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First Draft: The Cursed Widow Script

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0% found this document useful (0 votes)
131 views4 pages

First Draft: The Cursed Widow Script

Uploaded by

api-601408470
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

FADE IN:

1 INT. THEATER ROOM - NIGHT

A close-up of a hand knocking on a door is seen.


MARIAM opens the door and greets FARAH and DIANA.

MARIAM
Salam alaikum, come in come in.

FARAH and DIANA are then seen entering. The girls


take their snacks then sit down on their chairs.

MARIAM & DIANA


(giggling and small talk)

As FARAH is about to sit down on the furthest chair,


she starts hearing whispers. A close-up of FARAH’s
face, and as she turns to the right, the camera moves
with her to reveal the wall next to her.

FARAH then looks confused and anxious, but carries on


watching the movie…

Time goes by, MARIAM, DIANA and FARAH are shown from
the back of their heads, eating popcorn and watching
the film. The camera is positioned as an extreme long
shot behind them, with the background of the movie
being played(screen is flashing bright lights on and
off). FARAH is later shown in a medium shot looking
tired and sick with the lighting changing on her face,
showing the film’s flashing lights. FARAH then stands
up randomly with her hand on her head

FARAH
I need to take a walk…

DIANA
Ok, take care.
FARAH leaves…

2 EXT. PATHWAY - NIGHT

She makes her way to the house. As she's walking, a


dolly movement of the camera goes backwards, leading
FARAH as if she's walking towards the camera. A
shadowy figure holding a lantern appears behind her as
she’s walking.
FARAH feels shivery and gets goosebumps but does not
notice the shadowy figure’s appearance as it
disappeared.

As FARAH reaches the house’s door, she starts reaching


for the handle and opens the door…

3 INT. ABANDONED SCHOOL - NIGHT

FARAH transitions to her old school, leaving her with


shock and confusion (shown by her facial expressions.)
After opening the door, she makes her way through the
hallway. When she reaches the glass door, the black
shadowy figure appears again, which is now shown more
clearly (but we still can't see it’s face). The
shadowy figure is watching FARAH slowly from it’s POV,
as FARAH walks to the glass door.

4 EXT. ABANDONED SCHOOLYARD - NIGHT

FARAH is opening the glass door, goes outside and


starts walking until she reaches behind the front
steps. She looks at the benches with hurt and sadness.
An extreme close-up to her face, mostly focusing on
her eyes while she shows a shock in her.

BEGIN FLASHBACK

5 EXT. SCHOOLYARD - MORNING

TEENAGER FARAH is sitting down reading her book.


MARIAM and DIANA walk toward her. FARAH does not
notice them until MARIAM starts grabbing FARAH’s book
and throws it on the floor.

FARAH stands abruptly.

FARAH
Hey!

At an extreme low angle (worms view), Farah tries to


stand and get her book but before she pulls her legs
out of the bench, mariam pushes her. Meanwhile, DIANA
is standing behind not knowing what to do, but doesnt
help FARAH.

MARIAM
You don't get to stand up

FARAH is seen on the floor hurt. MARIAM and DIANA run


off leaving FARAH miserable and alone.

FLASHBACK END

6 EXT. ABANDONED SCHOOLYARD - NIGHT

A close-up of FARAH’s face looking hurt after the


flashback. She starts looking down, feeling low and
stands still right when she’s about to cry.

The shadowy figure appears closer than ever, revealing


THE CURSED WIDOW, which was now standing behind FARAH.
THE CURSED WIDOW, grabs FARAH’s shoulder in a
surprising motion. FARAH gets startled and
instantaneously looks behind her…

7 INT. THEATER ROOM - NIGHT

FARAH wakes up from an unexpected nap. FARAH, still in


confusion, looks at her friends who she sees are dead.
Farah starts to scream in shock, then cries. In an
extreme long shot, FARAH is seen on the floor
traumatized, holding her head and screaming. THE BLACK
WIDOW is seen behind FARAH, at the far corner. THE
BLACK WIDOW starts turning around revealing her face
behind the translucent, black veil, then turns more
with her lantern covering the shot.

Common questions

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The shadowy figure, known as the Cursed Widow, symbolizes the burdens of the past and the haunting nature of unresolved trauma. Initially appearing as an intangible presence, the figure is a manifestation of Farah's unresolved emotional pain and fear, growing more defined as she confronts her past . The figure's intervention in the narrative during pivotal moments, such as the abandonment in the schoolyard and the theater room, drives the thematic narrative of encountering one's fears and insecurities. This embodiment of fear highlights the psychological impact of bullying and emotional neglect, emphasizing the need for resolution and understanding of one's internal struggles .

The interactions between Farah, Mariam, and Diana highlight themes of betrayal, isolation, and unresolved trauma. In the flashback, Mariam's aggressive behavior towards Farah, combined with Diana's passivity, emphasizes Farah's sense of betrayal and isolation . Farah's later confrontation with the shadowy figure and the cursed widow symbolizes the resurfacing of her past trauma and the pain from being bullied and unsupported . The narrative connects these themes by juxtaposing Farah's current supernatural fears with her past emotional experiences, depicting how unresolved issues continue to haunt individuals .

The temporal shifts between past and present in the film serve to deepen the understanding of character dynamics and development, particularly Farah's. These shifts reveal the foundational experiences that shape Farah's current psychological struggles, such as the bullying incident with Mariam and Diana, which establishes Farah's feelings of betrayal and isolation . By interweaving these past events with the current narrative involving the Cursed Widow, the film delineates how past behaviors and interactions influence present anxieties and responses. The temporal dynamics highlight character growth potential while showcasing the lingering impact of past relationships and unresolved conflicts .

The narrative structure employs non-linear storytelling, consisting of flashbacks and current events, to explore Farah's internal conflict. The use of flashbacks, particularly the shift to when Farah experienced bullying at school, juxtaposes her past vulnerability against her current psychological strife . This parallel structure underscores the persistence of her emotional wounds and how they manifest into her fear of supernatural elements. The intercutting of these timelines allows the audience to see the continuity of Farah's emotional journey, illustrating the depth of her ongoing struggle with feelings of hurt and fear stemming from unresolved past events .

The incident of Farah being bullied over a book during her school days adds significant depth to her character and aids in story progression by contextualizing her vulnerabilities and emotional state. This particular memory highlights her history of being belittled and unsupported, which contributes to her current feelings of insufficiency and fear . The flashback serves as a pivotal connection between past and present, allowing the audience to understand the roots of Farah's psychological struggles and her interactions with her friends, thereby facilitating the progression of the narrative as she confronts both her inner and outer demons .

The setting of the abandoned schoolyard contributes significantly to the film's narrative by acting as a physical representation of Farah's past trauma. The location is tied to a key flashback event where Farah experiences bullying, which is instrumental in highlighting her emotional scars . The stark, empty environment of the schoolyard, combined with the nighttime setting, accentuates feelings of desolation and fear, reinforcing the idea of abandonment both physically and emotionally. This setting becomes a backdrop for Farah's confrontation with her memories and the supernatural presence, emphasizing the connection between past and present traumas .

The presence of the Cursed Widow in the final scene is significant as it encapsulates the culmination of Farah's unresolved fears and trauma. Her appearance coincides with Farah's discovery of her friends' deaths, amplifying the shock and emotional overload Farah experiences . The Widow's veiled face signifies hidden truths and the obscured potential for understanding or overcoming one's fears, suggesting that Farah's internal battle is far from over. This presence also implies that the unresolved past still shadows Farah's present reality, indicating the depth of her psychological distress and the need for reconciliation and healing .

The filmmakers employ various camera techniques to reflect Farah's psychological state. A close-up of Farah's face is used when she first hears whispers, emphasizing her confusion and anxiety as she looks towards the wall, suggesting a sense of foreboding . As Farah transitions through the narrative, an extreme long shot positions her as small against the flashing movie screen, suggesting vulnerability and the overwhelming nature of the experience. This vulnerability is further expanded by the dolly movement that tracks her as she walks, creating a sense of unease accentuated by the unseen shadowy presence . Finally, the extreme close-up on her eyes during the flashback portrays her shock and emotional turmoil, highlighting her memories of bullying, which connect with the current fear of the supernatural presence .

Lighting plays a crucial role in setting the mood and emotional undertone of the scenes involving Farah. In the theater room, the alternating bright flashes of light emphasize Farah's growing unease and disorientation . This visual tension mirrors her internal state as she experiences whispers and other supernatural occurrences. Additionally, the dim, eerie lighting in the abandoned schoolyard amplifies the sense of loneliness and fear, paralleling Farah's descent into her past traumas. The strategic use of shadows in these scenes accentuates the haunting atmosphere and symbolizes the lurking presence of unresolved emotions .

The sound design of the film intricately influences the audience's perception of tension and fear by employing diegetic and non-diegetic sounds to heighten suspense. The whispers that Farah hears introduce an element of mystery and anticipatory dread, as they inject an auditory cue of the supernatural presence that is not initially visible . This auditory element unsettles both Farah and the audience by creating an atmosphere of unseen menace. Furthermore, the silence punctuating Farah's flashback moments underscores her isolation, while sudden loud sound cues in the theater room and abandoned school add shock value, thereby intensifying the emotional impact and driving home the thematic elements of fear and tension .

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