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Alice Reyes: Mother of Contemporary Dance

Alice Garcia Reyes is considered the mother of contemporary dance in the Philippines. She founded Ballet Philippines and received the highest award in the arts from the Philippine President in 2014, being named a National Artist of the Philippines. Reyes developed a distinctly Filipino modern dance style that incorporated indigenous and classical movements to promote Philippine culture and heritage. Through her work developing Ballet Philippines and popularizing modern dance performances, she helped build an audience for contemporary dance in the Philippines.

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0% found this document useful (0 votes)
4K views3 pages

Alice Reyes: Mother of Contemporary Dance

Alice Garcia Reyes is considered the mother of contemporary dance in the Philippines. She founded Ballet Philippines and received the highest award in the arts from the Philippine President in 2014, being named a National Artist of the Philippines. Reyes developed a distinctly Filipino modern dance style that incorporated indigenous and classical movements to promote Philippine culture and heritage. Through her work developing Ballet Philippines and popularizing modern dance performances, she helped build an audience for contemporary dance in the Philippines.

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Mikaela Rae Cruz
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  • Biographical Overview
  • Modern Interpretations
  • Achievements and Recognition

ALICE GARCIA REYES (born October 14, 1942)

Known as the mother of contemporary dance and has become a significant part of the Philippine dance
parlance. As a Filipina dancer, choreographer, teacher, director and producer, she has made a lasting
impact on the development and promotion of contemporary dance in the Philippines. Her dance legacy
is evident in the dance companies, teachers, choreographers and the exciting Filipino modern dance
repertoire of our country today. The visionary founder (together with Eddie Elejar) of the Ballet
Philippines, she received since June 20, 2014 from the Philippine President Benigno Aquino III the
highest award in the Arts, National Artist of the Philippines.

Reyes’ dance training started at an early age with classical ballet under the tutelage of Rosalia Merino
Santos. She subsequently trained in folk dance under the Bayanihan Philippine National Dance Company
and pursued modern dance and jazz education and training in the United States. Since then, during a
professional dance career that spanned over two decades, her innovative artistic vision, firm leadership
and passion for dance have made a lasting mark on Philippine dance.

Perhaps the biggest contribution of Alice Reyes to Philippine dance is the development of a distinctly
Filipino modern dance idiom. Utilizing inherently Filipino materials and subject matters expressed
through a combination of movements and styles from Philippine indigenous dance, modern dance and
classical ballet she has successfully created a contemporary dance language that is uniquely Filipino.
From her early masterpiece Amada to the modern dance classic Itim-Asu, to her last major work
Bayanihan Remembered which she staged for Ballet Philippines, she utilized this idiom to promote
unique facets of Philippine arts, culture, and heritage.

By introducing the first modern dance concert at the CCP Main Theater on February 1970 featuring an
all contemporary dance repertoire and by promoting it successfully to a wide audience, she initiated the
popularization of modern dance in the country. She followed this up by programs that developed
modern dancers, teachers, choreographers, and audiences. By organizing outreach tours to many
provinces, lecture-demonstrations in schools, television promotions, a subscription season and
children’s matinee series, she slowly helped build an audience base for Ballet Philippines and modern
dance in the country.

Best known works:

 Amada (1969)
 At a Maranaw Gathering (1970)
 Itim-Asu (1971)
 Tales of the Manuvu (1977)
 Rama Hari (1980)
 Bayanihan Remembered (1987)

Reyes also showed how the universal language of modern dance could express Filipino themes in such
works as:

 “Dugso”
 “Bungkos Suite”
 “Rajah Sulayman”
 “Itim Asu”- As a strong-willed woman, she instilled her heroines with an independent spirit: the
governor-general’s widow who avenges the assassination of her husband
 “Amada”- In Doña Lupeng and the female cultists who make men subservient
 “Carmen”- Her strength as a storyteller also came out in which was told in the viewpoint of Don
José, the jilted lover.
 Carmina Burana
 Romeo and Juliet
 Tales of the Manuvu
 Cinderella

For her work in dance, Reyes, was given a number of awards, including the Gawad CCP para sa Sining
and in 2012, was awarded the Gawad Buhay Outstanding Choreograhy for Dance for Rama Hari. She was
recognized as a National Artist for Dance in 2014.
Rama Hari

Common questions

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'Itim-Asu' by Alice Reyes is significant because it imbues its heroines with an independent spirit, reflecting strong-willed characters. The narrative centers around the governor-general’s widow who seeks revenge for her husband's assassination. This not only highlights a theme of empowerment and independence but also uses modern dance to express complex human emotions and sociopolitical narratives, which are distinctly Filipino in context .

Alice Reyes contributed to the development of a uniquely Filipino modern dance idiom by incorporating Philippine indigenous dance, modern dance, and classical ballet into her works. She utilized inherently Filipino materials and subject matters, which were expressed through a combination of movements and styles. This synthesis allowed her to create a contemporary dance language unique to the Philippines .

Some of Alice Reyes's best-known works include 'Amada,' 'At a Maranaw Gathering,' 'Itim-Asu,' 'Tales of the Manuvu,' 'Rama Hari,' and 'Bayanihan Remembered.' These works explore themes such as Filipino cultural heritage, empowerment, independence, and the integration of traditional Filipino narratives with modern dance techniques, providing a platform for expressing Filipino identity through contemporary dance .

Alice Reyes popularized modern dance in the Philippines by staging the first modern dance concert in the CCP Main Theater in February 1970, featuring an all-contemporary dance repertoire. She further promoted modern dance through outreach tours to provinces, lecture-demonstrations in schools, television promotions, a subscription season, and children's matinee series. These efforts built an audience base for Ballet Philippines and modern dance in the country .

The work 'Amada' marked a turning point in Alice Reyes's career as it was one of her early masterpieces that vividly demonstrated her ability to weave distinctly Filipino themes into modern dance. The piece is significant because it showcased her innovative use of indigenous dance forms within contemporary choreography, establishing her reputation as a pioneering figure in developing a uniquely Filipino modern dance idiom .

Alice Reyes helped build an audience base for modern dance in the Philippines through strategic efforts such as organizing outreach tours to provinces, conducting lecture-demonstrations in schools, and utilizing television promotions. She established a subscription season and children's matinee series, all of which increased public exposure and interest in modern dance, fostering a supportive community for Ballet Philippines .

Alice Reyes's works demonstrated the potential of modern dance to express Filipino themes by utilizing the universal language of dance to convey uniquely Filipino stories and experiences. Her works often integrated traditional Filipino dance elements with modern and classical ballet, creating a new vocabulary that could address both personal and cultural narratives. This approach not only preserved indigenous culture but also showcased its relevance in a contemporary context, thus broadening the scope of cultural expression in the arts .

Alice Reyes might have faced challenges such as reconciling the distinct movement vocabularies and aesthetic principles of Filipino indigenous dance, modern dance, and classical ballet. Integrating these diverse elements requires deep cultural sensitivity and a creative approach to avoid misrepresentation and to ensure that the resulting idiom respects both traditional and contemporary forms. Additionally, challenges include addressing any resistance that may have existed towards modernizing traditional dance forms and ensuring authenticity while reaching broader audiences .

Alice Reyes's recognition as a National Artist of the Philippines had a profound impact on the Philippine dance community by elevating the status of modern dance in the country's cultural narrative. It validated the significance of contemporary dance as an art form and encouraged wider appreciation and institutional support for dance as both a cultural and educational pursuit. Her recognition also inspired a new generation of dancers and choreographers to innovate and contribute to the cultural landscape .

Alice Reyes's early training significantly influenced her accomplishments in modern dance by providing her with a foundational understanding of classical ballet under Rosalia Merino Santos. Her training in folk dance with the Bayanihan Philippine National Dance Company and further education in modern dance and jazz in the United States allowed her to merge various dance styles into a cohesive modern dance form that incorporated Filipino cultural elements, leading to her unique approach to creating a modern dance idiom .

ALICE GARCIA REYES (born October 14, 1942)
Known as the mother of contemporary dance and has become a significant part of the
children’s matinee series, she slowly helped build an audience base for Ballet Philippines and modern 
dance in the country.
            
                                                                                            Rama Hari

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