HOW TO HANDSTAND:

THE KEYS TO BECOME A MASTER OF BALANCE

SUMMARY:
1. INTRODUCTION 4

2. THE HANDSTAND 5

3. MOST COMMON SHOULDERS’ FLEXIBILITY AND MOBILITY EXERCISES 11

4. MOST COMMON WRISTS’ STRENGTHENING AND MOBILITY EXERCISES 16

5. HANDSTAND PROGRESSION EXERCISES 17

2
 HANDSTAND
PROGRAM
THE KEYS TO BECOME A MASTER OF BALANCE

Introduction to handstand – joints flexibility, mobility – How to test it and

improve
Strengthening for handstand – Exercises to prepare your body, joints and tendons
for heavy load
Perfect form of Handstand – Explanation on how to achieve the proper body alig-
ment, mistakes and how to correct them
Handstand balance tricks – Favorite list of tips to change your handstand game and
learn how to balance it
Handstand mobility – Which muscles cause lack of mobility in your joints and won’t
let you achieve perfect form of handstand and how to fix it. List of
exercises presented
TOP 5 common mistakes in handstand and how to correct them.
Over 10 additional handstand exercises to become a master of handstand.

How to train handstand, frequency, methods and basics of programming.

8 explanation videos and 23 pages of Handstand E-book

New Handstand program releases 07.09.2019 on [Link]

1. INTRODUCTION
As we all know, the Handstand is probably one of most common skills
typical of all those sports that are involving the use of your own bodywe-
ight see for instance
Gymnastics, Calisthenics, Acrobatics, Parkour and so [Link] can surely
say that once the Handstand is “collected” amongst the other skills, it
can open new doors to new tricks and combinations both awesome to
see and to perform. Another
consideration has to be done since it is a skill that no matter how simple
can seem to be in regards of its achievement when looking at it while
performed by someone else, in reality is not so simple to approach. The
main issue comes from the limits brought by each one of us in terms of
body structure, hence height, arms and legs length and even more
important the range of motion of both shoulders and hips. We will talk
about these specific elements in the following sections.

4
2. THE HANDSTAND
Let’s now analyze a little more in detail which are the main elements

characterizing this skill. For sure, since the main goal of the handstand is

to be able to form a straight line that unifies the upper with the lower

body, the very first and probably most important elements to consider

are joints’ flexibility and mobility, with particular emphasis on shoul-

ders. When approaching the handstand from its very first steps, the

main elements on which you should focus your work are shoulders’

flexion and elevation, wrists’ strength and mobility and last but not

least, hips mobility:

a) Shoulders’ flexion (flexibility): is actually one of the details that, together with
their elevation, are characterizing the stance you should work on in order to
achieve a perfect form handstand. When talking about shoulder’s flexion I’m
mainly referring to the position you get into when taking your arms up and stra-
ight in line with your ears. If by doing so, looking into a mirror, you notice an angle
between your lats and the head of your triceps (say the long one), this means that
your arms are not gonna be in line with your ears, but still in front of them. A
good range of motion in this sense is achieved when, by not activating your lower
back as a compensation of the movement, you are able to flex your shoulders so
that your arms are at least in line with your ears or even beyond them, hence
behind them.
So many times, I come across people who are attempting to perform a hand-
stand with such a bad line between shoulders and the rest of the upper body,
that I always wonder how they do not feel any stress in their joints by doing so.
See the classic “banana” stance that is a clear evidence of a lack in terms of sho-
ulders’ flexibility. Since arms are supporting the whole body while holding the
stance, they should be in a perfect straight position whilst most of the times they
happen to be bent

5
 PROPER TECHNIQUE

INPROPER TECHNIQUE

6
 b) Shoulders’ elevation (mobility): together with the flexion, also the elevation
has to be considered as the second and not less important element on which you
should work. In this case, the elevation comes more from a matter of lack of mo-
bility because it’s strictly connected with the shoulder blades. Working on this
aspect might seem to be easy, but once you will try to test how mobile you can
be, you might be surprised in noticing an effort in performing a movement that is
not part of your daily habits. Putting in motion just and strictly your shoulder
blades might be a challenge at the beginning, so keep in mind to not underesti-
mate this factor as well when approaching the handstand

SCAPULA DEPRESSION SCAPULA ELEVATION

7
c) Wrists’ strength: I decided to include also this aspect that is another one
pretty unconsidered which represents a potential threat since the practice of the
handstand requires a very good warm up for your wrists. Unfortunately, most of
the times I see people attempting handstands without any proper warm up prior
to them and categorically, every single time, I hear complaints about a pain after.
It all goes back to a matter of care to details, because also wrists need a proper
journey in terms of adaptation to a stress that they weren’t used to until the day
you decided to start working on the handstand and in general for all the other
skills of Calisthenics. For this reason you should include in your warm ups some
exercises that are helping to strengthen your wrists and I suggest doing that
considering all possible wrists’ movement patterns

8
d) Wrists’ mobility: of course, also in this case, the strength by itself is not much
of a help; it needs for sure another supporting element that is, once again, the
mobility of your wrists. If, by simply kneeling down and placing your hands in a
parallel stance with your shoulders, you try leaning forward while keeping them
in constant contact with the floor and by doing so you immediately perceive an
intense pain in your wrists, this is the most evident proof that they lack of
mobility. This test is gonna help you defining which are your limits and
emphasizes on what you should focus your work.

9
e) Hips’ mobility: if you already attempted to perform a handstand and you
made it, but you had that classic banana stance with your back and legs, you
should know that it is due to a matter of lack of mobility in your hips that are not
allowing the posterior pelvic tilt position (PPT) rather than the anterior one (APT).

INPROPER HANDSTAND PROPER HANDSTAND

10
3. MOST COMMON SHOULDERS’
FLEXIBILITY AND MOBILITY
EXERCISES
As we anticipated above, flexibility and mobility of the shoulders are two

very important aspects to consider when approaching the handstand.

Here I would like to try to provide you with some useful tips that might

help you in not being stuck in the process and achieve wisely the steps

necessary to master this beautiful skill. Before we said that, in order to

achieve a body alignment while performing a handstand you need to be

aware of which are the limits that might stop you from doing that.

In particular, in terms of shoulders’ flexibility and mobility we can identify

the following “strategies” to adopt:

SHOULDERS FLEXIBILITY EXERCISES: in this case, you want to focus on

increasing your shoulders’ range of motion (ROM) by means of a stick or

broomstick as well as a box. The tips I’m gonna provide you with, indeed,

are aiming to increase the flexion of your shoulders throughout some

very effective exercises that should be performed, if not on a daily basis,

at least weekly, say three times a week to give you an idea. So, first thing

first test your actual level of shoulders’ flexibility by simply standing

against a wall with your back while on feet. Elevate both arms straight

until the point where you have control of your lower back since your goal

is to understand which is the point where it starts to be activated in

order to help shoulders get a further elevation. If the angle that is gonna

form is lower or equal to 45°, it means that you lack of sufficient flexibility

and so, by the time you would start performing whichever exercise for
11
the handstand that involves a shoulder activation, you wouldn’t be

capable of doing it correctly.

To increase such angle you can adopt these three main techniques:

- STICK/BROOMSTICK OVERHEAD SHOULDER STRETCH:

1) While standing on feet, grab a stick/broomstick with both

hands placed more than shoulder-width

2) Keep your arms straight and start flexing your shoulders so

that the stick/broomstick reaches at least a position above your head

3) Elevate your shoulders before passing the line of your head so

to favor the flexion overhead

4) When you reach the point of maximum flexion and start

feeling a little

tension, hold the position for at least 15-30” for at least 3 sets

12
- STRAIGHT ARMS/BENT ARMS SHOULDER STRETCH ON A

BENCH/BOX:

1) Kneel on the floor with a box or bench in front of you at an

arms-length distance

2) Perform this exercise in two different ways, with arms straight in

line with the box/bench initially and then with arms bent; in first case

place just the palm of your hands at the edge of the box/bench, in the

second case just your elbows with forearms gathered behind your neck

and hands in pray position

3) From these two different points of stretch, lower yourself from

the initial straight line to the one where lats and shoulders are below

such line

4) Perform these two stretches for repetitions and breathe out whe-

never you lower yourself since it’s supposed to be the moment where

the tension is higher; perform at least 3sets x 10reps with a hold of 10-15”

at the last rep of each set

- RINGS SHOULDERS-LATS STRETCH:

1) Set-up the rings at shoulder-width, at a height that allows you to

be partly hanging with your upper body and arms straight

2) Kneel on the floor while grabbing the rings with both hands and

progressively let your upper body lean and stretch until the point where

arms are completely straight as well as legs so to form a sort of curve

between them

3) Hold this first position of stretch for at least 10-15” before going to

the second step which is gonna be stretches on both sides (you decide

which one first)

13
 4) Hang and stretch the lateral lats and shoulders to their sides

again for at least 10-15” each

5) Repeat the sequence passing every time through the central po-

sition of stretch for at least 3sets x 10-15” hold each stance

(central-left-right)

14
SHOULDERS MOBILITY EXERCISES: as we previously anticipated, in this

case the focus is more on shoulder blades. When talking about “shoul-

ders’ elevation”, I’m referring to the fact that you have to become capa-

ble of taking your shoulders up and down while following always a stra-

ight line between arms and upper body.

In this case this little and yet very important movement prevents you

from delivering too much stress in your tendons and joints while perfor-

ming the handstand. In this case, to achieve such goal, there are basical-

ly two main exercises that can be performed always on a weekly basis

(minimum) together with the others seen before which are:

- QUADRUPED STANCE SHOULDERS’ ELEVATION/DEPRESSION:

1) Start from a quadruped stance, hence kneeling down on the

ground with hands at equal distance from your knees so to form a stra-

ight line with your back

2) Elevate and depress for repetitions your shoulders and shoulders

blades so to isolate the movement just to these two parts, do not involve

the back while doing so

3) Perform 3sets x 10reps

- RINGS/BAR HANG SHOULDERS’ ELEVATION/DEPRESSION:

1) Hang yourself on a bar or on rings, but sufficiently high in both

cases so that feet are not touching the ground

2) Focus just and only on your shoulder blades through an alternted

movement, also in this case of elevation and depression, do not bend

your arms while doing so

3) Perform 3sets x 10reps

15
4. MOST COMMON WRISTS’
STRENGTHENING AND MOBILITY
EXERCISES
As I anticipated above, it is worth it dedicating a brief bracket to finding

out which are some of the best exercises you should adopt in order to

take your wrists to the next level in terms of strength and mobility.

Since the handstand is a skill that concentrates most of the load just on

your wrists and since they are the ones responsible of helping balancing

such stance, you cannot avoid passing through this very important step;

otherwise you can get injured pretty easily.

WRISTS STRENGTHENING EXERCISES:

- BACK HAND WRISTS HOLD (WITH FINGERS FACING KNEES)

- BACK HAND WRISTS PUSH-UPS (WITH FINGERS FACING KNEES)

- BACK HAND WRISTS TWISTS (WITH FINGERS FACING KNEES)

- BACK HAND CLOSING FISTS (WITH FINGERS FACING EACH OTHER)

- BACK HAND WRISTS TWISTS(WITH FINGERS FACING EACH OTHER)

- BACK HAND WRISTS PUSH-UPS (WITH FINGERS FACING EACH

OTHER)

WRISTS MOBILITY EXERCISES:

- WRISTS PALM DOWN FLEXION LEANS (FINGERS POINTING

FORWARD)

- WRISTS PALM DOWN EXTENSION STRETCH (FINGERS POINTING

BACKWARD)
16
- WRISTS PALM DOWN SIDE TO SIDE EXTENSION STRETCH (FINGERS

POINTING 90° OUT)

- SINGLE WRIST PALM DOWN CIRCUMDUCTIONS CLOCKWISE/COUN-

TERCLOCKWISE

5. HANDSTAND PROGRESSION
EXERCISES
We have finally come to the most interesting part of this ebook, so now

we’re gonna take a look at which are the best exercises you should start

including in your workouts, in order to master the handstand without

any gap in terms of progressions.

1) TRIPOD (HEADSTAND) HOLD: place your hands on the floor at shoul-

der-width (or a little more) and the head right in front of them, at a com-

fortable distance so that, once you bring your knees on top of your

elbows, you can hold that stance. Purpose of this exercise, especially for

beginners, is to let you start getting more confident with that sense of

disorientation that you might feel after going upside down with your

head while taking away from the floor your feet since the balance is

gonna be mainly handled by hands, knees and elbows due to the stance

you have to hold. The progression starts from the basic stance with

knees lying on elbows. Once you hold at least 60”, you can start lifting up

the knees towards a sort of advanced tuck stance; after mastering also in

this case at least 50/60”, you can aim to fully extend both legs together

progressively so to reach the full form tripod that simulates the position

you will have while performing a handstand

17
18
2) PIKE STAND HOLD: another very common exercise that helps a lot in

getting the proper shoulder elevation we spoke about before, due to the

position you have to get into. In this case, it’s very important the set up

before performing the hold; place your hands at shoulder-width once

again, keep your arms straight and shoulders elevated so to not stress

them with your own weight once upside down.

For such reason, your goal has to be forming a straight line between

arms and torso, whilst legs placed on a surface or stall bar (even better)

so that they can be fully extended and they form with the upper body a

90° angle. Make sure to master at least 60” hold before attempting the

next step that is, starting to elevate the position of your legs so that,

slowly, you can eventually reach their full extension upward

19
3) V PUSH-UPS: a strengthening exercise that comes in handy when

talking about shoulder strength development. For how simple might

look from the outside this exercise, once performed correctly, it can be

actually pretty challenging. It also requires a very good mobility in the

lower back, hamstrings and shoulders since the starting position wants

you to place your hands at shoulder-width while your feet are at equal

distance from them so to form an upside down V. From here, you have

to lower yourself like performing a classic push-up with the difference

that the activation here works much more on front deltoids and

triceps. Make sure to lower yourself forward, in the eccentric phase, until

the point where you have both elbows forming a 90° angle; such angle

has to be kept the whole time, if the butt lowers while performing the

exercise it means that you are NOT performing it correctly

20
5) WALL HANDSTAND HOLD (BELLY FACING THE WALL): immediately

after mastering the previous exercise for the time range suggested, you

can proceed to this next step.

Compared to the previous one, having your belly facing the wall, it gives

you a closer idea of how it feels when holding a free handstand, since

the assistance provided is different in terms of balance.

Worthless saying that, also in this case, 4sets x 60” hold would be a good

and safe achievement

6) WALL HANDSTAND PPT/APT (POSTERIOR PELVIC TILT/ANTERIOR

PELVIC TILT) REPETITIONS: before we spoke about the importance,

later on in the process, of getting a good posterior pelvic tilt while perfor-

ming a handstand in order to get that perfect line. I decided to include

this exercise, at this point of the progression schedule, since here you

are supposed to have gained already a good control of your body suffi-

ciently to start focusing just and only on your hips. In this case, you can

decide if performing this exercise with belly or back facing the wall; the

most important aspect is the hips movement so to get into a posterior

pelvic tilt and anterior one for repetitions.

By doing so, you’ll become more aware of when you have it correctly and

when not. Being partly a dynamic exercise, perform at least 3sets x 10

reps

7) HANDSTAND KICKUPS: it’s about time to get straight to the point

and start finding out which is for you the best way to get in to a hand-

stand stance. Make sure to understand firstly which leg kicks up and

which one provides

21
support to such movement, considering that is gonna be the one

following. In order to get them both straight and into position, start by

performing repetitions of kick ups eventually ending up in finding the

stance to hold it for the very few first seconds. Here, more than before,

shoulders’ elevation and arms straight are the keys

8) FREE HANDSTAND HOLD: finally the master exercise that is the real

free handstand without any assistance. In this case would be recom-

mended to perform it prior to your real workouts on the other skills,

exactly when your CNS is still “fresh” and you can focus better on body

alignment and shoulder position

22
“Well, dear Caliathletes, also this time I tried to gather as many info as

possible for you so to provide always the best contents.

As you all know, here at Caliathletics we take it seriously and we don’t

want to be the typical common website where you purchase some-

thing; here we want you to become owner of all the best knowledge we

can gather for you so to let you become the best athlete out there. Each

one of you can and we wanna be the motivators that will help you

achieving this awesome life goal! Let’s do it together in one unique big

fam!!”
Mattia Sampaoli
Calisthenics coach and performer