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Saheb and Mukesh: Lost Childhoods

The narrator encounters Saheb every morning at the garbage dumps in her neighborhood. She feels embarrassed because she had off-handedly promised Saheb that if she opened a school, she would ask him to join, but did not mean it seriously. However, Saheb took the promise very seriously and asks about it every day. The title "Lost Spring" is appropriate because childhood is likened to spring, but for children like Saheb and Mukesh, their spring is lost due to having to work and take on familial responsibilities at a young age.

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Nitaya Bhardwaj
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0% found this document useful (0 votes)
68 views4 pages

Saheb and Mukesh: Lost Childhoods

The narrator encounters Saheb every morning at the garbage dumps in her neighborhood. She feels embarrassed because she had off-handedly promised Saheb that if she opened a school, she would ask him to join, but did not mean it seriously. However, Saheb took the promise very seriously and asks about it every day. The title "Lost Spring" is appropriate because childhood is likened to spring, but for children like Saheb and Mukesh, their spring is lost due to having to work and take on familial responsibilities at a young age.

Uploaded by

Nitaya Bhardwaj
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Q.

1 Where does the narrator encounter with Sahebevery


morning

The narrator encountered Saheb at the garbage dumps of her


neighbourhood every morning.

Q.2 Why is the narrator embarrassed for making a


promise she did not made

The narrator was embarrassed about having made the promise that
if she built a school in the neighbourhood someday, she would ask
Saheb to join it. But that was something she had said off-hand and
did not really mean to go through with it. Saheb did not understand
that and persisted in asking her about it everyday. It was then that
she realized that he had taken it far more seriously than she had
intended it to be.

Q3) Justify the appropriateness of the title -Lost Sprin

Spring is the season of bloom. Childhood is considered to be the spring of


human life as children are young and always happy, gay and carefree.
There is nothing to be bothered about. However, life is not so easy and
carefree for children like Saheb-e-Alam and Mukesh. Their spring is lost
either in scrounging the heaps of garbage or in bangle making industry.
Their shoulders have been burdened by familial responsibilities at this
tender age itself. Hence, the title is quite appropriate.

Q4) compare and contrast the character sketch of saheb and mukesh

  Sahib-e-Alam

• a rag-picker from Seemapuri 

• lives a life completely opposite to what his name signi es:
“lord of the universe”

 

fi

• initially belonged to Bangladesh



• no option other than scourging the garbage to make a
living

• wants to go to school but his material conditions do not
allow this

• extremely poor; yet cheerful

• later, gets a job in a tea stall

• no more a master of his own

• loses the carefree look he used to have

 

        Mukesh
• lives in Firozabad; belongs to a family of bangle makers

• a strong, determined boy who insists on being his own
master

• wants to live a life different from hundreds of children in
his neighborhood who are trapped in business of bangle
making

• dreams of becoming a motor mechanic

• courageous enough to move away from the “God-given”
traditional work

• determined to make his dream come true for the
betterment of condition of his family

• insists on walking even if the garage is far away  

• daring is a part of his growing


Q5 ) explain seemapuri is a place on the periphery of delhi,ye


miles away from it, metaphorically.

By this the author meant that Seemapuri, though at the periphery of Delhi, was way
under-developed as compared to the city. Delhi as a city and the capital of the
country had all the facilities and privileges to offer to its residents. However,
Seemapuri, though nearby, did not have even basic facilities like drainage, sewage
systems and running water. Thus it seemed miles away from Delhi
 

Q6) describe the lives of the ragpickers of seemapur

The ragpickers led a life that was devoid of all basic facilities. There
was no sewage system, drainage structures or facilities like running
water. Many of them were immigrants from Bangladesh and they
often settled wherever they could nd some food. Such was the
condition that they had grown accustomed to the situation where
they had ration cards to get food but lived without a proper identity
and without permits. There was such scarcity of food that to sleep
without a rumbling stomach was an aim in their day-to-day lives.
The huts were made of mud, roof tins and tarpaulins. Children
walked barefoot as they couldn't afford shoes. Even if someone had
got a pair, they were surely rugged, used, discarded ones, often
mismatched and sometimes with holes. But to own shoes, even as
the ones mentioned before, was a dream come true. They lived in
utter poverty devoid of education along with other basic rights. With
the means to move forward in life unavailable to them and the harsh
struggle they had to carry on to survive everyday, they usually
turned into ragpickers. To them garbage was gold, not only because
they sometimes found some rupee notes in there but because
ragpicking through the garbage helped them survive and earn a
livelihood

Q7) together they have imposed baggage on the child that he


cannot put down. .who are "they"?  what is baggage and why
the child cannot get rid of it

They is being referred to Mukesh's family and some moneylenders ,


middle men , policemen, keepers of the law and politicians. The
baggage on the child is to earn money. Child cannot get rid of it due
to extreme poverty and lack of opportunity
.

fi
.

Q8) How are the families of bangle maker's trapped in a vicious


cycle of poverty

When the narrator asked a group of young men who have fallen
into the vicious circle of middlemen who trapped their fathers and
forefathers why they did not form a cooperative, they replied that
even if they get organised, they are the ones who would be hauled
up by the police, beaten and dragged to jail for doing something
illegal. There is no leader among them, no one who could help them
see things differently. Their fathers are as tired as they are. They
talk endlessly in a spiral that moves from poverty to apathy to greed
and to injustice
.

Common questions

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The lack of basic infrastructure in Seemapuri, such as proper sewage, drainage, and running water, severely impacts the residents' everyday life by exacerbating their poverty and limiting their access to fundamental rights. This infrastructural inadequacy contributes to health issues, social exclusion, and economic stagnation, forcing many residents, including children, to resort to ragpicking to survive .

Children burdened with the responsibility of contributing to family income face psychological stress, loss of childhood joy, and a sense of hopelessness. The pressure to survive and support the family can lead to early emotional maturity, anxiety, and a diminished sense of personal aspirations. They are often deprived of education and play, vital for emotional and cognitive development, thus impacting their self-esteem and future potential .

Intergenerational poverty among bangle makers manifests through inherited financial constraints and societal roles that perpetuate economic dependence and exploitation by middlemen. The absence of educational opportunities prevents families from accessing alternative livelihoods, trapping successive generations in the same cycle of poverty and labor exploitation. Without education, children lack the skills and qualifications needed to break this cycle and seek better employment .

In Seemapuri, footwear acts as a symbol of socio-economic status where most children walk barefoot due to poverty, highlighting their lack of resources. Owning even rugged or mismatched shoes is considered a luxury, representing aspiration and a step toward betterment. This motif underlines the harsh living conditions and dreams of a better future, illustrating the gap between the current state of deprivation and the desired state of sufficiency .

Community and organizational dynamics significantly affect the empowerment of impoverished groups like bangle makers. A lack of cohesive leadership and external support disenfranchises these groups, while organized communal efforts could provide collective bargaining power against systemic exploitation. However, fear of authority and lack of trust in law and governance deter attempts to form cooperatives. Effective organization could potentially challenge exploitation and seek socio-economic reforms, but current dynamics maintain their disenfranchisement .

Saheb-e-Alam accepts his circumstances, resorting to ragpicking and later taking a job at a tea stall where he loses his cheerfulness and autonomy. In contrast, Mukesh is determined to break free from societal constraints, aspiring to be a motor mechanic instead of succumbing to the traditional bangle making work of his community. Mukesh's determination and courage to defy the 'God-given' occupation set him apart from Saheb's acceptance of fate .

The lost childhood of children like Saheb-e-Alam is attributed to poverty and familial responsibilities that force them into laborious activities like ragpicking. The societal factors include economic disparity, lack of education, and inadequate social reforms to support child welfare. Their environment, lacking proper facilities and opportunities, imposes a harsh reality counter to the carefree and happy essence of childhood .

The title 'Lost Spring' serves as a metaphor for the childhood of impoverished children like Saheb-e-Alam and Mukesh, whose lives lack the carefree innocence typically associated with youth. Instead of experiencing a 'spring' of life filled with growth and joy, their childhood is dominated by labor and responsibility, symbolizing a lost potential and happiness due to socio-economic hardships .

Systemic failures such as lack of leadership, inadequate social support structures, and exploitation by middlemen trap bangle makers' families in poverty cycles. Fear of police action, apathy from authorities, and absence of platforms for communal organization prevent these families from breaking free from economic constraints. This results in a perpetual cycle of poverty, where individuals are unable to seek justice or reform due to systemic neglect and exploitation .

Seemapuri, though geographically near Delhi, represents an under-developed area lacking basic amenities like drainage, sewage systems, and running water, unlike Delhi which offers these facilities and privileges to its residents. This stark contrast symbolizes the socio-economic disparity where Seemapuri seems metaphorically miles away from the urban prosperity of Delhi .

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