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Disney's Marketing Strategies Explained

Disney has mastered connecting with customers through every aspect of its business. It focuses on creating magical experiences for families and paying attention to every detail. Disney leverages its brands across many divisions, from movies to theme parks to consumer products. This allows it to efficiently reach customers in multiple ways. Disney's goal is to help families create unforgettable memories through its engaging content and immersive theme park experiences.
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0% found this document useful (0 votes)
33 views2 pages

Disney's Marketing Strategies Explained

Disney has mastered connecting with customers through every aspect of its business. It focuses on creating magical experiences for families and paying attention to every detail. Disney leverages its brands across many divisions, from movies to theme parks to consumer products. This allows it to efficiently reach customers in multiple ways. Disney's goal is to help families create unforgettable memories through its engaging content and immersive theme park experiences.
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

206

PART 3 | Connecting With Customers

positioning is critical to marketing and that these marketing Marketing Discussion


programs are an attempt to be relevant to a certain con-
sumer group. What Are Your Mental Accounts?
Take a position: Targeting minorities is exploitive ver- What mental accounts do you have in your mind about
sus Targeting minorities is a sound business practice. purchasing products or services? Do you have any rules you
employ in spending money? Are they different from what
other people do? Do you follow Thaler’s four principles in
reacting to gains and losses?

Marketing Excellence Aladdin (1992), The Lion King (1994), Toy Story (with
Pixar, 1995), and Mulan (1998). In addition, the company
thought of creative new ways to target its core family-
>> Disney oriented consumers as well as expand into new areas to
Few companies have been able to connect with their reach an older audience. It launched the Disney Channel,
audience as well as Disney has. From its founding by Touchstone Pictures, and Touchstone Television. Disney
brothers Walt and Roy Disney in 1923, the Disney brand featured classic films during The Disney Sunday Night
has always been synonymous with trust, fun, and qual- Movie and sold its classic films on video at extremely low
ity entertainment for the entire family. Walt Disney once prices, reaching a whole new generation of children. It
stated, “I am interested in entertaining people, in bringing tapped into publishing, international theme parks, and
pleasure, particularly laughter, to others, rather than being theatrical productions that helped reach a variety of audi-
concerned with ‘expressing’ myself with obscure creative ences around the world.
impressions.” Today, Disney consists of five business segments:
The Walt Disney Company has grown into the world- Studio Entertainment, which creates films, recording la-
wide phenomenon that today includes theme parks, bels, and theatrical performances; Parks and Resorts,
feature films, television networks, theatre productions, which focuses on Disney’s 11 theme parks, cruise lines,
consumer products, and a growing online presence. In and other travel-related assets; Consumer Products,
its first two decades, however, it was a struggling cartoon which sells all Disney-branded products; Media Networks,
studio that introduced the world to Mickey Mouse, who which includes Disney’s television networks such as
went on to become its most famous character. ESPN, ABC, and the Disney Channel; and Interactive.
Few believed in Disney’s vision at the time, but the Disney’s greatest challenge today is keeping a
smashing success of cartoons with sound and of the 90-year-old brand relevant and current with its core au-
first full-length animated film, Snow White and the Seven dience while staying true to its heritage and core brand
Dwarfs, in 1937 led to other animated classics through- values. Disney’s CEO Bob Iger explained, “As a brand
out the 1940s, 1950s, and 1960s, including Pinocchio, that people seek out and trust, it opens doors to new
Bambi, Cinderella, and Peter Pan, live-action films such platforms and markets, and hence to new consumers.
as Mary Poppins and The Love Bug, and television series When you deal with a company that has a great legacy,
like Davy Crockett. you deal with decisions and conflicts that arise from the
When Walt Disney died in 1966, he was considered clash of heritage versus innovation versus relevance. I’m
the best-known person in the world. He had expanded the a big believer in respect for heritage, but I’m also a big
Disney brand into film, television, consumer products, and believer in the need to innovate and the need to balance
Disneyland in southern California, the company’s first theme that respect for heritage with a need to be relevant.”
park. After Walt’s death, Roy Disney took over as CEO and Internally, to achieve quality and recognition, Disney
realized his brother’s dream of opening the 24,000-acre has focused on the Disney Difference, which stems
Walt Disney World theme park in Florida. Roy died in 1971, from one of Walt Disney’s most recognizable quotes:
and the company stumbled for several years without the “Whatever you do, do it well. Do it so well that when peo-
leadership of its two founding brothers. It wasn’t until the ple see you do it they will want to come back and see you
late 1980s that the company reconnected with its audience do it again and they will want to bring others and show
and restored trust and interest in the Disney brand. them how well you do what you do.”
It all started with the release of The Little Mermaid, Disney works hard to connect with its customers
which turned an old fairy tale into a magical animated on many levels and through every single detail. For ex-
Broadway-style movie that won two Oscars. Between ample, at Disney World, “cast members” or employees
the late 1980s and 2000, Disney entered an era known are trained to be “assertively friendly” and greet visitors
as the Disney Renaissance as it released groundbreaking by waving big Mickey Mouse hands, hand out maps
animated films such as Beauty and the Beast (1991), to adults and stickers to kids, and clean up the park

M06_KOTL2621_15_GE_C06.indd 206 03/03/15 2:06 PM


Analyzing Consumer Markets | chapter 6 207

so diligently that it’s difficult to find a piece of garbage shows as well as to post news about its products and
anywhere. ­interviews with Disney’s employees, staff, and park of-
Every detail matters, right down to the behavior of ficials. Disney’s Web site provides insight into its movie
custodial workers who are trained by Disney’s anima- trailers, television clips, Broadway shows, and virtual
tors to take their simple broom and bucket of water and theme park experiences.
quietly “paint” a Goofy or Mickey Mouse in water on the Disney’s marketing campaign in recent years has
pavement. It’s a moment of magic for guests that lasts focused on how it helps make unforgettable family mem-
just a minute before it evaporates in the hot sun. ories. The campaign, “Let the Memories Begin,” fea-
Disney’s broad range of businesses allows the com- tures real guests throughout Disney enjoying different
pany to connect with its audience in multiple ways, ef- rides and magical experiences. Leslie Ferraro, executive
ficiently and economically. Hannah Montana provides an vice president of global marketing, Disney Destinations,
excellent example. The company took a tween-targeted elaborated, “The inspiration for this effort came from our
television show and moved it across several divisions to guests. Each and every day people are making memories
become a significant franchise for the company, includ- at our parks, posting them online and sharing them with
ing millions of CD sales, video games, popular consumer friends and family.”
products, box office movies, concerts around the world, According to internal studies, Disney estimates that
and ongoing live performances at international Disneyland consumers spend 13 billion hours “immersed” with the
resorts in Hong Kong, India, and Russia. Disney brand each year. Consumers around the world
Recently, Disney acquired three huge brands: Pixar, spend 10 billion hours watching programs on the Disney
Marvel, and LucasFilms. The company has started to Channel, 800 million hours at Disney’s resorts and theme
leverage these properties, which include the Star Wars parks, and 1.2 billion hours watching a Disney movie—at
brand and superheroes such as Spiderman, Iron Man, home, in the theater, or on their computer. Today, Disney
and the Hulk, across many of its businesses in order to is the 13th most powerful brand in the world, and its rev-
create sustainable character brands and new growth op- enues topped $45 billion in 2013.
portunities for the company.
Perhaps the most anticipated new product of 2013 Questions
was the Disney Infinity gaming platform, which crossed all 1. What does Disney do best to connect with its core
Disney boundaries. Disney Infinity allowed consumers to consumers?
play with many of the Disney characters at the same time,
interacting and working together on different adventures. 2. What are the risks and benefits of expanding the
For example, Andy from Toy Story might join forces with Disney brand in new ways, such as video games or
Captain Jack Sparrow from Pirates of the Caribbean and superheroes?
several monsters from Monsters, Inc. to fight villains from Sources: “Company History,” [Link]; “Annual Reports,” [Link]; Richard Siklosc, “The
outer space. Iger Difference,” Fortune, April 11, 2008; Brooks Barnes, “After Mickey’s Makeover; Less Mr. Nice
With so many brands, characters, and businesses, Guy,” New York Times, November 4, 2009; “World’s Most Powerful Brands,” Forbes, April 2012;
Dorothy Pomerantz, “Five Lessons in Success from Disney’s $40 Million CEO,” Forbes, January
Disney uses technology to ensure that a customer’s ex- 23, 2013; “Disney Launches Infinity Video Game That Costs More Than an iPad Mini,” Daily Mail,
perience is consistent across every platform. The com- January 16, 2013; Carmine Gallo, “Customer Service the Disney Way,” Forbes, April 14, 2011;
pany connects with its consumers in innovative ways Hugo Martin, “Disney’s 2011 Marketing Campaign Centers on Family Memories,” LA Times,
September 23, 2010; Elena Malydhina, “Disney Parks Campaign Borrows Family Memories,”
through e-mail, blogs, and its Web site. It was one of the Adweek, September 23, 2010; Disney Annual Report 2013.
first companies to begin regular podcasts of its television

Marketing Excellence a retail titan in home furnishings and a global cultural phe-
nomenon, inspiring BusinessWeek to call it a “one-stop
sanctuary for coolness” and “the quintessential cult brand.”
>> IKEA IKEA inspires remarkable levels of interest and devo-
IKEA was founded in 1943 by a 17-year-old Swede named tion from its customers. Each year more than 650 million
Ingvar Kamprad who sold pens, Christmas cards, and visitors walk through its stores all over the world. Most
seeds out of a shed on his family’s farm. The name IKEA need to drive 50 miles round-trip but happily make the
was derived from Kamprad’s initials (IK) and the first letters effort in order to experience IKEA’s unique value proposi-
of the Elmtaryd farm and the village of Agunnaryd where tion: leading-edge design and functional home furnish-
he grew up (EA). Over the years, the company grew into ings at extremely low prices.

M06_KOTL2621_15_GE_C06.indd 207 03/03/15 2:06 PM

Common questions

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Disney's acquisition of Pixar, Marvel, and LucasFilms enhanced its innovation strategies by providing new characters and stories that could be leveraged across its different business areas, thereby broadening its market reach. These acquisitions allowed Disney to introduce sustainable character brands and explore new growth opportunities, ensuring consistent consumer experiences across all platforms .

Disney's approach to balancing heritage and innovation showcases the importance of respecting a brand's traditional values while also embracing change to meet current market demands. This method highlights lessons in maintaining brand consistency, leveraging legacy brand strengths, and strategically innovating to remain relevant, which are vital for long-term brand management and competitive advantage .

Expanding into new areas like video games and superheroes presents risks such as brand dilution, where the original Disney identity might be overshadowed by these new ventures, and potential misalignment with core brand values. These risks can be mitigated by ensuring new ventures align with Disney's existing brand reputation for quality and family-friendly content and by using technology to provide consistent consumer experiences .

Disney emphasizes exceptional customer service through principles such as attention to every detail and providing magical, memorable experiences. This approach is epitomized by employees trained to be "assertively friendly" and engage guests with interactive elements like painting characters on the sidewalk. These practices enhance Disney's reputation as a company dedicated to quality and guest satisfaction .

Following the Disney Renaissance, Disney underwent significant changes by diversifying into new markets and acquiring major brands like Pixar, Marvel, and LucasFilms. These strategic changes provided a fresh influx of popular content and intellectual properties that broadened Disney's market position and audience reach, solidifying its place as a leader in both traditional and new media .

Disney has implemented strategies such as launching the Disney Channel and Touchstone Pictures to maintain its connection with core family-oriented audiences. To attract an older audience, Disney expanded into areas such as publishing, international theme parks, and theatrical productions. These strategies have helped them appeal to a wider variety of audiences .

The 'Disney Difference' manifests in operational practices through meticulous attention to detail and ensuring exceptional quality across all interactions. This includes training employees to be 'assertively friendly' and focus on creating magical experiences, contributing to brand success by fostering guest loyalty and repeat visits, which are cornerstones of Disney’s service ethos .

Disney’s “Let the Memories Begin” campaign reflects its understanding of consumer engagement by focusing on creating unforgettable family experiences. The campaign uses real guests’ experiences as inspiration, emphasizing emotional connections and encouraging consumers to share their experiences, thereby strengthening brand loyalty through personal and shared memories .

Disney leverages technology by enabling seamless interaction between customers and its diverse platforms. This includes multimedia engagement through email, blogs, podcasts, and a consistent web presence to ensure that whether a consumer is watching a Disney movie, visiting a theme park, or playing a Disney video game, the brand experience remains consistent and integrated .

Disney maintains its brand relevance by balancing its respect for heritage with the necessity to innovate. CEO Bob Iger states that the brand's legacy opens doors to new platforms and markets. Hence, Disney aims to respect its heritage while also making necessary innovations to stay relevant to its audience .

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