Improvisation in Art Education Strategies

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Teachers can improvise art media for students using locally available materials when commercial materials are unavailable or expensive. Improvisation involves using available materials to re…
  • Improvised Media in Teaching
  • References

Improvised media is widely recognised as a major tool in teaching for learners to grasp

certain concepts. It has been identified as one of the key tool for learners to grasp concepts.

Children are viewed as wanting to learn from concrete things they see therefore it seems

natural to have media based teaching as performing a vital role in art education. From what

the writer earned during her teaching practice, learners learn best in an environment that

allows them to explore, discover and play in art. The essay shall look on discuss how a

classroom teacher can improvise art media at grade 5 level. The term media is going to be

defined as the essay proceeds.

Martin (1994) defines improvisation as the power to create. Shem Toc (2011) says

improvisation is shaped by flexibility and transformation creation to suite the

requirements of the situation . Therefore improvisation refers to the efforts by

teachers to create objects to replace those that cannot be found Carlson (2015)

explains improvisation as making the most of what you have and getting the most of what

you make. Crossan (2018) states that improvisational techniques sometimes are referred to as

activities, exercises or games, are tools that can be added to any existing set of teaching

strategies. From the above definitions the improvisation can be defined as the use of available

materials at the present to replace those materials that may be expensive or unavailable and

promotes creativity as well. Media are the means for transferring or delivering messages.

Media is called the educational medium when the medium transfers message for teaching

(Li-Ling, 2006). Masterman, (2009) defines media as teachers’ helper tool in conducting the

teaching- learning process. Therefore media can be defined as materials that are used to make

the teaching and learning process much easier to both the teacher and learners, through the

use of sense in the teaching and learning process.


Duhaney (2000) say that by making use of the local environment and all available odds and

ends of scrap materials, the resourceful teacher is probably developing a more genuine and

natural approach to Art in the children themselves. To elaborate the above point, many

primary schools have very little in the way of commercially produced materials such as paint,

brushes and fibers but it is the duty of a competent teacher to use the local materials or

environment to produce his own materials rather than just wait for the school to buy

resources. When there is a shortage of resource materials the teacher should be in a position

to improvise and initiate some resources. Locally available materials such as tree needles

,grasses or straw can be used to make bristle for painting . The bristle can then be

bound to a handle found also in the local environment. Materials such as , sticks

from the yard , bamboo or a yard stick can be used to improvise for paint brushed .

Glue can be used to bind the bristle material to the handle. When improvisation is

utilized in a small group collaborative teaching and learning activities in a learner-centred

environment. , it can be a powerful teaching tool

More so, teachers face the challenge of lack of papers. In Art papers can be used in various

classroom activities. These activities include folding, collage and others. Teacher should ask

his or her learners to gather magazines, envelops, old newspapers and cardboard boxes so that

there will be no shortage of resources. For example, when a teacher teaches a concept on

modelling, pupils can make the map of Zimbabwe using old newspapers. . The implication is

that pupils will remember what they see better than what they hear only and that more and

better learning results from experiences gained through as many of the senses as possible.

This gives credence to the Igbo (Nigerian) proverb “what I am told, I forget; what I see, I

remember; what I do, builds castles in my mind” (Best and Khan 2002).Adding on,

improvised media paves way for standardized information delivery. Each student sees and
learns the same message, hence forming the basis for further study, practice and appreciation.

Attention is ensured through the use of instructional media.

The Art and Design teacher can improvise models using card box in the teaching and learning

of Art and Design. Some models are solid and show only the outline of the object they

portray, while others can be manipulated or operated. Still others, called cut-away, are built in

sections and can be taken apart to reveal the internal structure. Whenever possible, the

various parts should be labelled or coloured to clarify relationships. John (2009) postulates

that although a model may not be a realistic copy of an actual piece of equipment, it can be

used effectively in explaining operating principles of various types of equipment. They are

especially adaptable to small group discussions in which learners can ask questions, is more

effective if it works like the original and can be taken apart and reassembled. the teacher

may ask learners use green leaves from the local environment for painting . ln this

instance the teacher shares ideas with the learners on how to improvise for art media

. The teacher assists learners to gather materials from the local environment which

they can use to improvise for art media .This can be fun and interesting to the

learners . it will also help the learners to gather important knowledge of local

resources that they can use to improvise for art media

Different barks from different trees produce different colours they can be used in place

of paint for example the redwood tree bark can be used in place of red paint .

Manuel (2002) Learners learn by inductive discovery that is, they learn by doing rather than

being told what to do. They are experiential, hands-on, engaged, constantly connected with

first-person learning, games, simulations, and role playing. They are a participatory culture;

they are not spectators. Learners are believed that they are intuitive visual communicator

when using green leaves for painting. They will be visually literate, comfortable in an image-

rich rather than a text-only environment, and able to weave together images, text, using
painting techniques Drawing equipment may also be improvised using materials that are

locally available in the environment . . Charcoal can be picked from the fire place in

little fragments and used for drawing . These can be used as a substitute for pencils.

Some soft rocks such as limestone and soap stone can be used as chalks for drawing

. For drawing , needs can be sharpened and be used for drawing and lettering . It

fosters collaborative learning by helping to build trust, respect, and team spirit as well as

listening, verbal and nonverbal communication, ad-libbing, role-playing, and risk-taking and

storytelling skills.

.
REFERENCES

Carlson, S. (2015). The net generation goes to college. The Chronicle of Higher Education,

52 (7).

Crossan, M. M. (2018). Improvisation in action. Organisation science, 9 (5), 593- 599.

Duhanie (2000). Playing along 37 group activities. Duluth, MN: Whole Person Associates.

Khan B. (2002). An Approach to Teaching. The Teacher’ Handbook. Gwanda:Flamework

Publishers.

Mastermind (2009) Research Method and Statistics in Education. Gweru: Beta Print.

Doyle, W. (2011) Academic Work. Review of Educational Research 53; 159-169.

Gordon, J. (2000) Choice Opportunity and Learning. London: David Fulton Publishers.

Manuel . (2002). The Theory of Practice of Teaching. London: Kogan.

Johnson, S.I. (2000). Fundamental of improvisation for school science equipment Martin

(1994). Improvisation in integrated Science. A practical demonstration, A paper presented at

the 24th annual conference of STAN held at the University of Jos between 11th - 15th Sep.

1983.

Shem . (2011). The information-age mindset: Changes in students and implications for higher

education. EDUCAUSE Review, 35 (5), 15-24.

Common questions

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Encouraging students to use their local environment in creating art media is important as it helps them develop resourcefulness and an understanding of the world around them. By gathering materials such as leaves, barks, or sticks, students not only learn to appreciate and utilize their immediate environment, promoting sustainability, but also enhance their creative abilities as they find innovative uses for everyday objects . This practice not only enriches their learning experience but also fosters a sense of community and cultural connection, as they learn to see artistic potential in their surroundings .

Experiential learning through improvisation plays a critical role in developing students' understanding of art concepts by engaging them in hands-on activities that require active participation and problem-solving. By using improvisation, students not only observe and replicate but also create and innovate with materials. This process deepens their understanding of artistic techniques and concepts because they are experiencing the creation process first-hand, rather than just being told what or how to do it . This approach aligns with the educational theory that students remember more from what they actively do and experience, which is crucial for internalizing art concepts .

Improvisation in art education enhances the learning experience by allowing students to actively engage with the material through exploration and creativity. By utilizing locally available materials to create art supplies, students are more involved in the learning process, leading to better retention and understanding. As they gather and utilize materials like tree needles or charcoal, they learn through doing (inductive discovery), which facilitates a deeper connection with the subject matter . Improvisation also empowers students to develop problem-solving skills and adaptability, fostering a participatory culture rather than passive observation .

Art educators can utilize locally available resources such as tree barks for paints, charcoal for drawing, and sticks for brushes to replace traditional art supplies. These materials are readily available in the environment and can be gathered by students themselves, promoting engagement and involvement in the learning process . Benefits of this approach include cost savings, fostering creativity, and teaching students to appreciate and make use of their immediate environment. Furthermore, using varied materials helps students remember concepts better by engaging multiple senses, aiding long-term retention .

The use of improvisation in art has significant implications for students' future learning experiences and skills development. It instills in students the ability to adapt resourcefully to challenges, encouraging creativity and innovative thinking that are valuable across various fields . By learning to assess and utilize their environment pragmatically, they develop crucial problem-solving skills and an appreciation for ingenuity that can be applied beyond art into real-world problem scenarios. Furthermore, it sensitizes students to the potential of all materials and environments, shaping them into lifelong learners and thinkers .

Art teachers in resource-limited settings face challenges such as a lack of commercially produced art materials (e.g., paints, brushes, paper). These limitations can hinder their ability to deliver a comprehensive art curriculum. Improvisation provides a solution by allowing teachers to create art supplies from local materials, such as using grasses for brushes or old newspapers for paper crafts . This approach not only alleviates material shortages but also teaches students valuable lessons in resourcefulness and creativity, which are integral to art education .

Small group collaboration enhances the effectiveness of using improvised art media by leveraging diverse perspectives and encouraging peer learning. As students work together using improvised materials, such as creating models from cardboards or drawing with charcoal, they discuss processes, share insights, and solve problems collaboratively, thus deepening their understanding of art concepts . This collaborative environment fosters skills in communication, critical thinking, and innovation, as each member contributes ideas and learns from the group dynamic, making the learning process more engaging and productive .

Improvisation encourages teachers to adopt a more genuine and natural approach to teaching art by requiring them to engage with the environment and resources available to them and their students. By improvising, teachers demonstrate the creative process first-hand, using local materials to create art supplies and models, which echoes the authentic, organic nature of art itself . This approach not only aligns with traditional and cultural artistry practices but also enhances the teacher’s role as a facilitator of experiential learning, promoting a deeper connection between students and the art they are creating .

The use of improvised media in an art classroom aligns with the Igbo proverb "what I am told, I forget; what I see, I remember; what I do, builds castles in my mind" by emphasizing active learning through doing rather than passive listening . This approach ensures that students engage multiple senses and partake in the creation process themselves, thus enhancing memory retention and comprehension of artistic concepts. By seeing and manipulating the materials, students are more likely to remember the learning experience and apply their knowledge in the future, consistent with the proverb's message .

Improvisation promotes a standardized delivery of educational content by providing a uniform basis for all students to engage with the same learning activities, using similar materials derived from local resources . This standardization ensures that every student receives the same message and exposure, reducing disparities that might arise from unequal access to commercial materials. Consequently, students benefit from equal learning opportunities and a shared foundation for further studies and appreciation of art, reinforcing a collective learning experience .

Improvised media is widely recognised as a major tool in teaching for learners to grasp
certain concepts. It has been identif
Duhaney (2000) say that by making use of the local environment and all available odds and
ends of scrap materials, the resour
learns the same message, hence forming the basis for further study, practice and appreciation.
Attention is ensured through t
painting techniques Drawing  equipment  may  also  be  improvised  using  materials  that  are
locally  available  in  the  e
REFERENCES
Carlson, S. (2015). The net generation goes to college. The Chronicle of Higher Education,
52 (7).
Crossan, M. M.

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