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OAcademy 2022 Percussion Auditions

Percussionists are encouraged to audition for both percussion and timpani for the 2022 OAcademy. Applicants should ensure access to percussion instruments for their audition given different COVID-19 protocols between countries. Those wishing to audition for percussion only may do so without the timpani excerpts. This year there will not be a separate timpani audition.

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100% found this document useful (1 vote)
120 views2 pages

OAcademy 2022 Percussion Auditions

Percussionists are encouraged to audition for both percussion and timpani for the 2022 OAcademy. Applicants should ensure access to percussion instruments for their audition given different COVID-19 protocols between countries. Those wishing to audition for percussion only may do so without the timpani excerpts. This year there will not be a separate timpani audition.

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LeonardoPérez
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PERCUSSION & TIMPANI (Optional)

Percussionists are encouraged to audition on both percussion and timpani for the 2022 OAcademy.
With every country having their own COVID-19 protocols, please bear in mind that you should
guarantee access to these instruments ahead of time in order to participate fully in what OAcademy
will have to offer. If you would like to audition only for percussion you may do so and not include the
timpani excerpts. There will not be a separate timpani audition this year.

Invitamos a los percusionistas a aplicar a la OAcademy 2022 tanto para la audición de percusión como
de timpani. Dado que cada país tiene sus propios protocolos COVID-19, tenga en cuenta que deberá
garantizar el acceso a los instrumentos con anticipación para participar de manera exitosa en todas las
actividades que la OAcademy ofrecerá. Si desea hacer una audición solo para percusión, puede hacerlo sin
incluir los extractos de timpani. Este año no se realizará audición separada para timpani.

Audition Material

1) XYLOPHONE

Orchestral Excerpts:
- Gershwin: Porgy and Bess (Overture) (Complete excerpt)
- Bartok: Concerto for Orchestra (Bar 173 – 183)

2) GLOCKENSPIEL

Orchestral Excerpts:
- Debussy: La Mer, No.3, Dialogue du vent et de la mer (9 bars after rehearsal mark #55 - 8 bars
before rehearsal mark #56)
- Dukas: The Sorcerer’s Apprentice [4 bars after rehearsal mark #17 - 4 bars after rehearsal mark
#19] and [rehearsal mark #22 - rehearsal mark #24]

3) SNARE DRUM
Orchestral Excerpts:
- Rimsky-Korsakov: Scheherezade, Mvt. III [Rehearsal mark D – E]; mvt. IV [1 bar before
rehearsal mark C – D; [4 bars before rehearsal mark N - 19 bars after rehearsal mark N];
[rehearsal mark P –rehearsal marl R]
- Prokofiev: Lieutenant Kijé Mvt. I, The Birth of Kijé, [Rehearsal mark #1 – rehearsal mark #3]

4) TAMBOURINE

Orchestral Excerpt:
- Dvorak: Carnival Overture [bar 1 - 5 bars after rehearsal mark A]; [17 bars after rehearsal mark
K - 26 bars after rehearsal mark. K]; [rehearsal mark T – end]

5) CYMBALS

Orchestral Excerpt:
- Tchaikovsky: Symphony No. 4, Mvt. IV [Bar 1-8 inclusive]; [16 bars after rehearsal mark H –
end]

6) OTHER

- A solo piece of the candidate’s choice on the following instruments: Marimba, Vibraphone,
Xylophone, Timpani, Snare Drum. Maximum duration: 3 minutes / Una pieza solista a
elección del candidato en los siguientes instrumentos: marimba, vibráfono, xilófono, timpani,
redoblante. Duración máxima: 3 minutos.
- Please choose 2 of the following instruments to demonstrate your ability on Latin and/or
Brazilian percussion: congas, timbales, bongo, tambora, maracas, pandeiro, repinique,
tamborim, caixa. Maximum duration: 2 minutes. / Elija 2 de los siguientes instrumentos para
demostrar sus habilidades en percusión latina y/o brasileña: congas, timbales, bongo, tambora,
maracas, pandereta, repinique, tamborim, caja. Duración máxima: 2 minutos.

7) TIMPANI [Optional]

Orchestral Excerpts:
- Tchaikovsky: Symphony No. 4, Mvt.1 [rehearsal mark T – 1 bar before rehearsal mark V]
- Beethoven Symphony No. 5, Mvt. III/IV [Bar 224 – 395 inclusive]

Common questions

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The glockenspiel excerpts, such as Debussy's 'La Mer' and Dukas' 'The Sorcerer’s Apprentice,' require candidates to display a keen ear for tonal nuance, agility in handling rapid passages, and sensitivity to orchestral balance. These pieces demand precise execution and an ability to blend with complex orchestral textures, challenging candidates' technical and musical interpretation skills .

It is critical for percussionists to ensure access to their instruments ahead of time because varying COVID-19 protocols across different countries might impact their ability to access these instruments during key rehearsal or audition periods. This proactive measure helps prevent logistical challenges that could impede their full participation in the OAcademy activities .

Not organizing a separate timpani audition could be due to logistical constraints or a strategic decision to streamline the audition process. By integrating timpani with percussion, the OAcademy simplifies planning and encourages candidates to present a broad skill set within a single audition framework .

The requirement to demonstrate abilities on Latin and/or Brazilian percussion highlights the OAcademy's emphasis on cultural diversity and musical versatility. Candidates are encouraged to show proficiency in global percussion styles, which reflects the academy's goal of fostering a comprehensive and inclusive musical education .

COVID-19 protocols impact auditions by potentially limiting candidates' access to rehearsal spaces and instruments, posing challenges for preparation. Globally, candidates may experience varied restrictions, necessitating early planning to mitigate any disruptions. This reflects a global need for adaptability and proactive engagement with local regulations .

Including a solo piece of the candidate's choice allows percussionists to showcase personal strengths, express individual musical style, and demonstrate artistic interpretation. This element of the audition can reveal a musician's technical versatility and creativity, values that the OAcademy likely finds important .

Offering optional timpani excerpts allows the OAcademy to accommodate percussionists who may excel more in general percussion instruments, thereby broadening their applicant pool. It acknowledges that not all percussionists may have access to timpani or specialize in them, enabling flexibility in participation .

Percussionists must prepare the following orchestral excerpts for the xylophone: Gershwin's 'Porgy and Bess' (Overture) complete excerpt, and Bartok's 'Concerto for Orchestra' (Bar 173 – 183).

Specific rehearsal marks and bars in the cymbal orchestral excerpts indicate precise parts of the music that candidates need to prepare, reducing ambiguity in preparation and ensuring that all auditionees are assessed on identical sections, fostering uniformity in evaluation .

The snare drum audition excerpts include varied and challenging pieces such as Rimsky-Korsakov's 'Scheherezade' and Prokofiev's 'Lieutenant Kijé,' which feature quick tempo changes, dynamic contrasts, and intricate rhythms. This selection indicates that the OAcademy prioritizes technical proficiency, rhythmic accuracy, and dynamic control in their assessment of a candidate's snare drum skills .

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