Two Lady Rams

Mulk Raj Anand

Two Lady Ram is a story with wonder futile. Ram in English means male sheep. But
here it is not about sheep but anout two owmen married to Lord Ram. His wife is called Lady
Ram as he was called Lalall Jhinda Lord Ram. It is another humourous story about how rich
Indian married woman and gets into a strange and awkward situation. Both Lady Rams are
beautiful but there is difference of age. One does not like the other. Even their servant stare
different and they work in opposite groups. Both women struggle to master Lord Ram in every
day life. Both ladies love both Ram most. A serious quarrel takes place between the two lady
rams on who hold go with Lallah Ram,The younger wife Sakuntala and elder is old wife is
Sukhi. The quarrel took the form a battle also. Lord Ram returns home in the evening and
decides to take both. A situation arises when he has to go the Queen s party on the occasion of
winning an award for his sundry servces to the British empire. He was very happy and proud
on 168 this occasions the he was invited by the queen it was an Award giving ceremony. But
the problem is which of the Lady Rams should be taken to the party. At last he decides to take
both of his wives to the party and he actually takes them. Later he began to take his both wives
to all parties, horse races, cricket matches and etc. That was a great matter of amusement to the
people. All big people in the party become surprised. They secretly enjoy the awkward situation
of Lord Ram in front of the Queen. It is full of fun and humor.

Mulk Raj Anand is known for his realistic portrayals of the social and economic
problems suffered by Indians because of the caste system and British colonial rule, Anand is
considered by many critics to be one of India's best writers In Two Lady Rams, Anand presents
witty narrative of Lalla Jhinda Ram's household which is at a constant state of cold war
between the two lady of the house Sukhi, the elder wife and Shakuntala, the younger.

The plotline is based upon the mayhem that occurs in Lalla Jhinda Ram's house [Link] plot
revolves around the two wives of Lalla Jhinda Ram who are at tug of war with each other for
their husband's [Link] the two wives were incessantly quarreling with each other Lalla
Jhinda Ram decides to divide his house into two separate wings, one for each wife to
[Link] divided his household chores among the two wives so as to keep them at distant
with each other.
The two lady rams (short story) by mulk raj Anand.
The first wife Sukhi consider the second wife Shakuntala as only a substitute since Sukhi
turned out to be [Link], along with the division of the house hold the chaos was
under [Link] unsaid routine was followed among Lalla Jhinda Ram and his two [Link]
used to sleep with each of his wives on alternate days and showered both with equal
[Link] mayhem started uprising once again when Lalla Jhinda Ram was awarded
Knighthood and was invited to the garden party along with Lady Ram.

Since the invitation card read "Lady Ram" instead of "Two Lady Rams"Lalla Jhinda Ram had
to choose one of his wives to take along with him to the garden [Link] those days it was not
officially notified that among the wives of a person awarded Knighthood, which of his wife or
wives would be entitled to be called as [Link] was only a matter of time before the household
was filled with gossip about Lallaji choosing his second wife Shakuntala to take along with
[Link] was filled with rage as she learned about Lallaji asking Shakuntala to be ready for
the party.

Summary of two lady rams.

This decision of his made her feel like a discarded woman who was no longer required by her
[Link] one wife over the other disturbed Lalla Jhinda Ram's peace of mind. He was
in a state of confusion where he did not know what to do. Then it dawned upon him that since
she is a person of high regard he can easily alter the invitation Two Lady Rams" from "Lady
Ram". Lalla Jhinda Ram ordered the staff to inform both his wife to be ready for the garden
party. In the evening Lalla Jhinda Ram was introduced along with "Two Lady Rams" and both
were equally acknowledged and praised for their beautiful saris.

Critical Analysis the short story "the two lady rams" by mulk raj Anand.
The above story by Mulk Raj Anand points out the bigamy that was accepted in the society.
While criticizing the social standards there is also a clear undercurrent of comedy and hilarity
in the story. The men were free to marry multiple times if their wife is unable to provide them
with a child. This highlights the discrimination against women gender that existed in the
society. It also highlights the fact that women did not have their own identity in a society instead
they were defined by their husbands name and occupation.
In the above story, the first wife of Lalla Jhinda Ram accepted the harsh truth about his
husband's second marriage without protesting against the injustice that was being done towards
her. She numbly acknowledged the truth since she was discovered to be barren. She as an
individual was valued only on the bases of her ability to produce an heir for the family The
story portrays a certain double standards that existed within the Indian society where women
were defined according to their spouse. The story shows a constant struggle between the two
wives to gain their husbands attention.
At one point the readers witness the injustice done towards the first wife, the readers
often miss to notice that the second wife too has been deprived in certain ways. It is astonishing
to imagine that a woman would be willing to marry an already married man. Another thing that
ought to be noticed is the fact that Lalla Jhinda Ram is able to bend rules according to his will
because he possessed the power and money to do so. This factor points out that irrespective of
the era or time power always holds the highest position.

Mulk Raj Anand: Indian-ness in Two Lady Ram

The English language has become to the Indian Subcontinent as a’ reminiscent’ and much
prized reward of the British Colonial experience which spans nearly all of the ‘History of
India in Becoming a Unified nation’. And it is in the same understanding that one cannot
refuse to accept that English as a language has played a pivotal role in igniting the
nationalist spirit in the minds of the Indian citizens who were divided on the basis of
regional identities. Quoting from the famous essay of A. K. Ramanujan- ‘Is there an Indian
Way of Thinking?’ the parable as told by Buddha and reiterated by Ramanujan in the same
context goes as follows:
“…Once a man was drowning in a sudden flood. Just as he was about to drown, he found
a raft. He clung to it, and it carried him safely to dry land. And he was so grateful to the
raft that he carried it on his back for the rest of his life”.
Thus, it is agreeable that invasively so, but the English Writing has been the rescuer of the
Indian Civilisation after the Partition in 1947 and ever since has become the reflection of
the ‘Voice of the (New) Formed Nation’. Amongst all the writings in English the short
story form enjoys a special affection amongst the members of the ‘Intelligentsia’ like Mulk
Raj Anand to the modern day writers like Salman Rushdie. After all, the short story is an
art form staunchly Indian in origin of which the examples are the Vedic texts like the
Puranas to the epics like Mahabharata. Yet the paradox remains that Indian short story in
English is but a product of Western Influences ([Link]).
But remarkably so, even then“English is borrowed into (or imposed on) Indian contexts”
(A. K. Ramanujan) which subdues the existence of English as an alien language and makes
it all the more “Indian”. And when issues concerning the Indian Nation form the core of
the Writing in English the product is but an expression of the lives of the Indian common
folk in a more universally read medium.
Such colourful “Indianism permeates in the diction, idiom and imagery in dialogue” of
Mulk Raj Anand. One of the ‘triumvirate’ in the 1930s who established the Indian English
Novel, Anand has since then written eleven novels alongside many short stories that reflect
on the issues that were prevalent in then India, suitably justifying the Indian English short
stories as the “Breath in the Mirror”. The short story: Two Lady Rams (part of the short
story collection The Tractor and the Corn Goddess) is typically what Anand defined as
“highly developed form of folk tale” that included “psychological understanding of the
contemporary period”. The short story comes as a social satire on the “Angrezi Sarkar of
India” and highlights the tussle between the colonial subject and the colonial master. The
story follows the same theme at two levels, where for one, Lalla Jhinda Ram is the colonial
subject to the “department that acted on His Majesty’s Behalf” and the second are the wives,
Sukhi and Sakuntala who are the colonial subjects to (the agent of the patriarchal society)
i.e. Sir Jhinda. As the story unfolds one can understand the satire that stands to highlight
how poorly the ‘colonial master’ governed over its subjects of whom he knew and cared
the least. The apparent honour of Knighthood which is cunningly bestowed on Jhinda Ram
(mark of his sly ‘sundry’ services to the Empire) and supposed to raise his social
status helps to bring forth this negligence of the British State; and as for the wives the
selfish decision of Lalla Jhinda to take the second wife to his investiture ceremony because
otherwise she would abstain from entertaining him, shows the lack of regard and respect
towards wives that were then treated as mere objects of the household. Another theme
shadily addressed in the story is the tuft between on setting modernity and fading traditions.
Thus even when Jhinda Ram enjoys a siesta and his mansion had an “English style gol
kamara or, living room” he was acquitted to marry two wives on the grounds of Hindu
Mitakshara Law and demanded for his wives to dress in a traditional sari for the Ceremony.
In all, the household of Jhinda Ram was on the margins of traditional and the cusp of
modern. And when the Modern (the Kinghthood) merged with the Traditional (the two
wives of Sir Jhinda) (amusingly enough) the Colonial Anxiety is surfaced. It is in the same
light that one can imagine the last gravely serious comment “the three staunch pillars” said
with respect to Jhinda Ram and the Lady Rams as a drawing its symbolism to the state of
the Indian common folk (Jhinda Ram) which struggled to obtain an identity through the
modern (Sakuntala) but could not afford to lose the traditional (Sukhi) that had formed the
whole truth of their survival. Another facet of the issue of Identity comes through the tussle
of Sakuntala and Sukhi both of whom wish to be Lady Ram since the women of colonial
India were recognised by the name of their husband, Anand comments on the lack of
individual identity of women in marriage and through his female characters attempts to
inspire revolution in women to fight for their ‘rights’. The Two Lady Rams runs as a
comical account of the day of a shopkeeper’s life who is bestowed the highest honour in
British Raj, only to add misery to his life. A misery which does not come from poverty or
exploitation (as in the other short stories of Anand) but whose cause is ‘over abundance of
undue credibility’. Thus, even when the story is not the whole truth yet it is derived from
the truth of the lives of the ‘Indians’. In addition the story places a satire on the ‘sleeping
Indian spirit’ and the so called ‘collaborators’ of the British Raj who out of selfish motives
served the Colonial Master. By extension, the story therefore, comes with the hidden
message of the agony involved in the service of the British than the ‘Homeland’ which
came with the loss of one’s integrity and common sense which Jhinda Ram idolises when
he seeks the advice of his Chauffeur.