create poetry and screenplays. Notable works include the short film Sunspring,
starring Thomas Middleditch and directed by Goodwin's frequent collaborator Oscar Sharp,[4] and
[Link], an 1885 bellows camera that outputs poetry about whatever it is pointed at when the button
is pressed.[5] His Master's Thesis at New York University was a project called "Narrated Reality",[6] for
which he walked around the city with a backpack containing compass, punch clock, and camera; data from
these devices was fed into an LSTM neural network whose output was "weird associative poetry". A year
after 1 the Road, Google hired him to work with their Artists and Machine Intelligence project.[2]

Quotes
"All the time the sun / Is wheeling out of a dark bright ground".[2]
"The time was one minute past midnight. But he was the only one who had to sit on his way
back. The time was one minute after midnight and the wind was still standing on the counter
and the little patch of straw was still still and the street was open".[3]

References
1. Thomas Hornigold (25 October 2018). "The First Novel Written by AI Is Here—and It's as
Weird as You'd Expect It to Be" ([Link]
ovel-is-it-a-good-read/#sm.00069qmis10ebdl7uan103cdtwnog). Singularity Hub. Archived
([Link]
e-a-road-trip-novel-is-it-a-good-read/) from the original on 29 October 2018. Retrieved
26 February 2019.
2. Merchant, Brian (1 October 2018). "When an AI Goes Full Jack Kerouac" ([Link]
[Link]/technology/archive/2018/10/automated-on-the-road/571345/). The Atlantic.
3. "An AI and an artist go on the road. "The idea was to write a novel with a car." " ([Link]
[Link]/radio/spark/409-1.4860495/an-ai-and-an-artist-go-on-the-road-the-idea-was-to-write-
a-novel-with-a-car-1.4860760). CBC Radio. 14 October 2018.
4. Newitz, Annalee (9 June 2016). "Movie written by algorithm turns out to be hilarious and
intense" ([Link]
oving/). Ars Technica. Retrieved 1 May 2019.
5. "[Link]" ([Link] FutureofStorytelling.
Retrieved 1 May 2019.
6. "Narrated Reality--Ross Goodwin" ([Link]
New York University Tisch School of the Arts, Interactive Telecommunications Program.
2016. Retrieved 24 June 2019.

External links
Automatic On The Road - Gonzo AI Robot Writes Road Trip Novel ([Link]
m/watch?v=TqsW0PMd8R0), 11-minute documentary by Lewis Rapkin

Retrieved from "[Link]

Common questions

Powered by AI

'1 the Road' challenges conventional definitions of authorship and creativity by presenting a work where the 'author' is not a sole human entity but a combination of human orchestration and machine execution. Traditionally, authorship is linked to individual creativity and intellectual property; however, this AI-generated novel attributes some 'creative' aspects to algorithms processing input data. As AI technologies continue to evolve, they may assume roles traditionally reserved for human authors, such as generating text, suggesting plot developments, or crafting dialogues. This shift prompts a reevaluation of intellectual property rights and the criteria for literary merit. The literary field may face increasing integration of AI-tools, leading to hybrid forms of literature and a broader acceptance of AI as a collaborative creative force .

The use of LSTM RNNs in '1 the Road' exemplifies both the strengths and weaknesses of this technology in generating narrative texts. Strengths include the LSTM's ability to learn sequential data patterns and produce a continuous stream of text, closely emulating human-like writing processes. This makes LSTMs suitable for experimental narratives that thrive on spontaneity and real-time data integration. However, weaknesses are evident in the generated content's disjointedness and lack of coherent structure, highlighting LSTMs' struggles with maintaining narrative cohesion over prolonged text. Furthermore, while LSTMs can process syntax and recognize certain language patterns, they lack the deeper semantic understanding necessary for complex storytelling, often resulting in output that appears erratic and unfocused .

Integrating real-time data like GPS and conversations into AI-generated narratives introduces a new level of dynamism and immediacy for readers. This approach creates a unique literary experience, where geographical and temporal contexts shape the content, allowing readers to perceive a continuous interaction with the environment. For literature's evolution, this signifies a shift toward more immersive and adaptive storytelling, expanding narrative possibilities beyond static text. However, it also raises questions about narrative cohesion and the role of human creativity, as the machine-generated content may lack traditional literary elements such as plot and character development. The ongoing integration of real-time data could redefine reader expectations and broaden the definition of storytelling in the digital age .

Ross Goodwin integrated several data sources and technological components to generate '1 the Road.' The system comprised a surveillance camera recording the scenery, a microphone capturing in-car conversations, a GPS logging the vehicle's location, and an internal clock tracking time. These inputs were processed by a long short-term memory recurrent neural network, which generated the text of the novel. The GPS and clock data led to frequent mentions of time and location, while conversations and visual information influenced the narrative content, resulting in an experimental composition drawing directly from real-time stimuli during the journey .

Ross Goodwin sought to address the emerging challenge of differentiating between AI and human-authored texts by presenting '1 the Road' in its unedited form, showcasing the raw output of AI-generated writing. By deliberately exposing the machine's writing process, complete with its errors and abrupt transitions, Goodwin aimed to prepare readers for a future where AI-generated writings might become more sophisticated. He warned that recognizable patterns in broader future texts could indicate non-human authorship, prompting a re-evaluation of how we assess and engage with written content .

Ross Goodwin's background in creative technology has profoundly informed his projects, allowing him to merge artistic expression with technological innovation. His experience as a creative technologist and a former ghostwriter for the Obama administration prepared him to explore unconventional narrative forms and AI's potential in artistic contexts. In '1 the Road,' Goodwin applied his expertise to integrate real-world data with machine learning, creating an experimental novel that challenges traditional storytelling. Beyond this project, he has contributed to AI-driven creative works like the short film 'Sunspring,' co-created with Oscar Sharp, and 'Word.Camera,' a device producing poetry based on visual input. Goodwin's projects contribute to the discourse on AI as a tool for creativity, pushing boundaries in both literature and digital art .

Publishing AI-generated works like '1 the Road' raises several ethical considerations, particularly around authorial intent and editorial integrity. Since AI lacks self-awareness and intent, authorial credit primarily belongs to the human orchestrator, Ross Goodwin, who designed the experiment. Goodwin intentionally left the text unedited to maintain the integrity of the AI's output, valuing transparency over traditional editorial standards. This decision sparks debate over the role of human intervention in curating AI work and preserving its raw form versus enhancing readability. Moreover, it challenges notions of creativity, originality, and ownership, as the boundaries between human and machine contributions become increasingly blurred .

'1 the Road' contributes significantly to understanding both the potential and limitations of AI in creative writing. It demonstrates how AI can generate narrative content by processing real-world data, offering a new paradigm for exploring creativity through machine learning. However, limitations are evident in the AI's inability to construct coherent plots or narrative arcs, as the prose primarily consists of disjointed phrases and typographical errors. The experiment suggests that while AI can emulate certain aspects of creative writing, such as replicating spontaneous styles or generating novel phrases, it still lacks the depth and intuitive understanding characteristic of human authorship. These insights have profound implications for future literary works, prompting questions around authorship authenticity, the role of AI as a collaborator in creative processes, and the future landscape of literary expression .

'1 the Road' emulates Jack Kerouac's 'On the Road' through its road trip format and the spontaneous style of text generation, echoing Kerouac's stream of consciousness approach. However, the AI-generated text diverges significantly as it relies on literal data inputs such as location coordinates and conversations, producing content without coherent plot or traditional narrative arc. Thomas Hornigold noted the presence of 'pixelated poetry' in the AI's outcome, which occasionally suggests a 'flickering ghost of consciousness.' This contrast highlights how AI can mimic certain literary elements while struggling to replicate the nuanced storytelling inherent in human-crafted narratives .

Ross Goodwin utilized artificial intelligence to generate the text of '1 the Road' by feeding real-world, real-time data into a long short-term memory recurrent neural network. Goodwin traveled from New York to New Orleans with a laptop hooked to sensors capturing data from a surveillance camera, microphone, GPS, and an internal clock. The AI then processed this data and generated written content letter by letter. Goodwin left the prose unedited, resulting in a 'choppy' style with typographical errors that reveal the machine's raw output. This approach demonstrates both the capabilities and limitations of AI in creative writing, offering a glimpse into how machines might emulate human creativity in the future .

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