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Comparing Noli and El Filibusterismo

The document compares and contrasts the key differences between Jose Rizal's novels Noli Me Tangere and El Filibusterismo. Noli Me Tangere focuses on the love story between Maria Clara and Juan Crisostomo Ibarra set against the backdrop of exposing the cruelty of the Spanish colonizers in the Philippines. The plot follows Ibarra returning from studying abroad to learn of his father's death and his subsequent conflicts with the church. El Filibusterismo has a darker, more political theme as it is dedicated to priests who were executed. The plot follows Crisostomo Ibarra, using the alias Simoun, as he plots a revolution against the Spanish government. It depicts more violence

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Jessica Amoroso
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17 views4 pages

Comparing Noli and El Filibusterismo

The document compares and contrasts the key differences between Jose Rizal's novels Noli Me Tangere and El Filibusterismo. Noli Me Tangere focuses on the love story between Maria Clara and Juan Crisostomo Ibarra set against the backdrop of exposing the cruelty of the Spanish colonizers in the Philippines. The plot follows Ibarra returning from studying abroad to learn of his father's death and his subsequent conflicts with the church. El Filibusterismo has a darker, more political theme as it is dedicated to priests who were executed. The plot follows Crisostomo Ibarra, using the alias Simoun, as he plots a revolution against the Spanish government. It depicts more violence

Uploaded by

Jessica Amoroso
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

RLW 1018 FLEXIKIT (Module Activity 8)

Acantalicio, Marianne F.
2nd Year College
BS Accountancy

ACTIVITY:
COMPARE & CONTRAST. Compare and contrast the differences between the Noliand El
Filibusterismo.

NOLI ME TANGERE EL FILIBUSTERISMO

➢ THEME ➢ THEME
➔ The theme of Noli Me ➔ The theme of El
Tangere is a Romantic Novel Filibusterismo is a Political
that is dedicated to our Novel.
beloved country. ➔ It is dedicated to the three
➔ The story is about the love martyr priests of the
story of Maria Clara and GOMBURZA.
Juan Crisostomo Ibarra. ➔ It is focused on the reform
➔ 'Also, to expose all the and revolution of the
misdeeds of the Spaniards Filipinos led by Simoun, who
and the cruelty and the wants to end the tyranny
brutality of the Spaniards to of the Spaniards.
the Filipino people. ➔ It contains bitterness,
hatred, pain and violence
➢ PLOT unlike Noli Me Tangere.

● Juan Crisostomo Ibarra, a young ➢ PLOT


man who spent seven years studying
abroad in Europe, returned to the ● After being away for thirteen years,
Philippines after learning of his Crisostomo Ibarra returned to the
father Don Rafael Ibarra's tragic Philippines under a new name and
death. The wealthy landowner died assumed the persona of a wealthy
in prison after Padre Damaso was jeweler who was plotting a dreadful
accused of accidentally killing the revolution of vengeance against the
tax collector who was beating a Spanish government in order to save
young boy. The church declined to his fiancée Maria Clara from a
bury his body in the Catholic nunnery. He was a passenger on the
cemetery instead choosing to streamer Bapor Tabo, which was
transport it to the Chinese traveling from Manila to Laguna de
cemetery, but when the gravedigger Bay. As a close friend and confidant
was moving the body he was thrown of the powerful and affluent
into the lake. governor general, Simoun, he offers
Ibarra is welcomed by Capitan Tiago advice on how to expose corruption
at a dinner party, but Padre Damaso and incite the populace to revolt.
interrupts the gathering and insults
Ibarra in front of a large crowd. That period saw the devastating
Despite Capitan Tiago's desire that news that Maria Clara, his girlfriend,
he stay to see his fiancée Maria had passed away inside the nunnery.
Clara, Ibarra refuses to respond to Simoun developed depression,
the friar. Before leaving, he spoke which prompted him to perfect his
with Teniente Gueverra, a civil new strategy.
guard lieutenant, and cautioned him
of his own enemies as well as the Isagani was informed of the idea by
circumstances behind Don Rafael's Basilio. Simoun presented a lamp
passing. And despite what had with a bomb inside that can kill
happened to his father, he chose not many people at Paulita Gomez and
to take revenge and kept working to Juanito Pelaez's wedding as part of
construct a school for Filipinos in his gift. To save his beloved Paulita,
the manner that his father had Isagani ran to fetch the lamp before
desired. it exploded and threw it into the
river.
Crisostomo Ibarra lost control and
pulled out a knife and was about to The Simoun plan was found by the
kill the friar when Maria Clara Spaniards. He was detained by the
stopped him. Padre Damaso had Guardia Civil, but he was able to
insulted Don Rafael Ibarra during escape and make it to Padre
dinner one night at the home of Florentino's home. However, the
Capitan Tiago. He lost his GuardiaCivil are aware of his
engagement to Maria Clara as a intended destination.
result of this, and he was also
excommunicated. He poisoned himself before the
Guardia Civil arrived and told Padre
Ibarra was successful in getting his Florentino who he was and what his
excommunication removed, but the entire scheme was. In the hope that
Spanish authorities planned to one day the Philippines would be
arrest. Elias, a mystery acquaintance free from the brutality of the
whose life he had unintentionally Spanish Authorities, Padre
saved, had warned him, but he Florentino knelt down and consoled
refused to go because he wanted to his dying body before throwing all of
see Maria Clara. When the breakout his fortune into the sea.
occurred, he was apprehended and
imprisoned in Manila. Elias assisted
him in escaping from prison on the
night of Maria Clara's engagement,
allowing him to successfully see
Maria Clara.

Ibarra and Elias ride a banka toward


Laguna De Bay after bidding Maria
Clara farewell. Unfortunately, the
Guardia civil eventually found them
near the lake. Ibarra was instructed
to hide at the sacate, and Elias
jumped off into the sea to save his
life. This attracted the attention of
the Guardia Civil, who fired water
and assumed that the blood was
Ibarra's when they saw it.

On Christmas Eve, Elias arrived at


the forest, where he discovered
Basilio and Sisa, who had gone
insane as a result of the loss of his
two boys, wounded and dying. He
instructed Basilio to burn both his
and Sisa's bodies. The plot came to
an end without any mention of Juan
Crisostomo Ibarra's fate.

Being in Character

Choose whether you will represent “Simoun” or “Basilio”. Taking into account the belief,
principles, and viewpoints of the two characters, argue on the following issues. You must
argue by pretending to be either Basilio or Simoun, you may write your arguments in the
spaces provided. The trick is I must not see you in arguments, but I must see Basilio or
Simoun, whoever you chose to represent.

1. English as the medium of instruction in schools.


2. Reimposition of death penalty in the Philippines.
3. Retaining the Sangguniang Kabataan Federation in the country.

“Simoun”

Many people contend that learning English is essential for furthering our jobs, especially in
the international society we live in today. All Filipinos should avoid this since it will
Americanize our culture and morals. Our race's Americanization won't lead to progress or
togetherness, especially since our colonial mentality gave rise to the idea that English is a
superior language. Because the will of our blood is best shouted in our own language,
relying too heavily on other languages can degrade our own language, as well as our own
views and beliefs. And let's say we employ the language for what it was designed for, which
is intercultural communication. In that situation, it may impose in us beliefs that are
typically at odds with Filipino interests and identity. Because we can learn it on our own,
English should be taught in schools but should not be the main medium of instruction.

The Philippines' death penalty should be resurrected because we need to weed out the
badgrasses in our fields. I believe that we must work together as a nation and that offenses
that are seriously damaging to our ideas and beliefs must be harshly punished. They would
be better off dead if they were not going to contribute to our bottom line by committing
crimes that show how animalistic we are. These criminals are no longer a part of us, so
their deaths won't be in vain. They betrayed us by siding with enemies, therefore we must
get rid of them. As we make sure that everyone in our country works for the good of all of
us rather than their own selfish interests, death to all unsures and all traitors.
Finally, it is important to maintain the Sangguniang Kabataan Federation in our nation for a
simple reason: young people need to develop their unique identities, especially when it
comes to national governance. For young individuals who are interested in public service
from an early age, the Sangguniang Kabataan Federation must serve as a training ground.
As they forge their own paths, they can use these experiences to inculcate the knowledge
and values that will enable them to realize their full potential and steer clear of the mistakes
made by those who came before them. Since too much engagement by other local officials
in Sangguniang Kabataan activities will encourage corruption, the Sangguniang Kabataan
needs privacy in order to function effectively. The federation no longer serves as a breeding
ground for potential future leaders but rather serves as a training ground for corruption
due to the involvement of other local authorities. Young people's governance must
therefore be kept, but they must be let alone.

Common questions

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Rizal intricately uses personal relationships and dynamics to critique societal issues in 'Noli Me Tangere' and 'El Filibusterismo.' In 'Noli Me Tangere,' the love story between Maria Clara and Crisostomo Ibarra highlights the personal impact of colonial oppression and societal norms, where personal relationships are subjected to the broader oppressive colonial system and religious authority represented by Padre Damaso . In 'El Filibusterismo,' Simoun's (Ibarra's) relationship with other characters is strategic, as he uses these dynamics to incite revolt, reflecting a shift from personal grief to political agitation against systemic injustice .

Rizal effectively uses various narrative strategies to dramatize colonial oppression in both 'Noli Me Tangere' and 'El Filibusterismo.' In 'Noli Me Tangere,' he incorporates interpersonal relationships and family dynamics to showcase the insidious influences of religious and colonial authorities, making oppression a personal rather than abstract experience. This drama raises empathy and awareness among readers . In 'El Filibusterismo,' he amplifies tension through political intrigue and the plotting of a revolution, using Simoun's transformation to reflect the intensity of colonial exploitation and the extremes of nationalist sentiment, thereby reaching a boiling point in the struggle for independence .

The themes of 'Noli Me Tangere' and 'El Filibusterismo' differ significantly in their expression of social and political issues. 'Noli Me Tangere' is a romantic novel dedicated to the country, focusing on love and the societal misdeeds of the Spaniards, portraying their cruelty and brutality towards the Filipino people . On the other hand, 'El Filibusterismo' is a political novel dedicated to the GOMBURZA martyrs, highlighting themes of reform and revolution. It is filled with bitterness, hatred, pain, and violence, portraying a darker tone compared to 'Noli Me Tangere,' and is focused on ending the tyranny of the Spaniards .

The final actions of Simoun in 'El Filibusterismo' carry deep symbolic implications regarding the fight against colonial oppression. Before the Guardia Civil arrives, Simoun takes his own life, thereby rejecting being captured by the authorities. This act of self-poisoning and his confession to Padre Florentino symbolize both the failure and the moral complexity of his revolutionary ideals. By throwing all of Simoun's fortune into the sea, Padre Florentino signifies a rejection of wealth and power accumulated through colonial exploitation, while also embodying hope for the future liberation of the Philippines from Spanish authorities .

Elias in 'Noli Me Tangere' serves as a moral compass and a revolutionary advocate, cautioning Ibarra about the corrupt system and seeking justice through peaceful reform. He symbolizes hope for change from within the system, yet his tragic fate reflects the harsh reality faced by those seeking justice . In contrast, Isagani in 'El Filibusterismo' embodies the idealistic youth and ultimately takes action to prevent the explosion planned by Simoun, symbolizing a resistance to nihilistic rebellion. His actions indicate a preference for safeguarding loved ones and preserving peace over violent revolution .

Rizal employs the motif of revenge throughout 'El Filibusterismo' to highlight the destructive impact it has on Simoun's mental state. Simoun's entire persona and actions stem from a desire to retaliate against the injustices experienced by himself and others at the hands of colonial authorities. This obsession leads him to devise complex plots of vengeance, reflecting a psychological transformation from idealism to bitterness. The motif underscores Simoun’s internal turmoil and moral descent, culminating in his eventual despair and self-destruction, thus illustrating the futility and self-destructive nature of revenge as a response to oppression .

Rizal explores the evolution of Filipino identity through language, as seen from Simoun's perspective, by criticizing the Americanization of Filipino culture and the imposing influence of foreign languages on Filipino identity. Simoun argues that reliance on English and other foreign languages might degrade the native language and weaken Filipino views and beliefs. He advocates for English to be taught for intercultural communication but cautions against it overshadowing native languages. This reflects Rizal's larger critique of colonial influence and his advocacy for preserving Filipino culture and identity amidst foreign domination .

The GOMBURZA martyrs profoundly influence the thematic development of 'El Filibusterismo' by representing the sacrificial struggle for justice and reform against Spanish colonial rule. The dedication of the novel to these martyrs underscores the theme of revolutionary zeal and reformist aspirations, driving Simoun’s vengeful actions. Their martyrdom fuels the narrative with a deeper historical context, emphasizing the legacy of resistance and amplifying the sense of injustice suffered under colonial rule, thereby serving as both a catalyst and a moral justification for the revolutionary ideals depicted in the novel .

In Rizal's novels, the setting of the Philippines is integral to the narrative, serving as more than mere backdrop by emphasizing the cultural and socio-political context of the stories. The geographical and cultural setting reflects the vulnerabilities and beauties of Filipino society under colonial rule, where towns, social centers, and natural environments become stages for both oppression and potential reform. By embedding real places into his novels, Rizal not only maps the physicality of colonial power but also underlines the urgency of his nationalist critique and the struggle for Filipino identity and independence .

Crisostomo Ibarra undergoes significant transformations between 'Noli Me Tangere' and 'El Filibusterismo.' In 'Noli Me Tangere,' Ibarra returns to the Philippines as an idealistic and hopeful young man who aims to implement his father's vision of building a school to educate Filipinos despite facing personal and societal challenges . However, in 'El Filibusterismo,' Ibarra becomes disillusioned and returns as Simoun, a wealthy jeweler plotting a rebellion against the Spanish government. The transformation highlights Ibarra's shift from seeking peaceful reform to embracing violent revolution as a means to save his fiancée, Maria Clara, and free his country from oppression .

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