Phono-Graphological Analysis Insights

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This document contains a student's responses to various assignments for a linguistics course. It includes: 1) A description of the syllable structure of the student's indigenous language, C…

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ANGELICA DEZA
  • Unit 1
  • Unit 2
  • Unit 3
  • Unit 4
  • Unit 5

Name: Angelica Deza

Year& Section: BSED-2A

Module 2

Unit 1

SELF- ASSESSMENT EXERCISE


Describe the syllable structure in your indigenous language.

 Since my indigenous language is Bisaya, I’ve always thought


how it is instructed and where did our dialect came from. It is
said that our dialect- Ethnologies identifies several dialects of
Cebuano, namely, Cebu, Boholano, Leyte and Mindanao Visayan
and our sound system is Malayo-Polynesian Language, is
covered as Austronesian Language of the Philippines.
 Cebuano has three vowel phonemes while consonants has
sixteen consonant phonemes, all of this phonemes make the
sound different by its sound, stress and how the word is
delivered.

6.0 TUTOR-MARKED ASSIGNMENT

i. What do you understand by phono-graphology?


 According to Halliday, the substance is the material of
language: ‘phonic’ (audible noises) or ‘graphic’ (visible marks),
hence phono-graphology is the organization of substance into
meaningful events. The context relates the form to non-
linguistic features of the situation in which language operates
to yield extra-textual features. In addition to this I think it is
the combination of both the visual and hearing, what you see
and hear. A combination of Phonology and graphology wherein
both of them have special significance in speech and writing.
ii. What features are significant in a phono-graphological
analysis?
 The features that are significant in phono-graphological
analysis are semantics, syntax, phonology and graphology.

1
Name: Angelica Deza
Year& Section: BSED-2A

iii. Do a phono-graphological analysis of the following text:

iv. Elesin: Words are cheap. ‘We know you for


A man of honour. Well tell me, is this how A
man of honour should be seen? Are these
not the same clothes in which I came among
you a full half-hour ago?

Iyaloja: Richly, richly, robe him


richly The cloth of honour is alari
Sanyan is the band of friendship Boa-
skin makes slippers of esteem.
(Death and the King’s Horseman pp. 16-17)

Phono-graphological analysis
As I have observed, there are punctuations in each excerpt-
punctuation like comma, apostrophe, question mark and period; each
punctuations indicates pause, stop and question mark for a question.
Every line starts with a capital letter and the spellings are correct, there
is also a British touch in a line like “Honour” instead of using the
American English “honor”. Rhyming of words is also present for
examble the “Richly, richly, robe him richly” “The cloth of honour is
alari”. Stress is important because it gives importance and emphasis to
each syllables.

2
Name: Angelica Deza
Year& Section: BSED-2A

Unit 2

6.0 TUTOR-MARKED ASSIGNMENT

i. What does language description at the lexico-semantic level


entail?
 Lexacal semantics as a subfield of linguistic semantics, is a
study of words meaning. It includes the study of how words
structure their meaning, how they act in grammar and
compositionality, and the relationships between the distinct
senses and uses of a word.
ii. Undertake a lexico-semantic analysis of the following:

Iyaloja: Richly, richly, robe him richly

The cloth of honour is alari Sanyan


is the band of friendship Boa-skin
makes slippers of esteem.
(Death and the King’s Horeseman p. 17)

Lexico-semantic analysis
The word Richly was repeatedly mentioned in the first line which could
mean extravagant, expensive or luxurious. The person who was
describe in the poem was covered with a high value clothes which
means that he is extremely rich. The word honour was spelled in the
British English which means reputation, credit and glory. I think the
writer wanted to let the reader know that the character in the poem
was rich and honorable, cloth of honor, band of friendships, slippers of
esteem.

iii. Distinguish between denotation and connotation.

 Detonation is the literal meaning of the word and differs from


the feelings or concepts that the word suggests while
connotation is the extension meaning of the word. It is an idea
or an emotion that the word invokes in addition to its literal
meaning.

3
Name: Angelica Deza
Year& Section: BSED-2A

iv. What are lexical relations? Mention and explain some of them.
 Connecting individual items to other items in systematic way is
one of means to look at vocabulary through the use of primitive
semantic relations such as synonyms, antonyms, hyponyms, and
hypernyms.

4
Name: Angelica M. Deza
Year&Section: BSED-3A
Subject: Elective II

UNIT 3

SELF- ASSESSMENT EXERCISE

Give three examples each of simple, compound and complex sentences.


 Simple sentence: Mia is missing
 Compound sentence: Lea is dancing while Leo is singing
 Complex sentence: Because the sun is too bright, I used sun blocked.

6.0 TUTOR-MARKED ASSIGNMENT


i. What are the grammatical units relevant to a stylistic analysis at the
syntactic level?
 The main parts of grammatical units relevant to a stylistic analysis at the
syntactic level are clauses, phrases, groups, words or morphemes.
ii. Mention and explain the elements of the English clause.
 A clause is higher in rank than a group. It may be defined as a group of
grammatically coherent words with a subject and a finite verb. Subject of a
clause is the topic, verb expresses meaning such as action, sensation and
states of being- it tells you what the subject is doing. Object of the clause
is who or what is the recipient of object. Complement give extra
information about the subject or object.
iii. What is the structure of the English Nominal Group?
 The English Nominal group are composed of nouns, adjectives, numerals
and determiners.
iv. Undertake a stylistic analysis of the syntactic features of any text of your
choice.

“Now is the winter of our discontent


Made glorious summer by this sun of York”
-Shakespeare’s Richard III

Stylistic Analysis
The play is written in a poetic blank verse the is unrhymed, iambic pentameters. The
stresses fall as follows:

Now /i/s the w/i/nter of our d/i/scont/e/nt

5
Name: Angelica M. Deza
Year&Section: BSED-3A
Subject: Elective II

The first line is built on a metaphor and the condition of England is described as winter
and the term “our” is a form of the royal “we” in addition to this the metaphor extended
into the second line which says that the sun is causing summer but the “sum” is also a
pin on the term “son” and “York” is a metonymic reference to the Duke of York.

6
Name: Angelica M. Deza
Year&Section: BSED-3A
Subject: Elective II

UNIT 4
SELF- ASSESSMENT EXERCISE

Explain the parallelism in “To err is human, to forgive is divine.”


 To err is human, to forgive is divine.

Inf LV Adj. Inf LV Adj

6.0 TUTOR-MARKED ASSIGNMENT


i. What do you understand by cohesion and coherence?
Cohesion is a term in functional grammar that relates to how texts (words and
sentences) are held together lexically and grammatically as a whole while
Coherence manifests in discourse by the extent to which a particular instance of
language use matches a shared knowledge of conventions as to how illocutionary
acts are related to form large units of discourse so that means that coherence and
cohesion is a team that allow the sentence to unify and give relevance to the
sentence.

ii. Analyse the following passage in terms of its cohesion and coherence.

Akpan: Do you mind a piece of advice?


Udoh: I don’t mind any.
Akpan: Are you listening?
Udoh: Yes, I am.
Akpan: The only solution to the problem is National Conference. I said that
because every group would say its mind and give its condition and terms
for staying together. (Osisanwo, 2003: 30).

In the passage above, I believe that both cohesion and coherence is present for it
complements each other making the passage understandable and comprehensible. The
conversation is connecting and addressing each other. In achieving cohesiveness, in the
passage Akpan said “Do you mind a piece of advice?” which means “you” is referred to
Udoh so it is referential cohesion. Next is conjunction cohesion” because” in which he
used to convey the argument then substitution is presented through Akpan replying to
the first passage saying “I don’t mind any.” Which is “advice” was replaced by “any”.

7
Name: Angelica M. Deza
Year&Section: BSED-3A
Subject: Elective II

UNIT 5

6.0 TUTOR-MARKED ASSIGNMENT

i. What is foregrounding?
 Foregrounding is a popular concept in stylistics, especially in the analysis of the
language of poetry. It refers to the concept of making certain features
prominent in a text. Some linguistic features can be made prominent for special
effects against the background features in a text.
ii. Identify and discuss the foregrounded items in the following:
a. This is 9ja talk, my mobile line.
 It can hook the reader’s attention because the chosen word and style. I believe
the foreground is 9ja talk.

b. Please note that lecture attendance is compulsory if you


want to pass.
 Attendance and compulsory is the foreground since it is bold and emphasized in
the sentence.

c. Let us unravel the meaning of Lilliput in Gulliver’s Travels


together.
 Gulliver’s Travel is the foreground since it is underlined which made the phrase
stand out.

d. On JUNE 12 I stand.
 June 12 is the foreground in the text because it is written in all caps which could
mean that it is being emphasize to make someone remember.
e. Read your Bible and pray every day.
 I believe that the word Bible is the foreground for we all know about its
existence.
iii. What do you think is the importance of foregrounding in any text?
 Foregrounding is important in any text because it serves as a clue or an
indicator of what the author wants to emphasize in a text.

Common questions

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Shakespeare's usage of blank verse in 'Richard III', characterized by unrhymed iambic pentameter, lends a rhythmic and formal structure to the dialogue, which enhances its theatrical delivery and emotional resonance. The meter's regularity aligns with the thematic intensity and gravity of the subject matter, while the lack of rhyme provides a natural flow that mirrors human speech. The syntactic arrangement, with stresses and pauses, allows for dramatic expression and interpretive depth in performance, highlighting Shakespeare's style and the character's psychological depth .

Foregrounding functions by making certain linguistic features in a text prominent, thereby emphasizing those aspects over the surrounding context. This might involve epistemic or strategic choices like unusual syntax, repetition, or typographical emphasis (e.g., bold or capitalized text). Such features can highlight thematic elements, direct attention, or evoke emotional responses, making them vital for engaging the reader and conveying the author's intent or themes more powerfully. Foregrounding thus serves as a critical tool in stylistic analysis to decipher a text's deeper meanings .

Inflection is crucial in indicating the grammatical function of morphemes within sentences, affecting aspects like tense, mood, voice, aspect, person, number, gender, and case. In a syntactic analysis, inflected forms help determine relationships between words and their syntactic roles in clauses and sentences. For example, verb inflections signify tense and person, while noun inflections indicate number and case. This morphological adaptation ensures correct grammatical relationships and aids in parsing the syntactic structure and meaning of sentences .

Understanding lexical relations like synonyms and antonyms is crucial in language analysis as they highlight semantic relationships between words. For instance, synonyms allow for the detection of nuances and subtle variations in meaning or intensity, while antonyms offer contrasting ideas. This understanding aids in developing a deeper comprehension of a text’s thematic nuances, tone, and intent. Analyzing lexical relations can reveal patterns of emphasis or ambiguity, enriching the interpretive process of texts .

Cohesion and coherence are integral in maintaining the logical flow and unity of a dialogue within a passage. Cohesion relates to the grammatical and lexical linking within the text that holds it together, as seen through referential terms like 'you' and cohesive devices such as conjunctions like 'because'. Coherence, on the other hand, is achieved through the logical order and relevance of conversational exchanges, ensuring the passage matches the reader's or listener's expectations and shared knowledge of conversation conventions. Together, these elements ensure the passage is not only syntactically sound but also meaningful and comprehensible .

Punctuation in the text excerpt from 'Death and the King’s Horseman' plays a crucial role in phono-graphological analysis. It serves as an indicator of pauses, stops, and queries, thereby influencing the auditory and visual delivery of the text. Each punctuation mark, such as the comma, apostrophe, question mark, and period, guides the rhythm and flow of reading, enhancing the soundscape created by the text. The use of punctuation aligns with the text’s syntactical and phonetic intentions, emphasizing particular words and expressions .

Denotation refers to the literal meaning of a word, while connotation involves the ideas or feelings a word evokes beyond its literal sense. For example, in the text, the word 'honour' denotes reputation or respect as per its dictionary definition. However, its connotation might include notions of nobility and dignity within the cultural context of 'Death and the King’s Horseman'. Connotative meanings enrich the text by adding layers of cultural and emotive significance that go beyond simple denotations .

Lexico-semantic analysis involves dissecting word meanings and their contextual usage to unveil underlying themes in 'Death and the King’s Horseman'. Words like 'richly', 'honour', and 'esteem' are repeated or emphasized, suggesting themes of wealth, social status, and respect. These words collectively portray a picture of a society deeply entrenched in notions of status and reputation. By analyzing how these terms are used syntactically and semantically, readers can infer the social dynamics and value systems prevalent in the narrative's setting .

Cebuano, being a Malayo-Polynesian language, exhibits phonetic characteristics typical of the Austronesian language family. It has three vowel phonemes and sixteen consonant phonemes, reflecting a relatively straightforward phoneme structure. This structure aids in differentiating meaning through sound and stress patterns which are consistent with what is observed in many Austronesian languages. The relation between sound system and linguistic classification is evident as the syllable structure and phoneme distribution align with Malayo-Polynesian norms .

Parallelism in maxims such as 'To err is human, to forgive is divine' enhances meaning by creating rhythm and symmetry in the structure. Both phrases have the same syntactic form (Infinitive + Verb + Adjective), which draws a direct comparison between human fallibility and divine forgiveness. This juxtaposition underscores the moral message, emphasizing the contrast between common human behavior and the noble act of forgiveness. The balanced structure aids in memorability and rhetorical impact, reinforcing the thematic dichotomy .

Name: Angelica Deza
Year& Section: BSED-2A 
 
Module 2
Unit 1
SELF- ASSESSMENT EXERCISE 
 
Describe the syllable structure in
Name: Angelica Deza
Year& Section: BSED-2A 
 
iii.
Do a phono-graphological analysis of the following text: 
iv.
Elesin: Word
Name: Angelica Deza
Year& Section: BSED-2A 
 
Unit 2
6.0 TUTOR-MARKED ASSIGNMENT
i.
What does language description at the lex
Name: Angelica Deza
Year& Section: BSED-2A 
 
iv. 
What are lexical relations? Mention and explain some of them. 

Connectin
Name: Angelica M. Deza
Year&Section: BSED-3A
Subject: Elective II
UNIT 3
SELF- ASSESSMENT EXERCISE 
 
Give three examples eac
Name: Angelica M. Deza
Year&Section: BSED-3A
Subject: Elective II
The first line is built on a metaphor and the condition of
Name: Angelica M. Deza
Year&Section: BSED-3A
Subject: Elective II
UNIT 4
SELF- ASSESSMENT EXERCISE 
 
Explain the parallelism
Name: Angelica M. Deza
Year&Section: BSED-3A
Subject: Elective II
UNIT 5
6.0 TUTOR-MARKED ASSIGNMENT 
i.
What is foregroundin

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