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Spicmacay Concert with Saketh Raman

This document summarizes a classical music concert organized by Spicmacay featuring renowned Carnatic vocalist Vidwan Saketh Raman. It introduces Raman's extensive training and achievements, which include studying under masters and performing worldwide. The summary includes Raman giving an excellent vocal performance, followed by an interaction where he answers questions from the audience about practicing music, developing skills, and the future of classical music. The event concludes by thanking the organizers and audience for their support.

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0% found this document useful (0 votes)
299 views7 pages

Spicmacay Concert with Saketh Raman

This document summarizes a classical music concert organized by Spicmacay featuring renowned Carnatic vocalist Vidwan Saketh Raman. It introduces Raman's extensive training and achievements, which include studying under masters and performing worldwide. The summary includes Raman giving an excellent vocal performance, followed by an interaction where he answers questions from the audience about practicing music, developing skills, and the future of classical music. The event concludes by thanking the organizers and audience for their support.

Uploaded by

navin
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
  • Introduction by Ananya
  • Guest Welcome and Achievements
  • Concert Commencement
  • Q&A Session
  • Programme Conclusion

Spicmacay Script

ANANYA
Good evening everyone, On behalf of the founder of Spicmacay Dr.
Kiran Seth, APSB Management and Principal Ma’am, Teachers and
students. We welcome you all to this beautiful evening of classical
Carnatic Vocal Music Concert with Vidwan ‘Saaketh Raman Ji.
Spicmacay- The society for the promotion of Indian Classical Music
and Culture amongst youth is an inspiring youth moment which
promotes the aspect of India Cultural Heritage like Indian Classical
Music Classical Dance Folk Music and other aspects of Indian
Culture.
Started by Dr. Kiran Seth in the year 1977 this innovative idea has
gained traction since then with widespread involvement of some of
the biggest names of classical music and dance with the organization.
Spicmacay is an affirmation rejuvenating rare and marginalized art
forms in various categories like rituals, mythology, philosophy and to
facilitate awareness of their deeper subtler values.
The energetic and self-motivated liveliness of the youth. The
movement incorporates this liveliness to entice them into being
guardians of what is their genuine right.
I would once again reiterate to our honorable guest and august
audience that it is an honor and privilege amidst us today.
I now request Keerthana to introduce the highly acclaimed artist
Vidwan ‘Saaketh Raman Ji’ to the audience.
KEERTHANA
A very good evening to all and welcome to today’s rendezvous series
with SPICMACAY. I am delighted to welcome our special guest for
today Vidwan Saket Raman ji, a very well renowned Carnatic
vocalist, composer, music educator and teacher in the Carnatic music
fraternity.
He has been the prime disciple of sought-after violin maestro Padma
Bhushan Lalgudi Jayaraman since the age of 8. Saket Raman ji has
also learnt advanced voice culture techniques and Hindustani music
from Padma Bhushan Dr TV Gopalakrishnan, rare krithis from
Vidwan Nagai Muralidharan and is known for his innovation within
traditional boundaries of Carnatic music.
I would also like to share some of his achievements including
being:
- the Founder of Samuditha Foundation ,
- being an A’ grade musician of All India Radio,
- Hailed as “Prince of Pallavi“ for presenting one of a kind
“Saptha Raga Saptha Thala Saptha Swara“ Pallavi for Pallavi
Darbar, 2018,
- He has pioneered an annual exclusive thematic production , has
Composed more than 200 Pallavis on various themes,
I would also like to inform that our guest here has Performed in
prestigious venues and cities across the world like, Narada Gana
Sabha, Rama Seva Mandali Bengalore, SpicMacay , Theatre De Villa
Paris, Chicago, Cleveland, San Diego International Music festival,
Boston Learnquest Conference, Sydney Music Festival, Dubai,
London,
Frankfurt, Los Angeles, San Francisco, Portland, Raleigh, Pittsburgh,
Washington, Phoenix, Connecticut. Sir it is indeed an honor to have
you with us today .

Some of the awards conferred on our guest today are:


- Yuva Puraskar from Sangeet Natak Akademi
- Best Vocalist in Music Academy for 6 years
- Gold Medal for Outstanding Pallavi at Music Academy
- MS Subbalakshmi Award from Narada Gana Sabha,
Chennai
- Best concert in Learn Quest Music Conference in Boston
And many more
Ananya:
Thank you Keerthana, for the long list of achievements that
you have mentioned seem incredible but our guest Vidwan
Saketh Raman ji has achieved them.
The accompanying artist with Saaketh Raman ji are Shri Sai
Rakshit ji for violin ,Shri NC Bharadwaj for Mridangam
Shri Sunil Kumar ji for Khangira and Shrimati Supraja for
Tambura.
I request guruji to do the honors and start the programme.
I request the audience to sit back and enjoy the programme.
CONCERT
Thank you guruji for the excellent concert and now for the
most awaited part of the programme that is interaction with
the famed artist Saketh Ramanji.
Here I would like to inform the audience that they too can
send their questions through the chat box and our technical
team would unmute them if they see a raising hand symbol.
Over to Anjana for the questions now.
ANJANA:
Namaste guruji that was a marvelous performance.
1. how many hours do u devote to practice music and how
were u able to balance your studies in school as well as in
music?
2. what are the skills that you think are required to become an
accomplished artist?
Thank you Guruji, My friend Nandini here wants to ask a few
questions:

NANDINI
[Link] was your inspiration and What is/was the biggest
problem you have encountered in the journey of music?
2. Do you experience stress and nervousness before going on
stage? If yes, how do you cope up with it and gain
confidence?
Thank you Guruji, Over to Keerthana
Anuj
Namaste Guruji I am Anuj first of all congratulations for an
extraordinary vocal recital. I have a few doubts can you
clarify them for me
1.I have seen various artists taking alaaps and taans
spontaneously. As a learner how can I develop this ability?
[Link] we practice basic alankaars in morning. Do we
need to practice raag specific alankaars. And where can we
find them ?
[Link] we still have guru – shishya Parampara learning system
in Hindustani Classical Music? If so where can we find it ?
4. I am often told to abstain from certain food like ice cream
and sour foods. What is your opinion, should student indulge
occasionally or complete abstain from it ?
5. Guru ji I sometimes doubt whether there is a future for
Hindustani Classical Music or not . What are your views on
it ?
Thank you, Guruji My friend Anviksha has a few queries,

Anviksha-
Namaste Guruji I am Aanshi
1. Do you have any hobbies and interests other than music?

2. Did your family support you when you wanted to be a


musician?

3. How has your experience with online concert been


considering that times have changed due to the pandemic?
Thank you guruji

ANJANA
4. What is the message that you would like to give to today's
generation on importance of learning classical music?

QUESTIONS FROM CHAT BOX:

(Hashmita) Guruji please explain the difference between


gurukul system of learning and present system of learning.
2 or 3 question from the chat box

Ananya
And now as they say all good things have to come to an end,
so is our musical evening and rendezvous with Vidwan
Saketh Raman ji.
Due to paucity of time, we would have to end this
programme.
I would like take this opportunity to thank Dr. Kiran Seth and
SPICMACAY THE ORGANISERS OF THIS EVENT
WITHOUT WHOSE SUPPORT THIS PROGRAMME
WOULD NOT HAVE BEEN POSSIBLE.
APSB MANAGEMENT AND PRINICPAL MA’AM AND
MOST IMPORTANTLY VIDWAN SAKETH RAMAN JI
FOR ENTHRALLING THE AUDIENCE WITH HIS MUSIC
AND LASTLY A BIG BIG THANK YOU TO THE
AUDIENCE FOR BEING SO PATIENT AND
SUPPOURTIVE THROUGHOUT THE PROGRAMME.
BUT BEFORE WE END THE PROGRAMME, I WOULD
LIKE TO INFORM YOU THAT ON 21ST AUGUST THAT
IS NEXT SATURDAY AT THE SAME TIME ,ON THE
SAME LINK, SPICMACAY WILL BE CONDUCTING
HATTRIYA DANCE, THE CLASSICAL ART FORM OF
ASSAM BY RENOWNED DANCER ANWESA
MAHANTA.
THE PROGRAMME WILL BE HOSTED BY APS
GOLCONDA, SECUNDERABAD.
BEFORE WE END THE PROGRAMME, I WISH ALL
YOU PRESENT HERE A VERY HAPPY 75TH
INDEPENDENCE DAY AND REQUEST YOU ALL TO BE
PART OF ALL CELEBRATIONS OF AZADI KA AMRIT
MOHATSAV THIS YEAR.
NAMASTE AND JAI HIND.

Common questions

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Vidwan Saket Raman's stature in Carnatic music is supported by his extensive background and numerous achievements. He trained under notable mentors like Padma Bhushan Lalgudi Jayaraman and Padma Bhushan Dr. TV Gopalakrishnan, gaining expertise in both voice culture techniques and traditional Carnatic music . His innovative compositions, such as the 'Saptha Raga Saptha Thala Saptha Swara' Pallavi, and his role as the 'Prince of Pallavi' at the Pallavi Darbar in 2018 demonstrate his innovation within traditional boundaries . He has received prestigious awards such as the Yuva Puraskar from Sangeet Natak Akademi and the MS Subbalakshmi Award, further establishing his reputation .

Online concerts have introduced challenges such as the lack of immediate audience feedback, technical issues like audio quality, and the absence of traditional concert ambiance, which can affect a musician's performance dynamics and engagement. Vidwan Saket Raman's experiences highlight these challenges, particularly amidst pandemic restrictions . To improve virtual concerts, technology improvements such as better streaming platforms with high-quality audio and video capabilities, interactive features to mimic concert feedback, and creating a virtual 'concert hall' experience with digital enhancements can be developed. Musicians can also adapt by preparing specific online-friendly repertoires that maintain engagement through digital media .

The guru-shishya parampara is a traditional system of music education characterized by close personal mentorship and continuous, immersive learning directly under a guru's guidance. In contrast, contemporary learning systems might involve more structured, curricular approaches with less personal interaction. The guru-shishya system offers benefits such as personalized training, a deep familial bond, and learning nuances that are hard to convey in a classroom setting. It remains relevant today as it fosters a thorough understanding and personal transformation in students, allowing them to internalize techniques and philosophies in a unique, profound manner .

Awards and recognitions play a pivotal role in shaping a musician's career in Indian classical music by offering validation and enhancing their credibility. For Vidwan Saket Raman, accolades such as the Yuva Puraskar from Sangeet Natak Akademi and the MS Subbalakshmi Award have not only recognized his mastery but also elevated his status within the Carnatic music fraternity . Such recognitions can open up more opportunities for performances at prestigious venues and collaborations with other renowned artists. They serve as milestones of excellence that help musicians gain both national and international attention, securing their legacy and inspiring upcoming musicians .

To become an accomplished Carnatic musician, Vidwan Saket Raman emphasizes the importance of rigorous practice, innovation within traditional boundaries, and learning from renowned mentors. Developing these skills requires dedicated practice and a deep understanding of music theory and practice. According to insights shared during the concert, maintaining a balance between formal education and music practice is essential. Skills are developed through systematic practice of basic alankaars and improvisation techniques like alaaps and taans, alongside being part of the guru-shishya parampara learning system, which offers personalized guidance from masters .

SPICMACAY, or the Society for the Promotion of Indian Classical Music and Culture Amongst Youth, plays a crucial role in promoting Indian classical arts by engaging the young population through its activities. Founded by Dr. Kiran Seth in 1977, it focuses on spreading awareness and appreciation of Indian cultural heritage, including classical music, dance, folk music, and other cultural aspects. SPICMACAY incorporates the "energetic and self-motivated liveliness of the youth" to attract and make them guardians of their cultural heritage . The movement adopts innovative methods such as concerts, workshops, and festivals to make traditional arts appealing to younger audiences, fostering a deeper understanding of their cultural values .

SPICMACAY has a significant impact on preserving rare and marginalized Indian art forms by showcasing them to young audiences and integrating them into their programs. It increases awareness and appreciation of these art forms, ensuring their continuity in modern times . To enhance this impact, SPICMACAY might employ strategies such as expanding digital and social media outreach to connect with a global audience, creating more educational content that delves into the histories of these art forms, and establishing partnerships with schools and universities to integrate them into formal educational curricula. These strategies can help broaden the reach and influence of SPICMACAY's cultural preservation efforts .

SPICMACAY's model can be adapted for improved digital engagement by leveraging online platforms for streaming concerts, workshops, and interactive sessions that reach a global audience. Creating engaging digital content such as virtual reality experiences of concerts, educational videos on art forms, and social media campaigns targeting younger demographics can enhance engagement . Potential challenges include ensuring digital access for all socio-economic groups, preserving the authenticity of live performances online, and overcoming technological barriers that could impact the quality of streamed content. There is also the challenge of maintaining audience concentration and interaction in a digital format where distractions are prevalent .

SPICMACAY encourages youth to become guardians of their cultural heritage by involving them actively in the practice and appreciation of Indian classical arts. Through engaging events, workshops, and concerts, young people are exposed to the depth and diversity of Indian culture, which in turn imbues a sense of pride and responsibility towards preserving it . This role is crucial for cultural sustainability as it ensures these art forms continue to be practiced and appreciated in future generations, preventing them from falling into obscurity. By fostering a connection with these traditions, SPICMACAY helps maintain cultural diversity and richness in a rapidly globalizing world .

Vidwan Saket Raman's performances and compositions are considered innovative due to his ability to weave traditional Carnatic elements with creative nuances. His 'Saptha Raga Saptha Thala Saptha Swara' Pallavi exemplifies this innovation, showcasing complex rhythmic patterns and melodic structures while adhering to classical rules . His approach to pallavis, and his development of thematic productions, display a synthesis of traditional Carnatic framework with innovative improvisation. His work as a composer, producing over 200 pallavis on various themes, further demonstrates his commitment to evolving Carnatic music within its classical boundaries, providing fresh perspectives for audiences familiar with its traditions .

Spicmacay Script
ANANYA
Good evening everyone, On behalf of the founder of Spicmacay Dr.
Kiran Seth, APSB Management and Prin
He has been the prime disciple of sought-after violin maestro Padma
Bhushan Lalgudi Jayaraman since the age of 8. Saket Raman
- MS Subbalakshmi Award from Narada Gana Sabha, 
Chennai
- Best concert in Learn Quest Music Conference in Boston
And many mo
1. how many hours do u devote to practice music and how 
were u able to balance your studies in school as well as in 
music?
4. I am often told to abstain from certain food like ice cream 
and sour foods.  What is your opinion, should student indulge
2 or 3 question from the chat box 
Ananya
And now as they say all good things have to come to an end, 
so is our musical eve
ASSAM BY RENOWNED DANCER ANWESA 
MAHANTA.
THE PROGRAMME WILL BE HOSTED BY APS 
GOLCONDA, SECUNDERABAD.
BEFORE WE END THE PROG

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