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Spanish Influence on Philippine Drama

The document discusses Philippine theater, including its history from indigenous rituals to Spanish influences like komedya and zarzuela plays, and its modern incorporation of elements to remain relevant. It also provides details on the one-act play "New Yorker in Tondo," written in 1958 about a woman who returns to Manila after living in New York and forgets her roots, and an assigned activity to do a timed reading of it in groups.

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Lee Ann Nicole
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0% found this document useful (0 votes)
24 views28 pages

Spanish Influence on Philippine Drama

The document discusses Philippine theater, including its history from indigenous rituals to Spanish influences like komedya and zarzuela plays, and its modern incorporation of elements to remain relevant. It also provides details on the one-act play "New Yorker in Tondo," written in 1958 about a woman who returns to Manila after living in New York and forgets her roots, and an assigned activity to do a timed reading of it in groups.

Uploaded by

Lee Ann Nicole
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

21st Century

Literature from the


Philippines and
the World
Philippine Drama
In an ocean of emotions
Where do plays/drama usually
held at?
Here?
Here?
Here?
Here?
Here?
Here?
Here?
THEATER
Theater
• A building, room, or + It is a collaborative form of
outdoor structure for the fine art that uses live
presentation of plays, performers, typically
films, or other dramatic actors, to present the
performances. experience of a real or
imagined event before a
live audience in a specific
place, often a stage.
History of
Philippine
Theater
History of Philippine Theater
• began just like any • these constitute • eventually, when
other form of rituals, verbal Spaniards came, these
literature – with jousts or games, indigenous dramas
precolonial and songs and were discarded and
indigenous drama dances praising were changed into
their respective mainly 2 categories:
gods commedia or komedya
and zarzuela or
sarsuela
Komedya
is a colorful theatrical tradition in
the Philippines that describes the
conflicts or the differences between
the Muslims and the Christians. It was
used by the Spanish as a method to
spread Christianity in the country.
Secular Komedya
Comedia de capa y Espada

Secular – historical and non-religious.

Moro-Moro is a type of Secular Komedya


which portrays the clash between the Muslims
and the Christians.
Religious Komedya
Comedia de Santo

It centers on the life of Christ or of any saint. It


usually seen during church celebrations.

The actors move in a stylized way, have


extravagant costumes and elaborately
choreographed war scenes.
Zarzuela
• type of theater that is musical in
nature – it is both spoken and
sung.

• Filipinos indigenized zarzuela into


sarswela, it became a mix or
music, prose, dance, dialogue,
and a discussion of
contemporary/modern subjects.
The Modern Philippine Theater
• has changed and • it still attacks contemporary
incorporated many issues and portrays the real lives
modern elements to keep of Filipinos here and abroad
it relevant to its growing
audience. • it also went back to its roots such
as music and dance
Homework
Watch or read the play called
“New Yorker in Tondo”
for next meeting’s activity.
New Yorker in Tondo
+ Is a classic satirical play in one-act
+ It was written in 1958
+ It was first staged by the Far Eastern University (FEU) Drama
Guild at the FEU, Manila
+ This play in Tagalog is about Kikay who is a balikbayan from New
York
+ Kikay acquires the style, manner, and culture of a New Yorker
thus, forget her roots and one true love in Tondo.
+ It also tells how she gets back to being the Kikay of Tondo that
her friends and loved ones knew.
Activity (New Yorker in Tondo)
“timed reading.”

+ A timed reading is when you perform the characters in


the play per group out loud through dramatic reading.
Activity (New Yorker in Tondo)
A point deduction will be applied once someone commits
the following mistakes:

1. Reads the wrong word or wrongly reads a word;


2. Does not perform with the right voice (a boy’s voice for
a boy’s character and a girl’s voice for a girl character)
or emotion;
3. Does not pronounce a word properly.
What contemporary issue does
New Yorker in Tondo explore as
a play?

All the world is a stage and every man and
woman are merely players. We are the
actors and actresses in the story of our lives.

- Idon’tknowwhosaidthis

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