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Handpan Lesson Series Overview

In this lesson, students learned how to strike the handpan properly and explored the instrument to build familiarity. They practiced in small groups and individually, with the teacher providing feedback. Students learned hand alternation and the layout of notes on the instrument. The teacher spent more time on exploration than planned to increase student interest and connection to the instrument.

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Pierce Slominis
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0% found this document useful (0 votes)
215 views2 pages

Handpan Lesson Series Overview

In this lesson, students learned how to strike the handpan properly and explored the instrument to build familiarity. They practiced in small groups and individually, with the teacher providing feedback. Students learned hand alternation and the layout of notes on the instrument. The teacher spent more time on exploration than planned to increase student interest and connection to the instrument.

Uploaded by

Pierce Slominis
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
  • Lesson 2
  • Lesson 1
  • Lesson 3

Lesson 1

In this lesson, students learned how to strike the handpan. They learned where on their
hand they were expected to strike with as well as how to loosen the wrist to allow for a more
resonant sound from the instrument. The analogy used comparing the feeling to the rubber pencil
trick seemed especially effective, as evidenced in the video. Students also were seen practicing
hand alternating. Work was done in small groups of two, individually, and as a full group. This
allowed for learning from each other with the small groups, as well as openness for individual
feedback thanks to the time for individual work. Students also learned the pattern of notes on the
instrument, alternating left and right as they raise in pitch. One alteration to my original plan was
that we spent more time than originally planned exploring on the instrument. I felt this would be
valuable for them as it not only built more interest in the instrument, but also helped them feel a
stronger connection with the handpan knowing they could play all the notes on it immediately.
Throughout the lesson, there were multiple verbal check-ins to see if everyone was understanding.
Questions were frequently asked for review, and everyone had been called on for multiple
different questions. Individual feedback was given while other students were busy and was
specific, involving mostly positive feedback with some guidance to help with anything noticed. In
the next lesson, the plan is to work on reading notation and learning how to play repeating
patterns.

Lesson 2

In this lesson, students learned how to read musical notation for ways to play the
handpan. A key was given that had them learning about ghost notes, accents, and ding notes,
showing how to read these symbols as they learned patterns. This lesson started with learning by
rote as they learned 3 separate ways to strike the handpan. After each style was learned, they
were introduced to the musical notation. They were also shown a professional player to introduce
them to all the possibilities of the instrument. Patterns were given to them in writing, and they
were expected to play them back. Everyone practiced these patterns together at first, then each
student took turns on the handpan while others practiced on their own handpan sheet. Students
showed what they had learned from the last lesson by demonstrating hand alternation as well as
proper striking techniques on the instrument. Students also showed their learning by answering
review questions at the beginning of the lesson. One adjustment to my lesson plan was that they
would not create their own repeating pattern until the next lesson. This was done because we ran
out of time. If I were to adjust this lesson, I would spend less time bouncing between teaching by
rote and teaching reading notation. While I felt they learned and made the connections between
the two, I found that I may have spent too much time explaining things. I would also make sure
students knew to be called on for when questions were asked. While it was easy to hear everyone’s
answers due to the smaller size of the group, this would not have been possible if there were more
students involved in the project. This lesson had teacher-led discussions about the music heard in
the video we watched together of a professional performing handpan. There was also individual
work which allowed for individual feedback.
Lesson 3

In this lesson, students learned how to write 4 beat grooves for handpan including accents,
ghost notes, ding notes, and pitched notes. They also practiced and performed these patterns,
showing reading skills as well as demonstrating proper playing techniques. Students were assessed
on what they had learned so far with questions at the start of the lesson reviewing technique,
hand alternation, and reading notation for the notation learned in the last lesson. Some of these
answers are seen on video. One adjustment I would make to this lesson was the order I taught the
music notation. I taught specific notes to be played before I had them write their own patterns.
This was a mistake as it had students writing patterns that they were not ready to play yet. If I were
to teach this again, I would have them create patterns with only ding, ghost notes, and accents first
before moving to more challenging music annotation. This lesson had plenty of individual work
time, while also including teacher-led instruction. This teacher-led instruction was necessary to
provide students with a complete understanding of the musical notation. They were then given
time to practice writing rhythm patterns on their own.

Common questions

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Teaching music notation had a significant impact on students’ ability to create their own handpan patterns by providing them with the literacy to interpret and express musical ideas formally. By understanding how to read and use musical symbols like ghost notes, accents, and ding notes, students gained the tools to structure their musical thoughts, enabling them to compose and communicate their patterns clearly. This literacy fostered a deeper cognitive connection between the physical act of playing and the theoretical framework of music, empowering them to explore and create more intricate and considered rhythmic patterns .

Individual feedback played a crucial role in the learning process by providing students with personalized guidance and validation, which are essential for skill development and confidence building. Throughout the lessons, feedback was given while others were preoccupied, ensuring that each student received attention to their specific needs and performance. This approach allowed for targeted advice, addressing both strengths and areas needing improvement, which helped refine their technique and understanding. It also created an encouraging environment that motivated students to progress, facilitating a deeper engagement with the material and instrument .

The adjustment in the lesson plan to postpone the creation of students' own repeating patterns improved learning outcomes by allowing students to solidify their foundational skills before tackling more complex tasks. Originally planned for Lesson 2, the creation of repeating patterns was postponed due to time constraints. By delaying this activity to a later lesson, students had the opportunity to become more proficient in reading musical notation and executing the basic handpan striking techniques. This sequential approach ensured that students had a strong understanding of the elements involved, leading to more effective and confident pattern creation in subsequent lessons .

The significance of alternating between teaching by rote and teaching notation in the handpan lessons lay in accommodating different learning styles and reinforcing students' skills from multiple angles. Teaching by rote allowed students to learn through imitation and practice, which is especially helpful for kinesthetic learners who benefit from physical involvement and repetition. In contrast, learning notation engaged cognitive processes related to reading and interpreting symbols, which aids in theoretical understanding and long-term retention. This dual approach ensured a more robust learning experience by catering to diverse student needs and helping to link practical skills with theoretical knowledge, though it was noted that balancing these methods required careful timing .

Practicing hand alternating contributed to the understanding of the handpan's pitch pattern by reinforcing the physical aspect of playing that matches the musical structure of alternating pitches. This technique allowed students to engage with both the tactile and auditory elements of the instrument, facilitating a deeper understanding of how the notes are organized in terms of pitch. It enabled them to intuitively grasp how alternating hands could effectively manage the instrument's layout, promoting a holistic grasp of rhythm and melody as they progressed up and down the pitch scale .

Teacher-led discussions in the handpan lessons provided instructional benefits by offering a structured platform for exploring complex topics and facilitating knowledge transfer. Such discussions allowed the teacher to guide the learning process actively, highlighting key concepts and clarifying misunderstandings in real-time. They also provided opportunities for students to ask questions and engage in dialogue, promoting a deeper understanding of the material. The discussions could also integrate theoretical knowledge with practical applications, particularly after watching performances, linking what students observed with their playing techniques. This approach encouraged critical thinking and allowed for immediate feedback and support from the instructor .

Practicing in small groups was beneficial for learning handpan techniques because it created an environment conducive to peer learning and mutual feedback. In small groups, students could observe different approaches and techniques, allowing them to learn from each other's successes and mistakes. This setup encouraged collaborative problem-solving and discussion, which reinforced learning and skill development. Additionally, the social aspect of small group work can enhance motivation and engagement, as students often feel more comfortable experimenting and asking questions among peers than in larger settings. This method capitalized on the strengths of collaborative learning to reinforce individual understanding .

The rubber pencil trick analogy was likely an effective teaching strategy for learning handpan striking techniques because it provided a relatable visual and sensory concept that students could grasp easily. This analogy helped students understand the looseness and flexibility required in the wrist to produce a resonant sound on the handpan, similar to the motion observed in the rubber pencil trick where the pencil appears to bend. Such relatable analogies can bridge the gap between cognitive understanding and physical execution by offering concrete mental imagery to abstract concepts, enhancing the learning experience .

The order of teaching music notation affected students' readiness to write their own patterns by potentially overwhelming them with concepts they were not yet prepared to apply. Initially, students were taught specific notes before they had the chance to internalize the simpler components like dings, ghost notes, and accents. This may have led to confusion or errors when they attempted to create patterns they were not equipped to execute. By restructuring the lesson to teach basic components first, students would have been more confident and capable in constructing their own patterns, ensuring they had mastered foundational skills before advancing to more complex concepts .

Watching a professional handpan player perform enhanced students' learning experience by exposing them to the artistic possibilities and advanced techniques of the instrument. It provided a model of excellence and inspiration, showing students the full range of sounds and styles that can be achieved with the handpan. This exposure helped broaden their understanding of the instrument beyond their initial technical skills, motivating them to aspire to a higher level of proficiency. Such demonstrations can stimulate students' interest and creativity by illustrating the potential of their learned skills in a real-world context .

Lesson 1
In this lesson, students learned how to strike the handpan. They learned where on their 
hand they were expected to
Lesson 3
In this lesson, students learned how to write 4 beat grooves for handpan including accents,
ghost notes, ding notes,

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