Sub-genres of fictions
1. Short Story. Shorter in length than a novel, a short story is a fictional prose
work which usually focuses on one plot, one main character (with a few
additional minor characters), and one central theme. It aims at unity of effect
and creation of mood rather than on plot. Edgar Allan Poe’s “The Philosophy
of Composition” describes a short story as one that “should be read in one
sitting, anywhere from a half hour to two hours. In contemporary fiction, a
short story can range from 1,000 to 20,000 words.”
2. Novel. A novel is a narrative prose work of considerable length that talks
about significant human experience. The novel’s beginnings date back to as
early as the writing of “Tale of Genji” by Murasaki Shikibu; later, in the early
seventeenth century, European novels came to be written (Prahl, 2019).
A novel is also characterized by the following: (1) written in prose form, (2)
considerable length or word count, (3) fictional content, and (4) individualism;
that is, it appeals to an individual audience as a reader rather than to a group.
3. Myth. Derived from the Greek mythos, which has a range of meanings from
“word,” through “saying” and “story,” to “fiction,” a myth is a symbolic narrative
of unknown origin and tells events which are partly traditional and associated
with religious beliefs. Myths are specific accounts with gods or superhuman
beings as characters involved in extraordinary events or circumstances in a
time that is unspecified but which is understood as existing apart from
ordinary human experience. Mythology, on the other hand, refers to both the
study of myth and the body of myths belonging to a particular religious
tradition.
4. Legend. A legend is traditional tale which is thought to have historical bases.
5. Fable. A fable is an instructive story about human social behaviour with
personified animals or natural objects as characters and always ends with an
explicit moral message. The concept of time and space is also not specific in
a fable.