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Cinderella Script for Auditions

1) Cinderella lives with her cruel stepmother and stepsisters who force her to work as a servant. 2) The prince is throwing a ball in hopes of finding a bride, and all maidens in the kingdom are invited. 3) With the help of her animal friends and fairy godmother, Cinderella attends the ball where she meets and dances with the prince.

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0% found this document useful (0 votes)
611 views7 pages

Cinderella Script for Auditions

1) Cinderella lives with her cruel stepmother and stepsisters who force her to work as a servant. 2) The prince is throwing a ball in hopes of finding a bride, and all maidens in the kingdom are invited. 3) With the help of her animal friends and fairy godmother, Cinderella attends the ball where she meets and dances with the prince.

Uploaded by

Анж Ела
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
  • Cinderella Script

Cinderella Script

Narrator (LYN) – Once upon a time in a faraway land there was a tiny
kingdom that was peaceful, prosperous, and rich in romance and tradition.
There, in a stately château, lived a widowed gentleman with his ltte daughter,
Cinderella. A kind and devoted father, he gave his beloved child every luxury
and comfort. Still, he felt she needed a mother’s care, and so he married
again. For his second wife he chose a woman of good family with two
daughters just like Cinderella’s age: by name, Anastasia and Drizella.
It was upon untimely death of this goodma, however, that the stepmother’s
true nature was revealed-cold, cruel, and bitterly jealous of Cinderella’s
charm and beauty. She was grimly determined to forward the interests by her
own two awkward daughters.
As time went by, château fell into disrepair. The family fortunes were
squandered upon the vain and selfish stepsisters while Cinderella was forced
to become a servant in her own home.
Yet through it all, Cinderella remained ever gentle and kind. With each and
every dawn she found new hope that someday her dreams of happiness would
come through…..
Ever since the death of her beloved father, Cinderella have been
treated like a slave by her jealous stepmother-Lady Tremaine-and her nasty
stepsisters, Anastasia and Drizella. They order her around, dressed her in
rags, and forced her to do all their household chores.

Anastasia (Avie) – Cinderella!!


- Go get my clothes and do the laundry!

Drizella (Lyn) – Get us some tea too!!

Cinderella (Rogelio) – Coming!!

Narrator (LYN) – Cinderella Prepare the tea and prepare the baket for the
laundry
Lady Tremaine (Maylyn) – Cinderella darling get me some tea.

Cinderella (Rogelio) – Coming Mother..

Narrator (LYN) – Cinderella gave the tea to her stepmother and do all the
chores.
On the next day, Meanwhile inside of the Castle Grand
Duke talk to the king about the prince wedding.

King (Mark) – It’s the right time for my son to got married and settled down.

Ofcourse your majesty but we must be patient.

King (Mark) – I am patient!


– But im not getting any younger.
– You know I want to see my grandchildren before I go.

Narrator (LYN) – The Kinf Calmed down and continued sadly.

King (Mark) – You don’t know what it means to see your only child grow
older and farther away from you.

Ok, Ok.
– But sire. In matters of love.

King (Mark) – Love?! What is Love?!


– Just a boy meeting a girl under the right conditions.

Narrator (LYN) – Grand duke suggested to the king to arrange th ball open
for all the maidens in the kingdom the king hesitate first but suddenly agree
the king immideatly other the messenger man to give all invitation letters in
all the house all over the kingdom. While Swepping the floor Cinderella
receive the message and tell it to her stepmother and stepsisters.
Lady Tremaine (Maylyn) – Cinderella! I’ve warned you!
– Never Interrupt us!

Cinderella (Rogelio) – But this just arrive from the palace.

Anastasia (Avie) – From the Palace?!!

Narrator (LYN) – Drizella demand, she grab the letter from Cinderella but
Anastasia grab it too they fight for it. Lady Tremain stop them and read the
letter.

Anastasia and Drizella (Avie & Lyn) – A Ball?!

Lady Tremaine (Maylyn) – Yes a ball! And the prince will chose a maiden
and marry her.

Cinderella (Rogelio) – Mother can I come?

Anastasia (Avie) – Oh no! Your not!

Cinderella (Rogelio) – But why?

Lady Tremaine (Maylyn) – You can come if all the chores is done.

Cinderella (Rogelio) – Okay Mother!

Narrator (LYN) – A few minutes later Cinderella rummaged through the


trunk at the foot of her bed and pulled out a cloud of pink bright silk

Cinderella (Rogelio) – Isn’t it lovely?

Gus (Lance) – It is beautiful


Blossom (Adrian) – Yes it is! But it is old fashioned

Narrator (LYN) – Blossom grab a book and she look at the designs.

Luke (Jevsson) – Oh! This one! This is beautiful!

Jaq (Nath) – Yeah it is true with the sash and a ruffle it will looks like brand
new!

Narrator (LYN) – Cinderella! A Angry voice persisted the 3 mice and 2 birds
decide to fix Cinderella’s dress.
- Her Stepmother and Stepsisters gives her more chores.
- You can see how heart breaking she is.
- Meanwhile the animals almost finish her gown.
- And the carriage arrive.
- When her two stepsisters saw her dress the torn it.
- So Cinderella wouldn’t attend the ball.
Blinded by tears Cinderella crying out under the shadow and there is a
woman appeared asking her what happened and she told the lady about it.
And the lady said she can fix it.

Cinderella (Rogelio) – There is no use!

That’s not true believe in me!

Narrator (LYN) – The fairy god mother wave its wand fix her dress and
turned the pumpkin in to a carriage and her little friend turned in to 2 horses
and 1 coachman! The place was filled in magic.

But in all dreams, I’m afraid this one can’t last


forever. You’ll have only until midnight, and then,-
Cinderella (Rogelio) – Midnight! Oh thankyou! But what if my mother
recognize me??

Here im sure they wont recognize you.


- Take care!

Narrator (LYN) – And they go straight in to the ball. Cinderella just got thee
in time. And she was overwhelmed by the beauty and graduer of the palace.
And the prince notice her. He ask her if she wants to dance and she happily
agreed. While the couple is dancing everyone was staring at the two. Lady
Tremaine and her two daughters trying to see the face of Cinderella.

Anastasia (Avie) – Who is she mother?

Drizella (Lyn) – She seems so familiar. I’ve seen her before.

Narrator (LYN) – Lady Tremaine watch the couple with narrow eyes. They
continued dancing towards the garden and they have small talks.

Prince Kit (Blas) – What is your name?

Narrator (LYN) – And the first stroke of clock starts.

Cinderella (Rogelio) – Oh it is almost midnight! I have to go sorry.

Narrator (LYN) – Cinderella run as fast as she could

Prince Kit (Blas) – No! Wait!

Cinderella (Rogelio) – But I must!


Narrator (LYN) – Cinderella rush and leave the palace and accidentally slip
of here glass slipper on the steps of the stairs but she didn’t have time so she
rush to the carriage and immediately. And after going home Cinderella talks
to here friends.

Cinderella (Rogelio) – Oh Bless me! That was the happiest day of my life!

Narrator (LYN) – On the next day Grand Duke told the king about
everything that happen last night and he immediately rushed to get the glass
slipper. He explains to the king that the prince wants to marry the who owns
the glass slipper and the king told the royal guards and footman to search for
the maiden who owns the glass slipper. They already search all the areas
except in the château. But when Lady Tremaine found out that the girl is
Cinderella she locked up Cinderella in the room and show her two daughters
to the grand duke and footman.

Anastasia (Avie) – It’s mine! Me first!

Footman (Jb) – It doesn’t fit my lady

Drizella (Lyn) – Ofcourse if wouldn’t fit because its mine!

Footman (Jb) – It doesn’t fit as well

Are you sure that there are no maidens anymore??

Narrator (LYN) – Grand Duke lost he’s hope but little didn’t they know the
the 3 mice sneak the key out of the table and freed Cinderella . Cinderella
stepdown on the stairs and ask if she can try the slipper and Grand Duke
agreed, the glass slipper almost fell because of Anastasia and Drizella. Grand
Duke catch it and Lady Tremain purposely bumb to Grand Duke so the glass
slipper slipped and break in to many pieces. And Grand Duke Lost he’s hope.
Oh no! No! No! No!!

Footman (Jb) – No! it breaks!

What would we do now?!

Narrator (LYN) – Lady Tremaine Smile Smuggly

Cinderella (Rogelio) – Perhaps I could help

No! Nothing can help now!

Cinderella (Rogelio) – But you see, I have the other pair of the glass slipper

Narrator (LYN) – Cinderella pulled out the glass slipper and Grand Duke
saw it. It really looks like the pair of the Grand duke tries to fit it on
Cinderella and it perfectly fits! They got Cinderella out of the hands of the
cruel Stepmother and stepsisters.

The bells of the palace clock tower ring merrily as Cinderella and Prince Kit
run from the church. And finally as the price leaned ever to kiss his new
bride, Cinderella thought about how she had learnec never, ever give up on
her dreams. And they live happily ever After.

Common questions

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Social class and mobility are central to Cinderella’s journey. Initially, she enjoys a comfortable life but is demoted to servitude by her stepmother's actions . The invitation to the ball represents an opportunity to transcend her current social restrictions and highlights a societal structure that allows for upward mobility through marriage. Her transformation by the Fairy Godmother and the subsequent acceptance at the royal ball symbolize the possibility of moving beyond her imposed class limitations . Ultimately, her marriage to the Prince illustrates the potential for social mobility and the realization of her dreams, challenging societal norms .

Hope and transformation are prevalent themes woven throughout Cinderella's story. Cinderella's enduring hope for a better life is a constant amidst her daily hardships, reflecting her belief in dreams and potential for change . Transformation is literalized through the Fairy Godmother’s magic, where Cinderella’s appearance is changed to match the regal environment of the ball, symbolizing the realization of her dreams and potential for social mobility. This magical transformation is mirrored by an emotional transformation, evident in Cinderella's growing confidence and resolve to claim her happiness . The final transformation is social, as she marries the Prince and regains her rightful status .

The primary conflicts in the story are between Cinderella and her antagonistic stepfamily, highlighting themes of familial injustice and societal oppression. These conflicts fuel her character arc, as the mistreatment by Lady Tremaine and stepsisters forces Cinderella to cultivate resilience and resourcefulness . While the internal conflict of holding onto hope versus despair causes emotional growth, the external conflict with her stepfamily positions her against societal norms that limit her potential based on family-imposed constraints. These adversities drive key plot points, such as her determined decision to attend the ball and her strategic response to reclaim her identity with the slipper, propelling her toward self-discovery and eventual liberation .

The interactions between Cinderella and the Prince at the ball emphasize the story's exploration of genuine love and compatibility based on unprejudiced connections. Their mutual attraction and seamless rapport suggest a match based on genuine affinity rather than superficial social markers . The Prince's subsequent quest to find Cinderella highlights a dedication to understanding her true self beyond the confines of society, reflecting an appreciation for individuality and compatibility. This portrayal deepens the theme of love as an unselective, all-encompassing force that transcends societal expectations and external appearances .

The glass slipper is a crucial narrative device and a powerful symbol within the story. It serves as the tangible proof of Cinderella’s true identity and her rightful place beside the Prince. The slipper was left behind in her haste to leave the ball, providing the only clue the Prince has to find her . Symbolically, the slipper represents the unique qualities of Cinderella that set her apart from others, such as her grace and purity, which cannot be imitated by her stepsisters despite their efforts to claim it . Its perfect fit further reinforces themes of destiny and true identity, ultimately leading to Cinderella's liberation from her servitude and fulfillment of her dreams .

Cinderella’s actions and decisions consistently reflect themes of autonomy and self-determination. Despite constraints and oppression from her stepfamily, she embraces changes involving her participation in the ball as the opportunity arises, signifying her desire for self-directing change . Her proactive decision to attend the ball, and subsequently claim the glass slipper even after its pair is broken, reflects her assertion of individuality and her determination to create her destiny . These actions defy her imposed limitations, illustrating her agency in navigating societal structures to achieve personal fulfillment and independence .

Lady Tremaine's character is essential in developing the primary conflict of the story. Her cold and jealous nature leads her to squander the family fortune on her own daughters while forcing Cinderella into servitude, creating a stark juxtaposition between Cinderella’s inherent goodness and her family's cruelty . This conflict underscores the themes of injustice and resilience, as Cinderella's virtuous nature eventually prevails, allowing her to overcome adversity through patience and hope .

The magical elements, most prominently represented by the Fairy Godmother, serve as catalysts for the story’s progression. They provide Cinderella with the opportunity to attend the ball, circumventing the barriers imposed by her stepfamily. The transformation of the pumpkin into a carriage and her attire enhances her ability to participate in the royal social event, fundamentally altering her trajectory . The stipulation of midnight acts as a temporal constraint that drives the urgency of her actions at the ball and consequently her hasty departure, which is pivotal to the narrative as it leads to the dropping of the glass slipper—the key element that facilitates her eventual reunion with the Prince .

Cinderella maintains a gentle and kind demeanor despite the harsh treatment she receives from her stepmother and stepsisters. Her reaction showcases her resilience and optimism, as she continues to hold onto hope for a better future, as seen when she dreams of happiness every dawn . This hope and kindness influence her decision to remain dutiful and courteous, even when mistreated, which ultimately allows her to gain the empathy and assistance of her friends, such as the animals that help her .

The conclusion of the story effectively delivers the moral message that perseverance and kindness lead to eventual justice and happiness. Cinderella’s patience and virtuous demeanor are ultimately rewarded when she proves her identity with the remaining glass slipper and marries the Prince . This resolution not only elevates Cinderella from her life of servitude but also acts as a vindication of her consistent moral integrity despite adversities. The ‘happily ever after’ ending reinforces the notion that good triumphs over evil, which is a central ethical theme of the narrative .

Cinderella Script
Narrator (LYN) – Once upon a time in a faraway land there was a tiny
Lady Tremaine (Maylyn) – Cinderella darling get me some tea. 
 
Cinderella (Rogelio) – Coming Mother.. 
 
Narrator (LYN) – Ci
Lady Tremaine (Maylyn) – Cinderella! I’ve warned you! 
                                          – Never Interrupt us! 
 
Cin
Blossom (Adrian) – Yes it is! But it is old fashioned 
 
Narrator (LYN) – Blossom grab a book and she look at the designs.
Cinderella (Rogelio) – Midnight! Oh thankyou! But what if my mother 
recognize me?? 
 
Here im sure they wont recognize you.
Narrator (LYN) –  Cinderella rush and leave the palace and accidentally slip 
of here glass slipper on the steps of the stair
Oh no! No! No! No!! 
 
Footman (Jb) – No! it breaks! 
 
 What would we do now?! 
 
Narrator (LYN) –  Lady Tremaine Smile Smu

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