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Gothic Architecture Overview

The document provides a history of Gothic architecture from the 12th-13th centuries. Some key points include: - Gothic architecture originated in France and is characterized by pointed arches, flying buttresses, stained glass windows and elaborate tracery. - Major Gothic cathedrals include Notre Dame and Chartres in France as well as Salisbury Cathedral and York Cathedral in England. - Gothic architecture spread from France to other parts of Europe like Germany, Belgium, the Netherlands and Spain, taking on some regional variations. - The Renaissance introduced classical elements that departed from Gothic styles and influenced church architecture across Europe.

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0% found this document useful (0 votes)
47 views14 pages

Gothic Architecture Overview

The document provides a history of Gothic architecture from the 12th-13th centuries. Some key points include: - Gothic architecture originated in France and is characterized by pointed arches, flying buttresses, stained glass windows and elaborate tracery. - Major Gothic cathedrals include Notre Dame and Chartres in France as well as Salisbury Cathedral and York Cathedral in England. - Gothic architecture spread from France to other parts of Europe like Germany, Belgium, the Netherlands and Spain, taking on some regional variations. - The Renaissance introduced classical elements that departed from Gothic styles and influenced church architecture across Europe.

Uploaded by

Mariell Luna
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOC, PDF, TXT or read online on Scribd

GOTHIC

HISTORY

1.12th-13th century AD • Holy Roman Empire was reduced to the area of Germany

2. France, England and Castile in Spain • Only 3 great kingdoms were left:

3. • Prosperous years in terms of agriculture - warm weather and invention of the windmill and water-
mill increased the amount of food produced

• Most Europeans were Catholics

• Church under the Pope brought Christians together

• Entire Christianity was united against Muslims

• The rulers, the church and townspeople spent wealth on building more castles, cathedrals and
monasteries

• Towns competed with each other to produce the best architecture

4. 4000 new towns• Some new towns were built to accommodate the rising population

5. Paris, Milan, Florence, Venice and Naples • Towns became centers of trade –

• Mixture of lands ruled by nobles

6. • Feudal System - landlords ruled with tyranny

• There was restlessness among the people

• Towns became crowded and dirty - disease was rife

7. 1347-1351 • Black Death struck Europe from, and killed half the population - spread by rats and fleas,
could kill a person within 3 days

ARCHITECTURAL CHARACTER

DESCRIPTION

• "Gothic" is a term used in reproach to this style

• a departure from classic lines

• Can be identified by the general use of pointed arch

8. "MEDIEVAL ARCHITECTURE" • Also called

FRANCE
9. L'ARCHITECTURE OGIVALE • In French,

10. PRIMAIRE • Also called "a lancettes" • Distinguished by pointed arches and geometric traceried
windows

11. SECONDAIRE • Also called "Rayonnant" • Characterized by circular windows with wheel tracery

12. TERTIARE • Also called "Flamboyant" • Flame-like window tracery or free-flowing tracery

Features:

• Use of pointed arch to cover rectangular bays

• Use of flying buttresses weighted by pinnacles

• Tall, thin columns– “stretching up as if to heaven”

• Walls released from load -bearing function

• Invention of colored, stained glass windows to adorn window-walls

• Tracery windows provided a framework for Bible stories to be told in pictures

• Cathedrals as a library for illiterate townspeople

- Biblical stories were told with stained-glass and statuary

Amiens Cathedral

Reims Cathedral

Chartres Cathedral

13. NOTRE DAME, PARIS • One of the oldest French cathedrals

14. BISHOP MAURICE DE SULLY• Begun by

• Façade features successive tiers of niches with statues: Christ and French kings

• Central wheel window

• Two western towers with high pointed louvred openings

Other cathedrals:

Beauvais Cathedral
Laon Cathedral

Soissons Cathedral

15. CASTLES • Built on mounds above rivers

• Thick walls and small windows to resist attack

• Many were adapted to make convenient residences in later period

16. CARCASSONE • built in 13th Century AD

17. 600 AD • double wall, inner one made in

• 50 towers and moat • two gateways guarded by machicolations, drawbridge and portcullis

ENGLAND

18. NORMAN 1066-1154 AD • Includes the raising of most of major Romanesque churches and castles

[Link] 1154-1189 AD • Pointed arches in Romanesque structures

20. EARLY ENGLISH 1189-1307 AD • Equivalent to High Gothic in France

• Also called "Lancet" or "First Pointed" style, from long narrow pointed windows

21. DECORATED 1307-1377 AD • Window tracery is "Geometrical" in form, and later, flowing tracery
patterns and curvilinear surface pattern

• Also called "Second Pointed", equivalent to French "Flamboyant" style

22. PERPENDICULAR 1377-1485 • Also called "Rectilinear“ or "Third Pointed"

23. TUDOR 1495-1558 AD • Increasing application of Renaissance detail

24. ELIZABETHAN 1558-1603 AD • Renaissance ideas take strong hold

25. CATHEDRAL • May have been attached to monasteries or to collegiate institutions

• Found in precincts with dormitories, infirmary, guest houses, cloisters, refrectory, other buildings

Salisbury Cathedral

26. WESTMINSTER, • Complex of church, royal palace and burial grounds


• Most important medieval building in Britain

27. 32m wide and 102ft high • widest and highest vault in England

Other examples:

Wells Cathedral

28. YORK CATHEDRAL - largest medieval cathedral in England and in Northern Europe

29. - longest medieval cathedral in England

30. • Erected by new and wealthy trading families

Parts:

• great hall, room with solar room, chapel, latrine chamber, service rooms, kitchens, central hearth

Later, in Tudor Manor Houses

• increased rooms, quadrangular court, battlement parapets, and gateways, chimneys, buttery (butler’s
pantry), oven, pantry, serving area and storage, larder (food storage), wardrobe, oratory-study, private
chapel with altar and crucifix, scullery, brew house

Penhurst Place, Kent

GERMANY, BELGIUM AND THE NETHERLANDS

31. • In , the chief influence came from France, not from German Romanesque

32. • In , it was based on French Gothic, developing the Brabantine style

33. • Had a different look:

• Nave and aisle of same height

• One or two immense and ornate western towers or apse, in place of sculptured doorway

• Brick-work and simplified ornamentation


Ulm Cathedral

34. • Typical hall church

35. • Strong Moorish influences: the use of horseshoe arches and rich surface decoration of intricate
geometrical and flowing patterns

• Churches had flat exterior appearance, due to chapels inserted between buttresses

• Excessive ornament, without regard to constructive character

36. • Irregular in plan

• Most beautiful and poetic of all Spanish cathedrals

37. • Largest Medieval church in Europe

• Second largest church in the world, next to St. Peter's, Rome

Gerona Cathedral

Granada Cathedral

Toledo Cathedral

Salamanca Cathedral

Other cathedrals:

• Avila Cathedral, Segovia Cathedral, Barcelona Cathedral

38. • Led the way in Europe, in terms of art, learning and commerce

• Cultural revival was taking place in Italy in advance of northern Europe

• Roman tradition remained strong

• This arrested the development of Gothic architecture in Italy

• Verticality of Gothic is generally neutralized by horizontal cornices and string courses


• Absence of pinnacles and flying buttresses

• Small windows without tracery

• Projecting entrance porches with columns on lion-like beasts

39. • Designed by Arnolfo di Cambio

• Essentially Italian in character, without the vertical features of Gothic

• Peculiar latin cross plan with campanile and baptistery

40. • One of most stupendous undertakings since the building of the Pisa cathedral

• Outcome of civic pride - all artists in Siena contributed their works to its building and adornment

• Cruciform plan

• Zebra marble striping on wall and pier

Other cathedrals:

41. • Largest Medieval cathedral in Italy

• 3rd largest cathedral in Europe

RENAISSANCE

INFLUENCES

HISTORY

• Previous trade routes to the east had now been blocked by the Ottoman Turks in Constantinople

42. • , series of voyages and explorations by sea led by Spain and Portugal

• For trade mostly but also for the discovery of more lands

43. • Warfare was changed by the invention of

• This brought about the need for a new building type

• Printing by Movable Types

• Led to the mass production of books


• Contributed to the circulation of ideas and knowledge

• Several Christian thinkers challenged and attacked the beliefs, customs, power and wealth of the
Catholic Church

44. • Protestants in Germany, Scandinavia and England

• Religious and intellectual unity of Christendom had begun to crumble

• Increased understanding of Science and the Arts

• Medicine and Astronomy

45. • Human Anatomy by

• Attempt to understand the ancient world, its values, literary, artistic forms and architectural forms

46. • "Treatise on Architecture" by

ARCHITECTURAL CHARACTER

DESCRIPTION

• The Renaissance movement created a break in the evolution of European church architecture

47. • Departure from Gothic, with the employment of Classic Roman

• Byzantine structural and decorative practices, instead of Gothic, were interwoven with those from
Roman and Romanesque succession

PERIODS

48. • Period of learning

• Designers were intent on the accurate transcription of Roman elements

49. • Renaissance became an individual style in its own right

50. • Purist or Palladian, where Roman tradition was held in high respect (represented by )

51. • Proto-Baroque, where there was more confidence in using the acquired vocabulary freely
(represented by )

52. • , where practices which had no Roman precedent were interspersed with the usual buildings, or
entire buildings were conceived in a non-Roman way

53. • Mannerists used architectural elements in a free, decorative and illogical way, unsanctioned by
54. • Architects worked with freedom and firmly-acquired knowledge

• The true nature of Renaissance as a distinctive style began to emerge

• Baroque saw architecture, painting, sculpture and the minor arts being used in harmony to produce
the unified whole

55. • Style which is primarily French in origin

• Rock-like forms, fantastic scrolls, and crimped shells

• Profuse, often semi-abstract ornamentation

• Light in color and weight

IN SUMMARY:

56. • was logical, staid and serene

57. • was vivid, virile and intense

58. • was dramatic, rich, grand and alive

59. • was a profusion and confusion of detail, presenting a lavish display of decoration

60. • Cities of Florence, Genoa, Milan - central, chief powers of Italy

61. • Medici family - founded by , who was a commercial and political power

• Vitality of social life at every level

• Artists, who excelled in several arts, achieve high status in society

• Craft guilds, with both religious and lay connotations, directed activities of studios and workshops

• Renaissance had its birth in Florence

62. • With the development of gunpowder, palace-type building evolved, taking the place of fortified
castles

• Built around a cortile or interior court, like medieval cloister


• Ground floor and piano nobile

• Façade of massive, rugged, fortress-like character due to use of rusticated masonry and wall angles
called quoins

• Large windows unnecessary and unsuitable

• Low pitched roof covered by a balustrade, parapet or boldly protruding roof cornices

63. • By Benedetto da Majano

• Representative of the Florentine palace of that period

• Open cortile and piano nobile

• Astylar exterior of uniform rustication

64. • Cornice of the height, projection

65. • Splendidly presented examples of High Renaissance and Proto-baroque

66. • Famous architect is,

67. • Resembling small Roman circular temple with Doric columns

• 4.5 m internal diameter

• Site where S. Peter was martyred

• Designed by Donato Bramante

• Dome on drum pierced with alternating windows and shell-headed niches.

68. • Most important Renaissance building in Italy

• With cathedral, piazza and the Vatican, forms a worldfamous group

69. • , outcome of the works of many architects under the direction of the pope

12 Architects:

70. • His design was selected from several entries in a competition

• He proposed a Greek cross plan and a dome similar to the Pantheon in Rome
• Foundation stone laid in 1506

71. • Upon death of Julius II in 1513

3. Fra Giocondo

72. • Proposed a Latin cross plan

• Died

73. • Reverted to Greek cross

• Died

74. • Slightly altered plan - extended vestibule and campanile, and elaborated the central dome

• Died

75. • Undertook the project at 72 years old - present building owes most of its outstanding features to
him

• Greek-cross plan, strengthened dome, redesigned surrounding chapels

8. Giacomo della Porta

76. • Completed dome in 1590

77. • Added sided cupolas

78. • Lengthened nave to form Latin cross and built the gigantic facade

79. • Erected noble entrance piazza 198 m wide with Tuscan colonnade
80. • Completed plan is a Latin cross with an internal length of, width of, at crossing, majestic dome of
internal diameter.

• Largest church in the world

FRANCE

81. • took the place of fortified castles

Some examples:

Chateau de Justice, Rouen

Chateau d'O, Mortree

Chateau de Josselin

Chateau de Blois

Chateau d'Azay-Rideau

Chateau de Chenonceaux

82. • Designed by an Italian, Domenico da Cortona

• Semi-fortified palace, most famous in Loire district

83. • One of the most harmonious of all chateaux

• Designed by Francois Mansart on a symmetrical E-plan

84. • Built from Francis I to Napoleon III

• Together with Tuilleries, 45 acres constituting one of the most imposing palaces in Europe

85. • Designed by JA Gabriel for Louis XV

• One of most superb pieces of domestic architecture of the century

CHURCHES
86.• Projecting portal by Francois Mansart, dome by Lemercier

87. • earliest wholly-classical church facade

• by Salomon de Brosse

St. Etienne du Mont, Paris

ENGLAND

PERIODS

88. • During the reign of Queen Elizabeth

• Establishment of Renaissance style in England, followed Tudor architecture

• Transition style with Gothic features and Renaissance detail

89. (1603 to 1625 AD)

90. (1625 to 1702 AD)

91. • 1st Phase: was influenced by Italian Renaissance

92. • 2nd Phase: was influenced by French Renaissance

93. (1702 to 1830 AD)

94 • Statesmen, merchants and gentry built mansions in the countryside to suit their positions

• E-shaped plan or H-shaped plan

95. • Great hall, kitchen and office, living rooms, grand staircase, long gallery, withdrawing room or
solar, towers, gables, parapets, balustrades, chimney stacks, oriel and bay windows

96. Banqueting House, Whitehall, London

• Designed by Inigo Jones

Queen's House

• Influenced by Palladian architecture


97. • Designed by Christopher Wren

• Area of 6000 sq.m and a large central space under dome for big congregations

98. Blenheim Palace, Oxfordshire

• Most monumental mansion in England

• Example of central block with wings

SPAIN & PORTUGAL

99. • Grafting Renaissance details unto Gothic forms

In Spain:

100. • , rich and poetic style, so named for its similarity to silversmiths' work – plateria

• Influenced by Moorish art - extremely florid and decorative, from the minuteness of detail

in Portugal:

101. • (from King Manuel I, 1495 to 1521 AD)

• Decorative rather than structural in character, inspired by the voyages of discoverers

102. • Close adherence to Italian Renaissance art

103. • Classical rules disregarded

• Churrigueresque, fantastically extravagant expression, by Jose de Churriguera, (1650 to 1723 AD)

104. • Returned to ancient classical models

The Escorial, Madrid

• Austere group of buildings, composed of the monastery, college, church and palace with state
apartments
The University, Salamanca

• The facade is a Plateresque design masterpiece

• Admirable craftsmanship

GERMANY

105. • Exemplifies progressive developments of the Early Renaissance on the castle

• Saalbau, Heinrichsbau, Friedrichsbau

• Great watchtower and irregular court

106. • One of most striking Baroque monuments

Common questions

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Innovation in construction techniques during the Gothic period, such as flying buttresses, ribbed vaulting, and pointed arches, laid foundational principles for modern architecture by demonstrating the potential of structural elements to bear significant loads while allowing for large, open spaces. These techniques influenced modern engineering practices by emphasizing the importance of support structures that provide both strength and flexibility. The integration of form and function, as seen in the stained glass windows that served both aesthetic and narrative functions, also informed contemporary practices where utility and beauty are balanced in design. Modern architects continue to draw inspiration for designing skyscrapers and other large-scale structures from the way Gothic architects resolved the tension between vertical aspirations and structural integrity .

The progression from Gothic to Renaissance architecture reflected significant socio-political changes in Europe, such as the decline of the feudal system, the rise of humanism, and the shift towards centralized royal and state powers. Gothic cathedrals symbolized the medieval church's political and spiritual authority, but as Renaissance humanism emphasized classical antiquity, architectural styles shifted towards symmetry, proportion, and geometry, indicative of rationalism and human-centric worldview. Additionally, the Renaissance architecture underscored the growing influence of monarchs and the bourgeois, leading to the construction of palatial structures to symbolize their wealth and power, replacing the feudal castles that once dominated .

The distinctiveness of the Gothic style in France compared to other European nations can be attributed to several factors. First, France was at the cultural forefront during the Gothic period, and many of its cathedrals, like Notre Dame, became archetypes for others. French Gothic architecture is characterized by its pioneering use of flying buttresses, which allowed for higher walls and more expansive stained glass windows, establishing a vertical expression of spirituality. The presiding influence of the French monarchy and their close alliance with the Church fueled large-scale, well-funded architectural projects, pushing advancements in both engineering and aesthetic embellishments distinct from the more conservative or diverse approaches seen in Italy or Germany .

Gothic architecture was unable to fully develop in Italy largely due to the strong presence of Classical Roman architectural traditions. Italian architecture retained a balance of horizontality and classical features, which resisted the verticality and ornate nature of Gothic design. Furthermore, the cultural revival occurring in Italy, which later led to the Renaissance, prioritized a return to classical ideals over the 'French' Gothic. The Italian preference for Roman and Byzantine styles is evident in their use of smaller windows without tracery, projecting entrance porches, and neutralization of vertical elements through horizontal cornices .

Innovation in Gothic architectural elements, such as pointed arches, flying buttresses, and stained-glass windows, played a crucial role in expressing religious narratives to largely illiterate communities. The grandeur and height of the cathedrals symbolized reaching towards heaven, and the technicolor light filtering through stained-glass windows depicted biblical stories through vibrant imagery, easily understood by those unable to read. This was complemented by the detailed statuary and iconography which adorned facades, all serving as visual scriptures to educate and unite the community in shared religious and moral teachings .

The Gothic architectural style became a strategic tool for the Church to unite Christians against external adversaries, mainly through its symbolic and unifying presence. The massive cathedrals served not only as physical manifestations of divine power but also as gathering hubs where a collective Christian identity was fostered. The pointed arches and vaulting were not just structural innovations but represented the Church’s reach to heaven, reinforcing faith in divine power over enemies. Moreover, the shared architectural style across different European regions provided a visual cohesion, spreading a collective cultural and religious identity that transcended regional disparities, thus effectively uniting Christians in their ideological and territorial conflicts against non-Christian adversaries such as Muslims during the Crusades .

Gothic architecture played a significant role in community unification and identity through its grandeur and religious symbolism. Cathedrals, for instance, served not only as places of worship but also as community centers and symbols of civic pride. The use of pointed arches, stained glass windows, and tracery provided not just aesthetic value but also a means to educate an largely illiterate populace about religious stories and communal values. This architectural style fostered a sense of unity under Christianity, as the widely recognizable 'Gothic' features reinforced a shared religious and cultural heritage among European towns .

The feudal system profoundly influenced the architectural landscape during the Gothic period by dictating the construction of fortified structures like castles and manor houses. These buildings were designed for defense against rival nobles and invading forces, featuring thick walls, small windows, and strategic positions, such as on hills or above rivers. This need for security led to a prevalence of robust, militaristic structures in rural areas. Conversely, in urban centers, cathedrals and other ecclesiastical buildings displayed the wealth and power of both the Church and the ruling lords, often funded by the feudal taxes collected from tenant farmers .

The Black Death, which struck Europe from 1347 to 1351, drastically impacted urban development and architecture. It resulted in a massive population decline, reducing the labor force and halting building projects. The depopulation also led to stagnation in economic growth, diminishing the resources available for the construction of new architectural ventures. As a consequence, many urban centers experienced not only economic but also architectural dormancy, with the focus shifting towards reconstruction and repair rather than innovation or expansion. Long-term effects included the reorganization of labor laws and economic practices to adapt to the reduced population .

In Gothic architecture, the term 'Flying Buttress' refers to an external support system that transfers the weight of the roof and walls outwards to a detached pier. This innovation allowed builders to construct towering structures with thinner walls, accommodating large stained glass windows that were impossible in earlier styles with thicker load-bearing walls. Flying buttresses transformed cathedral construction by enabling the inclusion of vast, light-filled interior spaces and elevating the height of structures, creating an atmosphere of awe and divine aspiration. The ability to build higher with more intricate window designs established Gothic cathedrals as visual centers of religious and cultural authority, as exemplified by iconic buildings like Notre Dame and Chartres Cathedral .

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