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Igorot Creation Story of Lumawig

In the beginning, Lumawig, the Great Spirit, created people by cutting reeds and commanding them to speak. He created the first man and woman in different places so they spoke different languages. Lumawig then taught the people how to obtain resources like salt and pottery. He gave salt to the people of Mayinit when they followed his directions, and pottery to the people of Samoki when they shaped the pots well. In this way, Lumawig brought all things and taught all skills to the people.
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0% found this document useful (0 votes)
2K views3 pages

Igorot Creation Story of Lumawig

In the beginning, Lumawig, the Great Spirit, created people by cutting reeds and commanding them to speak. He created the first man and woman in different places so they spoke different languages. Lumawig then taught the people how to obtain resources like salt and pottery. He gave salt to the people of Mayinit when they followed his directions, and pottery to the people of Samoki when they shaped the pots well. In this way, Lumawig brought all things and taught all skills to the people.
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© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
  • The Creation: Igorot

Name: Villlanueva, Lysa Karylle U.

Course: BSED – English

Subject: Mythology and Folklore

Instructor: Dr. Roxanne Duat

STORY OF CREATION

THE CREATION: IGOROT

In the beginning there were no people on the earth. Lumawig, the Great Spirit,
came down from the sky and cut many reeds. He divided these into pairs which he
placed in different parts of the world, and then he said to them, "You must speak."
Immediately the reeds became people, and in each place was a man and a woman who
could talk, but the language of each couple differed from that of the others. Then
Lumawig commanded each man and woman to marry, which they did. By and by
there were many children, all speaking the same language as their parents. These, in
turn, married and had many children. In this way there came to be many people on
the earth.

Now Lumawig saw that there were several things which the people on the earth
needed to use, so he set to work to supply them. He created salt, and told the
inhabitants of one place to boil it down and sell it to their neighbors. But these people
could not understand the directions of the Great Spirit, and the next time he visited
them, they had not touched the salt. Then he took it away from them and gave it to
the people of a place called Mayinit. These did as he directed, and because of this he
told them that they should always be owners of the salt, and that the other peoples
must buy of them. Then Lumawig went to the people of Bontoc and told them to get
clay and make pots. They got the clay, but they did not understand the molding, and
the jars were not well shaped. Because of their failure, Lumawig told them that they
would always have to buy their jars, and he removed the pottery to Samoki. When he
told the people there what to do, they did just as he said, and their jars were well
shaped and beautiful. Then the Great Spirit saw that they were fit owners of the
pottery, and he told them that they should always make many jars to sell.

In this way Lumawig taught the people and brought to them all the things
which they now have.

 Source: Mabel Cook Cole, Philippine Folk Tales (Chicago: A. C. McClurg and
Company, 1916), pp. 99-101.

 Notes by Mabel Cook Cole:

1. Lumawig is the greatest of all spirits and now lives in the sky, though for
a time his home was in the Igorot village of Bontoc. He married a Bontoc
girl, and the stones of their house are still to be seen in the village. It was
Lumawig who created the Igorot, and ever since he has taken a great
interest in them, teaching them how to overcome the forces of nature,
how to plant, to reap and, in fact, everything that they know. Once each
month a ceremony is held in his honor in a sacred grove, whose trees are
believed to have sprung from the graves of his children. Here prayers are
offered for health, good crops, and success in battle. A close resemblance
exists between Lumawig of the Igorot and Kaboniyan of the Tinguian, the
former being sometimes called Kambun'yan.

2. The Bukidnon of Mindanao have the following story: During a great


drought Mampolompon could grow nothing on his clearing except one
bamboo, and during a high wind this was broken. From this bamboo
came a dog and a woman, who were the ancestors of the Moro.

3. At the north end of the village of Mayinit are a number of brackish hot
springs, and from these the people secure the salt which has made the
spot famous for miles around. Stones are placed in the shallow streams
flowing from these springs, and when they have become encrusted with
salt (about once a month) they are washed and the water is evaporated
by boiling. The salt, which is then a thick paste, is formed into cakes and
baked near the fire for about half an hour, when it is ready for use. It is
the only salt in this section, and is in great demand. Even hostile tribes
come to a hill overlooking the town and call down, then deposit whatever
they have for trade and withdraw, while the Igorot take up the salt and
leave it in place of the trade articles.

4. The women of Samoki are known as excellent potters, and their ware is
used over a wide area. From a pit on a hillside to the north of the village
they dig a reddish-brown clay, which they mix with a bluish mineral
gathered on another hillside. When thoroughly mixed, this clay is placed
on a board on the ground, and the potter, kneeling before it, begins her
molding. Great patience and skill are required to bring the vessel to the
desired shape. When it is completed it is set in the sun to dry for two or
three days, after which it is ready for the baking. The new pots are piled
tier above tier on the ground and blanketed with grass tied into bundles.
Then pine bark is burned beneath and around the pile for about an
hour, when the ware is sufficiently fired. It is then glazed with resin and
is ready to market.

Common questions

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The Igorot creation myth involves Lumawig creating people from pairs of reeds that he made speak, while the Bukidnon myth describes ancestors emerging from bamboo split during a drought . Both emphasize the miraculous birth of humanity from nature, reflecting values of reverence towards natural elements as life-giving forces. The Igorot myth suggests a more organized distribution of language and culture with Lumawig as an overseer, implying a value of order and divine guidance, while the Bukidnon myth highlights resilience through the drought narrative, indicating a cultural emphasis on survival and adaptability .

Lumawig is considered the greatest of all spirits in Igorot mythology, credited with creating the Igorot people and actively teaching them essential skills such as overcoming natural forces, planting, and reaping . His role reflects a divine intervention model where gods directly participate in human affairs, highlighting a social structure that reveres ancestral and spiritual guidance. The Igorot's cultural practices, including monthly ceremonies in Lumawig's honor, suggest a strong tradition of ritual and cultural continuity rooted in mythological beliefs .

The use of reeds in the Igorot myth symbolizes life and potential emerging from nature, a common motif in creation myths where natural elements are sources of life. This choice echoes themes found in other mythologies, such as the emergence of humans from the earth or from plants, signifying a deep connection between nature and humanity . Like many myths, it reflects an understanding of nature as a life-sustaining force, paralleling stories such as the Egyptian creation from the mound of earth or the Hindu emergence from a cosmic egg, all underscoring a sacred link between humans and the natural world .

The monthly ceremonies in Lumawig's honor, held in a sacred grove believed to have trees sprung from his children's graves, reinforce the connection between spiritual beliefs and agricultural practices by integrating religious observance with agricultural success . These ceremonies, where prayers are offered for health and good crops, reflect a belief that spiritual favor is directly linked to the success of agricultural endeavors. This practice underscores the dependence of the Igorot on divine intervention for agricultural productivity, intertwining religion with daily life and reinforcing communal identity and cooperation through shared rituals .

Both Lumawig of the Igorot and Kaboniyan of the Tinguian share roles as cultural heroes and divine figures who actively interact with their communities. Lumawig, like Kaboniyan, is deeply involved with human practices, providing guidance and knowledge to help people navigate natural obstacles and develop essential cultural skills . The parallels highlight a common theme in Philippine indigenous beliefs where divine figures embody cultural continuity and guidance, essential for the survival and prosperity of their respective societies. These figures not only serve as creators but also as ongoing benefactors who symbolize the connection between divine wisdom and cultural heritage .

In the Igorot creation story, Lumawig creates people from reeds and designates distinct languages to each couple, establishing unique identities among different groups immediately . This diversity in language not only emphasizes cultural identity and separation but also illustrates the multiplicity of cultures inherent in the myth's structure. By attributing different languages directly at creation, the story underscores the importance of language as a foundational element of identity, differentiating people and implementing the idea of distinct communities from the outset .

Lumawig addressed resource needs by assigning specific tasks or resources to different villages. For instance, he gave salt production to Mayinit after the initial group failed to understand his instructions, and pottery production to Samoki when the Bontoc people's attempts were unsuccessful . This distribution implies his role as an organizer or a deity influencing economic specialization among the Igorot, assigning specific resources to villages based on compliance and capability, which organized society into specialized economic roles .

The Igorot creation myth illustrates obedience and reward through Lumawig's interactions with the people he created. For instance, when the first group failed to utilize the salt as instructed, Lumawig took it away and gave the privilege to another group who complied with his instructions, thus establishing Mayinit as the center for salt production . Similarly, Samoki earned the role of pottery makers by correctly following Lumawig's guidance, while the Bontoc people faced consequence for their initial failure. These actions portray a clear cause-and-effect relationship between obedience to divine instructions and material or societal rewards, emphasizing the value of compliance and adaptability in cultural narratives .

In the Igorot creation myth, divine interventions play a crucial role in shaping human capabilities and societal structures. Lumawig's direct involvement, from creating humans to assigning them specific tasks such as salt and pottery making, implicates divine influence in all aspects of human ability and societal roles . By distributing knowledge and resources based on compliance and capability, Lumawig acts as a divine architect for societal organization, ensuring that economic specialization and cultural practices are established among the Igorot people. This divine guidance suggests a belief in a structured cosmos where human progress is guided by spiritual entities .

Lumawig's assignments greatly impacted the economic structure of Igorot communities by introducing specialization and trade. By designating Mayinit as the center for salt production and Samoki for pottery, Lumawig fostered economic relationships between villages dependent on trade for these goods . His decisions created a structured economy built on specialization, where each community needed to rely on others for resources they didn't produce themselves. This interdependence likely enhanced social cohesion and trade networks, shaping a complex economic structure that encouraged mutual reliance and cultural exchange .

Name: Villlanueva, Lysa Karylle U.  
Course: BSED – English  
Subject: Mythology and Folklore  
Instructor: Dr. Roxanne Duat
the jars were not well shaped. Because of their failure, Lumawig told them that they 
would always have to buy their jars, an
gathered on another hillside. When thoroughly mixed, this clay is placed 
on a board on the ground, and the potter, kneeling

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